Biography 2 Doubts & Fears (Track by Track) 5
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Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
2007 Nominees
2007 MAMA NOMINEES Song of the Year Artist Name Song Name Category Laura Day Antsy (It Don't Take Much, I'm Gettin' Antsy) Blues Barb Cheron Boo's Blues Blues Barb Cheron Rockin Horse Blues Mud Angels River Landing Blues Lynette The Love of Life Classical Jim Ripp Lento Rubato Espressivo Classical Jessi Lynn A Little Bit Of You (un-released) Country The Getaway Drivers Stay Country Frank James Chasing Memories Country Laura Day RC Country Sarah Pray Bittersweet Letdown Electronic The Dorothy Heralds City of Stars and Light - Anonymous Mix Electronic Jai Bird Shiver Electronic Brian Daly Things Electronic The Getaway Drivers Won't Ask Why Folk/Americana flameshark Kill me with your sunshine Folk/Americana The Sharp & Harkins Band Too Young Folk/Americana Laura Day Singing At The Moon Folk/Americana Barb Cheron C Me Jazz Barb Cheron Boo's Blues Jazz Barb Cheron Bistro Jazz The Stellanovas Ain't Nobody Here But Us Chickens Jazz Mike Droho Chandelier Pop The New Kentucky Quarter Carry It Around Pop Lucas Cates We May Fall Pop The Getaway Drivers Oh Trudy Pop Know Boundaries the sling blade RnB/HipHop Horton the Irrelevant & August the Creep What I Know RnB/HipHop Felicia Alima I'm Down RnB/HipHop Felicia Alima Know Me RnB/HipHop Sunshine for the Blind See the River Rise Rock The New Kentucky Quarter Carry It Around Rock Oxford Monte-Ray Rock Sunshine for the Blind No More Suffering Rock subvocal I Fall Down Unique The Stellanovas Think About Your Troubles Unique The Sharp & Harkins Band Ocean View Unique Jack Sayre Thing Unique Keygal What -
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103). -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Wks on 100/40 13/10 13/11 14/10 23/11 17/14
American Top 40 SHOW# 802- ~ STAT LIST CHART DATE S /;o//?O Wks on Top Top Hot 100/40 Rank SONGTITLE Artist #ls 10s 40s 100s 13/10 1- ( 4w) CALL ME------------------ Blondie 79 2* 2 4 5 13/11 2-2 RIDE LIKE THE WIND------- Christopher Cross 80 0 1 1 1 14/10 3-3 LOST IN LOVE------------- Air Supply 80 O· 1 1 1 Billy Preston & Syreeta 69/79 2/0 15/1 6/1 13/1 - 23/11 4-4 WITH YOU I'M BORN AGAIN -- 17/14 5-5 ANOTHER BRICK IN THE WALL- Pink Floyd 73 l* l 2 2 12/11 6-6 FIRE LAKE---------------- Bob Seger 68 . 0 3 9 17 9/8 7-7 YOU MAY BE RIGHT--------- Billy Joel 74 0 3 10 12 13/9 8-9 SEXY EYES---------------- Dr. Hook 72 0 6 8 15 7/5 9- 11 bON'T FALL IN LOVE WITH A DREAMER-K.Rogers/K.Carnes 76/78 0/0 15/1 7/2 9/3 11/8 10-10 HOLD ON TO MY LOVE------- Jimmy Ruffin 66 0 2 4 8 6/4 11-14 BIGGEST PART OF ME------- Ambrosia 75 0 1 4 5 Archive 237th Heart Of Glass----------- Blondie (April 1979) 5/4 12-· l 5 HURT SO BAD------------- Linda Ronstadt 67 1 7 15 23 12/8 . 13-13 PILOT OF THE AIRWAVES---- Charlie Dore 80 0 0 1 l 7/4 14-17 I CAN'T HELP IT---------- Andy Gibb &ONJ 77/71 3/3 6/9 7/17 7/2 1 13/7 15-18 CARS--------------------- Gary Numan 80 0 0 1 l 12/11 16-8 I CAN'T TELL YOU WHY----- The Eagles 72 5 10 15 18 7/4 17-19 BREAKDOWN DEAD AHEAD----- Boz Scaggs 71 0 l 4 10 9/5 18-21 STOMP-------------------- The Brothers Johnson 76 0 2 4 4 7/4 19-24 FUNKYTOWN ---------------- Lipps, Inc. -
Facing the Future in Migration's Past
