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Entertainer Josephine Baker by Lilyana D’Amato
The Legacy of Black Musicians: Entertainer Josephine Baker by Lilyana D’Amato In the decade following the First World War, French popular culture was dominated by images of negrophilia: the disconcerting obsession with and seizure of Black — specifically African — culture. Introduced to African folk art through global imperialism and colonialism, the French became fascinated with racialized depictions of the “savage” Black body, fetishizing Blackness through painting, sculpture, film, and performance. In the early 1920s, avant-garde Parisian artists began appropriating Black culture as a means of exploring what they saw as the juxtaposition between the “primitive” and changing notions of modernity. When entertainer Jospehine Baker, the hugely influential African American expatriate, arrived in Paris in 1925, she became the face of this racialized mania. Her body and persona came to signify the exotic, used to satisfy colonialist sexual fantasies. In reviews of Baker’s most iconic performance, her 1925 stage debut in La Revue Nègre, she is almost solely described through animalistic metaphors — as a monkey, a panther, a giraffe, or a snake. In the Parisian newspaper Candide, the reviewer begins: “This is no woman, no dancer. It’s something as exotic and elusive as music, an embodiment of all the sounds we know.” Dehumanized and reduced to something, Baker was, as Scholar Alicja Sowinska explores in her paper Dialectics of the Banana Skirt: The Ambiguities of Josephine Baker’s Self-Representation, “popularly situated in a sort of netherworld, suspended between civilization and savagery, and between the human and the animal.” References to Baker’s ambiguous humanity also appeared in e.e. -
The Death of Postfeminism : Oprah and the Riot Grrrls Talk Back By
The death of postfeminism : Oprah and the Riot Grrrls talk back by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Montana State University © Copyright by Cathy Sue Copenhagen (2002) Abstract: This paper addresses the ways feminism operates in two female literary communities: the televised Oprah Winfrey talk show and book club and the Riot Grrrl zine movement. Both communities are analyzed as ideological responses of women and girls to consumerism, media conglomeration, mainstream appropriation of movements, and postmodern "postfeminist" cultural fragmentation. The far-reaching "Oprah" effect on modem publishing is critiqued, as well as the controversies and contradictions of the effect. Oprah is analyzed as a divided text operating in a late capitalist culture with third wave feminist tactics. The Riot Grrrl movement is discussed as the potential beginning of a fourth wave of feminism. The Grrrls redefine feminism and femininity in their music and writings in zines. The two sites are important to study as they are mainly populated by under represented segments of "postfeminist" society: middle aged women and young girls. THE DEATH OF "POSTFEMINISM": OPRAH AND THE RIOT GRRRLS TALK BACK by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, MT May 2002 ii , ^ 04 APPROVAL of a thesis submitted by Cathy Sue Copenhagen This thesis has been read by each member of a thesis committee and has been found to be satisfactory regarding content, English Usage, format, citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies. -
Women's History Month for All Employees
