Reminiscence Collection Surrey Libraries 2010
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Where Did They Go
BRITISH ‘BABY BOOMER’ NOSTALGIA Compiled by David Challinor Saluting AA Men Cream on Milk The Children’s Newspaper Shaving in Barbers Time Guns Foot X-Ray Machines in Shoe Shops Pea Shooters Pushers-up Same Day Post Passing Bells Subscription Libraries Boxing Kangaroos Dunces Caps Home-made Fireworks Aluminium Nameplate Machines at Stations German Bands Breton Onion Sellers Romany Caravans Ceiling Clocks Paint Boxes Electric Shock Therapy Bona Fide Travellers Bird – Nesting Apache Dancing Audiphones Aunt Sallies John Bull Puncture Repair Outfits & Printing sets Office Boys White Sugar Mice Camp Coffee Crystal Radio Sets Gas Mantles Guineas Boys Shouting the News Life Preservers Liquorice Imps/ Sherbet Pipes and Dabs Lobby Lud Cigarette Cards Driving Cattle through Towns Tripe Shops Continuous Performance School Ink, Inkwells and Ink Monitors Paper Chases Skipping Seasonal Children’s Games (conkers, marbles) Muffin Men Gob-stoppers Rag and Bone Men (goldfishes for junk) Beetle Drives Card Indexes in Libraries Change Receptacles on Overhead Wire Pulleys Reins on Toddlers Silver Cigarette Cases ‘Fly-proof’ Metal Grilles on Meat-safes Sticky Fly Paper DDT Memory Men (Leslie Welch) Kewpie Dolls Cigarette Holders Bells to Call the Chambermaid in hotel rooms Children’s Gardens Music Halls Pierrots/Black and White Minstrels School Milk Empire Day Pork Butchers Polite Children Blackberrying Laxative Chocolate Tuck Shops Ticking Clocks Flying Boats Rubber Bathing Caps Train Spotting Buying Pickles by the Basin Motor Cycle Sidecars Milk Churns Errand -
George Orwell Boys' Weeklies
George Orwell Boys' weeklies You never walk far through any poor quarter in any big town without coming upon a small newsagent's shop. The general appearance of these shops is always very much the same: a few posters for the Daily Mail and the News of the World outside, a poky little window with sweet-bottles and packets of Players, and a dark interior smelling of liquorice allsorts and festooned from floor to ceiling with vilely printed twopenny papers, most of them with lurid cover-illustrations in three colours. Except for the daily and evening papers, the stock of these shops hardly overlaps at all with that of the big news-agents. Their main selling line is the twopenny weekly, and the number and variety of these are almost unbelievable. Every hobby and pastime — cage-birds, fretwork, carpentering, bees, carrier-pigeons, home conjuring, philately, chess — has at least one paper devoted to it, and generally several. Gardening and livestock-keeping must have at least a score between them. Then there are the sporting papers, the radio papers, the children's comics, the various snippet papers such as Tit-bits, the large range of papers devoted to the movies and all more or less exploiting women's legs, the various trade papers, the women's story-papers (the Oracle, Secrets, Peg's Paper, etc. etc.), the needlework papers — these so numerous that a display of them alone will often fill an entire window — and in addition the long series of ‘Yank Mags’ (Fight Stories, Action Stories, Western Short Stories, etc.), which are imported shop-soiled from America and sold at twopence halfpenny or threepence. -
ANNUALS-EXIT Total of 576 Less Doctor Who Except for 1975
ANNUALS-EXIT Total of 576 less Doctor Who except for 1975 Annual aa TITLE, EXCLUDING “THE”, c=circa where no © displayed, some dates internal only Annual 2000AD Annual 1978 b3 Annual 2000AD Annual 1984 b3 Annual-type Abba Gift Book © 1977 LR4 Annual ABC Children’s Hour Annual no.1 dj LR7w Annual Action Annual 1979 b3 Annual Action Annual 1981 b3 Annual TVT Adventures of Robin Hood 1 LR5 Annual TVT Adventures of Robin Hood 1 2, (1 for repair of other) b3 Annual TVT Adventures of Sir Lancelot circa 1958, probably no.1 b3 Annual TVT A-Team Annual 1986 LR4 Annual Australasian Boy’s Annual 1914 LR Annual Australian Boy’s Annual 1912 LR Annual Australian Boy’s Annual c/1930 plane over ship dj not matching? LR Annual Australian Girl’s Annual 16? Hockey stick cvr LR Annual-type Australian Wonder Book ©1935 b3 Annual TVT B.J. and the Bear © 1981 b3 Annual Battle Action Force Annual 1985 b3 Annual Battle Action Force Annual 1986 b3 Annual Battle Picture Weekly Annual 1981 LR5 Annual Battle Picture Weekly Annual 1982 b3 Annual Battle Picture Weekly Annual 1982 LR5 Annual Beano Book 1964 LR5 Annual Beano Book 1971 LR4 Annual Beano Book 1981 b3 Annual Beano Book 1983 LR4 Annual Beano Book 1985 LR4 Annual Beano Book 1987 LR4 Annual Beezer Book 1976 LR4 Annual Beezer Book 1977 LR4 Annual Beezer Book 1982 LR4 Annual Beezer Book 1987 LR4 Annual TVT Ben Casey Annual © 1963 yellow Sp LR4 Annual Beryl the Peril 1977 (Beano spin-off) b3 Annual Beryl the Peril 1988 (Beano spin-off) b3 Annual TVT Beverly Hills 90210 Official Annual 1993 LR4 Annual TVT Bionic -