Double Time: Facing The Future in Migration’s Past Derek Duncan By picturing our wishes as fulfilled, dreams are after all leading us into the future. But this future, which the dreamer pictures as the present, has been moulded by his indestructible wish into a perfect likeness of the past. --Sigmund Freud, Interpretation of Dreams Trauma is not necessarily a single event, but a series of events that affects the imaginary and the symbolic. --Maureen Turim, Flashbacks in Film In La mia casa è dove sono, Igiaba Scego explores the imaginary and real geographies of memory and belonging as she maps the contours of her identity as an Italian woman of Somali origin. Scego paints a vivid picture of her native city’s new materiality: “Una Roma dove la globalizzazione si è fatta carne” (2010, 157). She recounts the astonishment of her brother on his first visit from England when he sees a group of Italian boys playing cricket with some Sri Lankan friends. Scego is quite happy with the new diversity reflecting that “[l]e mazze di cricket e i sari non sono altro che i segni di un futuro che non solo verrà, ma che è già qui da discreto tempo” (157). In the gendered symbolism of the cricket bats and the saris, Scego foresees a multicultural future that has already become past. In a gesture that is characteristic of many attempts to envisage what the nation will become, she then immediately returns to more distant times: “Qui ci sono passati tutti, arabi, normanni, francesi, austriaci. C’è passato Annibale, condottiero africano, con i suoi elefanti” (157-58), a historical fact, she reminds the reader, recalled relatively recently by the Neapolitan hip-hop band Almamegretta. -
Children of the Heav'nly King: Religious Expression in the Central
Seldom has the folklore of a particular re- CHILDREN lar weeknight gospel singings, which may fea gion been as exhaustively documented as that ture both local and regional small singing of the central Blue Ridge Mountains. Ex- OF THE groups, tent revival meetings, which travel tending from southwestern Virginia into north- from town to town on a weekly basis, religious western North Carolina, the area has for radio programs, which may consist of years been a fertile hunting ground for the HE A"' T'NLV preaching, singing, a combination of both, most popular and classic forms of American .ft.V , .1 the broadcast of a local service, or the folklore: the Child ballad, the Jack tale, the native KING broadcast of a pre-recorded syndicated program. They American murder ballad, the witch include the way in which a church tale, and the fiddle or banjo tune. INTRODUCTORY is built, the way in which its interi- Films and television programs have or is laid out, and the very location portrayed the region in dozens of of the church in regard to cross- stereotyped treatments of mountain folk, from ESS A ....y roads, hills, and cemetery. And finally, they include "Walton's mountain" in the north to Andy Griffith's .ft. the individual church member talking about his "Mayberry" in the south. FoIklor own church's history, interpreting ists and other enthusiasts have church theology, recounting char been collecting in the region for acter anecdotes about well-known over fifty years and have amassed preachers, exempla designed to miles of audio tape and film foot illustrate good stewardship or even age. -
ND to Mntinue Need-B6nd Admissions Guzman
THE The Independent Newspaper Serving Notre Dame and Saint Mary's OLUME 43: ISSUE 53 FRIDAY, NOVEMBER 14,2008 NDSMCOBSERVER.COM ND to mntinue need-b6nd admissions Guzman As economy worsens, University financial aid office says policies will remain the same discusses United States in "typical Notre ByJENN METZ Dame fashion," Joseph Russo, ~ li'Jk!J (fXil[} ~ News Editor Director of Student Financial Pinochet Strategies in the Office of 7Jfiljjj~ With the stock market down, Student Financial Services told college affordability has The Observer. By IRENA ZAJICKOVA become a significant issue for "We're staying steady, News Writer li'!l9ijllfl@ffil (gi@01iji"jj) _- G:;If,J(qj ~@.