DiversityInc For All Employees MEETING IN A BOX Women’s History Month WOMEN’S HISTORY MONTH TIMELINE 1789 U.S. Constitution is ratified. The first woman presidential candidate, 1955 First lesbian organization in U.S., terms “persons,” “people” and for the Equal Rights Party Daughters of Bilitis, is founded “electors” allow for interpretation of those beings to include men and 1916 Jeannette Rankin of Montana 1963 Equal Pay Act is passed by Congress women becomes first woman elected to to close gender pay gap Congress 1837 Oberlin College in Ohio becomes first 1963 Betty Friedan’s The Feminine coeducational college in the U.S. 1920 19th Amendment gives women right Mystique is published to vote 1839 Mississippi becomes first state 1964 Title VII of Civil Rights Act of 1964 to grant married women right to 1924 Miriam Ferguson (Texas) and Nellie prohibits employment discrimination hold property in their own names, Tayloe Ross (Wyoming) become first on basis of race, color, religion, independent of their husbands women elected governor national origin or sex 1967 Muriel Siebert becomes first woman to own a seat on the New York Stock Exchange 1972 Title IX bans gender discrimination in federally funded education programs 1972 Katharine Graham of The Washington Post Co. becomes first woman CEO 1843 1849 1872 1916 of a Fortune 500 company 1840 Catherine Brewer becomes first 1932 Amelia Earhart becomes first woman woman to receive a bachelor’s to fly solo across Atlantic degree, from Georgia Female College (now Wesleyan College) in Macon, 1932 -
Important Women in United States History (Through the 20Th Century) (A Very Abbreviated List)
Important Women in United States History (through the 20th century) (a very abbreviated list) 1500s & 1600s Brought settlers seeking religious freedom to Gravesend at New Lady Deborah Moody Religious freedom, leadership 1586-1659 Amsterdam (later New York). She was a respected and important community leader. Banished from Boston by Puritans in 1637, due to her views on grace. In Religious freedom of expression 1591-1643 Anne Marbury Hutchinson New York, natives killed her and all but one of her children. She saved the life of Capt. John Smith at the hands of her father, Chief Native and English amity 1595-1617 Pocahontas Powhatan. Later married the famous John Rolfe. Met royalty in England. Thought to be North America's first feminist, Brent became one of the Margaret Brent Human rights; women's suffrage 1600-1669 largest landowners in Maryland. Aided in settling land dispute; raised armed volunteer group. One of America's first poets; Bradstreet's poetry was noted for its Anne Bradstreet Poetry 1612-1672 important historic content until mid-1800s publication of Contemplations , a book of religious poems. Wife of prominent Salem, Massachusetts, citizen, Parsons was acquitted Mary Bliss Parsons Illeged witchcraft 1628-1712 of witchcraft charges in the most documented and unusual witch hunt trial in colonial history. After her capture during King Philip's War, Rowlandson wrote famous Mary Rowlandson Colonial literature 1637-1710 firsthand accounting of 17th-century Indian life and its Colonial/Indian conflicts. 1700s A Georgia woman of mixed race, she and her husband started a fur trade Trading, interpreting 1700-1765 Mary Musgrove with the Creeks. -
Timeline of Contents
Timeline of Contents Roots of Feminist Movement 1970 p.1 1866 Convention in Albany 1866 42 Women’s 1868 Boston Meeting 1868 1970 Artist Georgia O’Keeffe 1869 1869 Equal Rights Association 2 43 Gain for Women’s Job Rights 1971 3 Elizabeth Cady Stanton at 80 1895 44 Harriet Beecher Stowe, Author 1896 1972 Signs of Change in Media 1906 Susan B. Anthony Tribute 4 45 Equal Rights Amendment OK’d 1972 5 Women at Odds Over Suffrage 1907 46 1972 Shift From People to Politics 1908 Hopes of the Suffragette 6 47 High Court Rules on Abortion 1973 7 400,000 Cheer Suffrage March 1912 48 1973 Billie Jean King vs. Bobby Riggs 1912 Clara Barton, Red Cross Founder 8 49 1913 Harriet Tubman, Abolitionist Schools’ Sex Bias Outlawed 1974 9 Women at the Suffrage Convention 1913 50 1975 First International Women’s Day 1914 Women Making Their Mark 10 51 Margaret