Annual Report 2015/16
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Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER: -
Geometric Morphometric Analysis Reveals That the Shells of Male and Female Siphon Whelks Penion Chathamensis Are the Same Size and Shape Felix Vaux A, James S
MOLLUSCAN RESEARCH, 2017 http://dx.doi.org/10.1080/13235818.2017.1279474 Geometric morphometric analysis reveals that the shells of male and female siphon whelks Penion chathamensis are the same size and shape Felix Vaux a, James S. Cramptonb,c, Bruce A. Marshalld, Steven A. Trewicka and Mary Morgan-Richardsa aEcology Group, Institute of Agriculture and Environment, Massey University, Palmerston North, New Zealand; bGNS Science, Lower Hutt, New Zealand; cSchool of Geography, Environment & Earth Sciences, Victoria University, Wellington, New Zealand; dMuseum of New Zealand Te Papa Tongarewa, Wellington, New Zealand ABSTRACT ARTICLE HISTORY Secondary sexual dimorphism can make the discrimination of intra and interspecific variation Received 11 July 2016 difficult, causing the identification of evolutionary lineages and classification of species to be Final version received challenging, particularly in palaeontology. Yet sexual dimorphism is an understudied research 14 December 2016 topic in dioecious marine snails. We use landmark-based geometric morphometric analysis to KEYWORDS investigate whether there is sexual dimorphism in the shell morphology of the siphon whelk Buccinulidae; conchology; Penion chathamensis. In contrast to studies of other snails, results strongly indicate that there fossil; geometric is no difference in the shape or size of shells between the sexes. A comparison of morphometrics; mating; P. chathamensis and a related species demonstrates that this result is unlikely to reflect a paleontology; reproduction; limitation of the method. The possibility that sexual dimorphism is not exhibited by at least secondary sexual some species of Penion is advantageous from a palaeontological perspective as there is a dimorphism; snail; true whelk rich fossil record for the genus across the Southern Hemisphere. -
Gonna Drink, Get Drunk a History and Ethnography of Alcohol in Rarotonga, Cook Islands
Gonna Drink, Get Drunk A History and Ethnography of Alcohol in Rarotonga, Cook Islands. Vaughn Koops Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2002 Key Centre for Women’s Health in Society Department of Public Health The University of Melbourne DECLARATION This is to certify that (i) the thesis comprises only my original work towards the PhD (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is less than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. …………………………………………………………………………. ii ABSTRACT This thesis describes the place of alcohol in the lives of people from Rarotonga, Cook Islands. It incorporates historical and ethnographic analyses to provide the broad context of drinking by people aged from their teens to late thirties. The historical component of this study describes specific accounts of alcohol consumption, and situates these with regard to changes that occurred in Rarotonga from the early 19th century. Prior to contact with Papa’a (Europeans), people of Rarotonga neither produced nor consumed alcoholic beverages. Thus, the use of alcohol was a phenomenon intimately bound up with global exploration, proselytisation and trade. I trace historical changes in the distribution of power, resources, religious practice, and social discourse, and show how alcohol practice, distribution, and trade was linked to these changes from missionary contact onward. This history informs the ethnography of contemporary drinking practices. Individual and group practices and understandings of alcohol are described. I also describe the contribution of state policy, commercial interests, government institutions, and religious organisations to the place of alcohol in Rarotonga. -