~@ @}f)il(q) ~fi.,F,)!J'@: families across the country. focused in a positive direction Recent articles in national ... we're typically very deliber Juan Guzman, the Chilean newspapers like The New York ate and pretty conservative," judge famous for indicting dic 200/- $35,190 $9,290 $44,480 Times have examined the state he said. "In terms of our tator Augusto Pinochet, dis 2001:1 of financial aid and the feasi finances, we're one of the most cussed the human rights vio bility of a need-blind admis stable institutions in higher lated during Pinochet's dicta sions process in today's econo education." torship and how some human 2001:1- 4.9% lnccdasa 2009 my. Russo said he agrees with rights continue to be violated The University of Notre representatives from other col in Chile, at the Hesburgh Dame will remain committed leges and universities who say Center Thursday. -
Slipknot All Hope Is Gone Mp3, Flac, Wma
Slipknot All Hope Is Gone mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: All Hope Is Gone Country: USA & Canada Released: 2008 Style: Nu Metal, Heavy Metal MP3 version RAR size: 1308 mb FLAC version RAR size: 1825 mb WMA version RAR size: 1151 mb Rating: 4.1 Votes: 501 Other Formats: VQF ADX DXD AUD AAC AA FLAC Tracklist Hide Credits CD-1 .Execute. 1:49 CD-2 Gematria (The Killing Name) 6:02 CD-3 Sulfur 4:38 CD-4 Psychosocial 4:44 CD-5 Dead Memories 4:29 CD-6 Vendetta 5:16 CD-7 Butcher's Hook 4:15 CD-8 Gehenna 6:53 CD-9 This Cold Black 4:40 CD-10 Wherein Lies Continue 5:37 CD-11 Snuff 4:36 CD-12 All Hope Is Gone 4:48 Bonus Tracks CD-13 Child Of Burning Time 5:10 Vermilion Pt. 2 (Bloodstone Mix) CD-14 3:40 Producer – Rick RubinRemix, Producer [Additional] – Chris Vrenna, Clint Walsh 'Til We Die CD-15 5:46 Producer – SlipknotProducer, Mixed By – Matt Sepanic Bonus DVD DVD-1 Nine: The Making Of All Hope Is Gone 34:13 Companies, etc. Phonographic Copyright (p) – The All Blacks U.S.A., Inc. Copyright (c) – The All Blacks U.S.A., Inc. Licensed To – Roadrunner Records Licensed Through – The All Blacks U.S.A., Inc. Manufactured By – Universal Music Canada Inc. Distributed By – Universal Music Canada Inc. Recorded At – Sound Farm Studio & Recording Environment Mixed At – Miloco Studios Mastered At – Sterling Sound Made By – Cinram Credits Directed By [DVD], Art Direction – M. -
Justin Hayward All the Way, and More Tour
Presented in Cooperation with DANNY ZELISKO PRESENTS Justin Hayward All The Way, And More Tour Tuesday, August 27, 2019; 7:30 pm ABOUT There Somewhere,’ and ‘Your Wildest Dreams.’ These laid the foundation for the incredible success story of the Moody Having chalked up nearly fifty years at the peak of the music Blues — as well as his solo work — which continues to this day. and entertainment industry, Justin Hayward’s voice has When the Moody Blues took a break from touring in 1975, been heard the world over. Known principally as the vocalist, Justin worked on the Blue Jays album, followed by the hit lead guitarist and composer for the Moody Blues, his is an single ‘Blue Guitar’ (recorded with the members of 10cc). enduring talent that has helped to define the times in which Although the Moodies continued to record and tour at the he has worked. Over the last forty-five years, the band has highest level, Justin also found time to create several solo sold fifty-five million albums and received numerous awards. albums: Songwriter, Night Flight, Moving Mountains and The Commercial success has gone hand in hand with critical View From the Hill. acclaim, The Moody Blues are renowned the world over as innovators and trail blazers who have influenced any number Proving that he could write massive hits outside of the Moody of fellow artists. The band was inducted in to the Rock and Blues, Justin hit the Top Ten globally in 1978 with 'Forever Roll Hall of Fame class of 2018. Autumn’ — created for Jeff Wayne’s War of the Worlds album. -
