Conway Newsletter FA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fhfest Walk 2012
‘Dublin‘Dublin CanCan BeBe Heaven’Heaven’ TraditionalTraditional SingingSinging andand WalkingWalking TourTour SundaySunday 23rd23rd September,September, 11:00am,11:00am, TrinityTrinity CollegeCollege EnEntrance.trance. CollegeCollege GreenGreen Frank Harte Festival 2012 AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September his year’s Frank Harte Festival walk will commence at the main entrance to Trinity College at College Green. TCD, the Alma Mater of Bram Stoker Twhose centenary is celebrated this year is appropriately the starting point for the walk as many of those featured in the walk were educated there including the lyricist Thomas Moore whose adjacent statue provides the second stop on the tour. This is the first of the many of the statues and memorials to famous Irish people and events which shaped the city’s and Ireland’s history that this years walk will visit. At each of the selected memorials a relevant tune, song or poem will be per- formed by Góilín regulars or festival guests maintaining Frank Harte’s belief that ‘those in power write the history and those who suffer write the songs’. The route this year will explore historic College Green then saunter up Grafton Street and its environs into St Stephens Green and continue along Merrion Row, turn into Merrion Street to Merrion Square to the last stop at the memorial to Oscar Wilde. The walkers are invited to then proceed to O’Donoghue’s of Merrion Row where the music and songs of the Dubliners will be fondly remembered. The theme of this year’s walk is Dublin Can Be Heaven better known as The Dublin Saunter – a song made famous by Dublin actor and entertainer Noel Purcell who was born in the Grafton Street vicinity. -
10 Archaeology, Cultural Heritage and Architectural Heritage
Dublin City Council College Green Project EIS Chapter 10- Archaeology, Architectural and Cultural Heritage 10 Archaeology, Cultural Heritage and Architectural Heritage 10.1 Introduction Irish Archaeological Consultancy Ltd has prepared this report on behalf of Dublin City Council to assess the impact, if any, on the archaeological, architectural and cultural heritage resource of the Proposed Project at College Green, Dublin City Centre (OS Sheet 18). The Proposed Project occupies a city-centre location, c. 235m south of the River Liffey, adjacent to landmark buildings including Bank of Ireland and Trinity College. The study area falls within 1.4 hectares (including the block formed by St Andrew’s, Trinity, and Church Street). It is located at College Green which encompasses parts of Dame Street, Trinity Street, St Andrew’s Street and Church Lane, at the very northern end of Grafton Street. The Project is adjacent to the southern end of Anglesea Street and occupies the full area of Foster Place and College Green which includes the southernmost part of Westmoreland Street, the area south of Bank of Ireland (former House of Parliament) and immediate west of Trinity College. As part of the Proposed Project, it has been indicated that a large area of eastern College Green (170m x 40m) may be excavated to a depth of 2.5m to accommodate the main plaza. The Proposed Project is located within the zone of archaeological potential for the historic centre of Dublin City (DU018-020). It is located c. 270m outside of the medieval town walls of Dublin. The Proposed Project is also surrounded by numerous protected structures and partially located within Architectural Conservation Areas (ACAs) associated with O’Connell Street, The South City Retail Quarter and Grafton Street and Environs. -
(1899±1901) Cre- Was Small, with a Shallow Stage Which Dictated Ated by W.B
