Friends of the City Churches, Church of St Magnus the Martyr, Lower Thames Street, London EC3R 6DN, Tel

Total Page:16

File Type:pdf, Size:1020Kb

Friends of the City Churches, Church of St Magnus the Martyr, Lower Thames Street, London EC3R 6DN, Tel ____________________________________________________________________________________________________________________________________________________ February 2013 Published by the FCC in conjunction with the Archdeaconry of London www.cityevents.co.uk The Roman Influence on Wren’s City Churches Christopher Wren, in designing his City churches after the Great Fire, used, where possible, the principles of classical architecture, not the Gothic style which had dominated church architecture in England prior to the Reformation. There were effectively no churches in England that could serve as an example for him. Wren had visited Paris in 1665, where he had seen the domed churches of Lemercier’s Sorbonne and Mansart’s Val de Grace. The main source of classical church design, however, lay in Rome, where great architects like Bramante, Bernini and Borromini had been building domed churches in the classical style. Many of these buildings were known to Wren through a book of engravings by Giovanni Falda, “Chiese di Roma”, the 1675 edition of which is known to have been in his possession. Wren also had copies of the works of Serlio (from the 16th century) and Vitruvius (1st century BC), the latter being the only contemporary written authority on the buildings of ancient Rome. Wren’s biggest churches, such as St Bride Fleet Street, St Andrew Holborn and Christ Church Newgate Street, were built in the style of ancient Roman basilicas, with a three-aisled interior and barrel or groin-vaulted ceilings. The origins of his other church designs, particularly the steeples, are less obvious. The interior of St Mary le Bow is of an unusual, three-bay design. There is, however, a strong resemblance to the Basilica of Constantine and Maxentius in the Roman Forum, and it seems likely that this was the model used by Wren for the famous church of the Bow Bells. St Mary le Bow is also the first example of a classical steeple in this country, or indeed anywhere, the classical churches in Rome and Paris having, in most cases, no real steeples. The Gothic spires common throughout England were not suitable models for Wren, so he invented a new form of steeple for his City churches, each quite individual and different from any other. These steeples were very innovative and even today have no real equal anywhere. Several writers seem to believe that some of the later steeples designed by Wren’s office (St James Garlickhythe, St Michael Paternoster Royal, St Stephen Walbrook and St Vedast), were the work of Nicholas Hawksmoor, who learnt his trade as a young man in Wren’s employment. There is no direct evidence for this, however, and, in researching Wren’s influences in Rome, I found several examples of the work of Francesco Borromini which appear to be models for some of Wren’s later steeples. These designs would have been known to Wren in the 1670s from Falda’s “Chiese di Roma”, long before Hawksmoor arrived on the scene. Looking at Borromini’s Sant’ Agnese in Agone, San Carlo alle Quattro Fontane and Sant’ Ivo alla Sapienza, the twin classical columns on the corners of the towers/steeples of these churches are highly reminiscent of St James Garlickhythe, and the lanterns on the dome of Sant’ Agnese and on San Carlo have single columns on each corner of an octagon, much like the steeple of St Michael Paternoster Royal. In addition, Borromini’s churches feature concave and convex curves on their fronts and their steeples, as well as an ingenious use of light and shade, all characteristics of many of Wren’s buildings, such as the steeple of St Vedast. Rome also provides models for Wren’s work on St Paul’s Cathedral, the Greenwich Royal Hospital