A Book of Stories That Happened to a Friend
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Urban Legends
Jestice/English 1 Urban Legends An urban legend, urban myth, urban tale, or contemporary legend is a form of modern folklore consisting of stories that may or may not have been believed by their tellers to be true. As with all folklore and mythology, the designation suggests nothing about the story's veracity, but merely that it is in circulation, exhibits variation over time, and carries some significance that motivates the community in preserving and propagating it. Despite its name, an urban legend does not necessarily originate in an urban area. Rather, the term is used to differentiate modern legend from traditional folklore in pre-industrial times. For this reason, sociologists and folklorists prefer the term contemporary legend. Urban legends are sometimes repeated in news stories and, in recent years, distributed by e-mail. People frequently allege that such tales happened to a "friend of a friend"; so often, in fact, that "friend of a friend has become a commonly used term when recounting this type of story. Some urban legends have passed through the years with only minor changes to suit regional variations. One example is the story of a woman killed by spiders nesting in her elaborate hairdo. More recent legends tend to reflect modern circumstances, like the story of people ambushed, anesthetized, and waking up minus one kidney, which was surgically removed for transplantation--"The Kidney Heist." The term “urban legend,” as used by folklorists, has appeared in print since at least 1968. Jan Harold Brunvand, professor of English at the University of Utah, introduced the term to the general public in a series of popular books published beginning in 1981. -
Afsnet.Org 2014 American Folklore Society Officers
American Folklore Society Keeping Folklorists Connected Folklore at the Crossroads 2014 Annual Meeting Program and Abstracts 2014 Annual Meeting Committee Executive Board Brent Björkman (Kentucky Folklife Program, Western The annual meeting would be impossible without these Kentucky University) volunteers: they put together sessions, arrange lectures, Maria Carmen Gambliel (Idaho Commission on the special events, and tours, and carefully weigh all proposals Arts, retired) to build a strong program. Maggie Holtzberg (Massachusetts Cultural Council) Margaret Kruesi (American Folklife Center) Local Planning Committee Coordinator David Todd Lawrence (University of St. Thomas) Laura Marcus Green (independent) Solimar Otero (Louisiana State University) Pravina Shukla (Indiana University) Local Planning Committee Diane Tye (Memorial University of Newfoundland) Marsha Bol (Museum of International Folk Art) Carolyn E. Ware (Louisiana State University) Antonio Chavarria (Museum of Indian Arts and Culture) Juwen Zhang (Willamette University) Nicolasa Chavez (Museum of International Folk Art) Felicia Katz-Harris (Museum of International Folk Art) Melanie LaBorwit (New Mexico Department of American Folklore Society Staff Cultural Affairs) Kathleen Manley (University of Northern Colorado, emerita) Executive Director Claude Stephenson (New Mexico State Folklorist, emeritus) Timothy Lloyd Suzanne Seriff (Museum of International Folk Art) [email protected] Steve Green (Western Folklife Center) 614/292-3375 Review Committee Coordinators Associate Director David A. Allred (Snow College) Lorraine Walsh Cashman Aunya P. R. Byrd (Lone Star College System) [email protected] Nancy C. McEntire (Indiana State University) 614/292-2199 Elaine Thatcher (Heritage Arts Services) Administrative and Editorial Associate Review Committee Readers Rob Vanscoyoc Carolyn Sue Allemand (University of Mary Hardin-Baylor) [email protected] Nelda R. -
Sodobne Povedke in Urbane Legende
Sodobne povedke: razmišljanje o »najbolj sodobnem« žanru pripovedne folklore Ambrož Kvartič Contemporary legends are an important part of the contemporary folk narrative repertoire and can provide us with vital information on processes in modern day society and culture. Th ey are frequently defi ned as an account of an unlikely event considered as factual. Th e content of these stories is oft en placed in the modern social and cultural reality. Th ey refl ect people’s attitude towards the current situation and the changes in their environment. Although traditional motifs can be recognised in contemporary legends, their context is in- fl uenced by the “modernity”. In the paper a couple of stories with their interpretations are presented, gathered in the Slovenian town of Velenje. Uvod Odkar so ameriški folkloristi v šestdesetih letih dvajsetega stoletja opozorili na tako imenovane sodobne (tudi urbane) povedke – zgodbe ki krožijo predvsem v mestnih oko- ljih in se širijo tudi s pomočjo medijev in drugih sodobnih komunikacijskih sredstev – se je v mednarodni folkloristiki sprožilo veliko zanimanje zanje. Poznavanje, tj. zbiranje, ana- liza in interpretacija sodobnih povedk, ima namreč izjemen pomen za naše razumevanje reakcij ljudi na spremembe, s katerimi so soočeni v svojem okolju. Folkloristi so v svojih analizah večkrat pokazali, kako se skozi te zgodbe (in druge žanre sodobne folklore) izra- žajo in sproščajo temeljni človekovi strahovi, frustracije, problemi, nemoč in podobno. Poglavitno vprašanje pri znanstveni obravnavi sodobnih povedk je, ali jih lahko obravnavmo in opredeljujemo kot poseben žanr žanrskega sistema pripovedne folklore in katere so tiste značilnosti, ki jih, če obstajajo, ločujejo od drugih žanrov. -