A Abbey Theatre The opening of the Abbey from a conversion of the Mechanics' Hall in Theatre on 27 December 1904 followed from Lower Abbey Street and a disused morgue, the Irish Literary Theatre (1899±1901) cre- was small, with a shallow stage which dictated ated by W.B. Yeats and Lady Gregory, with simple sets. But though poorly equipped, the Edward Martyn and George Moore, to pro- early Abbey was aesthetically innovative. duce a `school of Celtic and Irish dramatic Robert Gregory and Charles Ricketts literature'. When Yeats joined forces with the designed for it, Gordon Craig's screens were self-trained Fay brothers ± William the stage first used on its stage, and Ninette de Valois manager and comedian, and Frank the verse- set up a ballet school for theatre use. In 1905 a speaker ± their company (augmented import- permanent salaried company was established antly by Synge and the talented Allgood and controlling powers were given to the sisters) had the potential to create an entirely directors (some actors seceded, thinking the new kind of Irish theatre, one which aimed, changes contrary to nationalist principles). as a later Abbey playwright, Thomas Kilroy, The Abbey's claim to be a national theatre put it, to `weld the fracture between the was aggressively tested by Catholics and Anglo-Irish and Gaelic Ireland'. The Irish nationalists in their audiences. The peasant National Theatre Society became in 1904 drama was the field where cultural interests the National Theatre Society (NTS) Ltd, clashed most spectacularly. Lady Gregory familiarly known from its inception as the popularized the genre with one-act comedies Abbey Theatre. -
Annual Report 2009
IRISH MUSEUM OF MODERN ART ANNUAL REPORT 2009 Chairperson’s Foreword The year under review was again a busy and successful one at the Irish Museum of Modern Art (IMMA). The remarkable quality and diversity of the Museum’s programmes continued, as did public engagement with IMMA’s work; this despite operating with a reduced budget and the closure of the Museum for essential works for three weeks in January, which also disrupted normal activities for the month of February. Visitor numbers exceeded 417,000, an excellent outcome in the circumstances. All of us at IMMA are delighted at the public’s continued warm response to our ambitious programme of exhibitions and events throughout the year. Highlights in 2009 included: Exhibitions by such leading Irish and international artists as Alexander Calder, James Coleman, Hughie O’Donoghue and Terry Winters, and highly-regarded younger generation artists, including Philippe Parreno, Elizabeth Peyton and Alan Phelan. The hugely-popular Picturing New York exhibition from the renowned photographic collection of The Museum of Modern Art in New York, which attracted many first-time visitors to IMMA. A series of innovative exhibitions from the Museum’s own Collection, including Exploring a Donation , celebrating the gift in 2008 of 25 works by leading Irish artists from the Bank of Ireland Collection; Between Metaphor and Object , presenting sculpture and installation works from the 1990s, and the ground- breaking Altered Images exhibition promoting engagement in the visual arts by those with disabilities, shown in South Tipperary and Mayo as part of the National Programme. A number of significant donations, including 52 works from the Estate of the influential printmaker Mary Farl Powers; ten new prints as part of the IMMA Editions series, and a sculpture by celebrated Irish artist Edward Delaney who died in September 2009, a gift of Jack and Agnes Delaney. -
An Chomhairle Ealaíon
An Chomhairle Ealaíon An Seachtú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1978. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-Seventh Annual Report and Accounts for the year ended 31st December 1978. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 [3] and 7 [1] of the Arts Act, 1951. Cover Illustration: Scenes from Kieran Mickey's Film Exposure which won the Arts Council's film script award. Members (to December 1978) (from December 1978) Patrick J. Rock, Chairman James White, Chairman Kathleen Barrington Kathleen Barrington John Behan Brian Boydell Brian Boydell Maire de Paor Tom Caldwell Andrew Devane Maire de Paor Bridget Doolan Andrew Devane Dr J.B. Kearney Eilís Dillon Hugh Maguire Séamus Heaney Louis Marcus Dr J. B. Kearney Seán Ó Tuama Patsy Lawlor Donald Potter Hugh Maguire Nora Relihan Seán Ó Tuama Michael Scott Brian Quinn Richard Stokes Richard Stokes Dr T.J. Walsh Dr T. J. Walsh James Warwick James White Staff Director Colm Ó Briain Literature and Film Officer David Collins Music Officer Dinah Molloy Visual Arts Officer Paula McCarthy Education Officer Ciaran Benson Finance Officer David McConnell Administration Officer David Kavanagh Secretarial Assistants Veronica Barker Patricia Molloy Margaret O'Rahilly Marie Swan Receptionist Kathryn Cahille 70 Merrion Square, Dublin 2. Tel: (01) 764685. An Chomhaırle Ealaíon An Chomhairle Ealaíon (The Arts Council) is an independent organization set up under the Arts Acts 1951 and 1973 to promote the arts. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title "To Have Lived is Not Enough for Them" : performing Irish history in the twentieth century Permalink https://escholarship.org/uc/item/5bx8k20f Author Jaros, Michael Perin Publication Date 2008 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE “To Have Lived is Not Enough for Them:” Performing Irish History in the Twentieth Century A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Drama and Theatre by Michael Perin Jaros Committee in charge: Professor Marianne McDonald, Chair Professor Stephen Barker Professor James Carmody Professor John Rouse Professor Donald Wesling 2008 Copyright 2008 Michael Perin Jaros All rights reserved. The Dissertation of Michael Perin Jaros is approved, and it is acceptable in quality and form for publication on microfilm: Chair University of California, San Diego University of California, Irvine 2008 iii DEDICATION To my parents, Joe and Carolyn, and to my Grandmother, Mary-Jo, without whose love and support I could not have made it here. iv TABLE OF CONTENTS Signature Page…………………………………………………………… iii Dedication……………………………………………………………….. iv Table of Contents………………………………………………………... v List of Illustrations………………………………………………………. vi Acknowledgements……………………………………………………… vii Vita………………………………………………………………………. ix Abstract………………………………………………………………….. x Introduction…………………………………………………………….... 1 Chapter 1: Among the Deepening Shades……………………………….. 12 Chapter 2: Brilliant Failure: Memorializing MacLiammóir……………... 54 Chapter 3: Where Lady Gregory’s Image Was Not……………………... 84 Chapter 4: Denis Johnston and the National Longing for Form………… 122 Chapter 5: Boxed Rituals………………………………………………... 161 Conclusion: Spires, Ports and Other Mythologies………………………. 203 Bibliography……………………………………………………………. -
To Have Lived Is Not Enough for Them:”
UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE “To Have Lived is Not Enough for Them:” Performing Irish History in the Twentieth Century A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Drama and Theatre by Michael Perin Jaros Committee in charge: Professor Marianne McDonald, Chair Professor Stephen Barker Professor James Carmody Professor John Rouse Professor Donald Wesling 2008 Copyright 2008 Michael Perin Jaros All rights reserved. The Dissertation of Michael Perin Jaros is approved, and it is acceptable in quality and form for publication on microfilm: Chair University of California, San Diego University of California, Irvine 2008 iii DEDICATION To my parents, Joe and Carolyn, and to my Grandmother, Mary-Jo, without whose love and support I could not have made it here. iv TABLE OF CONTENTS Signature Page…………………………………………………………… iii Dedication……………………………………………………………….. iv Table of Contents………………………………………………………... v List of Illustrations………………………………………………………. vi Acknowledgements……………………………………………………… vii Vita………………………………………………………………………. ix Abstract………………………………………………………………….. x Introduction…………………………………………………………….... 1 Chapter 1: Among the Deepening Shades……………………………….. 12 Chapter 2: Brilliant Failure: Memorializing MacLiammóir……………... 54 Chapter 3: Where Lady Gregory’s Image Was Not……………………... 84 Chapter 4: Denis Johnston and the National Longing for Form………… 122 Chapter 5: Boxed Rituals………………………………………………... 161 Conclusion: Spires, Ports and Other Mythologies………………………. 203 Bibliography…………………………………………………………….. 207 v LIST OF ILLUSTRATIONS Fig. 1: “The last hour of the Night” by Harry Clarke………………………..…. 131 Fig. 2: Micheál MacLiammóir in The Old Lady Says ‘No!’…………………... 144 Fig. 3: Photo of Henry Grattan in College Green……………………………… 147 Fig. 4: de Valera inspects statue of Emmet……………………………………. 165 Figs. 5, 6: Promotional images from Talbot’s Box…………………………….. -
Reimagining Ireland, Volume 48 : Visualizing Dublin