Mead, Anthropologist 1978 11 The Woman Sufferage Parade 1915 52 1979 Artist Louise Nevelson 1916-1917 Margaret Sanger on Trial 12 54 Philanthropist Brooke Astor 1980 13 Obstacles to Nationwide Vote 1918 55 1981 Justice Sandra Day O’Connor 1919 Suffrage Wins in House, Senate 14 56 Cosmo’s Helen Gurley Brown 1982 15 Women Gain the Right to Vote 1920 57 1984 Sally Ride and Final Frontier 1921 Birth Control Clinic Opens 16 58 Geraldine Ferraro Runs for VP 1984 17 Nellie Bly, Journalist 1922 60 Annie Oakley, Sharpshooter 1926 NOW: 20 Years Later 1928 Amelia Earhart Over Atlantic 18 Victoria Woodhull’s Legacy 1927 1986 61 Helen Keller’s New York 1932 62 Job Rights in Pregnancy Case 1987 19 1987 Facing the Subtler -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Walter Gropius
Reginald R. Isaacs Walter Gropius Der Mensch und sein Werk Bandl Gebr. Mann Verlag • Berlin Inhalt GELEITWORT VON WALTER GROPIUS 11 VORWORT 13 PROLOG 23 I.TEIL DIE GRUNDLAGEN DIE ZEIT BIS ZUM WEGGANG AUS DEUTSCHLAND I HERKUNFT-JUGENDJAHRE-WELTKRIEG 31 WalterGropius,dieFamÜie, die Vorfahren 31 Kindheit 43 Der Gymnasiast 43 Studium in München 55 AlsEinjährig-FreiwilligerbeidenWandsbekerHusaren .... 58 Immatrikulation in Berlin 66 Erste Arbeiten als Baumeister 68 Die Reise nach Spanien 78 Im Büro von Peter Behrens 90 Das eigene Architekturbüro 96 Alma Mahler-Erste Erfolge als Architekt 98 DasFagus-Werk 105 Der Tod Gustav Mahlers-und eine Entfremdung 109 Aufträge und Arbeiten-Die Kölner Werkbund-Ausstellung . 116 Die Kriegsjahre 127 AlmaGropiusIMariaGropius! 139 Eine Anfrage aus Weimar 147 Eheprobleme - Familienprobleme 155 Glückliche Geburt einer Tochter-Manon Gropius 159 Alma Gropius und Franz Werfel 174 II WEIMAR: 1919-1925 187 Die Nachkriegszeit 187 Weimar und das Bauhaus 203 Weimar, Berlin und die Familie 218 Lily Hildebrandt 228 Erste Angriffe auf das Bauhaus 234 Alma, Lily, Maria-Frauen um Walter Gropius 237 Das Bauhaus - Fortschritte und Schwierigkeiten 242 Das Ringen um die Scheidung - und Schwankungen der Liebe. 245 Streitereien im Bauhaus 250 Lily hier- Alma dort 252 Formfindung am Bauhaus und Abspaltung der alten Kunsthochschule 255 Das eigene Architekturbüro in Weimar 260 Lily und Hans Hildebrandt - Der »Kreis der Freunde des Bauhauses« 274 Das Bauhaus - Lehre und Lehrer 283 Die Bauhaus-Ausstellung von 1923 296 .Das Versuchshaus des Bauhauses 301 Ise Gropius, geborene Ilse Frank 304 Das Bauhaus im Kreuzfeuer der Gegner 318 Das tetzteJahr des Bauhauses in Weimar 327 Ise Gropius und das Bauhaus 335 Weimar-die Zuspitzung der Krise 338 Das Bauhaus ins Rheinland? 342 Das Ende des Staatlichen Bauhauses in Weimar 345 III DESSAU: 1925-1928 349 Der Abschied von Weimar-Das Bauhaus zieht nach Dessau ... -
Vol. 3 No. 1 Spring 2011 Items of Recent and Historical Interest From
Items of recent and historical interest from members of The Heritage Library Vol. 3 No. 1 Spring 2011 WOMEN IN HISTORY GLIMPSES INTO THE CIVIL WAR Elizabeth Timothy The CSS Hunley, a tragic submarine by Rosemary Staples It was bright moonlight the night of February 17, 1864. On that night, near Charleston, South Carolina, Ask the average person to name America’s first the USS Housatonic was suddenly hit by a torpedo woman newspaper publisher, and they might suggest and sank almost immediately. Katharine Graham, Clare Boothe Luce, or Dorothy Dix. Not even close — one has to step back three centu- History was made that night. The CSS Hunley, who ries, into colonial Charlestown, South Carolina to find struck the Housatonic, was the first submarine ever to the answer. The honor belongs to a Dutch immigrant, sink an enemy ship. Immediately after the sinking of Elizabeth Timothy, who published the South Carolina the USS Housatonic, the Hunley disappeared, never to Gazette for eight years after the death of her husband. be heard