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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The Cavé in French Swordsmanship Patrick T
COLUMBIACLASSICALFENCING.COM The Cavé in French Swordsmanship Patrick T. Morgan Introduction French fencing masters wrote about the cavé (pronounced cahv-ay) as a distinct fencing action. In French, caver means to cave in or collapse. The cavé thus described how a fencer would change or position his wrist or body to create a sharp angle—“caving in” from, say, a straightened position— for a specific fencing purpose, whether offensive or defensive. Sensibly, then, the cavé is sometimes referred to as angulation today. But that term doesn’t always cover all the ways the French writers used the cavé. This is because, as explained below, you can also cavé by using no angulation. Three General Ways to Cavé For the French, there were three ways to cavé. From the on-guard position, you could cavé (1) at the hips or (2) with your rear leg. You could also (3) cavé the wrist of your sword arm, which itself was possible in three different ways. These methods were variously defensive or offensive. Importantly, these were not recommendations so much as taxonomy: as we’ll see, some of these ways of “cavé-ing” could get you killed. 1. The Cavé at the Hips Danet discussed the “cavation” of the body in the second volume of L’Art des Armes. The cavé of the hips is one of two types of esquive—that is, a movement or displacement of the fencer’s target area to evade a thrust—that Danet identified. As Danet described it, the cavé at the hips occurs by “lowering the shoulders and completely straightening the right knee” (en baissant les épaules, & dépliant tout-à- fait le genou droit). -
Your Kids, Their Swords, and Surviving It All with Your Sanity Intact
The PARENTS’ FENCING SURVIVAL GUIDE 2015 EDITION This is a bit of a read! It won’t send you to sleep but best to dip in as required Use Ctrl+click on a content heading to jump to that section Contents Why Fencing? ........................................................................................................................... 3 How Will Fencing Benefit My Child? ......................................................................................... 4 Fencing: So Many Flavours to Choose From ............................................................................ 4 Is it Safe? (We are talking about sword fighting) ....................................................................... 5 Right-of-What? A List of Important Terms ................................................................................. 6 Overview of the Three Weapons .............................................................................................. 9 Getting Started: Finding Classes ............................................................................................ 12 The Training Diary .................................................................................................................. 12 Getting Started: Basic Skills and Gear .................................................................................... 13 Basic Equipment: A Little more Detail ..................................................................................... 14 Note: Blade Sizes – 5, 3, 2, 0, What? .................................................................................... -
Emei White Cloud White Ape Sect Lineage 峨眉 白 云 白 猿 派 传统
Emei White Cloud White Ape Sect Lineage 峨眉 白 云 白 猿 派 传统 Emei Shan Hui-Chan Lineage Emei Shan Daoist Lineage Bai Yuan (White Ape) Hui Chaquan master who accepted Lingdongzi Founder of martial arts - created white ape style, the first imitation martial Wang as a disciple Shitu Xuankong Yang Hongxiu 1830-1900 art and father of all martial arts. Created Yuangong Jian (Ape Sword), Ape 200 BC Circa Long Fist, Carried forward by his Dizi BaiYu and BaiMei (White Eyebrow) I I Creator of Green Dragon Sword (Chin Long Jian), Deyuan Bai Mei (White 20 Fist Method (Quan Shr Er Fa) and 20 Wushu Postures. Eyebrow) 960-1112 Creator of Bak Mei (Bai Mei) White Eyebrow which ultimately becomes Wang Zi-Ping 1881- 1973 Students Liu Jin-Sheng, Zhao Jiang authored Chin Na Methods AD Circa Wing Chun I I Founder of Emei Qigong - Created Emei Linji School of Qigong and Bai Yun (White Cloud) Creator of Flying Rainbow Fan (Wang) compiled 3,600 school's teaching. 1227 AD Wrote The Emei Treasured Lotus Canon Wang Ju-Rong 1928-2006 Dr. Wu Chengde I Sole carrier of teachings post cultural revolution. Daoist Wanderer and Co Authored Tai Chi Single Fan with Wen-Ching Li Liu Tong 梨 劉 通 Priest in Lijiadao and Emei Bai Yuan Dao, Preserver of Emei Bai Yuan Styles (Destroyer of Misery) Grace Wu Helen Wu 1965- and Neidan 毁痛 1947- Grandfather of Liang Shou-yu and Emei practitioner. Began training Liang at Liang, Zhi-Xiang (梁芷箱) age 6 in Emei styles and Emei Da Peng Gong ( (Emei Great Roc Gong, 峨嵋大鵬功) I Trained at Daoist temple “The Temple of the Great Emperor of Martial Arts” on Zhen Wu Mountain (真武山) Hong Ze Great Master in Wudang - Taught Swimming Body (Swift Dragon) Baguazhang, Deer Hook Sword, Bagua Crutch, and (洪澤大師) Wujiquan (無極拳) I Grandmaster Liang, Grandmaster and founder of the IWSD (Int'l Wushu Sanshou dao, Assoc). -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