Download the Expanded Digital Edition Here
Spring 1999 December 2002 April 2002 February 2003 May 2003 September 2003 November 2003 October 2004 March 2005 October 2003 November 2007 August 2009 July 2010 April 2012 September 2012 September 2010 April 2011 June 2012 June 2012 November 2012 November 2012 November 2012 January 2013 January 2013 January 2013 I created The Rainbow Orchid because making comics is such hard work that I wanted to write and draw one that I could be absolutely certain at least one person would really like – that person being me. It is steeped in all the things I love. From the adventure stories of H. Rider Haggard, Jules Verne and Arthur Conan Doyle I took the long build-up to a fantastic element, made all the more amazing because the characters are immersed in the ‘real world’ for so much of the story. From the comics medium I dipped my pen into the European tradition of Hergé, Edgar P. Jacobs, Yves Chaland and the descendents of their ligne claire legacy, along with the strong sense of environment – a believable world – from Asterix and Tintin. Yet I wanted characters and a setting that were very strongly British, without being patriotic. Mixed into all this is my fondness for an involving and compelling plot, and artistic influences absorbed from a wealth of comic artists and illustrators, from Kay Neilsen to Bryan Talbot, and a simple love of history and adventure. No zombies, no bikini-clad gun-toting nubiles, and no teeth-gritting ... grittiness. Just a huge slice of pure adventure, made to go with a big mug of tea. -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
Comic Annuals for Christmas
Christmas annuals: They were once as much a part of the festive celebration as turkey and the trimmings. Steve Snelling recalls Christmases past with comic immortals like Alf Tupper, Robot Archie and Lonely Larry Comic season’s greetings from all my heroes ostalgia’s a funny thing. I like to But, thankfully, such illusions would remain think of it as a feelgood trick of the unshattered for a little longer and, though I memory where all pain and didn’t know it then, that less than surprising discomfort is miraculously excised gift from a most un-grotto-like publishing and the mind’s-eye images are house on the edge of Fleet Street marked the forever rose-tinted. And while it may beginning of a Christmas love affair with the not always be healthy to spend too much time comic annual that even now shows precious Nliving in the past, I doubt I’m alone in finding it little sign of waning. strangely comforting to occasionally retreat Of course, much has changed since that down my own private Christmas morning when I tore open the memory lane. festive wrapping to reveal the first-ever Christmas is a case in Victor Book for Boys, its action-packed cover point. No matter how hard featuring a fearsome-looking bunch of Tommy- I might try, nothing quite gun wielding Commandos pouring from the measures up to visions of battered bows of the destroyer Campbeltown festive times past when to moments after it had smashed into the dock revel in the beguiling magic gates of St Nazaire. -
1968-May.Pdf
-.. -4 --,- - ANOK - mw~ AE OooWN 40_ f .A l -- -_ - _-; - I, " -, - 4--':.LL-9jL - ~·~:o~~_·r+·T~R ~ ~~~ __ - ~.,, ~~~-- L_-··-__et_r4- · ,---- 7,~ -;ami: is as Ad~,~4'f~ - rW.-. .r9 a :cr mok,~~~~~~~c. --.z-.TB 3A1aW ,5l.11 I -. -1 i" \.J . ., t ' q:i t gI~ 1wDn'' fI 1 it U 0 C IA R E TT s 20 - =l~awlaqlk j Oh b vd guideIF VOO DOO may, 1968 =·\ Transformer Wesley Mo ore Attenuator Jim Tagga rt University Insuranc Commercial Gary Blau Generator Ed "The H ick" Salzburg Agency, Inc. Screw-Up John Jurewicz BoYL5ToN ST. W5sToN Antenna Rich Rosen (oYP? PRUDENTYL CENTER) Resistor Raisa Berlin Video Valve Mike Brom berg Autonobile and Motoreycle Triode Scotly Rho( es Insutrance Ionisphere Charles Deber, Ph.D., Hs. C. Sybsystem Art Polansl :y Noise Generator Mark Mariinch Ghosts Alan Chapi nan ALL RISKS ACCEPTED FOR LIABILITY, Flicks Finder and Lavin