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Microphone-Based Electronic Wind Instrument by Feature Extraction from Breath Signals
MICROPHONE-BASED ELECTRONIC WIND INSTRUMENT BY FEATURE EXTRACTION FROM BREATH SIGNALS Francesco Bigoni Pelle Juul Christensen Rasmus Eklund Aalborg University – Copenhagen Aalborg University – Copenhagen Aalborg University – Copenhagen [email protected] [email protected] [email protected] Javier Molina Garcia Cumhur Erkut Aalborg University – Copenhagen Aalborg University – Copenhagen [email protected] [email protected] ABSTRACT of acoustic wind instruments to abstract synthesizers. Although the interfaces for electronic wind instruments An electronic wind instrument is an analog or digital went through many years of development and refinement, electronic instrument actuated by blowing onto an they are still disconnected from their acoustic counterparts electronic sensor. Through the history of electronic wind when it comes to sound production techniques. The instruments, the refinement of the physical interfaces has development of a ”good” saxophone sound requires a large not been followed by major innovations regarding breath degree of control over embouchure, reed pressure, air flow and embouchure detection: the industry is still largely and vocal tract configuration; extended techniques such as relying on pressure sensors for measuring air flow. We growling (singing into the horn while blowing), flutter- argue that many sound production techniques for acoustic tonguing (vibrating the false vocal folds while blowing) wind instruments depend on breath quality in addition and multiphonics (playing several tones at the -
MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business. -
MOTIF XF Owner's Manual
MUSIC PRODUCTION SYNTHESIZER Owner’s Manual EN SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic ENVIRONMENTAL ISSUES: Yamaha strives to produce products may have either labels similar to the graphics products that are both user safe and environmentally shown below or molded/stamped facsimiles of these graph- friendly. We sincerely believe that our products and the pro- ics on the enclosure. The explanation of these graphics duction methods used to produce them, meet these goals. In appears on this page. Please observe all cautions indicated keeping with both the letter and the spirit of the law, we on this page and those indicated in the safety instruction sec- want you to be aware of the following: tion. Battery Notice: This product MAY contain a small non- rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approx- CAUTION imately five years. When replacement becomes necessary, RISK OF ELECTRIC SHOCK contact a qualified service representative to perform the DO NOT OPEN replacement. Warning: Do not attempt to recharge, disassemble, or CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). incinerate this type of battery. Keep all batteries away from NO USER-SERVICEABLE PARTS INSIDE. children. Dispose of used batteries promptly and as regu- REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. lated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. The exclamation point within the equi- Disposal Notice: Should this product become damaged lateral triangle is intended to alert the beyond repair, or for some reason its useful life is consid- user to the presence of important operat- ered to be at an end, please observe all local, state, and fed- ing and maintenance (servicing) instruc- eral regulations that relate to the disposal of products that tions in the literature accompanying the contain lead, batteries, plastics, etc. -
Music Production Guide
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 01|2016 Contents MONTAGE Music In Motion 2 reface YC 19 DTX-News from NAMM 2016 24 Sounds & Goodies 27 MUSIC IN MOTION Imprint 44 MUSIC PRODUCTION GUIDE 01|2016 MUSIC IN MOTION The time has come. Yamaha's new The name MONTAGE represents a completely new synthesizer flagship is here: MONTAGE. generation of Yamaha Music Synthesizers, that we want to bring you closer with this document. Welcome to the new era in synthesizers from the company that brought you the It starts with a list of features that is made up of official industry-changing DX and the hugely marketing texts and our supplements. popular MOTIF. This is followed by detailed chapters about the major new Building on the legacy of these two iconic