and several of his buildings at Oxford and Cambridge. It seems clear that Roman precedents allowed Wren’s genius to reach its full potential and that the Eternal City was an inspiration in the design of many of the City churches. Tony Tucker ─ City Guide, Lecturer, and author of 'The Visitor's Guide to the City of London Churches' Friends of the City Churches, Church of St Magnus the Martyr, Lower Thames Street, London EC3R 6DN, tel. 020 7626 1555 (answerphone) e-mail: [email protected] Why not visit our websites www.cityevents.org.uk for all the latest information, or www.london-city-churches.org.uk for downloadable maps and links to all the churches in the city? REGULAR SERVICES IN FEBRUARY 2013 Every Wednesday ─ continued The services below are the normal pattern for City Churches. They are subject to 1730 Evening Prayer St Edmund King and Martyr change during and immediately after major festivals and during holidays. 1745 Evening Prayer in the church St Mary le Bow See also our website at www.cityevents.co.uk which includes weekend services. 1800 Taizé Service All Hallows by the Tower Every Monday 1830 Mass St Alban the Martyr 0800 Mass St Alban the Martyr 1900 Sung Mass St Andrew Holborn 0805 RC Mass St Mary Moorfields 0815 Morning Prayer in the Crypt Chapel St Mary le Bow Every Thursday 0820 Morning Prayer (BCP) St Andrew by the Wardrobe 0800 Mass St Alban the Martyr 0830 Morning Prayer All Hallows by the Tower 0805 RC Mass St Mary Moorfields 0830 Holy Communion in the Crypt St Bride Fleet Street 0815 Morning Prayer in the Crypt Chapel St Mary le Bow 0830 Morning Prayer St Giles Cripplegate 0820 Morning Prayer (BCP) St Andrew by the Wardrobe 0830 Morning Prayer St Lawrence Jewry 0830 Holy Communion St Bartholomew the Great 1200 to 1500 Listening Service St Andrew Holborn 0830 Eucharist All Hallows by the Tower 1215 Mass St Vedast alias Foster 0830 Morning Prayer St Giles Cripplegate 1230 RC Mass St Bartholomew the Less 0830 Morning Prayer St Lawrence Jewry 1305 Holy Communion (1662) St Mary Aldermary 1200 to 1500 Listening Service St Andrew Holborn 1305 RC Mass St Mary Moorfields 1200 Holy Communion St Clement Eastcheap 1310 Mass St Alban the Martyr 1210 Holy Communion St Botolph Bishopsgate 1715 Evening Prayer (BCP) St James Garlickhythe 1215 Mass St Vedast alias Foster 1745 Evening Prayer in the church St Mary le Bow 1230 RC Mass St Bartholomew the Less 1800 Said Mass St Andrew Holborn 1230 Low Mass St Magnus the Martyr 1230 RC Mass St Andrew by the Wardrobe Every Tuesday 1245 Lunchtime Service Wesley’s Chapel 0730 Morning Prayer in the Crypt Chapel St Mary le Bow 1245 Sung Eucharist St Stephen Walbrook 0745 Eucharist in the Crypt Chapel followed by breakfast St Mary le Bow 1250 Informal Worship & Teaching St Mary Woolnoth 0800 Mass St Alban the Martyr 1300 Sung Holy Communion St Katharine Cree 0805 RC Mass St Mary Moorfields 1305 Mass St Mary Aldermary 0820 Morning Prayer (BCP) St Andrew by the Wardrobe 1305 Said Eucharist St Botolph Aldgate 0830 Morning Prayer All Hallows by the Tower 1305 RC Mass St Mary Moorfields 0830 Morning Prayer St Giles Cripplegate 1310 Mass St Alban the Martyr 0830 Morning Prayer St Lawrence Jewry 1310 Said Mass St Andrew Holborn 1200 to 1500 Listening Service St Andrew Holborn 1310 Bible Talk, preceded by lunch at 1300, followed by 1215 Mass St Vedast alias Foster Question Time at 1340 St Helen Bishopsgate 1230 Holy Communion St Bartholomew the Great 1315 Holy Communion (BCP) St Martin within Ludgate 1230 Holy Communion St Dunstan in the West 1315 Healing Service with Holy Communion on the last Thursday 1230 Low Mass St Magnus the Martyr of the month St Martin within Ludgate 1230 Holy Communion (BCP) St Mary Woolnoth 1315 Holy Communion St Margaret Pattens 1230 Said Holy Communion St Olave Hart Street [NB Said matins with hymns on 21 February] 1300 Bible Talk, with lunch at 1330 St Botolph Aldersgate 1315 Holy Communion Temple