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Guide to the Huron Playhouse Records UA.0091
Guide to the Huron Playhouse records UA.0091 This finding aid was produced using ArchivesSpace on June 12, 2019. English Describing Archives: A Content Standard Center for Archival Collections Guide to the Huron Playhouse records UA.0091 Table of Contents Summary Information .................................................................................................................................... 3 Biographical / Historical ................................................................................................................................ 3 Scope and Contents ........................................................................................................................................ 4 Administrative Information ............................................................................................................................ 5 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 - Page 2 - Guide to the Huron Playhouse records UA.0091 Summary Information Repository: Center for Archival Collections Creator: Huron Playhouse (Huron, Ohio) Source: Huron Playhouse (Huron, Ohio) Title: Huron Playhouse records, 1946-2018 ID: UA.0091 Date [inclusive]: 1946-2018 Physical Description: 32.56 Cubic Feet 62 archive boxes, 12 oversize boxes Language of the -
2 21 SEASON MAINSTAGE: April 28 - May 23
THE LEGACY THEATRE 2 21 SEASON MAINSTAGE: April 28 - May 23 Just Desserts A Musical Bake-Off 1 130 Shore Dr. Branford, CT 06405 (203) 315-0005 rossovino.net A Proud Supporter of Legacy Theatre Broadway bEATS 2 THE LEGACY THEATRE Stony Creek, CT Producing Artistic Director KEELY BAISDEN KNUDSEN presents Just Desserts A Musical Bake-Off Music by BRAD ROSS Book and Lyrics by BARBARA CAMPBELL with ALYSSA BIANCA MARY ANN FRANK JIMMY JOHANSMEYER SUSAN KULP PERRY LIU MARY MANNIX Light/Set Designer JAMIE BURNETT Costume Designer ELIZABETH BOLSTER Props Designer CALLIE LIBERATOR Sound Designer LOUIS IGOE Technical Director RICH BURKAM Company Manager LAUREN SALATTO-ROSENAY Stage Manager SARAH PERO Music Director DAVID BELL Directed by BERT BERNARDI The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law. For more information, please visit: concordtheatricals.com/resources/protecting-artists JUST DESSERTS is produced by special arrangement with Mark Orsini, BRET ADAMS, LTD., 448 West 44th Street, New York, NY 10036. www.bretadamsltd.net 3 The Company (in alphabetical order) ALYSSA MARY ANN JIMMY BIANCA FRANK JOHANSMEYER SUSAN PERRY MARY KULP LIU MANNIX Cast (in order of appearance) Zack/Donny . JIMMY JOHANSMEYER Emma . ALYSSA BIANCA Brandy . MARY MANNIX Lou . PERRY LIU Jean . SUSAN KULP Mildred . MARY ANN FRANK Voiceover . JASON GERMAINE PLACE: An Auditorium at a County Fair TIME: Late Saturday afternoon in Summer JUST DESSERTS WILL BE PERFORMED WITH AN INTERMISSION 4 Scenes & Musical Numbers ACT ONE Scene 1: Onstage “Just Desserts” . -
Mactheatre Theatre Departme
Think You Need A BFA? ................................................................................................................... 3 Is a BFA Degree Part of the Recipe for Musical Theater Success? ................................................. 7 A Little Quiz ................................................................................................................................... 12 Broadway's Big 10: Top Colleges Currently Represented on Currently Running Shows .............. 14 Monthly College Planning Guide For Visual & Performing Arts Students. ................................... 18 Theatre and Musical Theatre College Audition Timeline in a Nutshell ........................................ 48 Gain An Edge Over The Summer ................................................................................................... 50 6 Keys To Choosing The Perfect College For The Arts. ................................................................. 53 The National Association for College Admission Counseling Performing and Visual Arts Fairs in Houston & Dallas. ......................................................................................................................... 55 Unifieds ......................................................................................................................................... 58 TX Thespian Festival College Auditions......................................................................................... 68 Theatre College-Bound Resource Index. ..................................................................................... -
John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll. -
Playbill 2017
PLAYBILL ALPHA PSI OMEGA DELTA PSI OMEGA Alpha Psi Omega Delta Psi Omega Chapters in Action Scholarship Winners 2017 History of Alpha and Delta Psi Omegas In the early twentieth century, interest in the dramatic arts grew tremendously on college and university cam- puses. By 1920, most colleges had a dramatic organization staging plays annually for the campus and the com- munity at large. Also around this time, little theatre productions and dramatic workshops began taking place. This furthered the interest in theatre on campuses everywhere, especially in the western part of the country. At this time, several honororary groups were formed to recognize and reward exemplary student participation in those productions. In 1921, at Fairmont State College in Fairmont, West Virginia, college theater took root. A faculty director was hired in 1923, and the Masquers were formed. The Masquers were charged with presenting a season of 4 to 5 major productions per year for students and the general public. In 1924, the Masquers began searching for a na- tional honorary organization to join. As there was no truly national organization, Elinor B. Watson, Robert Sloan, and Fairmont faculty director Paul F. Opp researched forming such a national organization. As a result of their research and work, a proposed national constitution was drawn up, and, on August 12, 1925, the first cast of Alpha Psi Omega members, drawn from the Masquers, was initiated. It was then decided that each chapter was to be called a "cast," and Fairmont College became the Alpha Cast. Soon after, Marshall Col- lege in Huntington, West Virginia, expressed interest in chartering a cast of Alpha Psi Omega; they founded the Beta Cast. -