REIR imagining 48 imagining ire land ire land VOLUME 48 Justin Carville (ed.) Dublin has held an important place throughout Ireland’s cultural history. The shifting configurations of the city’s streetscapes have been marked VISUALIZING DUBLIN VISUALIZING by the ideological frameworks of imperialism, its architecture embedded within the cultural politics of the nation, and its monuments and sculptures VISUALIZING DUBLIN mobilized to envision the economic ambitions of the state. This book examines the relationship of Dublin to Ireland’s social history through the VISUAL CULTURE, MODERNITY AND THE city’s visual culture. Through specific case studies of Dublin’s streetscapes, REPRESENTATION OF URBAN SPACE architecture and sculpture and its depiction in literature, photography and cinema, the contributors discuss the significance of visual experiences and representations of the city to our understanding of Irish cultural life, both past and present. Justin Carville (ed.) Drawing together scholars from across the arts, humanities and social sciences, the collection addresses two emerging themes in Irish studies: the intersection of the city with cultural politics, and the role of the visual in projecting Irish cultural identity. The essays not only ask new questions of existing cultural histories but also identify previously unexplored visual representations of the city. The book’s interdisciplinary approach seeks to broaden established understandings of visual culture within Irish studies to incorporate not only visual artefacts, but also textual descriptions and ocular experiences that contribute to how we come to look at, see and experience both Dublin and Ireland. Justin Carville teaches Historical and Theoretical Studies in Photography and Visual Culture at the Institute of Art, Design and Technology, Dun Laoghaire. -
Important Irish Art
1 Important Irish Art Wednesday 1st April 2015 Important Irish Art, wednesday 1st April 2015 at 6pm t 2 Front Cover Frank McKelvey Lot 34 Opposite Louis le Brocquy Lot 82 Page 2 Colin Middleton Lot 6 Page 5 John Doherty Lot 124 Inside Back Cover Jack P. Hanlon Lot 28 Back Cover Jack B. Yeats Lot 41 3 Important Irish Art Auction Wednesday 1st April 2015 at 6pm Important Irish Art, wednesday 1st April 2015 at 6pm 4 5 IMPORTANT IRISH ART AUCTION Wednesday 1st April 2015 at 6.00pm VENUE Adam’s Salerooms 26 St Stephen’s Green, Dublin 2. Ireland Viewing HighLights MARch 12TH - 19 TH At The Ava Gallery, Clandeboye Estate, Bangor, Co. Down BT19 IRN Monday - Friday 11.00am - 5.00pm Saturday 14th March 2.00pm - 5.00pm Sunday 15th March 2.00pm - 5.00pm FULL SALE Viewing MARch 29TH - APRIL 1ST At Adam’s, 26 St Stephen’s Green, Dublin 2. Sunday 29th March 2.00pm - 5.00pm Monday 30th March 10.00am - 5.00pm Tuesday 31st March 10.00am - 5.00pm Wednesday 1st April 10.00am - 5.00pm Important Irish Art, wednesday 1st April 2015 at 6pm 6 Brian Coyle FSCSI FRICS James O’Halloran BA FSCSI FRICS Stuart Cole MSCSI MRICS David Britton BBS ACA Eamon O’Connor BA CHAIRMAN MANAGING DIRECTOR DIRECTOR DIRECTOR DIRECTOR [email protected] [email protected] [email protected] [email protected] Kieran O’Boyle BA Hdip ASCSI Nick Nicholson Karen Regan BA Abigail Bernon BA DIRECTOR Ronan Flanagan CONSULTANT FINE ART DEPARTMENT FINE ART DEPARTMENT IMPORTANT [email protected] FOR [email protected] FINE ART DEPARTMENT [email protected] [email protected] [email protected] CREATE A ‘MY ADAM’S’ ACCOUNT You can now create your own account with us by signing up and registering your particulars online at www.adams.ie The process involves uploading identification by way of passport or driving licence and supplying valid credit card information. -
Dictionary of Irish Biography
Dictionary o f Irish Biography Relevant Irish figures for Leaving Cert history CONTENTS PART 3. Pursuit of sovereignty and the impact PART 1. of partition Ireland and 1912–1949 the Union 138 Patrick Pearse 6 Daniel O’Connell 150 Éamon de Valera 18 Thomas Davis 172 Arthur Griffith 23 Charles Trevelyan 183 Michael Collins 27 Charles Kickham 190 Constance Markievicz 31 James Stephens 193 William Thomas Cosgrave C 35 Asenath Nicholson 201 James J. McElligott 37 Mary Aikenhead 203 James Craig O 39 Paul Cullen 209 Richard Dawson Bates 46 William Carleton 211 Evie Hone N 49 William Dargan T PART 4. PART 2. The Irish diaspora E Movements for 1840–1966 political and N 214 John Devoy social reform 218 Richard Welsted (‘Boss’) Croker T 1870–1914 221 Daniel Mannix 223 Dónall Mac Amhlaigh 56 Charles Stewart Parnell 225 Paul O’Dwyer S 77 John Redmond 228 Edward Galvin 87 Edward Carson 230 Mother Mary Martin 94 Isabella Tod 96 Hanna Sheehy-Skeffington 99 James Connolly 107 Michael Davitt PART 5. 