Auckland Shell Club Auction Lot List - 22 October 2016 Albany Hall
Auckland Shell Club Auction Lot List - 22 October 2016 Albany Hall. Setup from 9am. Viewing from 10am. Auction starts at 12am Lot Type Reserve 1 WW Helmet medium size ex Philippines (John Hood Alexander) 2 WW Helmet medium size ex Philippines (John Hood Alexander) 3 WW Helmet really large ex Philippines, JHA 4 WW Tridacna (small) embedded in coral ex Tonga 1963 5 WW Lambis truncata sebae ex Tonga 1979 6 WW Charonia tritonis - whopper 45cm. No operc. Tongatapu 1979 7 WW Cowries - tray of 70 lots 8 WW All sorts but lots of Solemyidae 9 WW Bivalves 25 priced lots 10 WW Mixed - 50 lots 11 WW Cowries tray of 119 lots - some duplication but includes some scarcer inc. draconis from the Galapagos, scurra from Somalia, chinensis from the Solomons 12 WW Univalves tray of 50 13 WW Univalves tray of 57 with nice Fasciolaridae 14 WW Murex - (8) Chicoreus palmarosae, Pternotus bednallii, P. Acanthopterus, Ceratostoma falliarum, Siratus superbus, Naquetia annandalei, Murex nutalli and Hamalocantha zamboi 15 WW Bivalves - tray of 50 16 WW Bivalves - tray of 50 17 Book The New Zealand Sea Shore by Morton and Miller - fair condition 18 Book Australian Shells by Wilson and Gillett excellent condition apart from some fading on slipcase 19 Book Shells of the Western Pacific in Colour by Kira (Vol.1) and Habe (Vol 2) - good condition 20 Book 3 on Pectens, Spondylus and Bivalves - 2 ex Conchology Section 21 WW Haliotis vafescous - California 22 WW Haliotis cracherodi & laevigata - California & Aus 23 WW Amustum bellotia & pleuronecles - Queensland 24 WW Haliotis -
From Quiet Homes and First Beginnings 1879-1979 Page 1
From Quiet Homes and First Beginnings 1879-1979 Page 1 From Quiet Homes and First Beginnings 1879-1979 "FROM QUIET HOMES AND FIRST BEGINNING"* 1879-1979 A History of the Presbyterian and Methodist Churches in Upper Hutt who, in 1976, joined together to form the Upper Hutt Co-operating Parish. By M. E. EVANS Published by THE UPPER HUTT CO-OPERATING PARISH Benzie Avenue, Upper Hutt, New Zealand 1979 *Title quotation from "Dedicatory Ode" by Hilaire Belloc. Digitized by Alec Utting 2015 Page 2 From Quiet Homes and First Beginnings 1879-1979 CONTENTS Acknowledgements Introduction ... THE PRESBYTERIAN CHURCH, 1879-1976 St David's In the beginning, 1897-1904 .... Church Extension, Mission Charge and Home Mission Station, 1904-23 Fully Sanctioned Charge. James Holmes and Wi Tako—1924-27 The Fruitful Years—1928-38 .... Division of the Parish—1938-53 Second Division—The Movement North —1952-59 .... "In My End is My Beginning"—1960-76 Iona St Andrew's THE METHODIST CHURCH, 1883-1976 Whitemans Valley—1883-1927 .... Part of Hutt Circuit—1927-55 .... Independent Circuit: The Years of Expansion—1955-68 Wesley Centre and the Rev. J. S. Olds .... Circuit Stewards of the Upper Hutt Methodist Church—1927-76 OTHER FACETS OF PARISH LIFE Women's Groups Youth Work .... THE CO-OPERATING PARISH, 1976-79 To the Present And Towards the Future SOURCE OF INFORMATION AND ACKNOWLEDGEMENTS PHOTOS AROUND THE PARISH IN 1979 OUTREACH TO THE FUTURE BROWN OWL CENTRE Page 3 From Quiet Homes and First Beginnings 1879-1979 ACKNOWLEDGEMENTS It is my pleasure to thank Mrs M. E. -
The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
Phylum MOLLUSCA Chitons, Bivalves, Sea Snails, Sea Slugs, Octopus, Squid, Tusk Shell
