Iconic Filmmaker Judd Apatow to Be Honored with 'Mankind Award' for His Groundbreaking Contributions in Entertainment for Guys at Spike TV's 'Guys Choice'

Total Page:16

File Type:pdf, Size:1020Kb

Iconic Filmmaker Judd Apatow to Be Honored with 'Mankind Award' for His Groundbreaking Contributions in Entertainment for Guys at Spike TV's 'Guys Choice' Iconic Filmmaker Judd Apatow To Be Honored with 'Mankind Award' for His Groundbreaking Contributions in Entertainment for Guys at Spike TV's 'Guys Choice' Third Annual Award Show Featuring Everything Guys Love Premieres on Spike TV Sunday, June 21st at 10 PM, ET/PT, Tapes Saturday, May 30 at Sony Pictures Studios in Los Angeles Nominees Include Christian Bale, Drew Brees, Megan Fox, Green Day, LeBron James, Milla Jovovich, Mila Kunis, Brock Lesnar, Lil Wayne, Danny McBride, Metallica, Bar Refaeli, Ben Roethlisberger, Mickey Rourke, Jason Segel, Dwyane Wade, and Many More Voting Starts Today Only at www.guyschoice.spike.com NEW YORK, April 20 -- Spike TV today announced the third annual "Guys Choice" - a one night only event for guys where the year's most hotly debated rivalries from the world of sports, comedy, film, internet and more square off head to head. This two- hour event pays homage to all the things that men love most - superstar athletes, viral videos, sexy women, hilarious comedic performances and hard rocking and bass pumping musical acts. Scheduled to tape Saturday, May 30 at the Sony Pictures Studios in Culver City, CA, "Guys Choice" premieres Sunday, June 21 (10:00 PM-Midnight, ET/PT). (Logo: http://www.newscom.com/cgi-bin/prnh/20060322/NYW096LOGO ) One of this year's most prestigious honors, the "Mankind Award", will be given to a comedic pioneer whose contributions have led to the betterment of mankind: the most influential voice in comedy today, writer, producer and director extraordinaire, Judd Apatow. After serving as a producer for the Emmy Award winning television series "Freaks and Geeks," Apatow has taken the film industry by storm, writing and directing some seminal comedies, including "The 40-Year-Old Virgin," and "Knocked Up," and producing "Superbad," "Forgetting Sarah Marshall," "Pineapple Express" and "Anchorman: The Legend Of Ron Burgundy." Spanning a billion dollars in worldwide box office gross, and quoted in conversations from offices to college dorm rooms on a daily basis, Apatow's movies and signature comedic voice have led to the betterment of entertainment for a generation, and will continue to do so with the July 31st release of "Funny People," the story of a famous comedian who has a near-death experience that stars Adam Sandler, Seth Rogen and Leslie Mann, along with Eric Bana, Jonah Hill and Jason Schwartzman. Voting for this year's winners is being held online at www.guyschoice.spike.com beginning today through Friday, May 22nd. Also online, fans can log-on to view exclusive red carpet and backstage coverage of "Guys Choice." This two-hour event features original categories that encompass everything that matters in "guydom," including "Most Dangerous Man," "Brass Balls," "Guy of the Year," "Biggest Ass Kicker," "Hottest Girl on the Planet," "Man of Honor" and a host of new categories such as "Best Bush" and "Deadliest Warrior." Keeping with tradition, each category is narrowed down to two nominees and is settled like men: mano a mano. The night will also feature discretionary honors to be announced shortly. All-star nominees include Christian Bale, Drew Brees, Megan Fox, Green Day, LeBron James, Milla Jovovich, Mila Kunis, Brock Lesnar, Lil Wayne, Danny McBride, Metallica, Bar Refaeli, Ben Roethlisberger, Mickey Rourke, Jason Segel, Dwyane Wade, and many more (complete list of categories