2018 | Annual Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Five Walks in Search of the Future in Shanghai
The Hyperstationary State: Five Walks in Search of the Future in Shanghai By Owen Hatherley Abstract Shanghai is invariably used in film sets and popular discourse as an image of the future. But what sort of future can be found here? Is it a qualitative or quantitative advance? Is there any trace in the landscape of China's officially still-Communist ideology? Has the city become so contradictory as to be all-but unreadable? Contemporary Shanghai is often read as a purely capitalist spectacle, with the interruption between the colonial metropolis of the interwar years and the commercial megalopolis of today barely thought about. A sort of super-NEP has now visibly created one of the world's most visually capitalist cities, at least in its neon-lit night-time appearance and its skyline of competing pinnacles. Yet this seeming contradiction is invariably effaced, smoothed over in the reigning notion of the 'harmonious society'. This essay is a series of beginners' impressions of the city's architecture, so it is deeply tentative, but it finds hints of various non-capitalist built forms – particularly a concomitance with Soviet Socialist Realist architecture of the 1950s. It finds at the same time a dramatic cityscape of primitive accumulation, with extreme juxtapositions between the pre-1990s city and the present. Finally, in an excursion to the 2010 Shanghai Expo, we find two attempts to revive the language of a more egalitarian urban politics; in the Venezuelan Pavilion, an unashamed exercise in '21st century socialism'; and in the 'Future Cities Pavilion', which balances a wildly contradictory series of possible futures, alternately fossil fuel-driven and ecological, egalitarian and neoliberal, as if they could all happen at the same time. -
Entre Nous Draft January 2011
® CIOFF® NEWSLETTER Edition 10 January 2011 Entre Nous CIOFF® semi-annual ® Newsletter HAPPY BIRTHDAY CIOFF !!! published by Working Group on 40th Anniversary Celebrations Public Relations & Festivals Commis- CIOFF® 40th Anniversary Celebrations took place during CIOFF® sion World Congress and General Assembly in Papeete, Tahiti. The Honorary President and Founder of CIOFF® Henri Coursaget, Hon- CIOFF® orary Members of CIOFF® Kari BERGHOLM from Finland, Guy LANDRY from Canada and Bruno RAVNIKAR from Slovenia and over 40 YEARS!!! 150 participats from 37 countries of the World gathered in the tranquil settings of French Polynesia to celebrate this milestone Anniversary of Read the details on CIOFF® and reflect on CIOFF® achievements over the 40 years. Pages 1-6 CIOFF® Tahiti, with the support of the High Commissioner of the Re- public in French Polynesia, of the Government of French Polynesia, of the Ministry of Culture and Arts, the Ministry of Tourism, the Ministry of Youth and Sports, and with the support of the municipalities (Communes) surrounding the town of Papeete created a fantastic Inside this edition: memorable experience for all the guests, which will stay with us forever. FOCUS ON: ® CIOFF WORLD 2-3, 7 CONGRESS ® CIOFF History 4-6 CIOFF®- UNESCO 7 Folkloriada 2012 8 Sectors 9 New Members 10-11 National Sections 11-14 CIOFF® Youth 14 Page 2 Entre Nous FOCUS ON CIOFF® WORLD CONGRESS BIRTHDAY ADDRESS TO CIOFF® WORLD !!! BY HENRI COURSAGET - CIOFF® HONORARY PRESIDENT Chers amis, mettre ensemble tout ce que Alors, j’insisterai – et cela sera Lorsque le 8 août nous pouvons pour la grandeur mon dernier mot – pour que 1970, j’ai créé le de notre organisation. -
Action Presentation.Pub
9th Place Photographer: Jean‐Pierre RONNAY (France) Group: Munnyth Art House, South Africa Taken at Fesval: Musiques et Danses du Monde . Fesval de Maintenon (France) 2011 9th Place Title “Serbia” Photographer: Vicky Lynn Passmore (USA) Group: Talija Folk Dance Troupe, Serbia Taken at Fesval: Folkmoot USA 2011 9th Place “I Can Fly” Photographer: Patrick Parton (USA) Group: Shalom Israel Ashdod (Israel) Taken at Fesval: Musiques et Danses du Monde . Folkmoot USA 2009 9th Place “Wirligig” Photographer: Danielle Cutler (UK) Group: Radost (Belorus) Taken at Fesval: Billingham Internaonal Folklore Fesval of World Dance (UK) 2011 8th Place “Viva