Moving out of Backwardness, Or, ‘Cunning Passages of History’
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Old Japan Redux 3
Old Japan Redux 3 Edited by X. Jie YANG February 2017 The cover painting is a section from 弱竹物語, National Diet Library. Old Japan Redux 3 Edited by X. Jie YANG, February 2017 Content Poem and Stories The Origins of Japan ……………………………………………… April Grace Petrascu 2 Journal of an Unnamed Samurai ………………………………… Myles Kristalovich 5 Holdout at Yoshino ……………………………………………………… Zachary Adrian 8 Memoirs of Ieyasu ……………………………………………………………… Selena Yu 12 Sword Tales ………………………………………………………………… Adam Cohen 15 Comics Creation of Japan …………………………………………………………… Karla Montilla 19 Yoshitsune & Benkei ………………………………………………………… Alicia Phan 34 The Story of Ashikaga Couple, others …………………… Qianhua Chen, Rui Yan 44 This is a collection of poem, stories and manga comics from the final reports submitted to Japanese Civilization, fall 2016. Please enjoy the young creativity and imagination! P a g e | 2 The Origins of Japan The Mythical History April Grace Petrascu At the beginning Izanagi and Izanami descended The universe was chaos Upon these islands The heavens and earth And began to wander them Just existed side by side Separately, the first time Like a yolk inside an egg When they met again, When heaven rose up Izanami called to him: The kami began to form “How lovely to see Four pairs of beings A man such as yourself here!” After two of genesis The first-time speech was ever used. Creating the shape of earth The male god, upset Izanagi, male That the first use of the tongue Izanami, the female Was used carelessly, Kami divided He once again circled the land By their gender, the only In an attempt to cool down Kami pair to be split so Once they met again, Both of these two gods Izanagi called to her: Emerged from heaven wanting “How lovely to see To build their own thing A woman like yourself here!” Upon the surface of earth The first time their love was matched. -
Military Retirement Fund Audited Financial Report
Fiscal Year 2020 Military Retirement Fund Audited Financial Report November 9, 2020 Table of Contents Management’s Discussion and Analysis ..............................................................................................................1 REPORTING ENTITY ....................................................................................................................................... 1 THE FUND ......................................................................................................................................................... 2 General Benefit Information ........................................................................................................................... 2 Non-Disability Retirement from Active Service ............................................................................................ 3 Disability Retirement ...................................................................................................................................... 5 Reserve Retirement ......................................................................................................................................... 6 Survivor Benefits ............................................................................................................................................ 7 Temporary Early Retirement Authority (TERA) ............................................................................................ 9 Cost-of-Living Increase ................................................................................................................................. -
The Importance of Land Warfare: This Kind of War Redux
No. 117 JANUARY 2018 The Importance of Land Warfare: This Kind of War Redux David E. Johnson The Importance of Land Warfare: This Kind of War Redux by David E. Johnson The Institute of Land Warfare ASSOCIATION OF THE UNITED STATES ARMY AN INSTITUTE OF LAND WARFARE PAPER The purpose of the Institute of Land Warfare is to extend the educational work of AUSA by sponsoring scholarly publications, to include books, monographs and essays on key defense issues, as well as workshops and symposia. A work selected for publication as a Land Warfare Paper represents research by the author which, in the opinion of the Institute’s editorial board, will contribute to a better understanding of a particular defense or national security issue. Publication as an Institute of Land Warfare Paper does not indicate that the Association of the United States Army agrees with everything in the paper but does suggest that the Association believes the paper will stimulate the thinking of AUSA members and others concerned about important defense issues. LAND WARFARE PAPER No. 117, January 2018 The Importance of Land Warfare: This Kind of War Redux by David E. Johnson David Johnson is a principal researcher at the RAND Corporation. His work focuses on strategy, military doctrine, history, innovation, civil-military relations and professional military education. From June 2012 to July 2014 he established and led the Chief of Staff of the Army Strategic Studies Group for General Raymond Odierno. He is an adjunct professor at Georgetown University and an adjunct scholar at the Modern War Institute at West Point. -
TV/Series, 9 | 2016, « Guerres En Séries (I) » [En Ligne], Mis En Ligne Le 01 Mars 2016, Consulté Le 18 Mai 2021