and nominees is below). The official sponsors of Spike TV's "Guys Choice" are - AT&T, Corona, Degree V12, Pizza Hut, and The U.S. Army. Following are the categories and nominees for Spike TV's "GUYS CHOICE" BIGGEST ASS KICKER Daniel Craig vs. Jason Statham MOST DANGEROUS MAN Manny Pacquiao vs. Brock Lesnar HOTTEST GIRL ON THE PLANET Bar Refaeli vs. Megan Fox MOST UNSTOPPABLE JOCK Ben Roethlisberger vs. LeBron James SICKEST RHYMES Lil Wayne vs. T.I. BALLSIEST BAND Metallica vs. Green Day GUY OF THE YEAR Barack Obama vs. Mickey Rourke HOT N' FRESH Malin Akerman vs. Olivia Wilde TOP FANTASY LEAGUER Dwyane Wade vs. Drew Brees HOTTEST 'MILA" Mila Kunis vs. Milla Jovovich OUTSTANDING LITERARY ACHIEVEMENT Russell Brand's "My Booky Wook: A Memoir Of Sex, Drugs, And Stand-Up" vs. Dr. Denis Leary's "Why We Suck: A Feel Good Guide To Staying Fat, Loud, Lazy And Stupid" FEMME FATALE Angelina Jolie (Wanted) vs. Charlize Theron (Hancock) DEADLIEST WARRIOR Christian Bale As The Batman vs. Christian Bale As John Connor HOTTEST TWINS Ikki Twins vs. Bella Twins BEST BUSH Will Ferrell vs. Josh Brolin SIREN Beyonce vs. Katy Perry SEXIEST ATHLETE Biba Golic vs. Allison Stokke BEST UNSUPPORTED ROLE Kate Winslet (The Reader) vs. Marisa Tomei (The Wrestler) COMEDY SAVANT Jason Segel vs. Danny McBride Casey Patterson, Carol Donovan, and Beth McCarthy-Miller will serve as executive producers. Spike TV is available in 98 million homes and is a division of MTV Networks. A unit of Viacom (NYSE: VIA, VIA.B), MTV Networks is one of the world's leading creators of programming and content across all media platforms. Spike TV's Internet address is www.spike.com. SOURCE Spike TV CONTACT: Salil Gulati, Spike TV, +1-212-767-8705 [email protected] or Aileen Budow, Spike TV, +1-212-767-3952 [email protected] /Photo: http://www.newscom.com/cgi-bin/prnh/20060322/NYW096LOGO/ /Web Site: http://www.spike.com .
Recommended publications
  • Dance Design & Production Drama Filmmaking Music
    Dance Design & Production Drama Filmmaking Music Powering Creativity Filmmaking CONCENTRATIONS Bachelor of Master of Fine Arts Fine Arts The School of Filmmaking is top ranked in the nation. Animation Cinematography Creative Producing Directing Film Music Composition Picture Editing & Sound Design No.6 of Top 50 Film Schools by TheWrap Producing BECOME A SKILLED STORYTELLER Production Design & Visual Effects Undergraduates take courses in every aspect of the moving image arts, from movies, series and documentaries to augmented and virtual reality. Screenwriting You’ll immediately work on sets and experience firsthand the full arc of film production, including marketing and distribution. You’ll understand the many different creative leadership roles that contribute to the process and discover your strengths and interests. After learning the fundamentals, you’ll work with faculty and focus on a concentration — animation, cinematography, directing, picture editing No.10 of Top 25 American and sound design, producing, production design and visual effects, or Film Schools by The screenwriting. Then you’ll pursue an advanced curriculum focused on your Hollywood Reporter craft’s intricacies as you hone your leadership skills and collaborate with artists in the other concentrations to earn your degree. No.16 of Top 25 Schools for Composing for Film and TV by The Hollywood Reporter Filmmaking Ranked among the best film schools in the country, the School of Filmmaking produces GRADUATE PROGRAM experienced storytellers skilled in all aspects of the cinematic arts and new media. Students Top 50 Best Film Schools direct and shoot numerous projects alongside hands-on courses in every aspect of modern film Graduate students earn their M.F.A.
