Concert Program Booklet 2015-2016
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Quodlibet by John Pendleton Kennedy
Quodlibet by John Pendleton Kennedy CHAPTER I. ANTIQUITIES OF QUODLIBET—MICHAEL GRANT'S TANYARD DESTROYED BY THE CANAL—CONSEQUENCES OF THIS EVENT—TWO DISTINGUISHED INDIVIDUALS TAKE UP THEIR RESIDENCE IN THE BOROUGH—ESTABLISHMENT OF THE PATRIOTIC COPPERPLATE BANK— CIRCUMSTANCES WHICH LED TO AND FOLLOWED THAT MEASURE— MICHAEL GRANT'S OBJECTIONS TO IT. It was at the close of the year 1833, or rather, I should say, at the opening of the following spring, that our Borough of Quodlibet took that sudden leap to greatness which has, of late, caused it to be so much talked about. Our folks are accustomed to set this down to the Removal of the Deposits. Indeed, until that famous event, Quodlibet was, as one might say in common parlance, a place not worth talking about—it might hardly be remarked upon the maps. But since that date, verily, like Jeshurun, it has waxed fat. It has thus come to pass that "The Removal" is a great epoch in our annals—our Hegira—the A. U. C. of all Quodlibetarians. Michael Grant, a long time ago—that is to say, full twenty years—had a tanyard on Rumblebottom Creek, occupying the very ground which is now covered by the canal basin. Even as far back as that day he had laid up, out of the earnings of his trade, a snug sum of money, which sufficed to purchase the farm where he now lives at the foot of the Hogback. Quodlibet, or that which now is Quodlibet, was then as nothing. Michael's dwelling house and tanyard, Abel Brawn's blacksmith-shop, Christy M'Curdy's mill, and my school-house, made up the sum-total of the settlement. -
All Terrain String Festival Press Release
Press Contact: Blake Zidell Blake Zidell & Associates 718.643.9052 [email protected] For Immediate Release February 6, 2017 PEAK PERFORMANCES’ ALL TERRAIN STRING FESTIVAL: BOLCOM 4x4 PAYS TRIBUTE TO COMPOSER WILLIAM BOLCOM, MARCH 31 – APRIL 2 Festival Celebrating String Quartet Composition and Performance Will Feature Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet, and Acclaimed Guest Artists Including Jazz Bassist John Patitucci and Classical Guitarist Eliot Fisk Program Includes the World Premiere of Bolcom’s String Quartet No. 12, by Shanghai Quartet, and the New York / New Jersey Premiere of His String Quartet No. 8, by Arditti Quartet, as well as a Genre-Spanning Range of Classic and Contemporary Music Shanghai Quartet, Ensemble-in-Residence at John J. Cali School of Music at Montclair State University, Will Join the Other Featured Quartets, in Addition to Headlining a Concert of Their Own Peak Performances presents All Terrain String Festival: Bolcom 4x4 Featuring Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet March 31 – April 2 The Alexander Kasser Theater at Montclair State University (1 Normal Ave, Montclair, NJ) Ticket Prices: $20 per concert; Saturday Pass (two concerts and Mingle with the Musicians Dinner), $60; All-Festival Pass, $90 To Purchase: www.peakperfs.org or 973.655.5112 Peak Performances is pleased to present All Terrain String Festival: Bolcom 4x4, a three-day festival in which four of the world’s foremost string quartets will perform the work of prolific Pulitzer Prize-winning American composer William Bolcom, along with music by a wide variety of other composers, from Mozart to Dizzy Gillespie. -
