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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Das Gespenst Von Canterville Spukt Im Stadttheater
Termine Das Magazin vom Mindener Tageblatt 3. bis 9. Dezember 2015 Das Gespenst von Canterville spukt im Stadttheater HG. Butzko, Hiss und eine Vernissage im BÜZ Seite 4 Ein Stiefel voller Musik im Alten AmtsgerichtSeite 6 MT-Foto: Annabell Bialas Dieter Nuhr „Nur Nuhr“ Torsten Good & Band 12.12.15 12.12.15 Minden Minden Kampa Halle Jazz Club UNSER TIPP Alfons – Wiedersehen Advent Advent! macht Freude 17.12.15 DER WOCHE 13.12.15 Minden Minden Stadthalle Stadttheater Richie Arndt Nussknacker ON ICE Accoustic Band 12.01.16 18.12.15 Minden Minden Kampa Halle Jazz Club Buddy in Concert Simone Solga 15.01.16 05.02.16 Minden Minden Stadttheater Stadttheater Jon Lehrer Andreas Thiel Dance Company 06.02.16 16.02.16 Minden Minden Stadttheater Stadttheater Kaspar Bülent Ceylan KRONK 19.02.16 25.02.16 VAREKAI Minden Minden Stadttheater Kampa Halle 25.–28.2.2016 | Hannover | TUI Arena Das Unmögliche wird möglich in der magischen Welt von Varekai, der fesselnden Arena-Produktion Das Bildnis Power Percussion des Dorian Gray von Cirque du Soleil. Die Mysterien des Universums 04.03.16 29.02.16 und der menschlichen Vorstellungskraft spiegeln Minden Minden sich in spannungsgeladenen Traumsequenzen aus Stadttheater Stadttheater Dramatik und Akrobatik. The Tribute Show – Play Luther ABBAtoday 13.03.16 12.03.16 Minden Minden Stadttheater Stadttheater 27 Monate EHRLICH BROTHERS J.C.C. Bruns Online+Service GmbH & Co. KG 15.03.16 04.02.16 Obermarktstraße 26 – 30 | 32423 Minden Minden Minden Stadttheater Stadttheater Ticket-Hotline 05 71 | 8 82 77 Öffnungszeiten Telefax 05 71 | 8 82 700 Montag bis Freitag 9 – 18 Uhr E-Mail [email protected] Samstag 10 – 14 Uhr Veranstaltungen 3 Adventskonzert in Möllberger Kirche Porta Westfalica (mt). -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
CHART 1733 09 August 2010
CHART 1733 09 August 2010 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. ON CHART TITLE/ARTIST LABEL TITLE/ARTIST LABEL TITLE/ARTIST LABEL THIS WEEK LAST WEEK WEEKS ON CHART DISTRIBUTOR THIS WEEK LAST WEEK WEEKS DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART DISTRIBUTOR OP250210002 17LOVE THE WAY YOU LIE EMINEM FEAT. RIHANNA * 17 NOW THAT’S WHAT I CALL MUSIC 33 VARIOUS 9065492 1 UNTIL THE END OF TIME OPSHOP 1 UNIVERSAL 1 EMI 1 OPSHOP/RHYTHM/DRM * 88697721962 2739452 DYNAMITE TAIO CRUZ 23 AMERICAN ANTHEMS VARIOUS 17 RECOVERY EMINEM 2 46 UNIVERSAL 2 SONYMUSIC 2 UNIVERSAL * 5186597492 MRG385 WE NO SPEAK AMERICANO YOLANDA BE COOL AND DCUP 33 SIMPLY THE BEST ‘80S ROCK BALLADS VOL. 2 VARIOUS 1 THE SUBURBS ARCADE FIRE 3 27 SWEATITOUT/CENTRALSTATION 3 RHINO/WARNER 3 SPUNK/EMI * 88697754382 5328080 BILLIONAIRE TRAVIE MCCOY FEAT. BRUNO MARS 1 JUST GREAT SONGS VARIOUS 1 80 GREATEST HITS JAMES LAST 4 611 WEA/WARNER 4 SONYMUSIC 4 UNIVERSAL * 3069042 88697532812 CLUB CAN’T HANDLE ME FLO RIDA FEAT. DAVID GUETTA 419 NOW THAT’S WHAT I CALL MUSIC 32 VARIOUS 1 GREATEST HITS BRUCE SPRINGSTEEN AND THE E STREET BAND 5 96 WEA/WARNER 5 EMI 5 SONYMUSIC * BIGTUNES0001 88697752802 CALIFORNIA GURLS KATY PERRY FEAT. SNOOP DOGG 83 BIG TUNES: BACK 2 THE NINETIES VARIOUS 85 THE VERY BEST OF: LIVE IN CONCERT DANIEL O’DONNELL 6 313 CAPITOL/EMI 6 UNIVERSAL 6 SONYMUSIC * 5323763 2737192 DJ GOT US FALLING IN LOVE USHER FEAT. PITBULL 738 TEN GUITARS VARIOUS 329 LUNGS: DELUXE EDITION FLORENCE AND THE MACHINE 7 53 SONYMUSIC 7 UNIVERSAL 7 UNIVERSAL * 88697689262 5186589962 12 3 CHOOSE YOU STAN WALKER 67 LET’S STAY TOGETHER VARIOUS 42 99 AD NESIAN MYSTIK 8 12 3 SONYMUSIC 8 SONYMUSIC 8 ARCHDYNASTY/WARNER * 9072672 6336412 JUST THE WAY YOU ARE BRUNO MARS 92 GLAM! VARIOUS 611 NEED YOU NOW LADY ANTEBELLUM 9 31 2 WEA/WARNER 9 EMI 9 CAPITOL/EMI * MOSA112 9362496655 1 SOMETHING IN THE WATER BROOKE FRASER 10 5 MOS UNCOVERED VOL. -
Nna Luke Abbott : Biography