of again. Elizabeth Timothy, a thirty-something mother of six, It was the third sinking of the ill-fated boat. faced two choices when her husband Lewis died “in an Three years earlier, on April 19, 1861, President Lin- unhappy accident” over Christmas 1738—either marry coln had ordered the Union forces to begin a blockade and give up ownership of the paper, or simply press on by of all major Southern ports. It was this order that led herself. Elizabeth chose the latter. She planned to make to the invasion and occupation of Hilton Head in No- the paper profitable, buy out its partner, and give the Ga- vember of that year and, according to most historians, zette to her teen-age son when he turned twenty-one. -
Berg's Worlds
Copyrighted Material Berg’s Worlds CHRISTOPHER HAILEY Vienna is not the product of successive ages but a layered composite of its accumulated pasts. Geography has made this place a natural crossroads, a point of cultural convergence for an array of political, economic, religious, and ethnic tributaries. By the mid-nineteenth century the city’s physical appearance and cultural characteristics, its customs and conventions, its art, architecture, and literature presented a collage of disparate historical elements. Gothic fervor and Renaissance pomp sternly held their ground against flights of rococo whimsy, and the hedonistic theatricality of the Catholic Baroque took the pious folk culture from Austria’s alpine provinces in worldly embrace. Legends of twice-repelled Ottoman invasion, dreams of Holy Roman glories, scars of ravaging pestilence and religious perse- cution, and the echoes of a glittering congress that gave birth to the post-Napoleonic age lingered on amid the smug comforts of Biedermeier domesticity. The city’s medieval walls had given way to a broad, tree-lined boulevard, the Ringstrasse, whose eclectic gallery of historical styles was not so much a product of nineteenth-century historicist fantasy as the styl- ized expression of Vienna’s multiple temporalities. To be sure, the regulation of the Danube in the 1870s had channeled and accelerated its flow and introduced an element of human agency, just as the economic boom of the Gründerzeit had introduced opportunities and perspectives that instilled in Vienna’s citizens a new sense of physical and social mobility. But on the whole, the Vienna that emerged from the nineteenth century lacked the sense of open-ended promise that charac- terized the civic identities of midwestern American cities like Chicago or St. -
Benjamin C. Bradlee
Benjamin C. Bradlee: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Bradlee, Benjamin C., 1921-2014 Title: Benjamin C. Bradlee Papers Dates: 1921-2013 Extent: 185 document boxes, 2 oversize boxes (osb) (77.7 linear feet), 1 galley file (gf) Abstract: The Benjamin C. Bradlee Papers consist of memos, correspondence, manuscript drafts, desk diaries, transcripts of interviews and speeches, clippings, legal and financial documents, photographs, notes, awards and certificates, and printed materials. These professional and personal records document Bradlee’s career at Newsweek and The Washington Post, the composition of written works such as A Good Life and Conversations with Kennedy, and Bradlee’s post-retirement activities. Call Number: Manuscript Collection MS-05285 Language: English and French Access: Open for research. Researchers must register and agree to copyright and privacy laws before using archival materials. Some materials are restricted due to condition, but facsimiles are available to researchers. Administrative Information Acquisition: Purchases, 2012 (12-05-003-D, 12-08-019-P) and Gift, 2015 (15-12-002-G) Processed by: Ancelyn Krivak, 2016 Repository: The University of Texas at Austin, Harry Ransom Center Bradlee, Benjamin C., 1921-2014 Manuscript Collection MS-05285 Biographical Sketch Benjamin Crowninshield Bradlee was born in Boston on August 26, 1921, to Frederick Josiah Bradlee, Jr., an investment banker, and Josephine de Gersdorff Bradlee. A descendant of Boston’s Brahmin elite, Bradlee lived in an atmosphere of wealth and privilege as a young child, but after his father lost his position following the stock market crash of 1929, the family lived without servants as his father made ends meet through a series of odd jobs. -