The Seven Sabre Guards for a Right Handed Fencer
The Seven Sabre Guards for a Right handed fencer. st “Prime” 1 Guard or Parry (Hand in Pronation “Quinte” 5th Guard or parry (Hand in Pronation) “Seconde” 2nd Guard or Parry (Hand in Pronation) “Sixte” 6th Guard or Parry (Hand in half Supination) “Tierce” 3rd Guard or Parry (Hand in Pronation) th “Offensive Defensive position” 7 Guard of Parry (Hand in half Pronation) Supination: Means knuckles of the sword hand pointing down. Half Pronation: Means knuckles pointing towards the sword arm side of the body with the thumb on top of the sword handle. Pronation: Means knuckles of the sword hand pointing th “Quarte” 4 Guard or Parry (hand in Half Pronation) upwards. Copyright © 2000 M.J. Dennis Below is a diagram showing where the Six fencing positions for Sabre are assuming the fencer is right handed (sword arm indicated) the Target has been Quartered to show the High and Low line Guards (note the offensive/defensive position is an adaptation of tierce and quarte). Sixte: (Supinated) To protect the head Head Quinte: (Pronation) To protect the head Cheek Cheek High Outside High Inside Tierce: (½ Pronation) to Prime: (Pronation) to protect the sword arm, protect the inside chest, and chest, and cheek. belly. Seconde: (Pronation) Fencers to protect the belly and Quarte: (½ Pronation) To Sword-arm flank protect chest and cheek Flank Low Outside Low Inside Belly The Sabre target is everything above the waist. This includes the arms, hands and head. Copyright © 2000 M.J. Dennis Fencing Lines. Fencing lines can cause a great deal of confusion, so for ease I shall divide them into four separate categories. -
The Sword Conservatory, Inc
What are your sword The Sword fighting needs? Conservatory, Inc. Medieval sword fighting class Stage Combat The Sword Conservatory offers classes, educational programs, and demonstrations in a variety of sword fighting styles from medieval through modern sport fencing and stage combat. The Sword Conservatory, Inc. Cutlass lessons Whether you wish to take a sword fighting class, need an Mailing Address educational presentation to your Teaching the history, 112 Tonks Trail school group or civic Holly Springs, NC 27450 sport, and art of organization, or need a demonstration group for your Website: www.swordconservatory.org swordsmanship to all festival, The Sword Conservatory Email: [email protected] with safety and fun. can help. Please contact us at (www.swordconservatory.org) [email protected] Who we are and what we do. Teaching at Schools The Sword Conservatory is a non-profit Festivals and Organizations [501(c)(3)] organization dedicated to research and teaching sword fighting from medieval through 19th century styles, plus modern sport fencing and stage choreography. Classes At the Hunt Center in Holly Springs, we teach the following classes: Medieval sword fighting - single- handed sword, two-handed sword, Festivals School Groups and Civic sword & shield, dagger, staff, and more. We have a variety of programs to offer Organizations Historic fencing - rapier, small sword, various festivals, like Renaissance Faires, We offer educational programs for school cutlass, and military sabre Pirate Festivals, and Sci-Fi -
Fiore Dei Liberi: 14Th Century Master of Defence
ARMA Historical Study Guide: Fiore Dei Liberi: 14th century Master of Defence By John Clements Unarguably the most important Medieval Italian fighting treatise, the work of Fiore Dei Liberi forms a cornerstone of historical fencing studies. Like many other martial arts treatises from the Medieval and Renaissance eras, we must look analytically at the totality of the author’s teachings. In doing so we come to understand how, rather than consolidating information compartmentally, its manner of technical writing disperses it throughout. In circa 1409, a northern Italian knight and nobleman, Fiore dei Liberi, produced a systematic martial arts treatise that has come to be considered one of the most important works of its kind on close-combat skills. Methodically illustrated and pragmatically presented, his teachings reveal a sophisticated and deadly fighting craft. It is one of the most unique and important texts in the history of fencing and of our Western martial heritage. Master Fiore’s manuscript is today the primary source of study for reconstruction of Italian longsword fencing, combat grappling, and dagger fighting. It currently constitutes the earliest known Italian fencing manual and one of only two so far discovered from the era. Along with dagger and tapered longsword (spadone or spada longa), his work includes armored and unarmored grappling, poleax, mounted combat, and specialized weapons as well as unarmored spear, stick, and staff. His spear (or lance) fighting on foot is a matter of holding sword postures while thrusting or deflecting. His longsword fencing techniques include half- swording, pommel strikes, blade grabbing, disarms, trapping holds, throws, groin kicks, knee stomps, defense against multiple opponents, timed blows to push or leverage the adversary off balance, and even sword throwing. -