116 James Larkin Politics in 122 Douglas Hyde Northern Ireland 129 William Butler Yeats 1949–1993 239 Terence O’Neill 244 Brian Faulkner 252 Seamus Heaney Part 1. Ireland and the Union Daniel O’Connell O’Connell, Daniel (1775–1847), barrister, politician and nationalist leader, was born in Carhen, near Caherciveen, in the Iveragh peninsula of south-west Kerry, on 6 August 1775, the eldest of ten children of Morgan O’Connell (1739–1809) and his wife, Catherine O’Mullane (1752–1817). Family background and early years Morgan O’Connell was a modest landowner, grazier, and businessman. -
Modern Irish Art Collection.Pdf
The Modern Irish Art Collection Athlone Institute of Technology The Modern Irish Art Collection Athlone Institute of Technology Catalogue compiled by Kate Bateman and Harman Murtagh Athlone Institute of Technology Institiúid Teicneolaíochta Bhaile Átha Luain First published in 1996 by Athlone Regional Technical College Athlone Ireland Second edition published in 2000 by Athlone Institute of Technology Athlone Ireland © Athlone Institute of Technology All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior permission of the publishers. ISBN 0-9528142-0-X Front cover: Brian Ferran: Colmcille Theme 12 Back cover: John Behan: Maeve’s army Photographs by Brian Redmond AIPPA, Roscrea, Co. Tipperary and Joe O’Sullivan LIPPA, Tullamore, Co. Offaly Designed & printed by Premiere Print telephone 01 839 4376 Contents List of artists and illustrations four Acknowledgements six Abbreviations six Preface by the Director of Athlone Institute of Technology seven Foreword by Her Excellency President Mary McAleese eight Introduction nine Catalogue to the collection twelve List of Artists and Illustrations Robert Ballagh Print of Delacroix 13 Maree Bannon Rainstorm over Blackwater Bog 14 Jayne Barry Tomatoes 15 John Behan Maeve’s army 16 Fish 16 Moya Bligh Surfaces B 17 Brian Bourke La bella barmaid I 18 Deborah Brown Fibreglass form painted yellow on black 19 George Campbell Samurai 20 Tom Carr -
Page 1 of 8 First Name Surname Year on IPAV Premises 1 Thomas Street & 98 James' Street Dublin Anne O'mahony 2012 Yes 18 Folgate St
Page 1 of 8 First Name Surname Year On IPAV Premises 1 Thomas Street & 98 James' Street Dublin Anne O'Mahony 2012 Yes 18 Folgate St. Dennis Severs' House in Spitafields Shirley Eadie 2010 Yes 18th Century Georgian Drinking Glass Eoin M. Byrne 2007 Yes 20th Century Racehorse Artists Rob Lanigan 1999 Yes A Brief History of Apothecaries from the 17th Century and Their Associated Role with Glassware David Dodd 2019 Yes A Brief History of Eyrecourt Castle Rooney Marion 2012 Yes A Brief History of the Newspaper, Journalism & how it Developed in 17th Century England Jonathan Lyons 2007 Yes A Claret Jug with a Racing Tale Linda Shannon 2019 Yes A Comparative Analysis of the Portraiture of Woman's Dress in England and France (1756-1800) Susan Jones 2002 Yes A Full Palette of Coverage, Thomas Gainsborough 1727-1788 Celine O'Callaghan 2016 Yes A History of Singleton House and Mr. Clarke’s Free School Niamh Smyth 2008 Yes A History of the book as illustrated in the western collection of Chester Beatty Library Paul Wearen 2002 Yes A Short History of Baggot Street Lower Dorothy Gibson 2009 Yes A Small Bit of Silver: The Napkin Ring. The silver napkin ring, napkins and table manners in England and Yes Europe circa 1800 - 1910 O'Connor Patricia 2011 A Study of Antique Piano Motoko Fujita 2002 Yes A Trip Down Memory Lane Margaret Moran 2009 Yes Abstract Art. What is going on ? Morgan Madden 2002 Copy not available Albrecht Altdorfer 1480-1538 Jermey Ryan 1987 Yes Aldborough House & It's Earl Fionnuala Lynch 2013 Yes An Exploration Of Mortality Symbols On Selected Memorials in Ireland Karen Hollis 2009 Yes An Insight into Donegal & Abbeyleix Carpet Factory Martina O'Mara 2003 Yes An Insight into the Development of Swiss Cottage at Cloonchair, Lough Rynn, Co.