Phylum MOLLUSCA Chitons, bivalves, sea snails, sea slugs, octopus, squid, tusk shell Bruce Marshall, Steve O’Shea with additional input for squid from Neil Bagley, Peter McMillan, Reyn Naylor, Darren Stevens, Di Tracey Phylum Aplacophora In New Zealand, these are worm-like molluscs found in sandy mud. There is no shell. The tiny MOLLUSCA solenogasters have bristle-like spicules over Chitons, bivalves, sea snails, sea almost the whole body, a groove on the underside of the body, and no gills. The more worm-like slugs, octopus, squid, tusk shells caudofoveates have a groove and fewer spicules but have gills. There are 10 species, 8 undescribed. The mollusca is the second most speciose animal Bivalvia phylum in the sea after Arthropoda. The phylum Clams, mussels, oysters, scallops, etc. The shell is name is taken from the Latin (molluscus, soft), in two halves (valves) connected by a ligament and referring to the soft bodies of these creatures, but hinge and anterior and posterior adductor muscles. most species have some kind of protective shell Gills are well-developed and there is no radula. and hence are called shellfish. Some, like sea There are 680 species, 231 undescribed. slugs, have no shell at all. Most molluscs also have a strap-like ribbon of minute teeth — the Scaphopoda radula — inside the mouth, but this characteristic Tusk shells. The body and head are reduced but Molluscan feature is lacking in clams (bivalves) and there is a foot that is used for burrowing in soft some deep-sea finned octopuses. A significant part sediments. The shell is open at both ends, with of the body is muscular, like the adductor muscles the narrow tip just above the sediment surface for and foot of clams and scallops, the head-foot of respiration. -
Fiona Clark Michael Lett 312 Karangahape Road Cnr K Rd
Fiona Clark Michael Lett 312 Karangahape Road Cnr K Rd & East St PO Box 68287 Newton Auckland 1145 New Zealand P+ 64 9 309 7848 [email protected] www.michaellett.com Fiona Clark Born in 1954, Inglewood, Taranaki, New Zealand Lives and works in Tikorangi, Taranaki, New Zealand Fiona Clark was born in Inglewood, Taranaki, in 1959, a rural background which formed the basis for her hands-on approach and direct attitude towards artistic practice, attributes which have aided her in the production of an expansive body of photographic work. While studying at the Elam School of Fine Arts between 1972-5, Clark began to develop a performance-based practice, before moving into photography in her final year. Performativity and the politics of identity would prove to be concepts which informed Clark’s later work, and these interests indirectly led her to document Auckland’s drag and transsexual community. These works provided the methodology for much of Clark’s later practice, especially in their emphasis on a collaborative approach and a sense of responsibility towards the images’ subjects, as seen in the then-controversial Dance Party series, which was subjected to censorship after being included in the Auckland Art Gallery’s 1977 group show The Active Eye. After returning to Taranaki, Clark embarked on a number of artistic projects encompassing a wide variety of subject matter: Maori fishing rights, body building, HIV-Aids and lesbian cultural histories. Recently, the shows Go Girl (2002-6) and For Fantastic Carmen (2016) represent a continuation of the documentary project which began with the Dance Party series, and which now spans four decades. -
No 43, 17 July 1969, 1305
No. 43 1305 NEW ZEALAND GAZETTE Published by Authority WELLINGTON : THURSDAY, 17 JULY 1969 CoRRIGENDUM Costs of Improving and Reconstructing Part of the Wairau Stream in the Provincial District of Auckland IN the notice dated the 21st day of January 1969 and published ARTHUR PORiRITf, Governor-General in Gazette, 13 February 1969, No.8, p. 220, proclaiming land A PROCLAMATION as road, road closed. and Land taken in Block XII, Wakarara Survey District, Waipawa County, for the words "the Tourist PURSUANT to section 64 'Of tlhe Land Drainage Act 1908, I, Motor and Farming Co. Ltd.," read "The Tourist Motor and Sir Arthur Espie Porritt, Baronet, the Governor-General of Farming Company Limited", which last-mentioned name New Zealand, hereby proclaim and declare that the costs of appears in tlhe notice signed by tJhe Minister of Works, and for the proposed works for tlhe improvement and reconstruction Ithe name "William Hugh Bennet" read "William Hugh of part of the Wairau Stream, described in the Design Report Bennett", which last-mentioned name appears in the notice dated the 1st day of December 1967 and the Amended Design signed by the Minister of Works. Report daJted the 26th day of January 1968, both prepared by Messrs Tonkin and Taylor, consulting civil engineers, of 100 (P.W. 40/737; D.O. 16/80/5) Anzac Avenue, Auckland, shaLl be borne in the proportion of 60 percent by the Waitemata County Council and 40 percent by the J'akapuna City Council; and I also proclaim and declare that if ~y claims for compensation are made by owners of properties -