Lanas” Photographer: Danielle Cutler (UK) Group: Ara Macao (Colombia) Taken at Fesval: Billingham Internaonal Folklore Fesval of World Dance (UK) 2012 7th Place “Banner Girl” Photographer: Francesco Campani (Italy) Group: Sangmyung Hanorum dance group (South Korea) Taken at Fesval: 30th “Fesval del Sud Ponno” Minturno (Italy) , 2012 5th Place “New Zealand” Photographer: Frédéric Côté (Canada) Group: Whireia Performing Arts (New Zealand) Taken at Fesval: Mondial des Cultures de Drummondville (Canada) 2012 5th Place “Dancer with Scissors” Photographer: GODINEAU DANY (France) Group: Tijeras de Huancavellica (Peru) Taken at Fesval: FESTIVAL DE MONTOIRE SUR LE LOIR (FRANCE) 2010 3rd Place “Rotaon” Photographer: BERNÁTH ZSOLT (Hungary) Group: Folk Song and Dance Ensemble JODELKI (Poland) Taken at Fesval: XII. Gyöngy Nemzetközi Folklórfeszvál (Hungary) 2012 3rd Place “Colour and Movement” Photographer: Juan Angel Montoya (Spain) Group: Grupo de Danzas Yacambu ‐ Venezuela Taken at Fesval: Fesval Internacional del Folklore de Ciudad Real (Spain) 2009 2nd Place “Colour and Movement” Photographer: San Carbonell (Spain) Group: Omsk State Ensemble (Russia) Taken at Fesval: Jornades Internacionals de Catalunya (Spain) 2012 Winner “Lan Sunshine” Photographer: Danielle Cutler (UK) Group: Ara Macao (Colombia) Taken at Fesval: Billingham Internaonal Folklore Fesval of World Dance (UK) 2012 . -
Aichi Triennale 2019 Has Announced the List of Additional Artists
Aichi Triennale 2019 Press Release _ Participating Artists As of March 27, 2019 Aichi Triennale 2019 Has Announced the List of Additional Artists Aichi Triennale—an international contemporary art festival that occurs once every three years and is one of the largest of its kind—has been showcasing the cutting edge of the arts since 2010, through its wide-ranging program that spans international contemporary visual art, film, the performing arts, music, and more. This fourth iteration of the festival welcomes journalist and media activist Daisuke Tsuda as its artistic director. By choosing “Taming Y/Our Passion” as the festival’s theme, Tsuda seeks to address “the sensationalization of media that at present plagues and polarizes people around the world.” He hopes that by “employing the capacity of art— a venture that, capable of encompassing every possible phenomenon, eschews framing the world through dichotomies—to speak to our compassion, thus potentially yielding clues to solving this predicament.” Aichi Triennale 2019 announced the addition of 47 artists to its lineup on 27 March 2019; the list now comprises a total of 79 artists. Outline of Aichi Triennale 2019 http://aichitriennale.jp/ Theme | Taming Y/Our Passion Artistic Director | TSUDA Daisuke (Journalist / Media Activist) Period | August 1 (Thursday) to October 14 (Monday, public holiday), 2019 [75 days] Main Venues | Aichi Arts Center; Nagoya City Art Museum; Toyota Municipal Museum of Art and off-site venues in Aichi Prefecture, JAPAN Organizer | Aichi Triennale Organizing -
Cioff® Annual Report 2017
CIOFF® ANNUAL REPORT 2017 Conseil International des Organisations de Festivals de Folklore et d’Arts Traditionnels Major Achievements CIOFF® implemented several priority projects during the year 2017: - Further steps towards implementation of the new CIOFF® Strategy - Expansion of CIOFF® cooperation with UNESCO - Implementation of new CIOFF® Membership Categories CONTENT - Development of CIOFF® African Sector Major Achievements 1 New Members 1 - Acceptance of New Members of CIOFF® : CIOFF® Meetings 2-3 Full Membership: New National Sections of Costa Rica and India CIOFF® - UNESCO 4 Associate Membership: Kingdom of Jordan CIOFF® Commissions 4-7 and Committees - 4 international festivals reconfirmed as Recognized CIOFF® International Festivals: CIOFF® Sectors 8-14 Kyparissia Sunshine International Folklore Festival from Greece, Festival Alencon and Festival Chambery from France, Information and 15 Folk Azores from Portugal Communications Ilinden days from Former Yugoslav Republic of Macedonia Publications CIOFF® Calendar of Festivals 2018-2020 CIOFF® Electronic Newsletters Entre-Nous National Sections Annual Report 2017—electronic Membership With the newly accepted members, the total number of CIOFF® Members is now—102 Members: 63 National Sections 22 Associate Members 3 Partner Members 14 Corresponding Members Office of Secretary General CIOFF® International tel: +44-(0)1642-651060 Stockton Business Centre Email: [email protected] 70 Brunswick Street www.cioff.org Stockton on Tees TS18 1DW 1 United Kingdom ADMINISTRATION / ACTIVITIES CIOFF® SPRING EXCO & COUNCIL MEETING 2017 Council members 2017 CIOFF® EXCO and Council Meeting took place in Vienna, Austria in April 2017 hosted by CIOFF® Austria. President* All the meetings were extremely productive, with the main focus on the CIOFF® New Strat- Philippe Beaussant- France egy 2017-2021. -
