2018 | Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

2018 | Annual Report 2018 | Annual Report Table of Contents Mission, Vision & Values 2 Message from the President & Executive Director 3 About Folklorama 5 Folklorama Talent 6 Folklorama Teachings 8 Folklorama Travel 10 Folklorama Festival 12 | Casinos of Winnipeg Folklorama Kick-Off 13 || In the Media 14 ||| Social Media 15 Volunteers 16 | Al Malbranck Memorial Outstanding Volunteer Award 17 Team Folklorama 18 Ambassadors Program 20 Ambassadors’ Inaugural Ceremony 21 Scholarships 22 Partners & Funders 24 Organization Chart 25 Board of Directors, Staff, Seasonal Staff & Committees 26 Folklorama Members 29 Financials 34 PHOTO CREDIT: DWAYNE LARSON DWAYNE CREDIT: PHOTO FOLKLORAMA 2018 ANNUAL REPORT Message from the President & Executive Director Mission 2018 was a year of positive change and Our Folklorama Talent division kept As we continue to acknowledge, Celebrating diversity and promoting reimaging of initiatives in response to members busy with over 200 events Folklorama would not be the cultural understanding. the valued feedback captured during booked and produced throughout organization we are today if not for the strategic planning process by the year. The relationship that the the contributions of our volunteers. all Folklorama stakeholders. As the Folklorama Talent division maintains As such, it is with utmost pleasure that organization began work on the first locally with corporate clients Folklorama continue to see the youth year of its strategic plan to 2022, all and internationally through the in our membership take on more program development was measured International Council of Organizations leadership roles, express interest in Vision with a keen eye towards ensuring of Folklore Festivals and Folk Arts committee work and, in 2018 towards alignment with the identified goals in (CIOFF) allows for our members, as fulfillment of one of the strategic goals, Folklorama promotes the ethno-cultural diversity of Manitoba through growth of talent, teachings and travel, well as Folklorama as a whole to live forming a Folklorama Youth Council entertainment and public celebrations of culture and education. continued success of the festival, our mission and implement our vision for youth, by youth. In taking this Folklorama provides the opportunity for ethno-cultural communities increasing youth involvement and year-round. important step, the skills, attributes to promote and celebrate their intangible culture. We will understand maximizing organizational capacity. and networks that these young people In 2018 Folklorama Teachings and respond to the expectations of our members, stakeholders and the will develop are without measure. The Folklorama Festival continued developed and delivered 70 public and will be leaders in the festival community, the special events to enjoy strong success, not only in customized presentations and Folklorama would like to formally industry and the tourism industry of Manitoba. We will respect and the 445,000 visits that took place, brought elements of the Festival thank our valued sponsors, funders, recognize the contributions of our staff and volunteers and will create but in the engagement of the tens of into classrooms, daycares, members, community partners and an environment that inspires fun, innovation and a sense of belonging. thousands of volunteers who invite us post-secondary institutions, staff for their part in building this into their pavilions year after year to workplaces, and senior centers dynamic organization and ensuring share in their intangible heritage. The reaching over 10,000 participants Folklorama remain true to its values love and pride of their culture was of all ages in Winnipeg and across - an organization of integrity, that obvious to every guest that walked Manitoba. Throughout the year appreciates diversity, respects culture through the doors of each pavilion. It Folklorama Teachings encourages and above-all, respects each other. Values is this contribution and commitment hands-on learning through interactive of all volunteers, in every capacity, performances, presentations, and The future is golden; we look forward Our basic foundation values are: that lends to the ongoing success of workshops. Cultivating a collaborative to celebrating Folklorama50 and Folklorama both during the festival and learning environment to attain a beyond for many years to come. • Respect for people year round. respect of multiculturalism in the • Appreciation for diversity classroom, daycare or workplace More than five years in the making, is the foundation of the Folklorama • Integrity the launch of digital ticketing was by Teachings division. • Respect for culture far the largest achievement of the organization in 2018. For the first Folklorama Travel works year-round as time in Folklorama’s history advanced a receptive tour operator by planning In the services that we provide and the products tickets were made available for public and facilitating full daytime itineraries we develop and support, we will be known to be: purchase, mitigating the number one for groups visiting Winnipeg. In 2018 Avrom Charach President • Responsive • Innovative complaint of festival goers that many this resulted in 155 bookings within avoided attending due to long lines and the Group and VIP Tour programs. • Creative • Strategic uncertainty around sold out shows. As a highly respected member of • Proactive • Transparent As expected when migrating to a new the tourism community, and a driver system with a myriad of variables, of economic growth to the City of challenges did arise, were managed Winnipeg and province of Manitoba, immediately and are being addressed Folklorama Travel continues to build Teresa Cotroneo and re-assessed moving into 2019 to its brand by delivering the highest of Executive Director provide an even better experience for customer service with groups from the public and pavilions. the USA, rural Manitoba and other Canadian provinces. 