Church 1300 Bible Talk, with lunch at 1330 St Helen Bishopsgate 1715 Evening Prayer (BCP) St James Garlickhythe 1305 Eucharist St Botolph Aldgate 1745 Evening Prayer in the church St Mary le Bow 1305 Meditation Group in the Crypt Chapel – All welcome St Mary le Bow 1805 Eucharist in the church St Mary le Bow 1305 RC Mass St Mary Moorfields 1830 Evening Eucharist St Andrew Holborn 1310 Mass St Alban the Martyr 1310 Said Mass St Andrew Holborn 1310 Holy Communion (BCP) St Margaret Lothbury Every Friday 1715 Evening Prayer (BCP) St James Garlickhythe 0645 to 0845 'Prayer for the City' St Margaret Lothbury 1745 Evening Prayer in the church St Mary le Bow 0800 Mass St Alban the Martyr 0800 Eucharist St Mary Woolnoth 0805 RC Mass St Mary Moorfields Every Wednesday 0815 Morning Prayer in the Crypt Chapel St Mary le Bow 0800 Mass St Alban the Martyr 0820 Morning Prayer (BCP) St Andrew by the Wardrobe 0805 RC Mass St Mary Moorfields 0830 Morning Prayer All Hallows by the Tower 0815 Morning Prayer in the Crypt Chapel St Mary le Bow 0830 Holy Communion in the Crypt St Bride Fleet Street 0820 Morning Prayer (BCP) St Andrew by the Wardrobe 0830 Morning Prayer St Lawrence Jewry 0830 Morning Prayer All Hallows by the Tower 1215 Mass St Vedast alias Foster 0830 Holy Communion in the Crypt St Bride Fleet Street 1230 Eucharist St Bartholomew the Less 0830 Morning Prayer St Giles Cripplegate 1230 Said Mass St Andrew Holborn 0830 Holy Communion (CW Order II) St Lawrence Jewry 1230 Pause for Prayer - a reflective prayer service using a liturgy from 1200 to 1500 Listening Service St Andrew Holborn the Iona Community St Ethelburga Bishopsgate 1205 Mass St Joseph Bunhill Row 1230 Low Mass (usually with Benediction) St Magnus the Martyr 1215 Holy Communion (BCP - said) St Andrew by the Wardrobe 1230 Confessions in the Sacrament Chapel St Mary le Bow 1215 Mass St Vedast alias Foster 1305 Eucharist in the church St Mary le Bow 1230 Eucharist St Bartholomew
Recommended publications
  • Violinist Lana Trotovsek Has Won Admiration for Her Expressive Playing and Unique Musicality
    Violinist Lana Trotovsek has won admiration for her expressive playing and unique musicality. The Washington Post has described her as ‘Radiant’ and praised her ‘clean, refined tone with musical sense of phrasing and impeccable intonation’. The Strad Magazine has mentioned her ‘true feel of live intuitive performance’ . She has captivated audiences with her ‘warm sound and formidable technique’ La Vanguardia and her talent of bringing ‘freshness, depth and insight’ Broad Street Review to her interpretations. Since her debut with the Mariinsky Theatre Orchestra under Valery Gergiev in 2012, Lana Trotovsek appeared with some of the world’s finest orchestras. In 2014, she toured with the Moscow Soloists and Yuri Bashmet and in 2016 she performed Prokofiev’s Violin Concerto No.1 with the London Symphony Orchestra under Gianandrea Noseda. Her recent schedule included the BBC 3 live recording of a Violin Concerto “Venus Blazing” composed by Deirdre Gribbin with the Ulster Orchestra in Belfast, Tchaikovsky violin concerto with the Royal Philharmonic Orchestra under Raphael Payare, a premiere of Hugo Wolf Violin Concerto in Congress Centre Villach in Austria, Mendelssohn violin concerto with the RTS Symphony Orchestra in the Shanghai Oriental Arts Centre as well as in Klagenfurt Konzerthaus with Carinthian Symphony Orchestra, and an evening recital in Wigmore Hall, which has been described as “remarkable” by the Strad magazine. Over the past few years Lana has collaborated with Tan Dun and Orchestra Teatro Verdi, the Shanghai and Slovenian Philharmonic, as well as Uros Lajovic and the Sarajevo Philharmonic Orchestra, the RTV Slovenia under George Pehlivanian, the Kalamazoo Symphony Orchestra, and the Chamber Orchestra of Philadelphia, where she was described as “an emerging voice to watch” by Philadelphia Inquirer.