The Land of Harmony a M E R I C a N C H O R a L G E M S
invites you to The Land of Harmony A MERIC A N C HOR A L G EMS April 5 • Shaker Heights April 6 • Cleveland QClevelanduire Ross W. Duffin, Artistic Director The Land of Harmony American Choral Gems from the Bay Psalm Book to Amy Beach April 5, 2014 April 6, 2014 Christ Episcopal Church Historic St. Peter Church shaker heights cleveland 1 Star-spangled banner (1814) John Stafford Smith (1750–1836) arr. R. Duffin 2 Psalm 98 [SOLOISTS: 2, 3, 5] Thomas Ravenscroft (ca.1590–ca.1635) from the Bay Psalm Book, 1640 3 Psalm 23 [1, 4] John Playford (1623–1686) from the Bay Psalm Book, 9th ed. 1698 4 The Lord descended [1, 7] (psalm 18:9-10) (1761) James Lyon (1735–1794) 5 When Jesus wep’t the falling tear (1770) William Billings (1746–1800) 6 The dying Christian’s last farewell (1794) [4] William Billings 7 I am the rose of Sharon (1778) William Billings Solomon 2:1-8,10-11 8 Down steers the bass (1786) Daniel Read (1757–1836) 9 Modern Music (1781) William Billings 10 O look to Golgotha (1843) Lowell Mason (1792–1872) 11 Amazing Grace (1847) [2, 5] arr. William Walker (1809–1875) intermission 12 Flow gently, sweet Afton (1857) J. E. Spilman (1812–1896) arr. J. S. Warren 13 Come where my love lies dreaming (1855) Stephen Foster (1826–1864) 14 Hymn of Peace (1869) O. W. Holmes (1809–1894)/ Matthias Keller (1813–1875) 15 Minuet (1903) Patty Stair (1868–1926) 16 Through the house give glimmering light (1897) Amy Beach (1867–1944) 17 So sweet is she (1916) Patty Stair 18 The Witch (1898) Edward MacDowell (1860–1908) writing as Edgar Thorn 19 Don’t be weary, traveler (1920) [6] R. -
Concert: Ithaca College Jazz Ensemble Ithaca College Jazz Ensemble
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 3-5-2012 Concert: Ithaca College Jazz Ensemble Ithaca College Jazz Ensemble Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Jazz Ensemble, "Concert: Ithaca College Jazz Ensemble" (2012). All Concert & Recital Programs. 712. http://digitalcommons.ithaca.edu/music_programs/712 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Digital Commons @ IC All Programs Concert & Recital Programs 3-5-2012 Concert: Ithaca College Jazz Ensemble Ithaca College Jazz Ensemble Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Jazz Ensemble "Head Charts" Ford Hall Monday, March 5, 2012 8:15 p.m. Program Cherokee Ray Noble (1903-1978) Emily Pecoraro, tenor sax Jason Juliano, alto sax Willow Weep For Me Ann Ronnell (1906-1993) Kevin Cope, trumpet Damien Scalise, guitar Embraceable You George Gershwin (1898-1937) Alana Dawes, bass Andrew Horwitz, baritone sax Sam Thurston, trumpet Damien Scalise, guitar Cheek To Cheek Irving Berlin (1888-1989) Christopher Miley, alto sax Josh Condon, piano Chega De Saudade Antonio Carlos Jobim (1927-1994) Joshua Condon, piano Damien Scalise, guitar Round Midnight Thelonious Monk (1917-1982) Jason Juliano, soprano sax T.J. -
College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed. -
Noexit Jan 2017 Program Print