No. 83 October 2014 ISSN 1026-1001 Newsletter of the International Society for Contemporary Legend Research
No. 83 October 2014 ISSN 1026-1001 FOAFTale News Newsletter of the International Society for Contemporary Legend Research IN THIS ISSUE: Sippurim, a collection of Jewish tales edited by Wolf PERSPECTIVES ON CONTEMPORARY LEGEND 2014 Pascheles (1847), and especially by the novel Der Golem by Gustav Meyrink (1915). The Golem legend became • A Welcome from the Organizer hugely popular in the second half of the 20th century • Abstracts when it was adopted by all city dwellers as an • A Reflection expression of local identity. Historical legends even • ISCLR and the Sheffield School surround the city’s new coat of arms, awarded to the • Prizes Awarded city by the Holy Roman Emperor Ferdinand III in 1649 Also for valiant defense in the Thirty Year’s War. • Remembering Linda Dégh Prague has always linked East and West, not only by • Perspectives on Contemporary Legend 2015 folklore but by folklore research as well. For example, • Legend in the News the brothers Jacob and Wilhelm Grimm greatly • New Feature: Bibliography influenced the first Czech Romantic folklorists and • Police Lore mythologists. Perhaps the most important scholar of • Plugs, Shameless and Otherwise this generation was Karel Jaromír Erben, a collector of • Contemporary Legend now Online Czech folktales and author of the first multilingual • Back Matter collection of myths and legends of the Slavonic peoples, Vybrané báje a pověsti národní jiných větví slovanských [Selected Myths and National Legends of Other PERSPECTIVES ON CONTEMPORARY LEGEND 2014: Branches of the Slavonic Nation] (1865), and the A WELCOME FROM THE ORGANIZER popular ballad collection Kytice z pověstí národních [A Bouquet of Folk Legends] (1853/1861), which was Dear colleagues, inspired by demonological legends collected in the On behalf of the local Organizing Committee of the Czech countryside (and which is now available in a Perspectives on Contemporary Legend, the 32nd beautiful new [2012] English translation by Marcela International Conference of the International Society Malek Sulak). -
Urban Legend
Urban legend “Urban tale” redirects here. For the rock band, see Urban 1 Origins and structure Tales. For other uses, see Urban legend (disambiguation). An urban legend, popular legend, urban myth, ur- The term “urban legend,” as used by folklorists, has ap- peared in print since at least 1968.[3] Jan Harold Brun- vand, professor of English at the University of Utah, in- troduced the term to the general public in a series of popular books published beginning in 1981. Brunvand used his collection of legends, The Vanishing Hitchhiker: American Urban Legends & Their Meanings (1981) to make two points: first, that legends and folklore do not occur exclusively in so-called primitive or traditional so- cieties, and second, that one could learn much about ur- ban and modern culture by studying such tales. Many urban legends are framed as complete stories with plot and characters. The compelling appeal of a typical urban legend is its elements of mystery, horror, fear or hu- [4] The "Bunny Man Bridge”, a legend tripping destination. mor. Often they serve as cautionary tales. Some urban legends are morality tales that depict someone, usually a child, acting in a disagreeable manner, only to wind up in trouble, hurt, or dead.[4] ban tale, or contemporary legend is a form of modern folklore consisting of fictional stories, often with macabre elements deeply rooted in local popular culture. These legends can be used for entertainment purposes, as well 2 Propagation and belief as for semi-serious explanations for random events such as disappearances and strange objects. As Jan Brunvand points out[5] antecedent legends includ- Despite its name, an urban legend does not necessarily ing some of the motifs, themes and symbolism of these originate in an urban area. -
Newfolk Ndif: Making a Big Apple Crumble...Chapter 1