TV/Series 9 | 2016 Guerres en séries (I) Séries et guerre contre la terreur TV series and war on terror Marjolaine Boutet (dir.) Édition électronique URL : https://journals.openedition.org/tvseries/617 DOI : 10.4000/tvseries.617 ISSN : 2266-0909 Éditeur GRIC - Groupe de recherche Identités et Cultures Référence électronique Marjolaine Boutet (dir.), TV/Series, 9 | 2016, « Guerres en séries (I) » [En ligne], mis en ligne le 01 mars 2016, consulté le 18 mai 2021. URL : https://journals.openedition.org/tvseries/617 ; DOI : https:// doi.org/10.4000/tvseries.617 Ce document a été généré automatiquement le 18 mai 2021. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 Ce numéro explore de façon transdisciplinaire comment les séries américaines ont représenté les multiples aspects de la lutte contre le terrorisme et ses conséquences militaires, politiques, morales et sociales depuis le 11 septembre 2001. TV/Series, 9 | 2016 2 SOMMAIRE Préface. Les séries télévisées américaines et la guerre contre la terreur Marjolaine Boutet Détours visuels et narratifs Conflits, filtres et stratégies d’évitement : la représentation du 11 septembre et de ses conséquences dans deux séries d’Aaron Sorkin, The West Wing (NBC, 1999-2006) et The Newsroom (HBO, 2012-2014) Vanessa Loubet-Poëtte « Tu n’as rien vu [en Irak] » : Logistique de l’aperception dans Generation Kill Sébastien Lefait Between Unsanitized Depiction and ‘Sensory Overload’: The Deliberate Ambiguities of Generation Kill (HBO, 2008) Monica Michlin Les maux de la guerre à travers les mots du pilote Alex dans la série In Treatment (HBO, 2008-2010) Sarah Hatchuel 24 heures chrono et Homeland : séries emblématiques et ambigües 24 heures chrono : enfermement spatio-temporel, nœud d’intrigues, piège idéologique ? Monica Michlin Contre le split-screen. -
CHALLENGING ETHNIC PROFILING in EUROPE a Guide for Campaigners and Organizers
CHALLENGING ETHNIC PROFILING IN EUROPE A Guide for Campaigners and Organizers — 1 ACKNOWLEDGMENTS This guide was written by Zsolt Bobis, Rebekah Delsol, Maryam H’madoun, Lanna Hollo, A tremendous appreciation is also expressed for the countless and often invisible yet critical Susheela Math, and Rachel Neild of the Fair and Effective Policing team at the Open Society efforts and contributions of other OSF colleagues and the many local actors involved in Justice Initiative (OSJI). Open Society Foundations Communications Officer Brooke Havlik litigation, mobilizing and organizing, and advocacy and campaigning against ethnic profiling made significant contributions, and further assistance was provided by OSF Aryeh Neier in different EU countries. The work described here would not have been possible without Fellow Michèle Eken. them, and reflects the collective efforts of all. Examples and case studies were included from key organizations tackling ethnic profiling and The report was reviewed and edited by David Berry, Erika Dailey, James A. Goldston, and police abuse in Europe and the US, including StopWatch, Controle Alt Delete, Amnesty Robert O. Varenik. International Netherlands, the French platform En finir avec les contrôles au faciès, Eclore, Maison Communautaire pour un Développement Solidaire (MCDS, Paris 12), WeSignIt, Plataforma por la Gestión Policial de la Diversidad, Rights International Spain, SOS Racisme Catalunya, Hungarian Helsinki Committee, Hungarian Civil Liberties Union (HCLU), the Belgian platform Stop Ethnic Profiling, -
The President and Immigration Law Redux Abstract
C.104.COX-RODRIGUEZ.225.DOCX (DO NOT DELETE) 10/23/15 3:47 PM Adam b. cox & Cristina M. Rodríguez The President and Immigration Law Redux abstract. In November 2014, President Obama announced his intention to dramatically reshape immigration law through administrative channels. Together with relief policies announced in 2012, his initiatives would shield nearly half the population of unauthorized immigrants from removal and enable them to work in the United States. These events have drawn renewed attention to the President’s power to shape immigration law. They also have reignited a longstanding controversy about whether constitutional limits exist on a central source of executive authority: the power to enforce the law. In using the Obama relief policies to explore these dynamics, we make two central claims. First, it is futile to try to constrain the enforcement power by tying it to a search for congressional enforcement priorities. Congress has no discernible priorities when it comes to a very wide swath of enforcement activity—a reality especially true for immigration law today. The immigration code has evolved over time into a highly reticulated statute through the work of numerous Congresses and political coalitions. The modern structure of immigration law also effectively delegates vast screening authority to the President. Interlocking historical, political, and legislative developments have opened a tremendous gap between the law on the books and the law on the ground. Under these conditions, there can be no meaningful search for congressionally preferred screening criteria. Far from reflecting a faithful-agent framework, then, immigration enforcement more closely resembles a two-principals model of policymaking—one in which the Executive can and should help construct the domain of regulation through its independent judgments about how and when to enforce the law. -
Simply Eliot
Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON LANGUAGE AND REIFICATION IN IMAGIST POETICS 1909-1930 A THESIS SUBMITTED TO THE FACULTY OF ARTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY ANDREW JOHN THACKER OCTOBER 1990 TO MY MOTHER AND FATHER One has to be downright obstinate not to see the complicity of artistic and social reification, and to ignore the untruth of reification, which is that it fetishizes what is a processual relation between moments. The work of art is both a process and an instant. Its objectification, while a necessary condition of aesthetic autonomy, is also a petrifying tendency. The more the social labour embodied in an art work becomes objectified and organized, the more it sounds empty and alien to the work. -
1 Title: Yellow Peril Redux: How the COVID-19
Title: Yellow Peril Redux: How the COVID-19 Pandemic is Fostering Racial Discrimination Toward Asian Americans Name: Nobuko Adachi Affiliation: Illinois State University In the Mid-March, April, and May 2020, I was in Ocala Florida, Franklin, Tennessee, and Normal Illinois, and noticed several local Chinese restaurants had closed down soon after some states enacted a stay-at home order. It turned out that not several, but numerous, Chinese restaurants, including many of which being mainly take-out even in a normal period, were closing completely, putting up signs like “Due to the coronavirus outbreak we are temporally closed. We will open again when we can.” On the other hand, other restaurants, such as Mexican and Italian establishments were providing food for their customers by adopting, at first, take-out and, later, new ad hoc ways (like curbside service). I wondered at that time why Chinese restaurants were completely closed instead of staying opening for business with take-out or home delivery, which had been their specialty prior to the epidemic. Was it only in the Midwest, or other places? Was it only Chinese restaurants, other Asian restaurants as well? What about restaurants of other ethnic groups whose ancestors’ homelands were severely suffering with Covid-19? In April, 2020, a team of several people and I started calling various Asian restaurants— such as Indian, Chinese, Korean, and Japanese—and Italian and Mexican restaurants all over the United States to find out who was open and who was closed. It looked like no matter what the state or size of town—for example, small towns like Springfield, South Carolina; Hamilton, Montana; and Brunswick, Maine; or large cities like New York, Chicago, and Los Angles— small family-run restaurants were more frequently closed than those run by big chain restaurants. -
Keep It Down
COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ CABLE GUIDE.......................................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 December 25 - 31, 2016 Keep it down Noah Wyle as seen in “The Librarians” Ewing Brothers 2 x 3 ad www.Since1853.com While the rest of the team sets out to recover the Eye of Ra and solve the mystery of the Bermuda Triangle, Flynn (Noah Wyle, “ER”) learns a great deal about himself in a new episode of “The Librarians,” airing Sunday, 630 South Hanover Street Dec. 25, on TNT. The series follows a group of Librarians tasked with retrieving powerful artifacts, solving Carlisle•7 17-2 4 3-2421 mysteries and battling supernatural threats to mankind. Rebecca Romijn (“X-Men,” 2000) and Christian Kane Steven A. Ewing, FD, Supervisor, Owner (“Leverage”) also star. 2 DECEMBER 24 CARLISLE SENTINEL cover story the other Librarians on their The other members of the many harrowing adventures. team each possess unique skills Stacks of thrills However, now that she and that help them on their many Carsen are romantically in- quests. Kane is Oklahoma-born Season 3 of ‘The Librarians’ in full swing on TNT volved, she struggles to keep cowboy Jacob Stone, the per- her feelings for him from get- fect combination of brains and By Kyla Brewer The big news this season is ting in the way of her duty to brawn, thanks to his knowledge TV Media the return of Noah Wyle, who protect the others. of art, architecture and history. -
The Annotated Waste Land with Eliot's Contemporary Prose
the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T. -
Apocalypse Now Redux
APOCALYPSE NOW REDUX an original screenplay by John Milius and Francis Ford Coppola Narration written by Michael Herr Final Draft - A Transcription First published in the United States 2001 by Talk Miramax books First published in the United Kingdom 2001 by Faber & Faber Limited All rights reserved (c) 2001 Zoetrope Corporation Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library FADE IN: EXT. A SIMPLE IMAGE OF TREES - DAY Coconut trees being VIEWED through the veil of time or a dream. Occasionally colored smoke wafts through the FRAME, yellow and then violet. MUSIC begins quietly, suggestive of 1968-69. Perhaps "The End" by the Doors. Now MOVING through the FRAME are skids of helicopters, not that we could make them out as that though; rather, hard shapes that glide by at random. Then a phantom helicopter in FULL VIEW floats by the trees-suddenly without warning, the jungle BURSTS into a bright red-orange glob of napalm flame. The VIEW MOVES ACROSS the burning trees as the smoke ghostly helicopters come and go. DISSOLVE TO: INT. SAIGON HOTEL - DAY A CLOSE SHOT, upside down of the stubble-covered face of a young man. His EYES OPEN...this is B.L. WILLARD. Intense and dissipated. The CAMERA MOVES around to a side view as he continues to look up at a ROTATING FAN on the ceiling. EXT. IMAGES OF HELICOPTERS - DAY They continue to fly slowly, peacefully across the burning jungle. The colored smoke comes and goes. Morrison continues with "The End". INT. SAIGON HOTEL - DAY The CAMERA MOVES slowly across the room...and we SEE WILLARD, a young army captain.