HANDSHAKE Project Overview 2011 - 2022
HANDSHAKE project overview 2011 - 2022 HANDSHAKE 1 (2011-2013) Mentee Mentor Jewelcamp/Masterclass Exhibitions 1 Debbie Adamson Hannah Hedman Studio 20/17, Sydney, 09 – 21 Aug 2011 2 Becky Bliss Fabrizio Tridenti Selector HS1: Peter Deckers NZ Jewellery Show, Wellington, 08 – 12 Sept 3 Nadene Carr Lucy Sarneel with advice from Karl Fritsch 2011 4 Kristin D'Agostino Judy Darragh Masterworks Gallery, Auckland, 01- 18 5 Gillian Deery Estela Saez December 2011 6 Sharon Fitness Lisa Walker Toi Pōneke Gallery, Wellington (JEMposium), 7 Sam Kelly Octavia Cook 09-19 February 2012) 8 Jhana Millers Suska Mackert The National, Christchurch, 24 Aug – 12 Sept 9 Neke Moa Karl Fritsch 2012 06 10 Lynsay Raine Andrea Wagner The Frame galleries (IHM 2013), Munich, – 12 March 2013 11 Sarah Read Iris Eichenberg Objectspace, Auckland (collaboration) 17 12 Jessica Winchcombe Warwick Freeman June – 20 July 2013 1/8 HANDSHAKE 2 (2014-2015) Mentee Mentor Jewelcamp/Masterclass 2015 Exhibitions Toi Pōneke, Wellington (22 November – 13 1 Amelia Pascoe Ruudt Peters 2 Sarah Walker-Holt Helen Britton Selection team HS2: Ben December 2014) 3 Lisa Higgins Cal Lane Lignel, Vivien Atkinson, Stanley Street Gallery, Sydney (8 July – 1 4 Vanessa Arthur David Neale Karl Fritsch and Peter Deckers August 2015during the JMGA conference) 5 Kathryn Yeats Ben Pearce 6 Karren Dale Gemma Draper Ben Lignel Masterclass AVID gallery, Wellington (08 – 22 Sept 2015) 7 Renee Bevan Harrell Fletcher topic: ideas’ and editing Pah Homestead, Auckland (14 Dec 2015 – 14 8 Kelly McDonald Kirsten -
Tuhinga Pdf for TPP:Layout 1
Tuhinga 21: 99–123 Copyright © Museum of New Zealand Te Papa Tongarewa (2010) Rediscovering the collection: Cook Islands material culture in the Museum of New Zealand Te Papa Tongarewa Grace Hutton*, Safua Akeli** and Sean Mallon*** * Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, New Zealand ([email protected]) ** Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, New Zealand ([email protected]) *** Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, New Zealand ([email protected]) ABSTRACT: Artefacts from the Cook Islands have been collected since the Museum of New Zealand Te Papa Tongarewa (Te Papa) opened in 1865 as the Colonial Museum. In this article we provide a historical overview of the Cook Islands collection at Te Papa. We discuss the strengths and weaknesses of the collection, review some of the factors influencing its growth, and consider the possibilities for future collection development. This article is an output of a survey of the Cook Islands collection carried out between 2007 and 2009. KEYWORDS: Te Papa, Cook Islands collection, Pacific Cultures collection, Pacific Islanders, New Zealand, museums. Introduction to New Zealand in recent decades. What began in the It is only since 1993 that the Museum of New Zealand Te nineteenth century as a comparative collection of ethno - Papa Tongarewa (Te Papa) has managed its Pacific treasures graphic ‘specimens’ – objects collected during the scientific as a separate collection. For most of the institution’s history study of peoples and cultures – has broadened to include (as the Colonial Museum from 1865 to 1907, the Dominion contemporary works by known artists. -
Download PDF Catalogue
Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market.