2 FOLKLORAMA 2018 ANNUAL REPORT FOLKLORAMA 2018 ANNUAL REPORT 3 About Folklorama The first Folklorama Festival took place Folklorama Talent is a full-service or workplace. By working closely over one week as a celebration of entertainment booking agency with Folklorama’s ethno-cultural Manitoba’s centennial in 1970 and at representing many of Winnipeg’s top performers each client’s event will that time was intended as a one-time multicultural performers. With close receives a customized program celebration. Decades later in 2018, to 30 years of event management that focuses on diversity through Folklorama has successfully produced and concert production experience, workshops and performances. These its 49th Festival. Since 1970 the Festival Folklorama Talent has a broader methods foster an appreciation and has grown tremendously, receiving reach than most agencies. Unlike respect for cultural differences and the distinction of being the largest typical booking agencies that recruit motivate others to take pride in their and longest-running multicultural for their rosters, Folklorama Talent own cultural heritage. festival of its kind in the world*, and works proactively on behalf of our continues to celebrate the global membership to pursue local, national Folklorama Travel is a leader in diversity seen in Manitoba. Through and international bookings. By building the tourism industry in Manitoba. member organizations that represent strong relationships with international By developing relationships with diverse ethno-cultural communities, festivals through CIOFF, Folklorama tour partners from across North Folklorama becomes a vessel for Talent has access to contemporary America, Folklorama Travel is able communities to promote and share and international performers from to consistently attract travelers to their intangible heritage and promote around the world in addition to the Winnipeg and the Folklorama Festival cultural understanding to all visitors. highly talented local performing year after year. This is done through groups. Folklorama Talent provides a the creation of robust cultural The continued success of the diverse range of event management itineraries for visiting groups focusing Folklorama Festival is demonstrated needs including itinerary planning and on local attractions, restaurants and by attracting over 400,000 visits each programming to on-site management showcasing Folklorama Talent and year, strengthening its place as a for corporate events, festivals, Teaching performers. This division summer tourism anchor for the city conventions and conferences. also applies its tourism expertise to of Winnipeg. Through the remainder maximize business development for of the year, Folklorama is sustained Folklorama Teachings nurtures a Folklorama throughout the year as by three business divisions created collaborative learning environment a receptive tour operator cultivating as a result of the Festival’s success: which creates respect for in-bound group travel business. Folklorama Talent, Folklorama multiculturalism through hands on *As designated by the International Council of Teachings and Folklorama Travel. learning in the classroom, daycare Organizations of Folklore Festivals and Folk Arts (CIOFF), an international nongovernmental organization (NGO) in Official Partnership with UNESCO. PHOTO CREDITS ON PAGE: DWAYNE LARSON DWAYNE CREDITS ON PAGE: PHOTO PHOTO CREDIT: DARCY FINLEY DARCY CREDIT: PHOTO PHOTO CREDIT: DWAYNE LARSON DWAYNE CREDIT: PHOTO FOLKLORAMA 2018 ANNUAL REPORT FOLKLORAMA 2018 ANNUAL REPORT 5 Folklorama Talent 2018 was an eventful year
Recommended publications
  • Five Walks in Search of the Future in Shanghai
    The Hyperstationary State: Five Walks in Search of the Future in Shanghai By Owen Hatherley Abstract Shanghai is invariably used in film sets and popular discourse as an image of the future. But what sort of future can be found here? Is it a qualitative or quantitative advance? Is there any trace in the landscape of China's officially still-Communist ideology? Has the city become so contradictory as to be all-but unreadable? Contemporary Shanghai is often read as a purely capitalist spectacle, with the interruption between the colonial metropolis of the interwar years and the commercial megalopolis of today barely thought about. A sort of super-NEP has now visibly created one of the world's most visually capitalist cities, at least in its neon-lit night-time appearance and its skyline of competing pinnacles. Yet this seeming contradiction is invariably effaced, smoothed over in the reigning notion of the 'harmonious society'. This essay is a series of beginners' impressions of the city's architecture, so it is deeply tentative, but it finds hints of various non-capitalist built forms – particularly a concomitance with Soviet Socialist Realist architecture of the 1950s. It finds at the same time a dramatic cityscape of primitive accumulation, with extreme juxtapositions between the pre-1990s city and the present. Finally, in an excursion to the 2010 Shanghai Expo, we find two attempts to revive the language of a more egalitarian urban politics; in the Venezuelan Pavilion, an unashamed exercise in '21st century socialism'; and in the 'Future Cities Pavilion', which balances a wildly contradictory series of possible futures, alternately fossil fuel-driven and ecological, egalitarian and neoliberal, as if they could all happen at the same time.