FIRE/THEFT AND COLLISION COVERAGE Nielsen Trv Simnn-'Steve Gallant Static Harold Federow Phosphor PhosphorusS "FOR PERSONAL SERVICE, CALL ON VooDoo is published 9 times ayear(Oct. thru May, and US AT THE UNIVERSITY" in August) by the VooDoo Managing Board, 84 Massa- TELEPHONE: 536 - 9555 chusetts Avenue, Cambridge, Massachusetts, 02139; en- tered as Second Class Mail at the Boston Post Office, I i , ' ;L ·r 111~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _ Year subscription Three Dollars. Volume 51, Number 8, --Z - L-C May, 1968. Thank God. ON V. D. GUIDE'S COVER THIS WEEK ... rFF Shown on V.D. Guide's cover this week are the rising new stars Connie Linkes and Rod Fellas, hard at work on their new show, "Annie, Gotcha 'Gain" premiering &PIZZAthis week on Channel 69, Tuesdays at 8:30. -
Colle1ctors' Digest
S PRY PAPER COLLE 1CTORS' DIGEST VOL. 46 No. 551 NOVEMBER 1992 BETTY AGAINST THE SNOBSI 8M u TIH Fri ... d atie ,..,,.,,d I'' II\ thi• IHllt.) - • ..a.... - No, 3, Vol . I ,) PU81. I SH£0 £VER Y TUESDAY, [Wnk End•nll f'~b,.,&ry l&th, 191 1, ONCORPORATING NORMAN SHAW) ROBIN OSBORNE, 84 BELVEDERE ROAD, LONDON SE 19 2HZ PHONE (BETWEEN 11 A.M . • 10 P.M.) 081-771 0541 Hi People, Varied selection of goodies on offer this month:- J. Many loose issues of TRIUMPH in basically very good condition (some staple rust) £3. each. 2. Round volume of TRIUMPH Jan-June 1938 £80. 3. GEM . bound volumes· all unifonn · 581. 620 (29/3 · 27.12.19) £110 621 . 646 (Jan· June 1920) £ 80 647 • 672 (July · Dec 1920) £ 80 4. 2 Volumes of MAGNET uniformly bound:- October 1938 - March 1939 £ 60 April 1939 - September 1939 £ 60 (or the pair for £100) 5. SWIFT - Vol. 7, Nos.1-53 & Vol. 5 Nos.l-52, both bound in single volumes £50 each. Many loose issues also available at £1 each - please enquire. 6. ROBIN - Vol.5, Nos. 1-52, bound in one volume £30. Many loose issues available of this title and other pre-school papers like PLA YHOUR, BIMBO, PIPPIN etc. at 50p each (substantial discounts for quantity), please enquire. 7. EAGLE - many issues of this popular paper. including some complete unbound volumes at the following rates: Vol. 1-10, £2 each, and Vol. 11 and subsequent at £1 each. Please advise requirements. 8. 2000 A.D. -
Best of the Magazine 2006 the Best of Paper Monitor 2009
Paula Lewis Best of the Magazine 2006 A selection from bbc.co.uk/magazine The best of Paper Monitor 2009 The best of Paper Monitor 2009 Friday 2 January thing-didn’t-happen involves a damaged wind turbine, freak weather conditions, and unexplained lights in the sky, it As home-grown New Year festivities reached full frenzy does. too late for 1 January’s papers, today the Daily Mail makes up for lost time with a double-page spread depicting worse- The playful scamps at the Sun go all out with headlines for-wear revellers. such as “Close encounters of the turbine” today and yesterday’s “UFO hits wind turbine”, but for a serious paper While the blokes pictured are, to a man, bloodied, the of record such as the Times, the word “probably” is needed laaaaydies are comatose with drink. And not a coat or to green-light such silliness. scarf among them. Any could be a successor to Drunk Girl1, whose image illustrates a thousand articles on binge The Daily Telegraph deploys a question mark to similar drinking. effect: “Lights in the sky and a broken wind turbine: evidence of little green men?” One in particular could be Drunk Girl’s sister, and her image will no doubt be added to the Mail’s stockpot. The Sun itself, though, is in a cheeky mood. After the She sits on the pavement in her party frock, high heels Guardian’s director of digital content, Emily Bell, blogged and opaque tights (sensible choice). Her head rests in her that the lights seen near the turbine were actually fireworks hands, hair flopping forward, obscuring her face. -
Westerns…All'italiana