    [Show full text]
  • Job Spec: Lay Missioner-Evangelist for City of London Parish St Andrew
    City Deanery Job Spec: Lay Missioner-Evangelist for City of London Parish St Andrew-by-the-Wardrobe Prepared by: The Rev. Guy Treweek Wednesday, 29 May 2013 St Andrew-by-the-Wardrobe Corner of Queen Victoria Street & St Andrew’s Hill, London EC4V 5DE T 020 7248 7546 [email protected] ST ANDREW BY THE WARDROBE Executive Summary St Andrew-by-the-Wardrobe wishes to appoint a Lay Missioner-Evangelist to reach out to a large midweek working community. Context To properly understand where this submission fits in achieving St Andrew’s wider strategic aims, it is important that this application be read together with our overarching strategy document, A Growing Vision: Towards a Mission Action Plan (attached). Term Three years. Lay Missioner-Evangelist Job Spec 1 ST ANDREW BY THE WARDROBE Supporting Detail Background St Andrew-by-the-Wardrobe is a parish church in the City of London. It encompasses the area to the south of St Paul’s Cathedral and north of the river Thames. Two underground & mainline stations are in the parish (Blackfriars & City Thameslink) giving massive throughput of City workers (c. 25 million entries & exits in a year). This is expected to increase yet further as Crossrail comes online. The parish contains the northern end of the Millennium Bridge, which is now the largest entry point into the City (overtaking St Paul’s underground station). In the north of the parish, the Carter Lane / Ludgate Hill area is seeing considerable development as a “go to” destination for night-time socialising, with new bars, restaurants and a five-star hotel.
    [Show full text]
  • And Progress to St Martin's Chamber Music Competition Final
    Competition Final: Tuesday 27 April, 7.30pm Thank you Iceland: Finalists Defy 'Act of God' and progress to St Martin's Chamber Music Competition Final The Piatti String Quartet, Greenwich Trio and Elixir Trio will perform in their bid to become the first ever winners of St Martin's Chamber Music Competition in partnership with Making Music. After making it through the preliminary and semi−final rounds, the three groups will compete for the coveted prize. Piatti String Quartet, stranded in France by the cloud of volcanic ash which wreaked havoc for travellers across Europe last week, drove through the night to a ferry from Dunkirk in order to make their scheduled semi−final last Tuesday 20 April. While those stranded were cursing Iceland's volcanic activity, The Greenwich Trio are newly converted fans of the volcano. As the reserve ensemble for the semi−final of the competition, they were called on Monday 19 April when it became clear that unfortunately, not all semi−finalists would make it back to London to perform, and were offered a place in the semi−final the next day. Their performance of excerpts from Beethoven's Archduke Piano Trio and Ravel Piano Trio in A minor impressed the panel with its vivacity, passion and technical brilliance. Paris based Elixir Trio according to one semi−final panellist, gave the "most extraordinarily moving and engaging" performance of the slow movement from Francaix's Piano Trio to secure their place in Tuesday's final. "We gave them extra points for the violinist's blue hair" joked another panellist, then hastening to add that actually, it was the groups musical performance which saw them succeed.