    [Show full text]
  • Entre Nous Draft January 2011
    ® CIOFF® NEWSLETTER Edition 10 January 2011 Entre Nous CIOFF® semi-annual ® Newsletter HAPPY BIRTHDAY CIOFF !!! published by Working Group on 40th Anniversary Celebrations Public Relations & Festivals Commis- CIOFF® 40th Anniversary Celebrations took place during CIOFF® sion World Congress and General Assembly in Papeete, Tahiti. The Honorary President and Founder of CIOFF® Henri Coursaget, Hon- CIOFF® orary Members of CIOFF® Kari BERGHOLM from Finland, Guy LANDRY from Canada and Bruno RAVNIKAR from Slovenia and over 40 YEARS!!! 150 participats from 37 countries of the World gathered in the tranquil settings of French Polynesia to celebrate this milestone Anniversary of Read the details on CIOFF® and reflect on CIOFF® achievements over the 40 years. Pages 1-6 CIOFF® Tahiti, with the support of the High Commissioner of the Re- public in French Polynesia, of the Government of French Polynesia, of the Ministry of Culture and Arts, the Ministry of Tourism, the Ministry of Youth and Sports, and with the support of the municipalities (Communes) surrounding the town of Papeete created a fantastic Inside this edition: memorable experience for all the guests, which will stay with us forever. FOCUS ON: ® CIOFF WORLD 2-3, 7 CONGRESS ® CIOFF History 4-6 CIOFF®- UNESCO 7 Folkloriada 2012 8 Sectors 9 New Members 10-11 National Sections 11-14 CIOFF® Youth 14 Page 2 Entre Nous FOCUS ON CIOFF® WORLD CONGRESS BIRTHDAY ADDRESS TO CIOFF® WORLD !!! BY HENRI COURSAGET - CIOFF® HONORARY PRESIDENT Chers amis, mettre ensemble tout ce que Alors, j’insisterai – et cela sera Lorsque le 8 août nous pouvons pour la grandeur mon dernier mot – pour que 1970, j’ai créé le de notre organisation.