Musical Theatre in the Mountains: an Examination of West Virginia Public Theatre’S History, Mission, Practices, and Community Impact
MUSICAL THEATRE IN THE MOUNTAINS: AN EXAMINATION OF WEST VIRGINIA PUBLIC THEATRE’S HISTORY, MISSION, PRACTICES, AND COMMUNITY IMPACT. David S. Sollish A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Michael B. Ellison, Advisor Elaine J. Colprit Graduate Faculty Representative Jonathan L. Chambers Ronald E. Shields ii ABSTRACT Michael B. Ellison, Advisor The purpose of this study was to examine the ways in which a professional theatre can impact its community and to provide useful suggestions for young producers hoping to start their own theatre. By using the West Virginia Public Theatre as a case study and by examining its three-part mission (to entertain, to educate, and to improve the quality of life), this study highlights both effective and ineffectual practices conducted by the theatre, its administration, and its staff to ascertain the efficacy of that mission. Furthermore, the numerous voices stemming from my personal interviews with a cross-section of the community have served as a principal source of data from which to analyze the theatre’s impact on the blue-collar, sports- focused society of North Central West Virginia. West Virginia Public Theatre was established in 1985 and since has grown to be a reputable summer stock company. Modeled on the Pittsburgh Civic Light Opera, West Virginia Public Theatre has developed from a small, unknown theatre performing in a parking lot tent to a well-respected summer stock theatre with aspirations of further developing into a regional company. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H. -
Reaching New Audiences from School to Career
Volume LV Number 1 • Winter 2014 • $8.00 INSIDE: 2014 College, University & Professional Training Program Directory Reaching New Audiences Site-Specific Theatre: The Place Is the Thing Younger Artists ‘Make Theatre Happen’ From School To Career 10 Things Emerging Artists Need to Know ... BFA Design and theatre technology | BFA Production and stage Management Design Your Future BA theatre | BFA theatre Performance and Musical theatre Act now! Photo: 2010 Production of Machinal, by Sophie Treadwell, Directed by Heather May. Contact: C OLLEGE OF L IBERAL A RTS Department of Theatre Dr. scott Phillips, chair, Department of theatre tel [email protected] 334.844.4748 www.auburnuniversitytheatre.org www.auburn.edu | Auburn University is an equal opportunity educational institution/employer. PLAY WEST PLAY TRE HEA CO T M G PA W N U Y UWG THEATRE COMPANY Exceptional Training in a Professional Environment P LAY WEST NAST Accredited Bachelor of Arts Degree in Theatre UWG THEATRE OFFERS: • Access to professional theatre artists Call 678-839-4700 or • Access to industry standard software in theatrical sound, lighting, costume, e-mail [email protected] and scenic design • Performance and design opportunities starting in freshman year for more information. • Design lab, lighting lab, sound recording studio, large scene shop, and new costume shop www.westga.edu/~theatre • Internship programs (local, national, international) • Practical experience in all facets of theatrical production • Student scripts from playwriting course are produced in regular -
University of Northern Colorado School of Theatre Arts and Dance Student Handbook 2018
University of Northern Colorado School of Theatre Arts and Dance Student Handbook 2018 -2019 2 Table of Contents Introduction • Letter from the School Director .................................................................................................... 6 • Inclusion and Mission Statements ................................................................................................. 7 • Faculty ......................................................................................................................................... 8 • Staff ............................................................................................................................................. 16 School Policies and Procedures • Code of Ethics .............................................................................................................................. 19 • Faculty and Student Relations ...................................................................................................... 19 • Class Obligation and Attendance Policy ....................................................................................... 20 • Probation, Expulsion, and Production Eligibility Policies and Procedures ..................................... 20 • Program Requirements ................................................................................................................. 21 • Advisors and Advising.................................................................................................................. 18 o Appeals ............................................................................................................................ -