Swordsmanship and Sabre in Fribourg
Acta Periodica Duellatorum, Hands-on section, articles 103 Hands-on section, articles Sweat and Blood: Swordsmanship and sabre in Fribourg Mathijs Roelofsen, PhD Student, University of Bern [email protected], and Dimitri Zufferey, Independant Researcher, GAFSchola Fribourg, [email protected] Abstract – Following a long mercenary tradition, Switzerland had to build in the 19th century its own military tradition. In Cantons that have provided many officers and soldiers in the European Foreign Service, the French military influence remained strong. This article aims to analyze the development of sabre fencing in the canton of Fribourg (and its French influence) through the manuals of a former mercenary (Joseph Bonivini), a fencing master in the federal troops (Joseph Tinguely), and an officer who became later a gymnastics teacher (Léon Galley). These fencing manuals all address the recourse to fencing as physical training and gymnastic exercise, and not just as a combat system in a warlike context. Keywords – Sabre, Fribourg, Valais, Switzerland, fencing, contre-pointe, bayonet I. INTRODUCTION In military history, the Swiss are known for having offered military service as mercenaries over a long time period. In the 19th century, this system was however progressively abandoned, while the country was creating its own national army from the local militias. The history of 19th century martial practices in Switzerland did not yet get much attention from historians and other researchers. This short essay is thus a first attempt to set some elements about fencing in Switzerland at that time, focusing on some fencing masters from one Swiss Canton (Fribourg) through biographical elements and fencing manuals. -
The Fight Master, January 1988, Vol. 11 Issue 1
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors 1-1988 The Fight Master, January 1988, Vol. 11 Issue 1 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons JANUA RY 1988 American Fencers Supply Co 1180 Folsom Street San Francisco CA 94103 415/863-7911 UNIVERSITY OF NEVADA, LAS VEGAS JOURNAL OF THE SOCIETY OF AMERICAN FIGHT DIRECTORS January 1988 Volume XI number I PATTON AND HIS SABER by Charles Conwell 15 THE METAPHYSICS OF STAGE COMBAT by Mark Olsen 19 WHEN STYLES COLLIDE by T. J. Glenn 223 3 SWORD BELTS AND FROGS by Rod ~asteel 28 TOUCHE 229 9 Oregon Shakespeare Festival 330 0 Coriolanus at the McCarterMccarter Theatre 31 Trinity TrinityRep Rep 31 Scaramouche 332 2 The Three Musketeers 32 True West 333 3 The Rivals .at Berkeley Rep 333 3 The Hairy Ape at Berkeley Rep 334 4 Purloined Poe at the Lifeline 334 4 Richard III at the Guthrie 3 Editor's Comments 4 Vice President's Report 6 Treasurer's Report 6 Workshop Coordinator 7 Film Coordinator 35 Letters 337 7 Points of Interest 442 2 Society News SOCIETY OF AMERICAN FIGIIT DIRECTORS TIIE FIGIITMASTER Journal of the Society of American Fight Directors President Joseph Martinez Vice President Drew Fracher Editor Linda Carlyle McCollum Treasurer James Finney Associate Editor Olga Lyles Secretary Linda McCollum Assistant Editor Todd Tjaden Layout Editor Gregg Hillmar The Society of American Fight Directors was founded in May, 1977. -
Fencers Club Pro Shop Catalog
Fencers Club is a 501(c)(3) not-for-profit organization dedicated to the pursuit of excellence through the sport of fencing. We actively support a culture of sharing by performing community services that extend beyond fencing. Fencers Club Pro Shop Catalog As part of the Fencers Club Member Services, the Pro Shop provides our members the services and fencing gear needed for training and competitions. The prices listed are the online prices from our vendors and are subject to change. Net proceeds from the Pro Shop go to the Fencers Club Scholarship Fund to support our members. The catalog items are listed alphabetically and sorted by beginner, intermediate and advance. Page 2: Bags, Blades Page 3: Complete Weapons, FC Items, Gloves Page 4: Jackets, Knickers, Lames Page 5: Masks Page 6: Plastron/Chest Protectors, Shoes & Socks, Misc. Equipment Page 7: Order Form Order by email to [email protected] or stop by the Pro Shop. For your convenience, an order form is enclosed. Feel free to send a photo or scanned copy of the form and let us know when you would like to pick up the items. Thank you all for being the best part of Fencers Club. Bags AF Junior Bag with Wheels - $95 AF Multi-Weapon Bag - $38 Hard Blade Cover - $5 FC Stenciled Single Weapon Bag - $12 Soft Blade Cover - $4 FC Olympic Bag Limited Edition - $100 Leon Paul Team Bag (includes shipping) - $321 Leon Paul Freeroller Bag - $208 Radical Fencing Liberty Bag - $395 Radical Fencing Strip Bag (includes complimentary stenciling) - $100 Radical Fencing Sorcerer Bag - $148 Radical -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.).