    [Show full text]
  • Action Presentation.Pub
    9th Place Photographer: Jean‐Pierre RONNAY (France) Group: Munnyth Art House, South Africa Taken at Fesval: Musiques et Danses du Monde . Fesval de Maintenon (France) 2011 9th Place Title “Serbia” Photographer: Vicky Lynn Passmore (USA) Group: Talija Folk Dance Troupe, Serbia Taken at Fesval: Folkmoot USA 2011 9th Place “I Can Fly” Photographer: Patrick Parton (USA) Group: Shalom Israel Ashdod (Israel) Taken at Fesval: Musiques et Danses du Monde . Folkmoot USA 2009 9th Place “Wirligig” Photographer: Danielle Cutler (UK) Group: Radost (Belorus) Taken at Fesval: Billingham Internaonal Folklore Fesval of World Dance (UK) 2011 8th Place “Viva Lanas” Photographer: Danielle Cutler (UK) Group: Ara Macao (Colombia) Taken at Fesval: Billingham Internaonal Folklore Fesval of World Dance (UK) 2012 7th Place “Banner Girl” Photographer: Francesco Campani (Italy) Group: Sangmyung Hanorum dance group (South Korea) Taken at Fesval: 30th “Fesval del Sud Ponno” Minturno (Italy) , 2012 5th Place “New Zealand” Photographer: Frédéric Côté (Canada) Group: Whireia Performing Arts (New Zealand) Taken at Fesval: Mondial des Cultures de Drummondville (Canada) 2012 5th Place “Dancer with Scissors” Photographer: GODINEAU DANY (France) Group: Tijeras de Huancavellica (Peru) Taken at Fesval: FESTIVAL DE MONTOIRE SUR LE LOIR (FRANCE) 2010 3rd Place “Rotaon” Photographer: BERNÁTH ZSOLT (Hungary) Group: Folk Song and Dance Ensemble JODELKI (Poland) Taken at Fesval: XII. Gyöngy Nemzetközi Folklórfeszvál (Hungary) 2012 3rd Place “Colour and Movement” Photographer: Juan Angel Montoya (Spain) Group: Grupo de Danzas Yacambu ‐ Venezuela Taken at Fesval: Fesval Internacional del Folklore de Ciudad Real (Spain) 2009 2nd Place “Colour and Movement” Photographer: San Carbonell (Spain) Group: Omsk State Ensemble (Russia) Taken at Fesval: Jornades Internacionals de Catalunya (Spain) 2012 Winner “Lan Sunshine” Photographer: Danielle Cutler (UK) Group: Ara Macao (Colombia) Taken at Fesval: Billingham Internaonal Folklore Fesval of World Dance (UK) 2012 .
    [Show full text]
  • Aichi Triennale 2019 Has Announced the List of Additional Artists
    Aichi Triennale 2019 Press Release _ Participating Artists As of March 27, 2019 Aichi Triennale 2019 Has Announced the List of Additional Artists Aichi Triennale—an international contemporary art festival that occurs once every three years and is one of the largest of its kind—has been showcasing the cutting edge of the arts since 2010, through its wide-ranging program that spans international contemporary visual art, film, the performing arts, music, and more. This fourth iteration of the festival welcomes journalist and media activist Daisuke Tsuda as its artistic director. By choosing “Taming Y/Our Passion” as the festival’s theme, Tsuda seeks to address “the sensationalization of media that at present plagues and polarizes people around the world.” He hopes that by “employing the capacity of art— a venture that, capable of encompassing every possible phenomenon, eschews framing the world through dichotomies—to speak to our compassion, thus potentially yielding clues to solving this predicament.” Aichi Triennale 2019 announced the addition of 47 artists to its lineup on 27 March 2019; the list now comprises a total of 79 artists. Outline of Aichi Triennale 2019 http://aichitriennale.jp/ Theme | Taming Y/Our Passion Artistic Director | TSUDA Daisuke (Journalist / Media Activist) Period | August 1 (Thursday) to October 14 (Monday, public holiday), 2019 [75 days] Main Venues | Aichi Arts Center; Nagoya City Art Museum; Toyota Municipal Museum of Art and off-site venues in Aichi Prefecture, JAPAN Organizer | Aichi Triennale Organizing
    [Show full text]
  • Cioff® Annual Report 2017
    CIOFF® ANNUAL REPORT 2017 Conseil International des Organisations de Festivals de Folklore et d’Arts Traditionnels Major Achievements CIOFF® implemented several priority projects during the year 2017: - Further steps towards implementation of the new CIOFF® Strategy - Expansion of CIOFF® cooperation with UNESCO - Implementation of new CIOFF® Membership Categories CONTENT - Development of CIOFF® African Sector Major Achievements 1 New Members 1 - Acceptance of New Members of CIOFF® : CIOFF® Meetings 2-3 Full Membership: New National Sections of Costa Rica and India CIOFF® - UNESCO 4 Associate Membership: Kingdom of Jordan CIOFF® Commissions 4-7 and Committees - 4 international festivals reconfirmed as Recognized CIOFF® International Festivals: CIOFF® Sectors 8-14 Kyparissia Sunshine International Folklore Festival from Greece, Festival Alencon and Festival Chambery from France, Information and 15 Folk Azores from Portugal Communications Ilinden days from Former Yugoslav Republic of Macedonia Publications CIOFF® Calendar of Festivals 2018-2020 CIOFF® Electronic Newsletters Entre-Nous National Sections Annual Report 2017—electronic Membership With the newly accepted members, the total number of CIOFF® Members is now—102 Members: 63 National Sections 22 Associate Members 3 Partner Members 14 Corresponding Members Office of Secretary General CIOFF® International tel: +44-(0)1642-651060 Stockton Business Centre Email: [email protected] 70 Brunswick Street www.cioff.org Stockton on Tees TS18 1DW 1 United Kingdom ADMINISTRATION / ACTIVITIES CIOFF® SPRING EXCO & COUNCIL MEETING 2017 Council members 2017 CIOFF® EXCO and Council Meeting took place in Vienna, Austria in April 2017 hosted by CIOFF® Austria. President* All the meetings were extremely productive, with the main focus on the CIOFF® New Strat- Philippe Beaussant- France egy 2017-2021.