nna luke abbott : biography It was towards the end of 2010 when Norfolk's self-styled ambassador of art school electronica Luke Abbott first unveiled the lush organic textures and pagan hypnotics of 'Holkham Drones', his ever-so- slightly-wonky debut album that takes its name from a beach on Norfolk's surprisingly northern section of coast. In the intervening months that have since elapsed, the unassuming twelve track collection of handcrafted hardware-jams has won over convert upon convert, staking a claim alongside recent releases from Four Tet and Gold Panda as one of the definitive works of the UK's ever-bolder Kraut- tinged corner of the dance music spectrum, as well as making serious inroads with the Drowned In Sound indie set, for whom the “game-changing electronic opus” stood out as “far and away one of DiS' favourite records of 2010”. Luke Abbott spent his formative years in the Norfolk fenland village of North Lopham, surrounded by records lovingly hoarded by his pop music historian father Kingsley, author of biographical tomes encompassing Sixties luminaries such as The Beach Boys and Phil Spector. Luke first headed towards the bright lights of Norwich to enrol at the city's respected art school, soon followed by a course in Electroacoustic Composition at the UEA. Here the university's open-minded approach would allow him to indulge all of his technological curiosities, wandering at will down the various experimental avenues that run through electronic music's leftfield. This hands-on and homemade DIY approach has continued to inform his fledgling steps into a musical career, from circuit-bending and hardware-hacking to generating bespoke software instruments and sequencers and building his own custom MIDI controller. -
Edinburgh Eh8
EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only. -
AA-Postscript.Qxp:Layout 1
36 TUESDAY, MARCH 25, 2014 LIFESTYLE Gossip Jay Z addresses Drake’s art reference criticisms ay Z has hit out at Drake in a new track. The Roc Nation boss addressed the ‘Hypher’ hitmaker during his verse Jon Jay Electronica’s new song, ‘We Made It’, after the rapper called him “corny” for using art references in his music. Jay Z raps: “Sorry Mrs Drizzy for so much art talk/ Silly me, rappin’ ‘bout that I really bought/ While these rappers rap about guns that they ain’t shot/ And a bunch of other silly thing that they ain’t got.” The reference comes after Drake’s controversial interview with Rolling Stone magazine in February, during which he criticized Jay Z and slated Kanye West’s “questionable” rap lyrics on his ‘Yeezus’ album. He said: “It’s like Hov can’t drop bars these days without at least four art references. I would love to collect [art] at some point, but I think the whole Rap/art world thing is getting kind of corny.” Speaking about ‘Yeezus’, Drake added: “There were some real ques- tionable bars on there.” Itr isn’t the first time Drake has criticized the two rappers, as he admitted he wasn’t on good terms with the stars when he slated Jay Z and Kanye West’s collaborative album ‘Watch The Throne’ on his 2011 track ‘I’m One One’. He admitted: “It was a lack of communication paired with natural competitiveness. But those two are Gods to me.” Liam Gallagher’s ex to write new book iam Gallagher is “very nervous” about former lover Lisa LMoorish’s autobiography. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Third Session, Commencing at 2.30 Pm PAPUA NEW GUINEA
Third Session, Commencing at 2.30 pm PAPUA NEW GUINEA 639* German New Guinea, two mark, 1894A. Proof-like, good extremely fi ne. $750 640* 636* German New Guinea, two mark, 1894A. Toned, a little German New Guinea, fi ve mark, 1894A. Underlying mint rubbed, otherwise good very fi ne. bloom, light grey and irridescent toning, extremely fi ne. $600 $1,500 Ex H.Carlsson Collection. Ex H.Carlsson Collection. 641* German New Guinea, two mark, 1894A. Good very fi ne. $400 Ex H.Carlsson Collection. 637* German New Guinea, fi ve mark, 1894A. Toned, good very fi ne. $1,250 642* German New Guinea, one mark, 1894A. Toned, good very fi ne. $300 638 German New Guinea, fi ve mark, 1894A. Very fi ne. $750 643* Ex H.Carlsson Collection. German New Guinea, one mark, 1894A. Rim nick at 11 o'clock on the reverse, otherwise extremely fi ne. $280 47 644* German New Guinea, one mark, 1894A. Very fi ne. 649* $200 German New Guinea, ten pfennig, 1894A. Nearly extremely Ex H.Carlsson Collection. fi ne. $200 Ex H.Carlsson Collection. 