Artforum (May 9, 2019)
INTERESTING. Few words have such angular ambiguity, signifying both a viewer’s interpretive generosity while subtly acknowledging that the thing in question just might not be that good. Ralph Rugoff, the artistic director of the fifty-eighth Venice Biennale, which opened Tuesday to select press and professionals, played on the word’s double meaning in the title for his show, “May You Live in Interesting Times,” a phrase attributed as an “ancient Chinese curse,” but, like, the Ivanka Trump/fortune cookie variety, with no actual “ancient” or “Chinese.” The dash of Orientalism was either snarkily intentional from the start, or simply reclaimed as snarkily intentional after news of the title riled tempers east of the Urals. So how’s the exhibition itself? Interesting. Rugoff has packed his show of roughly eighty artists with whizzbang Instagrams-in-waiting, through an eclectic survey of exclusively living artists that felt more like someone had emptied Chelsea and the Lower East Side (the new, tonier one, not the one from seven years ago) into the Giardini’s Central Pavilion. But after a day of mulling it over, I decided this zeitgeist approach could be a throwback to the biennial’s days as a salon rather than a definitive statement on our life and times. Rugoff might argue that this is his point: In an age of “fake news” and myriad malleable perspectives, consensus is no longer possible. Even his exhibition is divided in two, with Proposition A in the Arsenale and Proposition B in the Giardini. In the absence of a strong thesis or even a clear curatorial vision, what we get is call and response. -
CIOFF® Newsletter July 2011
® CIOFF® NEWSLETTER Edition 11 July 2011 Entre Nous CIOFF® semi‐annual Newsletter 2011 CIOFF® EXCO & COUNCIL MEETING published by Working Group on Pub‐ Waynesville, North Carolina, USA, 27th April‐1st May lic Relations & Festivals Commission FOLKMOOT USA played host to the 2011 CIOFF® EXCO & Council Meeting, and Joint Meeting of the Festivals Commission and Working Group on Public Relations, which took place in Waynesville, North Carolina, USA from 27th April to 1st May In memory of 2011. The meeting was extremely well organized by volunteers and staff of FOLKMOOT Henri Coursaget USA and all the delegates were overwhelmed by the host’s hospitality. All Council Founder of sessions took place in FOLKMOOT Friendship Centre, the home of FOLKMOOT USA. CIOFF® The delegates were also treated to spectacular sightseeing tours along Smoky Pages 2‐5 Mountains National Park, Blue Ridge Parkway, Museum of the Cherokee Indians, the Folk Arts Center and the city of Asheville and entertained by Cloggers and Bluegrass Musicians. We are extremely grateful FOLKMOOT USA and especially to Rolf Kaufman and Inside this edition: Karen Babcock for their warm FOCUS ON: hospitality, excellent organisa‐ tion and for giving all of us a CIOFF® EXCO & 1 memorable experience we will Council Meeting all treasure. Henri Coursaget 2-5 Rolf Leander 5 National Sections 6-10 Sectors 10 Folkloriada 2012 11 Future Events 12 Page 2 Entre Nous FATHER OF FOLKLORE AND CIOFF® IS GONE! IN FONDEST MEMORY OF HENRI COURSAGET turbed by any politics. That was his reward. By founding the International Coun‐ cil of Folklore Festivals, CIOFF®, on August 8, 1970, with a couple of international friends, he crystallized his message of peace. -
Download 2019 Annual Report