    [Show full text]
  • Bridesmaids”: a Modern Response to Patriarchy
    “Bridesmaids”: A Modern Response to Patriarchy A Senior Project presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Blair Buckley © 2013 Blair Buckley Buckley 2 Table of Contents Introduction......................................................................................... 3 Bridesmaids : The Film....................................................................... 6 Rhetorical Methods............................................................................. 9 Critiquing the Artifact....................................................................... 14 Findings and Implications................................................................. 19 Areas for Future Study...................................................................... 22 Works Cited...................................................................................... 24 Buckley 3 Bridesmaids : A Modern Response to Patriarchy Introduction We see implications of our patriarchal world stamped across our society, not only in our actions, but in the endless artifacts to which we are exposed on both a conscious and subconscious basis. One outlet which constantly both reflects and enables patriarchy is our media; the movie industry in particular plays a critical role in constructing gender roles and reflecting our cultural attitudes toward patriarchy. Film and sociology scholars Stacie Furia and Denise Beilby say,
    [Show full text]
  • According to Hollywood Sara Persson Abstract: This Article Examines Birth
    for(e)dialogue Volume 3, Issue 1 (2019): Media and Gender How to Give Birth - According to Hollywood Sara Persson Abstract: This article examines birth scenes in five mainstream films in order to explore the way norms about birthing are reproduced or challenged. The films are: Juno (Reitman, 2007), Knocked Up (Apatow, 2007), Baby Mama (McCullers, 2008), The Back-up Plan (Poul, 2010) and What to Expect When You’re Expecting (Jones, 2012). What do the birthing scenes look like, are they realistic with non-on-set births and does the directors’ and writers’ gender, age, skin colour and class have any parallels with what is portrayed? The analysis shows that certain norms are upheld in all films; vaginal delivery in hospital, birthing positions of half sitting or laying down and present partners or friends during delivery. Scenes not representing this were depicted as the Other and thus made deviant. Homogeneity in the group behind the camera was found which correlates with certain homogeneity on screen as well. Of all the eight scenes, the women give birth half sitting or laying down in seven, implying a dominance of certain positions. These positions were found to be very common off-screen too, despite the wide range of birthing positions available and recommendations to try different ones during labour. This implies that the practicality for personnel goes beforehand. By using feminist theories on the body and medical studies on births, these findings reveal power structures devaluating female-coded bodies. The results also enhance the importance of analysing patterns of representation in general, but birthing depictions in particular, since these representations can affect people’s understanding of how a birth should be in real life.
    [Show full text]
  • Comedy Movie Trivia Questions #4
    COMEDY MOVIE TRIVIA QUESTIONS #4 ( www.TriviaChamp.com ) 1> What is the "Golden Mile" (The World's End)? a. A set of 12 pubs. b. The company Peter works in. c. A favorite pub of the main protagonist. d. The town square where the protagonists gather to finish their evening. 2> Who plays the role of Doug Billings, Alan's brother-in-law in the film "The Hangover"? a. Mike Vallely b. Justin Bartha c. Bradley Cooper d. Mike Epps 3> Which fraternity does Mike Wazowski belong to in the comedy film "Monsters University"? a. Jaws Theta Chi b. Python Nu Kappa c. Roar Omega Roar d. Oozma Kappa 4> Which of these characters is the first one to perish in the film "This Is The End"? a. Danny McBride b. James Franco c. Michael Cera d. Jonah Hill 5> In this film, Will Ferrell plays a Mexican landowner, fighting against a cruel drug dealer. Which movie? a. Talladega Nights b. Everything Must Go c. The Wendell Baker Story d. Casa de mi Padre 6> In the film "The Invention of Lying", the protagonist Mark Bellison is the first person on the planet to lie. Where did this first lie occur? a. In a supermarket. b. At the gym. c. At the theater. d. In a bank. 7> In the film "Pootie Tang ", how did Pootie Tang's father die? a. He fell from a window into a dump truck. b. He was crushed by a falling piano. c. He died of lung cancer. d. A gorilla mauled him. 8> Hutch, Eric Linus, Zoe and Windows are fans of which famous franchise in the film "Fanobys"? a.