features of MONTAGE. keyboards, the Yamaha Montage sets the next milestone for synthesizers with SOPHISTICATED DYNAMIC sophisticated dynamic control, massive CONTROL sound creation and streamlined workflow Music is expression. MONTAGE adds a new level of all combined in a powerful keyboard expression with the Motion Control Synthesis Engine. designed to inspire your creativity. This engine allows a variety of methods to interact with If you liked the DX and MOTIF, get ready to and channel your creativity into finding your own unique love MONTAGE. sound. YAMAHA.COM 2 MUSIC PRODUCTION GUIDE 01|2016 MOTION CONTROL SYNTHESIS ENGINE The Motion Control Synthesis Engine unifies and controls two iconic Sound Engines: AWM2 (high-quality waveform and synthesis) and FM-X (modern, pure Frequency Modulation synthesis.) These two engines can be freely zoned or layered across eight Parts in a single MONTAGE Performance. -
Music Production Guide
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 07|2019 MONTAGE OS V3.0 MODX OS V2.0 New Features & Effects 3 Yamaha 45 years of synthesizers 12 Yamaha DTX Drums & EAD10 It's your turn now! 28 YAMAHA – Goodies & Sounds 29 45 YEARS OF Imprint 46 SYNTHESIZERS MONTAGE OS V3.0 MODX OS V2.0 NEW FEATURES & EFFECTS OVERVIEW These are the new features and therefore the topics of this Guide: • New Effects: • „VCM Mini Filter“ • „VCM Mini Booster“ • „Wave Folder“ • High-Speed LFO • „Super Knob Link“ storable per Scene • „Keyboard Control“ storable per Scene • MIDI Mode „Hybrid“ (in addition to "Multi" and "Single") The OS Updates to Version 3.0 for MONTAGE • Links between Performances and Songs, Patterns, or and 2.0 for MODX are among the most Audio files via the Live Set comprehensive since the release of the • „Rhythm Patterns“ (MODX feature) for MONTAGE MONTAGE series. For this reason, we have • USB Host function for direct connection of class- decided to publish a Quick Guide in two compliant compatible instruments parts. This first part covers all new features • Global Micro-Tuning except the Pattern Sequencer, which will be discussed in part 2. • Audition Loop selectable (ON/OFF) • General improvements of the user interface However, the actual update process is not part of this Quick Guide. Please simply follow the instructions included with In addition, 52 new Performances have been added with the Update. the Update, but those are not discussed in this Guide. MONTAGE / MODX ESSENTIAL KNOWLEDGE 09|2019 VCM EFFECTS This Update includes two new VCM Effects (Virtual Component Modeling) in the Insert Effects and in System Effect Variation. -
MOTIF XF Owner's Manual
MUSIC PRODUCTION SYNTHESIZER Owner’s Manual EN SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic ENVIRONMENTAL ISSUES: Yamaha strives to produce products may have either labels similar to the graphics products that are both user safe and environmentally shown below or molded/stamped facsimiles of these graph- friendly. We sincerely believe that our products and the pro- ics on the enclosure. The explanation of these graphics duction methods used to produce them, meet these goals. In appears on this page. Please observe all cautions indicated keeping with both the letter and the spirit of the law, we on this page and those indicated in the safety instruction sec- want you to be aware of the following: tion. Battery Notice: This product MAY contain a small non- rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approx- CAUTION imately five years. When replacement becomes necessary, RISK OF ELECTRIC SHOCK contact a qualified service representative to perform the DO NOT OPEN replacement. Warning: Do not attempt to recharge, disassemble, or CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). incinerate this type of battery. Keep all batteries away from NO USER-SERVICEABLE PARTS INSIDE. children. Dispose of used batteries promptly and as regu- REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. lated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. The exclamation point within the equi- Disposal Notice: Should this product become damaged lateral triangle is intended to alert the beyond repair, or for some reason its useful life is consid- user to the presence of important operat- ered to be at an end, please observe all local, state, and fed- ing and maintenance (servicing) instruc- eral regulations that relate to the disposal of products that tions in the literature accompanying the contain lead, batteries, plastics, etc. -