    [Show full text]
  • Download Meetings List in PDF Format
    City Of London Intergroup Meetings Serenity on Sunday Sunday London Lunchtime Online Sunday London Lunchtime Online Monday St Margaret Pattens Church, corner Rood Zoom meeting ID: 839 4200 0439 Zoom meeting ID: 839 4200 0439 Lane/Eastcheap St Password: 583176 Password: 583176 Time: 18.00 - duration 1hr 15mins Time: 13.00 - duration 1hr Time: 13.00 - duration 1hr Postcode: EC3M 1HS Postcode: Postcode: UID: 6656 UID: ON126 UID: ON126 This physical meeting has opened up again City Espresso Monday Barbican St Josephs Monday City Steps Online Monday St James Garlickhythe, Garlick Hill Church of St Joseph, 15 Lamb's Passage, Off Bunhill St Mary Abchurch, Abchurch Yard, off Abchurch Lane Time: 12.30 - duration 45mins Row Time: 19.00 - duration 1hr Postcode: EC4V 2AF Time: 19.00 - duration 1hr Postcode: EC4N 7BW UID: 8475 Postcode: EC1Y 8LE UID: 6247 Current status of this meeting UNKNOWN and it may UID: 9189 not have re-opened after lockdown This physical meeting has opened up again City At Six Am Monday City Breakfast Monday City Lunch Monday St Edmund the King Church, Lombard St. (side entrance St Edmund the King Church, Lombard St (side entrance The Artizan Street Library & Community Centre, 1 in George Yard) in George Yard) Artizan St Time: 06.00 - duration 1hr Time: 07.30 - duration 1hr Time: 12.30 - duration 1hr 15mins Postcode: EC3V 9EA Postcode: EC3V 9EA Postcode: E1 7AF UID: 4963 UID: 542 UID: 5246 Current status of this meeting UNKNOWN and it may This physical meeting has opened up again Current status of this meeting UNKNOWN and it may not have re-opened after lockdown not have re-opened after lockdown City Early Big Book Tuesday City Breakfast: 3-7-11 Step Online City Serenity Tuesday St Edmund the King Church, Lombard St.
    [Show full text]
  • Interpreting Religious Heritage Kayla Marie Desanty Worcester Polytechnic Institute
    Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2015 Interpreting Religious Heritage Kayla Marie DeSanty Worcester Polytechnic Institute Lingyi Xu Worcester Polytechnic Institute Nicole Elizabeth Beinstein Worcester Polytechnic Institute Paulina Marie Karabelas Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation DeSanty, K. M., Xu, L., Beinstein, N. E., & Karabelas, P. M. (2015). Interpreting Religious Heritage. Retrieved from https://digitalcommons.wpi.edu/iqp-all/260 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. WORCESTER POLYTECHNIC INSTITUTE Interpreting Religious Heritage Student Authors: Nicole BEINSTEIN Advisors: Kayla DESANTY Prof. Dominic GOLDING Paulina KARABELAS Prof. Patricia STAPLETON Lingyi XU April 30, 2015 Interpreting Religious Heritage An Interactive Qualifying Project submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfilment of the requirements for the degree of Bachelor of Science by Nicole Beinstein Kayla DeSanty Paulina Karabelas Lingyi Xu Date: 30 April, 2015 Report Submitted to: Jenifer Hawks Art Alive in Churches Professors Patricia Stapleton and Dominic Golding Worcester Polytechnic Institute
    [Show full text]
  • Nicholas Hawksmoor and the Wren City Church Steeples’, the Georgian Group Journal, Vol
    Anthony Geraghty, ‘Nicholas Hawksmoor and the Wren City church steeples’, The Georgian Group Journal, Vol. X, 2000, pp. 1–14 TEXT © THE AUTHORS 2000 NICHOLAS HAWKSMOOR AND THE WREN CITY CHURCH STEEPLES ANTHONY GERAGHTY hree hundred years ago, as the seventeenth St Bride Fleet Street, St Magnus-the-Martyr and Tcentury drew to a close, Wren’s architectural St Edmund-the-King. practice entered a remarkable final phase. These Hawksmoor’s obituary states that he entered were the years of Greenwich Hospital, the Whitehall Wren’s service ‘when about years of Age’. As he Palace schemes, the City church steeples and the was probably born in he is normally supposed skyline of St Paul’s – projects which have a boldness to have arrived in Wren’s office in the late s. of