NoExit New Music Ensemble from left to right; James Praznik, James Rhodes, Luke Rinderknecht, Eric Gonzalez, Timothy Beyer, Nicholas Underhill, Sean Gabriel, Nick Diodore and Cara Tweed. Since it’s inception, the idea behind NoExit has been to serve as an outlet for the commission and performance of contemporary avant-garde concert music. Now in our eighth season and with well over sixty commissions to date, NoExit is going strong in our efforts to promote the music of living composers and to be an impetus for the creation of new works. We have strived to create exciting, meaningful and thought-provoking programs; always with the philosophy of bringing the concert hall to the community (not the other way around) and by presenting our programs in a manner which allows for our audience to really connect with the experience......... free and open to the public in every sense. For NoExit’s 2016-2017 concert season we’ve expanded our programming to include more than twice the number of concerts than in previous years! We will continue to participate in the NeoSonicFest and produce our successful series of exchange concerts with the St.Paul, Minnesota based new music ensemble Zeitgeist, who we will be performing with in Cleveland this January. And of course, unveiled before your very eyes, more newly commissioned pieces will see their world premiere this season than you can shake a stick at. NoExit is grateful to have such an enthusiastic and engaged audience. We have so many extraordinary things in store for you, so keep listening! Thank you for your support. -
A Treatise on the Diseases Incident to the Horse
* ) . LIBRARY LINIVERSITYy^ PENNSYLVANIA j^ttrn/tause il^nriy GIFT OF FAIRMAN ROGERS Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/treatiseondiseasOOdunb (U^/^^c/^ i^^J-t^^-^t^^J-e^ A/ TREATISE ON THE ESPECIALLY TO THOSE OF THE FOOT, SHOWING THAT NEARLY EVERY SPECIES OF LAMENESS ARISES FROM CONTRACTION OF THE HOOF, WITH A PRESCRIBED REMEDY THEREFOR, DEMONSTRATED BY A MISCELLANEOUS CORRESPONDENCE OF THE MOST CELEBRATED HORSEMEN IN THE UNITED STATES AND ENGLAND, / ALEXANDER DUNBAR, ORIGINATOR OF THE CELEBRATED "DUNBAR SYSTEM" FOR THE PREVENTION AND CURE OF CONTRACTION. WILMINGTON, DEL. : JAMES & WEBB, PRINTERS AND PUBLISHERS, No, 224 Market Street. 187I. Entered according to Act of Congress, in the year 1871, by Alkxanokb DcNBAR, in the office of the Librarian of Congress, at Washington. 1 /1^ IftfDEX. .. PAGE. Introductory, ------- i CHAPTER I. Dunbar on the Horse, ------ g Instructions in Horse-Shoeing, - - - - - lo Testimonials in favor of Dunbar's system, - • - 1 " Lady Rysdyke" presented by Wm. M. Rysdyke, Esq., to Alexan- der Dunbar, - - - - - - - 15 Cut of Rysdyke's " Hambletonian," - - - - 17 Cut of portions of Hoof removed from "Old Hambletonian," - 17 CHAPTER n. Lady Rysdyke and Old Hambletonian, - - - - 19 CHAPTER HI. Testimonial of Robert Bonner in favor of the " Dunbar System," 25 How I obtained the knowledge of the "Dunbar" System, - 25 Letter of Hon. R. Stockett Matthews, - - - - 36 Letter of Lieut. General Grant, . ^6 First acquaintance with Messrs. Bruce, editors of "The Turf, Field and Farm," ------- 37 The Evils of Horse-Shoeing, or Difficulties of the Blacksmith, 38 Roberge's Patent Horse-Shoe, - - - - - 43 Dunbar's Objections to the "Rolling Motion Shoe," - - 44 CHAPTER IV. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
Bush Artist Fellows