Issue #70 Featuring: TURN I’ll KILL YOU, THE FAR SIDE OF JERICHO, Spaghetti Western Poster Art, Spaghetti Western Film Locations in the U.S.A., Tim Lucas interview, DVD reviews WAI! #70 The Swingin’ Doors Welcome to another on-line edition of Westerns…All’Italiana! kicking off 2008. Several things are happening for the fanzine. We have found a host or I should say two hosts for the zine. Jamie Edwards and his Drive-In Connection are hosting the zine for most of our U.S. readers (www.thedriveinconnection.com) and Sebastian Haselbeck is hosting it at his Spaghetti Westerns Database for the European readers (www.spaghetti- western.net). Our own Kim August is working on a new website (here’s her current blog site http://gunsmudblood.blogspot.com/ ) that will archive all editions of the zine starting with issue #1. This of course will take quite a while to complete with Kim still in college. Thankfully she’s very young as she’ll be working on this project until her retirement 60 years from now. Anyway you can visit these sites and read or download your copy of the fanzine whenever you feel the urge. Several new DVD and CD releases have been issued since the last edition of WAI! and co-editor Lee Broughton has covered the DVDs as always. The CDs will be featured on the last page of each issue so you will be made aware of what is available. We have completed several interviews of interest in recent months. One with author Tim Lucas, who has just recently released his huge volume on Mario Bava, appears in this issue. -
Lledoshuffle - New Stock List, August 2020 Page 1
lledoshuffle - new stock list, August 2020 Page 1 Box Type Model no. Description Comments box Website MoDG Fat 3006 Matthew Norman 903 £ 2.50 MoDG Fat 4000 Victoria & Kings Cross, Liptons Tea - white on green, brown seats (version d) 903 £ 4.00 MoDG 6016 Ovaltine 75 years, stone roof, beige logo type A-C-A 226 £ 3.00 MoDG 6024 Kodak, brass 12 wheels, no steering wheel, brass radiator type B-C-A £ 2.50 MoDG 6024 Kodak, white 20 wheels, no steering whee, brass radiator type B-C-A £ 2.50 MoDG 6025 Marks & Spencer, brass 12, no steering wheel, chrome rad. type B-C-A £ 2.50 MoDG 6042 Cwm Dale Spring (blue chassis), black 20, no steering wheel, brass rad. type A-C-A £ 2.50 Alton Towers 6044 Alton Towers £ 2.50 MoDG 6047 John Smiths Magnet Ales, brass 12, no steering wheel, brass rad. type A-C-A £ 2.50 Bay to Birdwood 6048 Bay to Birdwood Run, brass 12, no steering wheel, brass radiator type B-C-A £ 3.00 Cadburys 6051 Cadburys Drinking Chocolate, cream tyres, maroon 20, brass rad type B-C-A £ 3.00 MoDG 6053 Tizer, brass 12, no steering wheel, brass rad. type A-C-A £ 2.50 Coca Cola 6058 Drink Coca Cola, in Sterilized Bottles - cream tyres, red 20, brass rad. type B-E-A £ 3.00 MoDG 6068 Golden Shred, brass 12 wheels, no steering wheel type B-E-A £ 2.50 MoDG 6069 Charringtons, brass 12, no steering wheel, chrome rad. type A-E-A £ 2.50 Canadian 6074 Ontario 1867 type A-E-A £ 4.00 Canadian 6075 Yukon 1870 type A-E-A £ 4.00 Canadian 6076 North West Territories 1870 type A-E-A £ 4.00 Canadian 6077 Prince Edward Isle 1870 (version a) type A-E-A £ 4.00 -
Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body
Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body Scott Jeffery Thesis submitted for the Degree of Doctor of Philosophy School of Applied Social Science, University of Stirling, Scotland, UK September 2013 Declaration I declare that none of the work contained within this thesis has been submitted for any other degree at any other university. The contents found within this thesis have been composed by the candidate Scott Jeffery. ACKNOWLEDGEMENTS Thank you, first of all, to my supervisors Dr Ian McIntosh and Dr Sharon Wright for their support and patience. To my brother, for allowing to me to turn several of his kitchens into offices. And to R and R. For everything. ABSTRACT The figure of the cyborg, or more latterly, the posthuman body has been an increasingly familiar presence in a number of academic disciplines. The majority of such studies have focused on popular culture, particularly the depiction of the posthuman in science-fiction, fantasy and horror. To date however, few studies have focused on the posthuman and the comic book superhero, despite their evident corporeality, and none have questioned comics’ readers about their responses to the posthuman body. This thesis presents a cultural history of the posthuman body in superhero comics along with the findings from twenty-five, two-hour interviews with readers. By way of literature reviews this thesis first provides a new typography of the posthuman, presenting it not as a stable bounded subject but as what Deleuze and Guattari (1987) describe as a ‘rhizome’. Within the rhizome of the posthuman body are several discursive plateaus that this thesis names Superhumanism (the representation of posthuman bodies in popular culture), Post/Humanism (a critical-theoretical stance that questions the assumptions of Humanism) and Transhumanism (the philosophy and practice of human enhancement with technology).