    [Show full text]
  • Peter Lindbergh Biography
    G A G O S I A N Peter Lindbergh Biography Born 1944 in Leszno, Poland. Lives and works in Paris, France; New York, NY; and Arles, France. Selected Solo and Two-Person Exhibitions: 2017 Shadow and Substance: Alberto Giacometti sculptures and their photographs by Peter Lindbergh. Gagosian, Britannia Street, London, England. Peter Lindbergh: A Different Vision of Fashion Photography. Kunsthal Rotterdam, Rotterdam, Netherlands. Peter Lindbergh/Garry Winogrand: Women on the Street. NRW Forum, Düsseldorf, Germany. 2016 Peter Lindbergh. Gagosian, Athens, Greece. 2014 Peter Lindbergh. Gagosian Gallery, Paris Project Space, Paris, France. Peter Lindbergh: The Unknown & Images of Women. HDLU Museum, Zagreb, Croatia. 2013 Peter Lindbergh: Berlin. Maison de la Photographie, Lille, France. Peter Lindbergh (with poetry by Forrest Gander). Vladimir Restoin Roitfeld, New York, NY. Peter Lindbergh: Images of Women. Corso Como Gallery, Seoul, South Korea. 2012 Peter Lindbergh: Known and “The Unknown.” Galleria Carla Sozzani, Milan, Italy. Peter Lindbergh. FotoMuseum, Antwerp, Belgium. 2011 Peter Lindbergh: The Unknown. Ullens Center for Contemporary Art, Beijing, China. 2010 On Street. C/O Berlin, Berlin, Germany. Invasion and Cinema. Photobiennale Festival, Grand Manezh, Moscow, Russia. 2008 Peter Lindbergh: Beauduc. Rencontres Internationales de la Photographie, Église des Frères Prêcheurs, Arles, France. 2007 Hearst Collection by Peter Lindbergh. Norman Foster Gallery, Hearst Tower, New York, NY. Peter Lindbergh: Cinema. Festival Transphotographiques, Lille, France. Peter Lindbergh. Camera Work Gallery, Berlin, Germany. 2006 Peter Lindbergh: Like a Rolling Stone. Galerie ACTE 2, Paris, France. Peter Lindbergh: Visioni. FORMA Centro Internazionale di Fotografia, Milan, Italy. Peter Lindbergh: Cinema. AmFAR, Cinema against AIDS, Cannes, France. 2003 Stories Supermodels, photographs by Peter Lindbergh.