    [Show full text]
  • Artforum (May 9, 2019)
    INTERESTING. Few words have such angular ambiguity, signifying both a ​ viewer’s interpretive generosity while subtly acknowledging that the thing in question just might not be that good. Ralph Rugoff, the artistic director of the ​ ​ fifty-eighth Venice Biennale, which opened Tuesday to select press and professionals, played on the word’s double meaning in the title for his show, “May You Live in Interesting Times,” a phrase attributed as an “ancient Chinese curse,” but, like, the Ivanka Trump/fortune cookie variety, with no actual “ancient” or “Chinese.” The dash of Orientalism was either snarkily intentional from the start, or simply reclaimed as snarkily intentional after news of the title riled tempers east of the Urals. So how’s the exhibition itself? Interesting. ​ Rugoff has packed his show of roughly eighty artists with whizzbang Instagrams-in-waiting, through an eclectic survey of exclusively living artists that felt more like someone had emptied Chelsea and the Lower East Side (the new, tonier one, not the one from seven years ago) into the Giardini’s Central Pavilion. But after a day of mulling it over, I decided this zeitgeist approach could be a throwback to the biennial’s days as a salon rather than a definitive statement on our life and times. Rugoff might argue that this is his point: In an age of “fake news” and myriad malleable perspectives, consensus is no longer possible. Even his exhibition is divided in two, with Proposition A in the Arsenale and Proposition B in the Giardini. In the absence of a strong thesis or even a clear curatorial vision, what we get is call and response.
    [Show full text]
  • CIOFF® Newsletter July 2011
    ® CIOFF® NEWSLETTER Edition 11 July 2011 Entre Nous CIOFF® semi‐annual Newsletter 2011 CIOFF® EXCO & COUNCIL MEETING published by Working Group on Pub‐ Waynesville, North Carolina, USA, 27th April‐1st May lic Relations & Festivals Commission FOLKMOOT USA played host to the 2011 CIOFF® EXCO & Council Meeting, and Joint Meeting of the Festivals Commission and Working Group on Public Relations, which took place in Waynesville, North Carolina, USA from 27th April to 1st May In memory of 2011. The meeting was extremely well organized by volunteers and staff of FOLKMOOT Henri Coursaget USA and all the delegates were overwhelmed by the host’s hospitality. All Council Founder of sessions took place in FOLKMOOT Friendship Centre, the home of FOLKMOOT USA. CIOFF® The delegates were also treated to spectacular sightseeing tours along Smoky Pages 2‐5 Mountains National Park, Blue Ridge Parkway, Museum of the Cherokee Indians, the Folk Arts Center and the city of Asheville and entertained by Cloggers and Bluegrass Musicians. We are extremely grateful FOLKMOOT USA and especially to Rolf Kaufman and Inside this edition: Karen Babcock for their warm FOCUS ON: hospitality, excellent organisa‐ tion and for giving all of us a CIOFF® EXCO & 1 memorable experience we will Council Meeting all treasure. Henri Coursaget 2-5 Rolf Leander 5 National Sections 6-10 Sectors 10 Folkloriada 2012 11 Future Events 12 Page 2 Entre Nous FATHER OF FOLKLORE AND CIOFF® IS GONE! IN FONDEST MEMORY OF HENRI COURSAGET turbed by any politics. That was his reward. By founding the International Coun‐ cil of Folklore Festivals, CIOFF®, on August 8, 1970, with a couple of international friends, he crystallized his message of peace.