Newfolk NDiF: Making a Big Apple Crumble...Chapter 1 New Directions in Folklore 6 June 2002 Newfolk :: NDiF :: Issue 6 :: Chapter 1 :: Page 1:: Page 2 :: Chapter 2 :: References Making a Big Apple Crumble: The Role of Humor in Constructing a Global Response to Disaster1 Bill Ellis Chapter One: Introduction On the morning of September 11, 2001, terrorists associated with Osama bin Laden's al-Qaida, a fundamentalist Islamic political movement, hijacked four American jetliners. Two were crashed into the twin towers of New York's World Trade Center, causing them to collapse with catastrophic loss of life. A third was crashed into the Pentagon, costing an additional 189 lives, while passengers on a fourth evidently attacked the hijackers, causing the plane to crash in a rural area in western Pennsylvania with the loss of all 44 persons aboard. Much of the drama was played out live on national television, including the crash of the second plane into the South Tower at 9:03 AM and both towers' collapse, at 10:05 and 10:30 AM respectively. The tragedy sent shock waves through American culture not felt since the equally public tragedy of the explosion of the space shuttle Challenger in 1986. To be sure, the September 11 terrorist attacks were preceded by other anxiety-producing terrorist events: previous acts such as the 1985 Achille Lauro hijacking and the 1988 terrorist bombing of Pan Am 103 over Lockerbie, Scotland had inspired previous cycles of disaster humor. However, neither the first terrorist bombing at the World Trade Center in 1993 nor the Oklahoma City bombing in 1995 had the international impact of the new attacks. -
Awareness of False Information: Urban Legends
Rochester Institute of Technology RIT Scholar Works Theses 9-28-2005 Awareness of false information: urban legends Erin Fernsler Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Fernsler, Erin, "Awareness of false information: urban legends" (2005). Thesis. Rochester Institute of Technology. Accessed from This Master's Project is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Awareness of False Information: Urban Legends Master's Project Submitted to the Faculty Of the Master of Science Program in Secondary Education Of Students who are Deaf or Hard of Hearing National Technical Institute for the Deaf ROCHESTER INSTITUTE OF TECHNOLOGY By Erin Femsler In Partial Fulfillment of the Requirements For the Degree of Master of Science Rochester, New York May 22, 2003 - -- I dedicate this project to my inspirations- Feta Fernsler, for his patience and ideas, and Mallory Johns, for her creativeness and zest for stories. I love you. ABSTRACT It is typical for people to believe urban legends. An urban legend is any modem, fictional story, told as truth that reaches a wide audience by being passed from person to person. The study of urban legends helps us be more alert to false information in our everyday lives. There are very limited resources about urban legends and the impact of the stories on deaf culture. There are very few stories that are common in the deaf community. There are plenty of books about urban legends, but none includes deaf people. -
ALEXIAD (!7+=3!G) $2.00 Yesterday Morning I Picked up the Pants I Had Put Aside to Wear Earlier That Morning Lloyd Daub, Richard A
Vol. 20 No. 1 February 2021 ALEXIAD (!7+=3!G) $2.00 Yesterday morning I picked up the pants I had put aside to wear earlier that morning Lloyd Daub, Richard A. Dengrove, Nic Farey, Tom Feller, John Hertz, Robert S. Kennedy, and found myself staring at them, wondering how they would fit. I was not worried about Timothy Lane, Lloyd Penney, George W. Price, John Purcell, Darrell Schweitzer squeezing into them. That was most definitely not an issue. No, what worried me was Comments are by JTM or LTM whether or not they would stay up. I slid into them and decided that they would stay up. I reflected that ten years ago someone had told me there would come a day when I would Trivia: . 14 be wondering if my pants were too big I would have collapsed into helpless laughter and rolled about on the floor laughing. Art: Sheryl Birkhead . 6, 7 The other day I was outside at work when this big bird came flying towards me. For Alexis A. Gilliland. 3, 10, 13 a few seconds I wondered if I were about to become an extra in a remake of Hitchcock’s Trinlay Khadro . 2 The Birds. Then the bird tucked its wings and went into the overhang. I let out the breath Marc Schirmeister . 4, 5, 8, 9 I had been holding, for this bird’s size I judged to be midway between crow and Canada goose. Its cry sounded something like “chee wit” (close as I can come.) I am pretty sure Printed on March 10, 2021 it was a bird of prey. -
Urban Legends: How They Start and Why They Persist Heather Whipps Date: 27 August 2006 Time: 11:23 AM ET Inshare
Article: Urban Legends: How They Start and Why They Persist Heather Whipps Date: 27 August 2006 Time: 11:23 AM ET inShare My mother has this friend whose daughter got sick from rat pee on her soda can. Sound familiar? You've might have heard the same story. Except that it was someone's boyfriend's brother—or friend's cousin, or doctor's travel agent—who became ill. Either our food inspection system has gone downhill fast, or the story is an urban legend. Urban legends are an important part of popular culture, experts say, offering insight into our fears and the state of society. They're also good fun. "Life is so much more interesting with monsters in it," says Mikel J. Koven, a folklorist at the University of Wales. "It's the same with these legends. They're just good stories." The making of a legend Like the variations in the stories themselves, folklorists all have their own definitions of what makes an urban legend. Academics have always disagreed on whether urban legends are, by definition, too fantastic to be true or at least partly based on fact, said Koven, who tends to believe the latter. Urban legends aren't easily verifiable, by nature. Usually passed on by word of mouth or—more commonly today—in e-mail form, they often invoke the famous "it happened to friend of a friend" (or FOAF) clause that makes finding the original source of the story virtually impossible. Discovering the truth behind urban legends, however, isn't as important as the lessons they impart, experts say. -