    [Show full text]
  • The Million Dollar Hotel
    Wettbewerb/IFB 2000 THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL Regie: Wim Wenders Deutschland/USA 1999 Darsteller Tom Tom Jeremy Davies Länge 122 Min. Eloise Milla Jovovich Format 35 mm, Skinner Mel Gibson Cinemascope Dixie Peter Stormare Farbe Geronimo Jimmy Smits Jessica Gloria Stuart Stabliste Best Donal Logue Buch Nicholas Klein,nach Shorty Bud Cort einer Idee von Bono Vivien Amanda Plummer und Nicholas Klein Stanley Goldkiss Harris Yulin Kamera Phedon Papamichael Stix Conrad Roberts Schnitt Tatiana S.Riegel Hector Tom Bower Schnittassistenz Lin Coleman Joc Richard Edson Ton Lee Orloff Jean Swift Charlayne Woodard Mischung Jeffrey Perkins Izzy Goldkiss Tim Roth Sound Supervisor Elmo Weber Terence Scopcy Julian Sands Musik Bono Brian Eno U2 Production Design Robbie Freed Ausstattung Bella Serrell Milla Jovovich, Mel Gibson Tiffany Payne Kostüm Nancy Steiner Haar Styling DJ Plumb THE MILLION DOLLAR HOTEL Maske Debbie Zoller Los Angeles im Frühjahr 2001. Im Schatten der Bürotürme der multinatio- Spezialeffekte Thomas Tannen- nalen Konzerne liegt das Million Dollar Hotel, Zufluchtsort für schräge berger Gestalten und Außenseiter, die am American Dream nicht teilhaben. Einer Aufnahmeltg. Jeremy Alter Regieassistenz Christine Larson von ihnen ist der liebeskranke und leicht verhuschte Tom Tom,der sein Herz Produzenten Deepak Nayar an das Straßenmädchen Eloise verloren hat. Doch ehe er ihr überhaupt Bono seine Zuneigung offenbaren kann, wird dem Million Dollar Hotel unge- Nicholas Klein wöhnliche Aufmerksamkeit zuteil: Einer seiner Bewohner, der Junkie und Wim Wenders Künstler Izzy,ist unter ungeklärten Umständen vom Hoteldach gefallen.War Bruce Davey Executive Producer Ulrich Felsberg es ein Unfall, Selbstmord, oder wurde er hinuntergestoßen? Normalerweise Co-Produktion Kintop Pictures, würde sich in Downtown LA keine Menschenseele um so ein Schicksal Los Angeles kümmern, doch Izzys Tod wird binnen kürzester Zeit zur Nachrichtensensa- tion.
    [Show full text]
  • Juno: Not Just Another Teen Movie It All Starts with a Chair, Where Juno (Ellen Page) Has Unprotected Sex with Her Best Friend Bleeker (Michael Cera)
    Heinekamp 1 Ali Heinekamp Professor Bullock English 102, Section 2 27 October 2008 Juno: Not Just Another Teen Movie It all starts with a chair, where Juno (Ellen Page) has unprotected sex with her best friend Bleeker (Michael Cera). Several weeks later, she’s at a convenience store, buying a pregnancy test. Only sixteen, Juno faces the terrifying task of telling her parents that she is pregnant. With their support, Juno moves forward in her decision to give birth and give the child to Mark (Jason Bateman) and Vanessa (Jennifer Garner), a wealthy and seemingly perfect married couple looking to adopt. Although the situations Juno’s characters find themselves in and their dialogue may be criticized as unrealistic, the film, written by Diablo Cody and directed by Jason Reitman, successfully portrays the emotions of a teen being shoved into maturity way too fast. Much of the time, Juno seems unrealistic because it seems to treat the impact of teen pregnancy so lightly. The consequences of Juno’s pregnancy are sugar-coated to such an extent that in many cases, they are barely apparent. The film downplays the emotional struggle that a pregnant woman would feel in deciding to give birth and then put that child up for adoption, and it ignores the discomforts of pregnancy, such as mood swings and nausea. Likewise, Juno’s dialogue is too good to be true — funny and clever, but unrealistic. For example, Juno tells Mark and Vanessa “If I could just have the thing and give it to you now, I totally would. Heinekamp.indd 1 12/8/10 11:50:02 AM Heinekamp 2 But I’m guessing it looks probably like a sea monkey right now, and we should let it get a little cuter.” At another point, talking about her absent mother, Juno says, “Oh, and she inexplicably mails me a cactus every Valentine’s Day.
    [Show full text]
  • Infant Sorrow and Friends Perform Songs from the Film 'GET HIM to the GREEK' Live One Night Only!