Bush Artist Fellows AY_i 1/14/03 10:05 AM Page i Bush Artist Fellows AY 1-55 1/14/03 10:07 AM Page 1 AY 1-55 1/14/03 10:07 AM Page 2 Bush Artist Fellows CHOREOGRAPHY MULTIMEDIA PERFORMANCE ART STORYTELLING M. Cochise Anderson Ananya Chatterjea Ceil Anne Clement Aparna Ramaswamy James Sewell Kristin Van Loon and Arwen Wilder VISUAL ARTS: THREE DIMENSIONAL Davora Lindner Charles Matson Lume VISUAL ARTS: TWO DIMENSIONAL Arthur Amiotte Bounxou Chanthraphone David Lefkowitz Jeff Millikan Melba Price Paul Shambroom Carolyn Swiszcz 2 AY 1-55 1/14/03 10:07 AM Page 3 Bush Artist Fellowships stablished in 1976, the purpose of the Bush Artist Fellowships is to provide artists with significant E financial support that enables them to further their work and their contributions to their communi- ties. An artist may use the fellowship in many ways: to engage in solitary work or reflection, for collabo- rative or community projects, or for travel or research. No two fellowships are exactly alike. Eligible artists reside in Minnesota, North and South Dakota, and western Wisconsin. Artists may apply in any of these categories: VISUAL ARTS: TWO DIMENSIONAL VISUAL ARTS: THREE DIMENSIONAL LITERATURE Poetry, Fiction, Creative Nonfiction CHOREOGRAPHY • MULTIMEDIA PERFORMANCE ART/STORYTELLING SCRIPTWORKS Playwriting and Screenwriting MUSIC COMPOSITION FILM • VIDEO Applications for all disciplines will be considered in alternating years. 3 AY 1-55 1/14/03 10:07 AM Page 4 Panels PRELIMINARY PANEL Annette DiMeo Carlozzi Catherine Wagner CHOREOGRAPHY Curator of -
Tattler 1/14/2005
WGHN-FM 0.4 -0.3, WGHN-AM 0.1 -0.1. All Trends found in this Volume XXXI • Number 2 • January 14, 2005 Tattler are 12+, M-Su, 6A-12M, Aug-Sep-Oct 2004-Sep-Oct-Nov THE 2004 comparisons © 2005, The Arbitron Company. All rights MAIN STREET reserved. Communicator Network Changes are afoot on the AM dial in North Dakota as Marine Reservist Mike McNamara returns from his year-long stint in A T T L E Iraq. McNamara was expected to return to KNOX-AM/Grand TT A T T L E RR Forks where Jarrod Thomas has been anchoring soldier’s spot with a show entitled ‘Til Further Notice. However, the Grand Publisher • Tom Kay/Main Street Marketing & Promotion Forks Herald has reported that Thomas’ show has been re- “All the news that fits, we gits!” christened JT’s World, prompting speculation as to whether or not McNamara will, indeed, be settling back into his place. Further April Fool in January? Try this on for size. Since last week, KDWB/ fueling this idea is the Marine’s fill-in status on Clear Channel Minneapolis listeners have been directed to visit a Web site to Talk KFGO-AM/Fargo where he is said to be amongst those being file for a light extension or rat out a neighbor for keeping their considered to step into the space left by Ed Schultz’ departure holiday lights on after today. The supposed website for syndication. Meanwhile, after being dropped to make room (www.lightsoutminnesota.org) looks official enough with photos for Schultz’ national show, former KFGO talkers Jack and Sandy of the Minnesota state capitol, loons and a lady’s slipper as well Buttweiler have moved across town to middays at WDAY-AM. -
Música Dispersa Apropiación, Influencias, Robos Y Remix En La Era De