    [Show full text]
  • Download 2019 Annual Report
    2019 | ANNUAL REPORT 1 Table of Contents Message from Message from President and Executive Director 3 the President Folklorama Talent 4 Folklorama Teachings 6 Folklorama Travel 7 & Executive Director Folklorama in the Community 9 2019 is a year that will go down in Folk- Folklorama Youth Council was engaged in Folklorama Youth Council 10 lorama history, confirming its role as a variety of 50th anniversary celebrations, Winnipeg’s anchor of summer tourism and and its Junior Pavilion Coordinators pro- Folklorama Festival 12 cultural outreach. The Folklorama family gram continues to grow, from 7 in 2017 to should be proud of the achievements we 18 in 2019. Learn more on page 10. The Pavilions 13 celebrated together for the 50th edition of the Folklorama Festival. The Talent, Teachings, and Travel divisions Volunteers 15 of the company continues to flourish The City of Winnipeg renamed Forks with bookings across North America, and Folklorama Ambassadors General 16 Market Road as Honourary Folklorama Way around the world. Turn to pages 4 to 6 to for the entire year to celebrate the Festi- learn more. Folklorama Ambassadors Program 18 val’s 50th. Dignitaries declared the name change at the annual media launch at The In 2019, Folklorama received a $100,000 Forks, a place where many cultures have grant from the federal government’s Al Malbranck Memorial Outstanding Volunteer Award 25 been meeting to celebrate and exchange Community Support for Multicultural and ideas for hundreds of years. Folklorama Anti-Racism Initiatives program. This grant Scholarships 26 was proud to unveil a legacy mural at 847 funded all special projects planned for the Notre Dame Avenue, to serve as a testa- milestone year.
    [Show full text]
  • CIOFF NEWSLETTER No 2, January 2007
    CIOFF NEWSLETTER No 2, January 2007 FOCUS ON EXCO, COUNCIL, CONGRESS & GENERAL ASSEMBLY CIOFF WORLD CONGRESS 2006, CITY OF VELIKO TARNOVO, BULGARIA, OCTOBER 28th – NOVEMBER 3rd 2006 Opening of the Congress The Opening Ceremony of the 36th World Congress took place on Tuesday, 31st of October 2006 at the Museum of the Bulgarian Revival and the Constituent Assembly. Mr. Emil Pavlov, President of the National Section of Bulgaria welcomed all the CIOFF Delegations attending the Congress and wished all the participants a pleasant stay in Veliko Tarnovo. The Mayor of the City of Veliko Tarnovo, Mr. Rumen Rashev in his welcome speech expressed his best wishes for a fruitful and productive work at the Congress. The Deputy Minister of Culture thanked all the participants for all the hard work done so far for the culture of peace all over the World. The Congress and General Assembly in Veliko Tarnovo were officially opened by CIOFF President Mr. Udomsak Sakmunvong. The Congress received a greeting letter from the Minister of Culture of Bulgaria. General Assembly delegations The National Sections present at the General Assembly with voting rights were: Albania, Argentina, Armenia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Chinese After the Opening Ceremony the Congress Taipei, Croatia, Cuba, Czech Republic, Cyprus, Participants were treated to the spectacular Estonia, Finland, France, Georgia, Germany, Light and Music show. Greece, Hungary, India, Indonesia, Ireland, Israel, Italy, Korea, Luxemburg, Macedonia, 1 Malaysia, Montenegro, Mexico, Moldova, The Honorary President – Mr. Henri Coursaget and Netherlands, New Zealand, Paraguay, Peru, 5 Honorary Members – Mr. Guy Landry, Mr. Poland, Portugal, Puerto Rico, Romania, Rolf Leander, Mr.