A Microtonal Wind Controller Building on Yamaha’S Technology to Facilitate the Performance of Music Based on the “19-EDO” Scale
Bailey, N., South, A., Evans, B. and Hair, G. (2016) A microtonal wind controller building on Yamaha’s technology to facilitate the performance of music based on the “19-EDO” scale. Scottish Music Review, 4(1), This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/150676/ Deposited on: 27 October 2017 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk w e i v e r A Microtonal Wind Controller c i Building on Yamaha’s Technology to Facilitate the s u Performance of Music based on the “19-EDO” scale. m h Nicholas J Bailey Alex South Bill Evans Graham Hair s i t t o c Abstract s We describe a project in which several collaborators adapted an existing instrument to make it capable of playing expressively in music based on the microtonal scale characterised by equal divsion of the octave into 19 tones (“19-EDO”). Our objective was not just to build this in- strument, however, but also to produce a well-formed piece of music which would exploit it idiomatically, in a performance which would provide listeners with a pleasurable and satisfying musical experience. Hence, consideration of the extent and limits of the playing-techniques of the resulting instrument (a “Wind-Controller”) and of appropriate approaches to the composi- tion of music for it were an integral part of the project from the start. -
The Keywi: an Expressive and Accessible Electronic Wind Instrument
The KeyWI: An Expressive and Accessible Electronic Wind Instrument Matthew Caren,a Romain Michon,a;b and Matthew Wrighta aCCRMA, Stanford University, USA bGRAME-CNCM, Lyon, France [email protected] ABSTRACT be used as a platform for development and be replicated by This paper presents the KeyWI, an electronic wind instru- anyone with access to sufficient tools. ment based on the melodica that improves upon limitations in current systems and is general and powerful enough to support a variety of applications. Four opportunities for growth are identified in current electronic wind instrument systems, which then are used to focus the development and evaluation of the instrument. The KeyWI features a breath pressure sensor with a large dynamic range, a keyboard that allows for polyphonic pitch selection, and a completely in- tegrated construction. Sound synthesis is performed with Faust code compiled to the Bela Mini, which offers low- latency audio and a simple yet powerful development work- flow. In order to be as accessible and versatile as possible, the hardware and software is entirely open-source, and fab- rication requires only common maker tools. Figure 1: A KeyWI (without cover), including a Author Keywords Bela Mini, custom PCB, enclosure, and sensors electronic wind instruments, breath controller, digital mu- sical instruments, development platform The KeyWI's design is based on the melodica, a handheld wind instrument where pitches are selected using a piano- style keyboard and dynamics are controlled by blowing into CCS Concepts a mouthpiece attached to the side of the instrument. •Applied computing ! Sound and music comput- The use of a keyboard as a pitch controller rather than the ing; Performing arts; •Hardware ! Sensor devices more common woodwind-key-inspired designs aims to be and platforms; accessible to users who may not have prior experience with the specialized fingerings required for wind instruments, as 1. -
Eolos: a Wireless MIDI Wind Controller
Eolos: a wireless MIDI wind controller Juan Mariano Ramos Desarrollos Tecnológicos Aplicados a las Artes Escuela Universitaria de Artes – Universidad Nacional de Quilmes Buenos Aires, Argentina [email protected] ABSTRACT wireless operation, but retail at $8301 and $11302 (USD) This paper presents a description of the design and usage of respectively. Eolos' estimated total cost is less than $200 Eolos, a wireless MIDI wind controller. The main goal of Eolos (USD), although it's difficult to establish a precise value due to is to provide an interface that facilitates the production of music component availability, or even the fact that some parts were for any individual, regardless of their playing skills or previous hand crafted. musical knowledge. Its features are: open design, lower cost There are also many well documented non-commercial, open