silhouette and intricacy of detail not encountered He can only be documented in London, however, in Wren’s earlier work. These late works coincide from January , when he witnessed Hugh May’s with the early career of Nicholas Hawksmoor, the will. In the years immediately before this he had greatest of Wren’s pupils. Hawksmoor had arrived in travelled extensively in England. A topographical Wren’s office by and from the early s he was sketch-book, n ow at the RIBA, confirms that he receiving delegated commissions. But the extent to visited Nottingham in and , Bath in , which he contributed to the older man’s designs and Coventry, Warwick, Bristol, Oxford and remains one of the unsolved mysteries of English Northampton at about the same time. Perhaps his architectural history.
    [Show full text]
  • Index of the Churches in the London Metropolitan Area Described in the Trollope Manuscript
    Index of the churches in the London metropolitan area described in the Trollope manuscript Chapter 8: London Bells and Bell Towers fills volumes 4 – 6 of the manuscript. The list below is based on Trollope’s index to these volumes, but generally omits incidental references, pointing only to the specific articles on an individual tower. As the work was written in the 1930s, an indication of current status is provided: churches with ringing bells in 2018 are in bold type, an asterisk denoting a replacement ring. Lost towers are in italic. Paul Norman Librarian, Middlesex County Association & London Diocesan Guild March 2018 Volume 4 A: City of London St Paul’s Cathedral ................................................................................................. 340 All Hallows the Great (demolished 1876-1894) .............................................................. 356 All Hallows the Less (destroyed 1666) ............................................................................ 359 All Hallows Barking* (18 bell carillon) ............................................................................ 360 All Hallows Bread Street (demolished 1879) .................................................................. 373 All Hallows Grass Church, Lombard Street (Demolished 1938-39) Tower & bells now at All Hallows Twickenham...................................................... 377 Drawing of the tower ..................................................................................after page 615 All Hallows Honey Lane (destroyed
    [Show full text]
  • Fine Art Section
    11 NEW ZEALAND · · - ·.. i 1 I lNTERNATI0~9~6~7 : _EXHIBITION / I / I FINE ART SECTION OFFICIAL CATALOGUE ·' PUBLISHED BY AUTHORITY \ B Y THE CHRISTCHURCH PRESS COMPANY Ll'.'vllTED. CHRISTCHURCH. N.Z. CHRISTCHURCH CITY COUNCIL CANTERBURY PUBLIC LIBRARY N(J..l Zealonc( Colledio" bO& CHR 8027318 NEW· ZEALAND ~·: ";;·. ·.·. · :.:.~ t.· INTERNATIONAL EXHIBITION •• I I 1906-7. <+ ., '·"' l . 1 :( , i. I .{ FINE ART SECTION OFFICIAL CATALOGUE - PUBLISHED B~I' AUTHORITY . .,. BY I THE CHRISTCHURCH PRESS COMPANY LIMITED, CHRISTCHURCH, N.Z . • _!> MAY NO"f. BE1'f6'1V IS THE T~M E 3 ~ To have a " WATERHEAT," or" PERFECTION " .· FINE ART. l319~i:JA COOKER Jo·~ - Coo... COLONIAL ART SECTION . .::.:::~ 0 0 o;....> The following list comprises exhibits of Oils, Water Colours and Black'ancl .,,~ :::s J. White of the Artists of the Common wealth of Australasia a n d New Zealand . • 0 For reference the following initials a re placed agains t ever y artist's name, in - "'J> order tha t the public may be a ble to differentiate between the various Societies. < Auckland (A) Nelson (S) South Australia (S.A.) m Canterbury (C.) Otago (0) Victoria (V.) New South Wales (N.S.W.) Q ueensland (Q-) Wellington (W.) "'r- s . d . ~ £ O" I I RIS F. W . Lee (C.) 6 0 0 .....:::s 0 .2 AUTUMN J. A. T opliss (S.) 3 10 0 0 c 3 EARLY AUTUMN C. Satchell (S.) 2 2 0 .:::: ":s ·-~ 4 MORNING MISTS, LAKI; HAYES F. B rookesmith (0.) . 40 0 0 -I 5 A GLEAM OF SUNSHINE, AKAROA -· HEADS John Gibb (C).