56 Performing and Visual Arts
Performing and Visual Arts Program Galleries Part of any university experience of quality is The University is home to four galleries with a the cultural richness provided by its performing wide range of exhibition calendars: and visual arts. Whether enthusiastic novices or The University Gallery is located in Taylor Hall serious pre-professionals, students will find an and features an exhibition calendar of contem- enormous array of artistic choices. The School porary and historical art work, a biennial alumni of the Arts subscribes to a philosophy which show, an annual student art show, and faculty seeks a balance between theory and prac- exhibitions. tice, and we are justifiably proud of the large College of Humanities and Fine Arts number of working artists among our faculty. The BFA Gallery is tucked into Ayres Hall and School of the Arts Chico’s reputation as an artistic center in features culminating shows for students earning the Bachelor of Fine Arts. Performing Arts Center 109 Northern California is the result of the collec- 530-898-5351 tive commitment by faculty, alumni, administra- The Janet Turner Print Museum on the mezza- tion, and student-artists to the highest standards nine of Laxson Auditorium curates seven exhibi- e-mail: [email protected] in every facet of the artistic experience. Though tions a year drawn from the collection of over http://www.csuchico.edu/arts/ first-rate facilities help, our large appreciative 3,500 prints. The National Print Competition is Interim Dean: Joel Zimbelman audiences know that quality in the arts resides held every other year with print artists from the Associate Dean: Brooks Thorlaksson within the talent of the individual and the dedi- United States and abroad. -
City of Angels Program
University of Southern Maine USM Digital Commons Programs 2007-2008 Season Theatre Programs 2000-2010 Spring 3-2008 City of Angels Program University of Southern Maine Department of Theatre University of Southern Maine School of Music Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-2007-2008 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre and University of Southern Maine School of Music, "City of Angels Program" (2008). Programs 2007-2008 Season. 1. https://digitalcommons.usm.maine.edu/theatre-programs-2007-2008/1 This Program is brought to you for free and open access by the Theatre Programs 2000-2010 at USM Digital Commons. It has been accepted for inclusion in Programs 2007-2008 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. UNIVERSITY OF SOUTHERN MAINE Department of Theatre and the School of Music present Book by Larry Gelbart Music by Cy Coleman, Lyrics by David Zippel Director, Wil Kilroy Musical Director, Edward Reichert Sponsored by Drs. John & Elizabeth Serrage March 14-23, 2008 Main Stage, Russell Hall USM Gorham Campus Produced by arrangement with, and the music and dialogue material furnished by Tams-Witmark Music Library, Inc. 560 Lexington Avenue, New York, NY 10022 Director's Note City of Angels City ofAngels played on Broadway between 1989 and 1992, winning Book by Larry Gelbart numerous awards, including the coveted Tony for Best Musical, Best Music by Cy Coleman, Lyrics by David Zippel Book, and Best Score. Ever since seeing a summer stock theatre Director Wil Kilroy colleague go from understudy to lead one night in that Broadway Musical Director production, I've wanted to bring the show to USM, knowing what a Edward Reichert Scenic Design Charles S. -
Music and Theatre 1
Music and Theatre 1 MUSIC AND THEATRE The Department of Music and Theatre (https://www.bethel.edu/undergrad/academics/music/) offers three degree programs for music majors: 1. Bachelor of Music in Applied Performance—a professional degree designed for students with strong performance skills who wish to become professional musicians, college and university teachers, or private studio teachers. 2. Bachelor of Arts in Music—a degree designed for students who want to develop their musical skills within a liberal arts program with enough flexibility to pursue additional studies in other fields of interest, such as biblical studies, business, psychology, theatre arts, etc. 3. Bachelor of Music Education—a professional degree designed for students who wish to become fully qualified elementary or secondary school music teachers. Students may elect certification in instrumental K-12 or vocal K-12. Bethel’s music education degree fulfills the Minnesota certification requirements. Students majoring in fields outside of music may choose elective courses in music, take private lessons, and participate in performance organizations. Transfer students must demonstrate acceptable proficiency levels in music theory, music history, and applied music before admittance to the major program. Credits used toward the major are evaluated on an individual basis by the department. Music Proficiencies • Applied Proficiencies. All students majoring in music must meet competency performance standards as specified by the department. The levels of proficiency are determined by the student's degree program. Applied performance majors must fulfill Level IV; music education majors and B.A. majors must fulfill Level III. Applied proficiency levels are determined by area of study (voice, keyboard, instrumental, and strings) and approved by the specific Area Directors.