2019 | ANNUAL REPORT 1 Table of Contents Message from Message from President and Executive Director 3 the President Folklorama Talent 4 Folklorama Teachings 6 Folklorama Travel 7 & Executive Director Folklorama in the Community 9 2019 is a year that will go down in Folk- Folklorama Youth Council was engaged in Folklorama Youth Council 10 lorama history, confirming its role as a variety of 50th anniversary celebrations, Winnipeg’s anchor of summer tourism and and its Junior Pavilion Coordinators pro- Folklorama Festival 12 cultural outreach. The Folklorama family gram continues to grow, from 7 in 2017 to should be proud of the achievements we 18 in 2019. Learn more on page 10. The Pavilions 13 celebrated together for the 50th edition of the Folklorama Festival. The Talent, Teachings, and Travel divisions Volunteers 15 of the company continues to flourish The City of Winnipeg renamed Forks with bookings across North America, and Folklorama Ambassadors General 16 Market Road as Honourary Folklorama Way around the world. Turn to pages 4 to 6 to for the entire year to celebrate the Festi- learn more. Folklorama Ambassadors Program 18 val’s 50th. Dignitaries declared the name change at the annual media launch at The In 2019, Folklorama received a $100,000 Forks, a place where many cultures have grant from the federal government’s Al Malbranck Memorial Outstanding Volunteer Award 25 been meeting to celebrate and exchange Community Support for Multicultural and ideas for hundreds of years. Folklorama Anti-Racism Initiatives program. This grant Scholarships 26 was proud to unveil a legacy mural at 847 funded all special projects planned for the Notre Dame Avenue, to serve as a testa- milestone year. -
CIOFF NEWSLETTER No 2, January 2007
CIOFF NEWSLETTER No 2, January 2007 FOCUS ON EXCO, COUNCIL, CONGRESS & GENERAL ASSEMBLY CIOFF WORLD CONGRESS 2006, CITY OF VELIKO TARNOVO, BULGARIA, OCTOBER 28th – NOVEMBER 3rd 2006 Opening of the Congress The Opening Ceremony of the 36th World Congress took place on Tuesday, 31st of October 2006 at the Museum of the Bulgarian Revival and the Constituent Assembly. Mr. Emil Pavlov, President of the National Section of Bulgaria welcomed all the CIOFF Delegations attending the Congress and wished all the participants a pleasant stay in Veliko Tarnovo. The Mayor of the City of Veliko Tarnovo, Mr. Rumen Rashev in his welcome speech expressed his best wishes for a fruitful and productive work at the Congress. The Deputy Minister of Culture thanked all the participants for all the hard work done so far for the culture of peace all over the World. The Congress and General Assembly in Veliko Tarnovo were officially opened by CIOFF President Mr. Udomsak Sakmunvong. The Congress received a greeting letter from the Minister of Culture of Bulgaria. General Assembly delegations The National Sections present at the General Assembly with voting rights were: Albania, Argentina, Armenia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Chinese After the Opening Ceremony the Congress Taipei, Croatia, Cuba, Czech Republic, Cyprus, Participants were treated to the spectacular Estonia, Finland, France, Georgia, Germany, Light and Music show. Greece, Hungary, India, Indonesia, Ireland, Israel, Italy, Korea, Luxemburg, Macedonia, 1 Malaysia, Montenegro, Mexico, Moldova, The Honorary President – Mr. Henri Coursaget and Netherlands, New Zealand, Paraguay, Peru, 5 Honorary Members – Mr. Guy Landry, Mr. Poland, Portugal, Puerto Rico, Romania, Rolf Leander, Mr. -
Kimsooja EDUCATION
GALERIE TSCHUDI Chesa Madalena • Somvih 115 • 7524 Zuoz • t +41 81 850 13 90 • [email protected] Kimsooja EDUCATION Kimsooja was born in Daegu 1984–1985 (KR) in 1957 Lithography studio at École Nationale Supérieure des Beaux-Arts, Paris, France She lives and works in Paris (FR) and Seoul (KR) 1984 MFA at Graduate School, Hong-IK University, Seoul, South Korea 1980 BA at Painting Department, Hong-IK University, Seoul, South Korea SELECTED SOLO EXHIBITIONS 2020 We Do Not Dream Alone, Inaugural Asia Society Triennal, Asia Society, New York, USA To Breathe – Metz Cathedral, Metz, France, Public Art Commission To Breathe – RATP, Mairie de Saint Ouen Metro Station, Paris, Public Art Commission Kimsooja, Wanås Konst Sculpture Park, Wanås, Sweden – Site specific installation 2019 Traversées Kimsooja, Poitiers, France Archive of Mind, Peabody Essex Museum, Salem, USA Earth-Water-Fire-Air, Real Jardin Botanico - CSIC, Madrid, Spain Régie Autonome des Transports Parisiens, Porte de Saint-Ouen metro station, Paris, France To Breath, Yorkshire Sculpture Park, West Yorkshire, UK 2018 To Breathe – The Flags, Galleria Raffaella Cortese, Milan, Italy To Breathe / Respirare, Basilica di Sant’Eustorgio, Milan, Italy To Breathe – The Flags, Perth Festival, Perth, Australia Sewing into walking, The Art Gallery of Western Australia, Perth, Australia Kimsooja: Zone of Nowhere, Perth Institute of Contemporary Arts, Perth, Australia Frieze Sculpture 2018, Axel Vervoordt Gallery, London, United Kingdom Gazing Into Space, Axel Vervoordt Gallery, Antwerp, Belgium -