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: a Cultural and Literary Analysis
J Med Humanit DOI 10.1007/s10912-014-9274-8 Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis Charley Baker & Brian Brown # Springer Science+Business Media New York 2014 Abstract This paper seeks to think creatively about the body of research which claims there is a link between heavy metal music and adolescent alienation, self-destructive behaviours, self- harm and suicide. Such research has been criticised, often by people who belong to heavy metal subcultures, as systematically neglecting to explore, in a meaningful manner, the psychosocial benefits for individuals who both listen to contemporary heavy metal music and socialize in associated groups. We argue that notions of survival, strength, community, and rebellion are key themes in contemporary heavy metal music. Through literary-lyrical analysis of a selection of heavy metal tracks, this paper aims to redress the balance of risk and benefit. We argue that listening to this type of music, the accompanying social relationships, sense of solidarity and even the type of dancing can ameliorate tumultuous and difficult emotions. Songs which could be read as negative can induce feelings of relief through the sense that someone else has felt a particular way and recovered enough to transform these emotions into a creative outlet. This genre of music may therefore not increase the risk of untoward outcomes in any simple sense but rather represent a valuable resource for young people in difficulty. Keywords Self-harm . Suicide . Heavy metal music . Subcultures . Adolescence . Alienation This paper sets out to address the oft-cited relationship between heavy metal music and adolescent self-harm. -
Corey Taylor Estreia Álbum Solo “Cmft”
COREY TAYLOR ESTREIA ÁLBUM SOLO “CMFT” Já disponível em todas as plataformas digitais, projeto terá primeira performance ao vivo hoje, em livestream global – “Forum Or Against ´Em”, a partir das 18h (horário de Brasília) Ingressos para o show ainda podem ser adquiridos e fãs brasileiros têm desconto com o código promocional CMFTBRA Cantor e compositor vencedor do Grammy Award, ator e autor mais vendido do New York Times, Corey Taylor estreia hoje, em todas as plataformas digitais, o altamente aguardado álbum de estreia em carreira solo “CMFT”. No final do dia de hoje, Taylor celebrará o lançamento de “CMFT” em um evento global ao vivo, o “Forum Or Against ´Em”, que será apresentado a partir das 18h no horário de Brasília. Transmitido diretamente do espaço de eventos referência The Forum, em Los Angeles, o evento ao vivo mostrará Taylor performando o tracklist de “CMFT” de maneira completa, as favoritas selecionadas dos fãs, dos catálogos de Taylor em parceria com Slipknot e Stone Sour, além de alguns covers. Uma colaboração entre 5B Artist + Media e Danny Wimmer Presents, “Forum Or Against ´Em” terá uma produção completa de arena, com pirotecnias e trará a performance do esquadrão de dança e gangue de meninas do rock n´ roll, The Cherry Bombs, como convidadas especiais. Dando início às festividades do evento, um pré-show especial será apresentado pelo jornalista e apresentador Beez e incluirá entrevistas exclusivas e conteúdos de bastidores. Ingressos para o evento ainda podem ser adquiridos aqui: watch.thecoreytaylor.com, e os fãs brasileiros têm desconto ao usar o código promocional CMFTBRA.