    [Show full text]
  • The Great Fire & the Dyers September 1666
    The Great Fire & the Dyers September 1666 Courtesy The Dyers Company The Fire of London began at night on the 1st September; by the evening of the next day both the Dyers Hall and the Dowgate property were destroyed. There is no record of how individual dyers or Company officials responded to the crisis as it unfolded but the lack of records suggests that there was no hero like the Renter Warden of the Skinners, Mr Foster. He organised the removal of their plate and muniments to successive places of safety even as his own property was burning. The Master of the Tallow Chandlers piled his coach with the Company charter, records and plate and removed it all to Hampstead. There is no memory of similar disinterest among the Dyers but someone certainly was concerned; some records and the beautiful charters survived: perhaps as much as could be hurriedly stuffed into a bag. Any temptation to condemn the senior members of the Company for not doing more should be resisted. Dyers Hall in 1666 was down by the river and close to the ‘true heart of the fire’, on Thames Street. Samuel Pepys awoke at 7am on the 2nd September, the Lords Day, and after various consultations and observations took to the river. The Fire had already reached the Old Swan and travelled very fast along the riverbank, reaching the Steelyard (next to Cannon Street) in an hour. I can imagine a sleepy Beadle or Clerk grabbing what records he could as his wife and children called /Users/mikemathieson/Desktop/Dyers/History : Archivist/The Great Fire 350 years after.docx to him to hurry.
    [Show full text]
  • Thomas Liddall Armitage
    Thomas Liddall Armitage (1856–1924) 165 and Edward Liddall Armitage (1887–1967) – Barnsley Artists in what circumstances can you call someone a ‘Barnsley’ artist? If defined by birth then neither Thomas nor his son Edward qualify: Thomas Liddall was born in Liverpool and Edward in London. However, the Barnsley Chronicle of 8th January 1927 entitled an article about Edward, ‘A Barnsley Artist’ and it was this article which started the research on Thomas and Edward and led to some surprising discoveries and a decision that indeed both should be included in the Hidden Art project as Barnsley artists. Edward Liddall Armitage was born in Kensington in London in 1887 to Thomas Liddall Armitage and his wife Kate Marshall. Edward’s baptism certificate describes Thomas’s occupation as an artist. Edward went on to become one of this country’s foremost stained glass artists with no apparent further connection to Barnsley. Why did the Chronicle describe him as a Barnsley artist? Discoveries at St Peter the Apostle and St John the Baptist Church (St Peter’s), Doncaster Road, Barnsley designed by the architect Temple Moore and completed in 1911, link both Thomas and Edward artistically to the town. The Chronicle article of 1927 highlights Edward’s many achievements including his first great work, “a beautiful reredos painting” in St Peter’s church. After a two- year-long search this work has been found in its original home. It is thanks to the Parish priest and the congregation that the dots have been joined. Early information from St Peter’s was that the reredos referred to in the article was replaced in the 1960s.