54Th Venice Biennale
| Reviews | Exhibitions | the group’s leitmotif. If WHW’s intention was, as they say, ‘to 54th Venice Biennale downplay the recuperation of his opus within the narrative various venues 4 June to 27 November of Croatian national art history and the usual clichés of the underrepresented dissident who fought for freedom in the dark times of communist repression’, they undoubtedly succeed. Bice Curiger, director of the 54th Venice Biennale’s curated exhibition Nevertheless, despite my admiration for the conceptual rigour of ‘ILLUMInations’, observes that art today is ‘characterised by collective the strategy – they describe the space as an ‘analytical laboratory’ tendencies and fragmented identities’. She sees contemporary art as – my feeling was that the time-based work of Gotovac (who died a ‘seedbed for experimentation with new forms of “community” and last year) was accorded insufficient breathing space within the for studies in differences and affinities that will serve as models for claustrophobic framework. The exception to this rule was allowed the future’. These claims are abundantly demonstrated in many of by a diagonal screen partitioning off a corner for the private the national pavilions, more so, I think, than in the Arsenale displays. viewing of Gotovac’s ‘Home Porn Movies’ Family Film 1, 1971, What interested me most about this edition of the Biennale was and Family Film 2, 1973. The installation is certainly full of wit the attention that curators paid to recuperating for future use the and energy but runs the risk of occluding rather than elucidating many forms of community and affinity that have been developed by Gotovac’s accomplishments for those unfamiliar with his work. -
Engage the World
Engaging North Carolina to Engage the World March 30, 2009 A project of the Center for International Understanding and The William and Flora Hewlett Foundation ”Five years ago, when we talked about economic competitiveness, we treated globalization as something that was necessary and new. Today globalization is ubiquitous in business and it’s now just part of our daily lives.“ Engage Ted W. Abernathy, Jr. Executive Director Southern Growth Policies Board The Center for International Understanding extends its sincere appreciation to our funding partners for this project: The William and Flora Hewlett Foundation For support of the North Carolina Global Engagement Initiative AT&T North Carolina For sponsoring the Global Engagement Summit The vision of the Center for International Understanding is that North Carolina is the most globally engaged state in the nation. The Center’s North Carolina Global Engagement Initiative aims to create a cohesive network of governmental, business and educational organizations to respond to international issues and opportunities in an integrated, unified fashion. The University of North Carolina POST OFFICE BOX 2688, CHAPEL HILL, NC 27515-2688 ERSKINE B. BOWLES, President Telephone: (919) 962-1000 Fax (919) 843-9695 E-mail: [email protected] Constituent Universities March 30, 2009 Appalachian State University East Carolina Dear Colleagues: University Elizabeth City North Carolina has a chance to do what no other state in America has done— State University develop a comprehensive statewide plan for global engagement. Today we have Fayetteville State an opportunity to look holistically at key institutions and efforts all across our University state—from K-12 through business recruitment—and decide how we can work North Carolina together better to increase exports and boost foreign direct investment in order to Agricultural and grow jobs in North Carolina.