than commercial alternatives, wireless MIDI operation, or DIY related electronic wind instruments. An early initiative rechargeable battery power, graphical user interface, tactile which predates the MIDI era is the Electronic Valve Instrument keys, sensitivity to air pressure, left-right reversible design and (EVI) [3], created by Nyle Steiner in the 1970's, who later two FSR sensors. There is also a mention about its participation helped to design the Akai EWI. in the 1st Collaborative Concert over the Internet between Other more recent products include the Epipe [4] (which Argentina and Cuba "Tradición y Nuevas Sonoridades". features continuous tonehole coverage capacitive sensing), MiniWI3 (based on the EWI), or the CyberWhistle [2]. Eolos, in addition to common characteristics such as breath and finger Author Keywords sensing, features an open design that focuses on the ease of use NIME, Eolos, Wind, Wireless, MIDI Controller, Digital (both for novices and experienced wind players), a low building Musical Instrument cost, and offers a wireless MIDI communication. -
Integrated Sampling Sequencer Real-Time External Control
For details please contact: Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System ISO9001 Ce document est imprimé sur du papier JQA-1868 sans chlore (ECF) avec de l’encre de soja. www.yamahasynth.com LCK0102 Printed in Japan Audio Phrases, MIDI Patterns, Sample Loops… MOTIF Puts All the Pieces Together! Musical inspiration can come from just about anywhere—a simple guitar riff, an arpeggiated synth sequence, a sampled vocal phrase… Such musical ideas, known as motifs, are the building blocks of all musical creation. Yamaha’s MOTIF Music Production Synthesizer gives you the power to put your motifs together and freely arrange them in ways never before imagined. The concept behind MOTIF is simple: Make the music creation process as easy and intuitive as possible, from conception to final creation. MOTIF achieves this by providing you with a vast palette of onboard sounds, extensive real-time control, and an integrated approach to sequencing that allows you to seamlessly record, edit, arrange and process both MIDI data and audio samples using a unified set of editing tools and functions. Thanks to this streamlined approach to music making, getting your motifs into the keyboard and putting the pieces together is easier than ever. It doesn’t matter where you start. With MOTIF, you can freely record MIDI and audio phrases into the sequencer and combine and arrange them any way you’d like–tweaking the groove, changing the tempo, and adding effects all along the way. And where you end…well, that’s entirely up to you! MOTIF — it’s the shortest distance between inspiration and creation. -
The AV Linux Manual
AV LINUX 6.0 USER MANUAL A Guide to Get Acquainted with AV Linux Prepared by Glen MacArthur, August 14/2012 Legal Disclaimer: Debian/GNU Linux comes with no guarantee so neither does AV Linux. I accept no responsibility for any hardware/software malfunctions or data loss resulting from it's use. It is important to note that the AV Linux ISO contains software that is non- free and is distributed under a special licensing arrangement with the original developers, re-distributing the AV Linux ISO with the non-free content included is a violation of these licenses. AV Linux also contains Multimedia Codecs that may be under patent in certain countries, it is the users responsibility to know the law as it applies to their own respective country before downloading or installing. TABLE OF CONTENTS: • Page 3. - PREFACE – NEW TO LINUX? • Page 4. - THE AV LINUX STORY • Page 5. - CREDITS & CONTACT • Page 6. - RUNNING AV LINUX LIVE • Page 9. - AV LINUX BASIC BOOTING BIBLE • Page 10. - INSTALLING AV LINUX • Page 11. - GETTING AROUND IN AV LINUX • Page 19. - SliM LOGIN MANAGER • Page 20. - MOUSE CURSOR THEMES • Page 21. - PERFORMANCE SETTINGS • Page 23. - PROPRIETARY VIDEO DRIVERS IN AV LINUX • Page 25. - COMPIZ WINDOW MANAGER • Page 26. - AV LINUX KERNELS • Page 27. - KERNEL CHEATCODES • Page 28. - AV LINUX SOFTWARE • Page 30. - INSTALLING SOFTWARE IN AV LINUX • Page 33. - NETWORKING WITH AV LINUX • Page 36. - PRINTING WITH AV LINUX • Page 37. - USING JACK • Page 39. - USING THE ALOOP DAEMON • Page 40. - SUPPORTED PRO HARDWARE IN AV LINUX • Page 48. - M-AUDIO 1010LT PCM_MULTI WITH AV LINUX • Page 51. -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.