    [Show full text]
  • Clarinetfest® 2015 — Madrid
    Antonio Romero and his time ClarinetFest® 2015 — madrid Volume 42, Number 2 March 2015 ABOUT THE COVER… FEATURES CLARINETFEST® 2015 – MADRID, SPAIN / JULY 22–26, 2015 by Héctor Abella . 30 Antonio Romero (engraving from his Method, 2nd ed . Library of the Royal Superior MÁXIMO MUÑOZ PAVÓN: Conservatory in Madrid, signature 1/190); A BENCHMARK OF THE CLARINET IN SPAIN by Carlos Javier Fernández Cobo . 34 Romero System clarinet by Lefêvre, Paris, DON’T GIVE ME DAPHNIS: ca. 1867. Gift of William J. Maynard, AN INJURY RECOVERY GUIDE FOR CLARINETISTS Massapequa Park, New York, 1996. by Mary Alice Druhan, with Kristin Keesey, and Debbie Gillespie . 36 (Photo by Bill Willroth, Sr., courtesy of National Music HYSTERICALLY SPEAKING by Eric Hoeprich . 39 Museum, University of South Dakota, NMM 5924) A PERSPECTIVE ON ENRIQUE CALVIST (1851–1897) INDEX OF ADVERTISERS by Àngel Lluís Ferrando Morales . 40 SPANISH CLARINET MUSIC: AMB Clarinet . 46 THE PATH FROM ROMERO TO TODAY by Gregory Barrett . 44 Ann Arbor Clarinet Connection . 46 KLEZMER DANCES FOR CLARINET, Aria International Summer Academy . 96 STRINGS, PERCUSSION AND TUBA by Eugene Kavadlo . 53 AW-Reeds GbR . 45 THE ROMERO-SYSTEM CLARINET: Belgian Clarinet Academy . 93 HISTORICAL NOTES AND OTHER INQUIRIES by Pedro Rubio . 54 Brannen Woodwinds . 25 AN INTERVIEW WITH JOSÉ ANTONIO TOMÁS PÉREZ by Carlos J. Casadó . 60 Brevard Music Center . 14 Brixton Publications . 84 MIGUEL YUSTE (1870–1947): THE SEARCH FOR HIS WORKS by Malena McLaren . 64 Buffet Group USA . IFC RESTORING ALEC WILDER’S ORIGINALS by Glenn Bowen . 67 California Clarinet Clinic . 50 PATRICE SCIORTINO AND HIS WORKS WITH CLARINET by Jean-Marie Paul .
    [Show full text]
  • Download City Events, February 2016
    _____________________________________________________________________________________________________________ February 2016 Published by FCC in conjunction with the Archdeaconry of London www.cityevents.website _____________________________________________________________________________________________________________ Sword Rests of the City The historic churches of the City of London contain many unusual and interesting furnishings and fittings. Among the most intriguing are the sword rests which are present in so many of the churches in the “square mile”, but in very few other locations in the country. Sword rests, or sword stands as they are sometimes called, were originally installed in City churches to hold the Lord Mayor's sword of state when he visited a different church every Sunday, a practice which ceased in 1883. The Lord mayor would be accompanied by various officers of the City, including the swordbearer, who would place the ceremonial sword upright in a sword rest, most commonly attached to the front pews. The oldest surviving rest dates from 1664 and the majority were installed in the 18th and 19th centuries. There are 58 surviving sword rests originating from City churches or livery halls. Two thirds of these can be seen in City churches, four are in livery halls, while the remainder are either in storage in churches or in museums . Two can be seen in All Hallows Twickenham, a Wren church rebuilt in the suburbs in 1939. All the sword rests, with the exception of that in St Michael Cornhill, are surmounted by a royal crown and almost all have the City’s coat of arms prominently displayed. Many also show the royal arms, the coat of arms of at least one Lord Mayor and, in a number of cases, the arms of the livery company of which dthe Lor Mayor was a member.
    [Show full text]