Both Sides of Our Mouths: Contemporary Legends As a Means of Dissent in a Time of Global Modernism
University of Kentucky UKnowledge Theses and Dissertations--Communication Communication 2013 Both Sides of Our Mouths: Contemporary Legends as a Means of Dissent in a Time of Global Modernism Gerald D. Abbott Jr. University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Abbott, Gerald D. Jr., "Both Sides of Our Mouths: Contemporary Legends as a Means of Dissent in a Time of Global Modernism" (2013). Theses and Dissertations--Communication. 11. https://uknowledge.uky.edu/comm_etds/11 This Doctoral Dissertation is brought to you for free and open access by the Communication at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Communication by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Folklore Around the World: an Annotated Bibliography of Folk Literature
DOCUMENT RESUME ED 371 391 CS 214 395 AUTHOR Eastman, Kristen Paletti, Ed.; Omura, Grace Inokuchi, Ed. TITLE Folklore around the World: An Annotated Bibliography of Folk Literature. INSTITUTION Hawaii Univ., Manoa. School of Library and Information Studies. PUB DATE 94 NOTE 222p.; For earlier related bibliographies, see ED 354 532, ED 309 779, and ED 286 531. PUB TYPE Reference Materials Bibliographies (131) Collected Works - General (020) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS American Indian Culture; Annotated Bibliographies; Cultural Enrichment; Elementary Secondary Education; *Folk Culture; Foreign Countries; Global Approach; Oral Tradition IDENTIFIERS *Folktales; Japanese Culture; Jewish Culture; Multicultural Materials; Native Americans; Pacific Islands Literature; *Traditional Oral Literature ABSTRACT Fourth in a series, the annotated bibliographies in this collection were compiled by students in the Traditional Literature and Oral Narration class at the School of Library and Information Studies, University of Hawaii at Manoa. These bibliographies are designed to make information about specific topics in traditional literature easily accessible to teachers and librarians. Each of the 11 annotated bibliographies in the collection contains an introduction to the particular topic and an annotated bibliography of both scholarly works .:nd tales retold for young people. Annotated bibliographies in the collection are: (1) "Christmas Gift Givers" (Kristen Paletti Eastman); (2) "Iktomi, the Sioux Trickster" (Grace Omura); (3) "The Roles of Coyote in Selected Native American Cultures" (Catherine Thomas); (4) "Hi'iaka the Hero" (Noenoe Moan); (5) "Kahalaopuna, the Rainbow Maiden of Manoa Valley" (Lei Tan);(6) "Urban Legends of Hawaii" (Sandy Pak);(7) "Elijah the Prophet in Jewish Folk Literature" (Karen Zinn Heau);(8) "The Kappa" (Judi R. -
Zur Entstehung Und Bedeutung Der Modernen Sage Der Kuchi-Sake-Onna in Japan Ende Der 1970Er Jahre
„Watashi kirei?“ - zur Entstehung und Bedeutung der modernen Sage der Kuchi-sake-onna in Japan Ende der 1970er Jahre Magisterarbeit im Fach Japanologie an der Philosophischen Fakultät der Universität zu Köln Gutachterin: Prof. Dr. Franziska Ehmcke vorgelegt im März 2011 von Luca Vavra Luxemburger Str. 40 50674 Köln Matrikelnr.: 3996573 Tel.: 0221/16819600 [email protected] Erklärung Hiermit versichere ich, dass ich diese Magisterarbeit selbständig verfasst und keine anderen als die angegebenen Quellen und Hilfsmittel benutzt habe. Die Stellen meiner Arbeit, die dem Wortlaut oder dem Sinn nach anderen Werken entnommen sind, habe ich in jedem Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht. Dasselbe gilt sinngemäß für Tabellen, Karten und Abbildungen. Diese Arbeit hat in dieser oder einer ähnlichen Form noch nicht im Rahmen einer anderen Prüfung vorgelegen. ___________________________________ Ort&Datum, Unterschrift Inhaltsverzeichnis 1. Einleitung.....................................................................................................1 1.1 Forschungsgeschichte........................................................................................3 2. Theorie..........................................................................................................4 2.1 Definition(sprobleme)........................................................................................4 2.2 Die Bedeutung der Modernen Sage für die Gesellschaft...................................8 2.3 Untersuchungsmethoden..................................................................................10