    [Show full text]
  • Kimsooja EDUCATION
    GALERIE TSCHUDI Chesa Madalena • Somvih 115 • 7524 Zuoz • t +41 81 850 13 90 • [email protected] Kimsooja EDUCATION Kimsooja was born in Daegu 1984–1985 (KR) in 1957 Lithography studio at École Nationale Supérieure des Beaux-Arts, Paris, France She lives and works in Paris (FR) and Seoul (KR) 1984 MFA at Graduate School, Hong-IK University, Seoul, South Korea 1980 BA at Painting Department, Hong-IK University, Seoul, South Korea SELECTED SOLO EXHIBITIONS 2020 We Do Not Dream Alone, Inaugural Asia Society Triennal, Asia Society, New York, USA To Breathe – Metz Cathedral, Metz, France, Public Art Commission To Breathe – RATP, Mairie de Saint Ouen Metro Station, Paris, Public Art Commission Kimsooja, Wanås Konst Sculpture Park, Wanås, Sweden – Site specific installation 2019 Traversées Kimsooja, Poitiers, France Archive of Mind, Peabody Essex Museum, Salem, USA Earth-Water-Fire-Air, Real Jardin Botanico - CSIC, Madrid, Spain Régie Autonome des Transports Parisiens, Porte de Saint-Ouen metro station, Paris, France To Breath, Yorkshire Sculpture Park, West Yorkshire, UK 2018 To Breathe – The Flags, Galleria Raffaella Cortese, Milan, Italy To Breathe / Respirare, Basilica di Sant’Eustorgio, Milan, Italy To Breathe – The Flags, Perth Festival, Perth, Australia Sewing into walking, The Art Gallery of Western Australia, Perth, Australia Kimsooja: Zone of Nowhere, Perth Institute of Contemporary Arts, Perth, Australia Frieze Sculpture 2018, Axel Vervoordt Gallery, London, United Kingdom Gazing Into Space, Axel Vervoordt Gallery, Antwerp, Belgium
    [Show full text]
  • 54Th Venice Biennale
    | Reviews | Exhibitions | the group’s leitmotif. If WHW’s intention was, as they say, ‘to 54th Venice Biennale downplay the recuperation of his opus within the narrative various venues 4 June to 27 November of Croatian national art history and the usual clichés of the underrepresented dissident who fought for freedom in the dark times of communist repression’, they undoubtedly succeed. Bice Curiger, director of the 54th Venice Biennale’s curated exhibition Nevertheless, despite my admiration for the conceptual rigour of ‘ILLUMInations’, observes that art today is ‘characterised by collective the strategy – they describe the space as an ‘analytical laboratory’ tendencies and fragmented identities’. She sees contemporary art as – my feeling was that the time-based work of Gotovac (who died a ‘seedbed for experimentation with new forms of “community” and last year) was accorded insufficient breathing space within the for studies in differences and affinities that will serve as models for claustrophobic framework. The exception to this rule was allowed the future’. These claims are abundantly demonstrated in many of by a diagonal screen partitioning off a corner for the private the national pavilions, more so, I think, than in the Arsenale displays. viewing of Gotovac’s ‘Home Porn Movies’ Family Film 1, 1971, What interested me most about this edition of the Biennale was and Family Film 2, 1973. The installation is certainly full of wit the attention that curators paid to recuperating for future use the and energy but runs the risk of occluding rather than elucidating many forms of community and affinity that have been developed by Gotovac’s accomplishments for those unfamiliar with his work.
    [Show full text]
  • Engage the World
    Engaging North Carolina to Engage the World March 30, 2009 A project of the Center for International Understanding and The William and Flora Hewlett Foundation ”Five years ago, when we talked about economic competitiveness, we treated globalization as something that was necessary and new. Today globalization is ubiquitous in business and it’s now just part of our daily lives.“ Engage Ted W. Abernathy, Jr. Executive Director Southern Growth Policies Board The Center for International Understanding extends its sincere appreciation to our funding partners for this project: The William and Flora Hewlett Foundation For support of the North Carolina Global Engagement Initiative AT&T North Carolina For sponsoring the Global Engagement Summit The vision of the Center for International Understanding is that North Carolina is the most globally engaged state in the nation. The Center’s North Carolina Global Engagement Initiative aims to create a cohesive network of governmental, business and educational organizations to respond to international issues and opportunities in an integrated, unified fashion. The University of North Carolina POST OFFICE BOX 2688, CHAPEL HILL, NC 27515-2688 ERSKINE B. BOWLES, President Telephone: (919) 962-1000 Fax (919) 843-9695 E-mail: [email protected] Constituent Universities March 30, 2009 Appalachian State University East Carolina Dear Colleagues: University Elizabeth City North Carolina has a chance to do what no other state in America has done— State University develop a comprehensive statewide plan for global engagement. Today we have Fayetteville State an opportunity to look holistically at key institutions and efforts all across our University state—from K-12 through business recruitment—and decide how we can work North Carolina together better to increase exports and boost foreign direct investment in order to Agricultural and grow jobs in North Carolina.
    [Show full text]