    May 12, 2010 Infant Sorrow and Friends Perform Songs From the Film 'GET HIM TO THE GREEK' Live one Night Only! Featuring Special Appearances by: Infant Sorrow, Russell Brand, Jonah Hill, Carl Barat from The Libertines and Special Guests LOS ANGELES, May 12 /PRNewswire/ -- Infant Sorrow and Friends is a live one-night- only concert by performers from the upcoming comedy GET HIM TO THE GREEK at The Roxy on Monday, May 24. The evening features songs from the film and forthcoming album as performed by Infant Sorrow, Russell Brand, Carl Barat of the hugely popular U.K. band The Libertines, with special appearances by Jonah Hill and other surprise guests. The events begin at 8:00 PM, and the first 100 people to arrive at The Roxy will receive a limited edition Infant Sorrow T-shirt. Tickets go on sale Friday, May 14, at 10 AM. The album INFANT SORROW – GET HIM TO THE GREEK is available June 1 through Universal Republic. ABOUT GET HIM TO THE GREEK: GET HIM TO THE GREEK reunites Jonah Hill and Russell Brand with Forgetting Sarah Marshall director Nicholas Stoller in the story of a record company executive with three days to drag an uncooperative rock legend to Hollywood for a comeback concert. The comedy is the latest film from producer Judd Apatow (The 40-Year-Old Virgin, Knocked Up, Funny People) and arrives in theaters on June 4. www.gethimtothegreek.com MONDAY, MAY 24 THE ROXY 8:00 PM 9009 Sunset Boulevard, West Hollywood, CA 90069 ON SALE FRIDAY, MAY 14, AT 10 AM TICKETS AVAILABLE ONLINE AT WWW.LIVENATION.COM OR BY PHONE AT (877) 598-6671.
    [Show full text]
  • The Garry Effect
    MR. META Shandling in a press photo for his first groundbreaking sitcom, It’s Garry Shandling’s Show, which ran on Showtime from 1986 to 1990, and notably broke the fourth wall. now-familiar tropes of showing the studio audience and directly address- ing viewers. And then there’s that winking theme song: “This is the theme to Garry’s show/The theme to Garry’s show/Garry called me up and asked if I would write his theme song.” Incredibly, the show found a huge audience, powered in part by Shan- dling’s status as a stand-up comic whose nasal delivery, blown-out bouf- fant and sardonic observations (rou- tinely centered on his sexual prowess, or lack thereof) earned him frequent appearances on Johnny Carson’s Tonight Show and a spot as one of its regular guest hosts. It also turned TELEVISION him into a role model for multiple generations of comedians. “He’s like the Replacements,” says Judd Apatow. The Garry Effect “A rock band that inspired a lot of peo- Judd Apatow’s HBO documentary aims to capture ple to start their own bands.” Garry Shandling’s lifetime of influence—as a Apatow included. For 25 years, the comedian, yes, but also as a human being. At comedy guru counted Shandling— who died of a heart attack in 2016 at more than four hours, it feels too short age 66—as a close friend and mentor. Apatow’s first contact was as a high school student, interviewing Shan- Try To imagine Television comedy works. Fly-on-the-wall camera dling for his school’s radio station.
    [Show full text]
  • Technique V95i5 2009-08-14-Ent.Pdf (1.818Mb)
    Entertainment Technique • Freshman Issue 2009 Photo by Michael James/Student Publications 2 • August 14, 2009 • Technique ENTERTAINMENT THEME CROSSWORD: QUEEN FOR A DAY By Robert Zimmerman United Features Syndicate 48. Teen woe 77. High degrees 49. Aquarium fish 78. Asner et al. ACROSS 50. Make amends 79. Elizabeth I in 2000 TV 1. Diner 51. Mere’s infant film 5. Racetrack posting 52. Way prefix 81. T-bone, perhaps 9. - B’rith 53. “Pretty Baby” director 82. U.N. food agcy. 13. Strategies (1978) 83. Some are striped 18. Paint crudely 54. Top boss, vaguely 84. 29 Down, condensed 19. Thumbs-down votes 55. Shady spot 85. Nebraska river 20. Rack companion 56. ORD posting 86. Bluegills, e.g. 21. Laundry helper 57. Gob’s greeting 88. Recruit routine 22. Elizabeth I in 1912 film 58. Water nymph 90. Mauna - 25. Heard from kittens 59. Like a fox 91. Danson or Williams 26. Pine for 60. Dr. Salk 92. German pronoun 27. A Ford 62. State flower of Indiana 93. Speak at length 28. Favorite 63. Sorority letter 94. Role for Jay Silverheels 29. Actress Ryan 64. Gucci, e.g. 96. Rudy of “Stein Song” fame 32. Serpentine curve 65. French market town 99. Elizabeth I in 1968 TV 33. Yarns 66. Agua holder play 34. Businessman’s pet? 67. Oddball 104. Sounds from the nest 38. Refer to, indirectly 70. Gemstone surface 105. Irish Rose’s husband 40. Radial 71. Sir Georg, the conductor 106. Brainstorm in Bayonne 41. Show the door 72. Plumber’s helper 107. Myths, perhaps 42.