Africa to America
USA Girl Scouts Overseas Paris, France Africa to America To receive the patch the following number of requirements should be completed by: Girl Scouts Daisies – 2, Girl Scouts Brownies - 3, Girl Scout Juniors - 5, all other levels – 7 Email [email protected] for order information. 1. Africa is one of the five regions in the World Association of Girl Scouts and Girl Guides. WAGGGS’ Africa Region has 32 Member Organizations. Across Sub-Saharan Africa, 800,000 Girl Guides and Girl Scouts are part of a global community. • Choose an African country at http://africa.wagggs.org/en/organisations and learn about the Girl Guides and Girl Scouts there. Refer to WAGGGS Publication, Trefoil Around the World” for help, if needed) • Learn about their program. How is it different or the same as yours? • Recite their Promise and Law. Is it the same or different from your own? • Do they wear uniforms? If so, what do they look like? 2. Jazz music is strongly influenced by African culture; African-American soldiers introduce Jazz to France after World War I. The period between the first and second world wars is often referred to as the Jazz Age. Today, jazz is played and listened to by people of all cultures and ethnicities and includes musical elements and styles from all over the world. Many female artists were a part of the early jazz scene in Paris and this still true today; from the early jazz legends like Ella Fitzgerald, Nina Simone, Nancy Holloway and Hazel Scott to contemporary artists like Dianne Reeves, Dee Dee Bridgewater, China Moses and Esperanza Spalding. -
Givens Playbills
Givens Collection Playbills/Programs Box 1 Abbott, George: The Pajama Game. Lunt-Fontanne Theatre. 1974. Aiken, G.L.: Uncle Tom’s Cabin. The Alvin Theatre, New York. 1933. Ailey, Alvin: The Alvin Ailey American Dance Theatre. Souvenir Book Publishers Inc., New York. Anderson, Maxwell: Lost in the Stars. The Playwrights’ Company, New York. 19450. Baker, Josephine. Josephine Baker and Her International Revue. Baldwin, James: • The Amen Corner. Los Angeles. 1964 • The Amen Corner. Ethel Barrymore Theatre. 1965. • Blues for Mister Charlie. Anta Theatre, New York. 1964. Ballets Africains. New York. Belafonte, Harry. Belafonte at the Palace. A Belafonte Enterprises, Inc. Production. 1959. The Biggest Show of ’51. Souvenir program with signatures. Blake, Eubie: Eubie! Ambassador Theatre, New York. 1979. Broadway Answers Selma. Majestic Theatre, New York. Brown, William F.: The Wiz. Majestic Theatre, New York. 1974. Bullins, Ed • The Electronic Nigger and Others. The American Palace Theatre, New York. 1968. • House Party (2 copies). The American Palace Theatre, New York. 1973. Café Society Downtown. New York. Carnegie Hall (Charlie Parker Memorial Concert). New York. 1955. D’Usseau, Arnaud & Gow, James: Deep are the Roots. The Fulton Theatre, New York. 1946. Davis, Ossie • Purlie Victorious. The Longacre Theatre. 1962. • Purlie. 1970. Duberman, Martin B.: In White America. Sheridan Square Playhouse, New York. Dunham, Katherine • The Playbill for the Martin Beck Theatre. Cabin in the Sky. New York. 1940. • Program for Katherine Dunham and her company in a tropical revue. Martin Beck Theatre, New York. 1943. • S. Hurok presents Katherine Dunham and her Company in Tropical Revue with Bobby Capo Dowdy Quartet.