650* 645* German New Guinea, ten pfennig, 1894A. Nearly extremely German New Guinea, one mark and half mark, 1894A. fi ne. Good very fi ne; very fi ne. (2) $200 $300 Ex H.Carlsson Collection. Ex H.Carlsson Collection. 646* 651* German New Guinea, half mark, 1894A. Good extremely German New Guinea, two pfennig, 1894A. Brown and dull fi ne. red, nearly extremely fi ne. $300 $300 647* German New Guinea, half mark, 1894A. Nearly very fi ne. -
Crescent" Student Newspaper Archives and Museum
Digital Commons @ George Fox University "The Crescent" Student Newspaper Archives and Museum 11-2-2001 "The Crescent" Student Newspaper, November 2, 2001 George Fox University Archives Follow this and additional works at: https://digitalcommons.georgefox.edu/the_crescent Recommended Citation George Fox University Archives, ""The Crescent" Student Newspaper, November 2, 2001" (2001). "The Crescent" Student Newspaper. 1241. https://digitalcommons.georgefox.edu/the_crescent/1241 This Book is brought to you for free and open access by the Archives and Museum at Digital Commons @ George Fox University. It has been accepted for inclusion in "The Crescent" Student Newspaper by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. NO, NOT MEL GIB C R O S S C O U N T R Y URBAN SERVICES SON, BUT CLOSE - COMES TO A Food and companion Theatre veteran Mel C L O S E - T h e B r u i n ship offered to the Schroder shares his pas i, V : ^ I men and women fin homelessby selfless sion for drama — V ish strong — students — A&E, page 8 Sports, page 10 News, page 2 Crescent George Fox University, Newberg, Oregon Friday, November 2, 2001 Issue 5, Vol. CXVIII Hatfield Health fair: stop the spread of sickness LISA DELZER chicken soup to cure the flu she expense - especially on a campus spiritual health, to nutritional presents like ours, where sickness spreads advice from the family and con Staff Writer already knows is coming, join the George Fox community at the rapidly. sumer sciences, it promises to be view on h e a l t h f a i r i n t h e E H S a t r i u m Many departments will be a great way to learn how to stay "Hi, Mom. -
Public Voices
Public Voices Government at the Margins: Locating/Deconstructing Ways of Performing Government in the Age of Excessive Force, Hyper-Surveillance, Civil Dis- obedience, and Political Self-interest – Lessons Learned in “Post-Racial” America Symposium Symposium Editor Valerie L. Patterson School of International and Public Affairs Florida International University Editor-in-Chief Marc Holzer Institute for Public Service Suffolk University Managing Editor Iryna Illiash Volume XV Number 2 Public Voices Vol. XV No. 2 Publisher Public Voices is published by the Institute for Public Service, Suffolk University. Copyright © 2018 Subscriptions Subscriptions are available on a per volume basis (two issues) at the following rates: $36 per year for institutions, agencies and libraries; $24 per year for individuals; $12 for single copies and back orders. Noninstitutional subscribers can make payments by personal check or money order to: Public Voices Suffolk University Institute for Public Service 120 Tremont Street Boston, MA 02108 Attn: Dr. Marc Holzer All members of SHARE receive an annual subscription to Public Voices. Members of ASPA may add SHARE membership on their annual renewal form, or may send the $20 annual dues at any time to: ASPA C/o SunTrust Bank Department 41 Washington, DC 20042-0041 Public Voices (Online) ISSN 2573-1440 Public Voices (Print) ISSN 1072-5660 Public Voices Vol. XIV No. 2 Public Voices Editor-in-Chief: Marc Holzer, Suffolk University, Institute for Public Service Managing Editor: Iryna Illiash, CCC Creative Center Editorial Assistant: Jonathan Wexler, Rutgers University - Campus at Newark Editorial Assistant: Mallory Sullivan, Suffolk University, Institute for Public Service Editorial Board Robert Agranoff, Indiana University Robert A.