Música dispersa Apropiación, influencias, robos y remix en la era de la escucha digital Rubén López Cano Editorial: Musikeon Books (Barcelona) Año de publicación. 2018 ISBN: 978-84-945117-1-4 Palabras clave: Identidad y modos de existencia de las piezas musicales. Apropiación. Reciclaje musical. Intertextualidad. Préstamos e influencia. Reutilización. Plagio. Música grabada. Autenticidad y discursos de legitimación. Covers y versiones. Remix. Sampleo. Mashup. Memes musicales. Escucha digital. Pacto perceptual. Contenido 1. Introito: de la epifanía al trabajo colaborativo 2. Ser, parecer, aparecer, acceder y conocer la música 2.1. ¿Dónde están las sinfonías cuando no suenan? 2.2. Una obra y muchos seres 2.3. El rock y sus dilemas existenciales 2.4. El jazz: ¿obras o eventos? 2.5. Límites de la ontología musical 3. Fragmentación y dispersión de la unidad musical: Apropiaciones, influencias, préstamos, intertextualidad y reciclaje. 3.1. ¿De quién es la canción? Apropiaciones 3.2. Lo intertextual: una "obra" es un momento de la red 3.3. Reciclaje: del préstamo a la influencia 3.4. Intertextualidad en la música popular urbana 3.5. Intertextualidad en la música de arte occidental 3.6. Rangos de procesos y funciones intertextuales 3.7. Citas 3.8. Reutilización 3.9. Citas expandidas 3.10. Capital musical, idiolectos, campos semióticos 3.11. Intertexto vocal como diccionario 3.12. Intertexto vocal y paseos inferenciales 3.13. Crossover y referencias enmudecidas 3.14. Modelización y alusión 3.15. Inserción por ensamblaje. Quodlibet, Popurrí, Pasticcio, Patchwork, Collage 3.16. Intervención en una pieza preexistente: revisiones, versiones, contrafacta, paráfrasis e intervenciones conceptuales 3.17. -
Putting Patients First: Increasing Organ Supply for Transplantation Hearing
PUTTING PATIENTS FIRST: INCREASING ORGAN SUPPLY FOR TRANSPLANTATION HEARING BEFORE THE SUBCOMMITTEE ON HEALTH AND ENVIRONMENT OF THE COMMITTEE ON COMMERCE HOUSE OF REPRESENTATIVES ONE HUNDRED SIXTH CONGRESS FIRST SESSION APRIL 15, 1999 Serial No. 106±14 Printed for the use of the Committee on Commerce ( U.S. GOVERNMENT PRINTING OFFICE 56±603CC WASHINGTON : 1999 1 VerDate 18-JUN-99 11:50 Aug 23, 1999 Jkt 010199 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 E:\HEARINGS\56603 txed02 PsN: txed02 COMMITTEE ON COMMERCE TOM BLILEY, Virginia, Chairman W.J. ``BILLY'' TAUZIN, Louisiana JOHN D. DINGELL, Michigan MICHAEL G. OXLEY, Ohio HENRY A. WAXMAN, California MICHAEL BILIRAKIS, Florida EDWARD J. MARKEY, Massachusetts JOE BARTON, Texas RALPH M. HALL, Texas FRED UPTON, Michigan RICK BOUCHER, Virginia CLIFF STEARNS, Florida EDOLPHUS TOWNS, New York PAUL E. GILLMOR, Ohio FRANK PALLONE, Jr., New Jersey Vice Chairman SHERROD BROWN, Ohio JAMES C. GREENWOOD, Pennsylvania BART GORDON, Tennessee CHRISTOPHER COX, California PETER DEUTSCH, Florida NATHAN DEAL, Georgia BOBBY L. RUSH, Illinois STEVE LARGENT, Oklahoma ANNA G. ESHOO, California RICHARD BURR, North Carolina RON KLINK, Pennsylvania BRIAN P. BILBRAY, California BART STUPAK, Michigan ED WHITFIELD, Kentucky ELIOT L. ENGEL, New York GREG GANSKE, Iowa THOMAS C. SAWYER, Ohio CHARLIE NORWOOD, Georgia ALBERT R. WYNN, Maryland TOM A. COBURN, Oklahoma GENE GREEN, Texas RICK LAZIO, New York KAREN MCCARTHY, Missouri BARBARA CUBIN, Wyoming TED STRICKLAND, Ohio JAMES E. ROGAN, California DIANA DEGETTE, Colorado JOHN SHIMKUS, Illinois THOMAS M. BARRETT, Wisconsin HEATHER WILSON, New Mexico BILL LUTHER, Minnesota JOHN B. SHADEGG, Arizona LOIS CAPPS, California CHARLES W. ``CHIP'' PICKERING, Mississippi VITO FOSSELLA, New York ROY BLUNT, Missouri ED BRYANT, Tennessee ROBERT L.