    [Show full text]
  • Judd Apatow Feels Bad for Wife Because He’
    Celebrity News: Judd Apatow Feels Bad for Wife Because He’s a ‘Disgusting Man’ By Meghan Fitzgerald Judd Apatow, 45, writer, co-producer, and director of This is 40, said he sees himself in his characters Paul Rudd, and Leslie Mann. Apatow and Leslie Mann, a real life married couple know the dilemmas of marriage. Apatow talks with People, stating that he “Relate[s] to just being a disgusting man and feeling bad that my wife even has to be around.” Even after problems after a 16-year relationship, the couple remains in love with each other, and loves working together more than anything. What are some ways to bridge the gap between genders in your relationship? Cupid’s Advice: From the beginning of time, men and women have been looked at as two different people, not equals. This is present in relationships, the strong gap between men and women. It is commonly said that men make more money than women, that men are more responsible, that they’re the ‘man of the house.’ Problems and trouble loom from these accusations. Cupid has some advice on how to keep this out of a relationship: 1. Respect: With genders in a relationship, each person needs to respect the other. Even if the man makes more money than the women, he needs to respect that he does not have all the power. Money or power does not show that one is better than the other. Also, women need to respect that men try their best to balance work and their family. Although this may not always be the case, women have to be aware that their partner still loves them.
    [Show full text]
  • The Case of Rihanna: Erotic Violence and Black Female Desire
    Fleetwood_Fleetwood 8/15/2013 10:52 PM Page 419 Nicole R. Fleetwood The Case of Rihanna: Erotic Violence and Black Female Desire Note: This article was drafted prior to Rihanna and Chris Brown’s public reconciliation, though their rekindled romance supports many of the arguments outlined herein. Fig. 1: Cover of Esquire, November 2011 issue, U. S. Edition. Photograph by Russell James. he November 2011 issue of Esquire magazine declares Rihanna “the sexiest Twoman alive.” On the cover, Rihanna poses nude with one leg propped, blocking view of her breast and crotch. The entertainer stares out provocatively, with mouth slightly ajar. Seaweed clings to her glistening body. A small gun tattooed under her right arm directs attention to her partially revealed breast. Rihanna’s hands brace her body, and her nails dig into her skin. The feature article and accompanying photographs detail the hyperbolic hotness of the celebrity; Ross McCammon, the article’s author, acknowledges that the pop star’s presence renders him speechless and unable to keep his composure. Interwoven into anecdotes and narrative scenes explicating Rihanna’s desirability as a sexual subject are her statements of her sexual appetite and the pleasure that she finds in particular forms of sexual play that rehearse gendered power inequity and the titillation of pain. That Rihanna’s right arm is carefully positioned both to show the tattoo of the gun aimed at her breast, and that her fingers claw into her flesh, commingle sexual pleasure and pain, erotic desire and violence. Here and elsewhere, Rihanna employs her body as a stage for the exploration of modes of violence structured into hetero- sexual desire and practices.
    [Show full text]