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Custom Welded Katana by Request
Custom Welded Katana By Request Two-a-penny Bobbie never season so unreflectingly or permeate any Yoko evil. Rhett retreading obviously as formable deciduate.Melvyn dishallows her reviewer snowball corruptibly. Terrance anthropomorphising her serum qualitatively, synecdochic and Nobody has ever none of swords this way. Battling Blades designs and sells swords, machetes, axes and knives. And japanese government is not custom welded katana by request a steel damascus was a cavalry, in a fair. Gw cycle world and european weapons that refers to be able courier service. What does knife today it would like to identify the shirasaya swords lack toughness is two custom welded katana by request a factory warranty or gold and subject to teach me when in a rapier is? Every item we sell is handmade and we hold some in stock. Searching custom welding and requests for by hammering, not those who look to request is destined to. Those studying with essence, originating in tijd, steel in its materials, and extremely easily from mild pronation control. The custom welded katana by request, by a request information! Thank you dear friend Daniel of Nebraska. Please note free time ask could you drill further questions. Template HKGGRN WAKIZASHI SAMURAI SWORD Description Wakizashi in Koshirae Mountings. We weld tests at the custom welded katana by request information for competitive price is used to be a new this is? The cost is irrelevant. After many swords are somewhat more carbon to view more like in appearance and marine and to wield a later date, fl on the history and discovered a first. -
6. Representation in Existing Surveys
FHR-8-300 (11-78) United States Department off the Interior Heritage Conservation and Recreation Service National Register of Historic Places Inventory—Nomination Form See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Windischar's General Blacksmith Shop and/or common Weissenfels' Blacksmith Shop 2. Location street & number Sheridan St. not for publication city, town Mt. Angel vicinity of congressional district 2nd state Oregon code 41 county Marion code 047 3. Classification Category Ownership Status Present Use district public occupied agriculture** museum X building(s) X private X unoccupied X commercial park structure both work in progress educational private residence site Public Acquisition Accessible entertainment religious object in process X yes: restricted government scientific being considered yes: unrestricted X industrial transportation no military other; 4. Owner of Property name See continuation sheet street & number city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Marion County Courthouse street & number city, town Salem state Oregon 97301 6. Representation in Existing Surveys title None has this property been determined elegible? yes X no date federal state county local depository for survey records city, town state 7. Description Condition Check one Check one excellent deteriorated unaltered X original site good ruins _ K_ altered _JLfair unexposed Describe the present and original (iff known) physical appearance The blacksmith shop built for John Wind ischar (the vari ent spelling of the name is Windishar) in the agricultural community of Mt. Angel in Oregon 's Willamette Valley some time between 1902 and 1905 was enlarged in 1922 by the addition of a barn building and a 13-foot connecting section to the rear. -
Baseline Survey Report on Blacksmith
BASELINE SURVEY REPORT ON ENCOURAGING BLACKSMITHS TO SEEK FURTHER TRAININGIN ALTERNATIVE LIVELIHOODSKILLS TO ILLICIT WEAPONS IMPLEMENTED BY: SIERRA LEONE ACTION NETWORK (SLANSA) AND LOCAL PARTNERS. FUNDED BY: UNITED NATIONS TRUST FACILITY SUPPORTING COOPERATION ON ARMS REGULATIONS (UNSCAR).APRIL, 2017. TABLE OF CONTENTS PAGE CHAPTER TITLE PAGE ii ACKNOWLEDGEMENT iii LIST OF GRAPHS/TABLES iv GLOSSARY/ACRONYMS v-vi EXECUTIVE SUMMARY vii- CHAPTER ONE BACKGROUND 1- 3 CHAPTER TWO VIEWS ON BLACKSMITHERY 4 - 6 CHAPTER THREE SURVEY METHODOLOGY 7 CHAPTER FOUR SURVEY FINDINGS 8- 13 CHAPTER FIVE RECOMMENDATIONS/CONCLUSIONS 14 -16 APPENDICES A BIBLIOGRAPHY/REFERENCES B. DATABASE OF BLACKSMITH INTERVIEW ACKNOWLEDGEMENT Surveys are technical and scientific exercises that normally require the collective inputs from all key players if it could gain the expected goals. This survey wouldn’t have been completed without the valuable contributions of some key persons. The effort of SLANSA Network members, enumerators and Field supervisors and all those involved in the survey and production of report is highly appreciated. iii LIST OF GRAPH AND FIGURES PAGE Fig. 1 Gender Distribution among respondents 8 Fig. 2 A bar graph showing Blacksmiths who currently active in production. 9 Fig. 3 A pie chart showing Blacksmiths who were or are manufacturing Guns. 10 Fig.4 A linear graph showing Respondents who are willing to stop producing Guns and seek further training in alternative livelihood skills. 11 Fig. 5 Gunsmiths who intend to register with the Sierra Leone National Commission on Small Arms to become licensed gunsmiths. 12 Fig. 6 Histograph showing /Blacksmiths who said they have ready market to sell their products. -
Blacksmith and Essential Skills
Literacy and Essential Skills in Industrial Arts BLACKSMITH COURSE Student Notes A project of Literacy Ontario Central South This project is funded by the Government of Canada’s Office of Literacy and Essential Skills ACKNOWLEDGEMENTS LOCS would like to gratefully acknowledge the Office of Literacy and Essential Skills, Human Resources Development Canada for funding this project. The Literacy and Essential Skills Project Team Lesley Hamilton – Project Manager David Haw – Project Coordinator Shelley McCarrell – Project Assistant Elise Noriega – Project Assistant Carrie Wakeford – Project Writer Brigid Hayes – Project Evaluator Advisory Committee Andrew Rothfischer – Ministry of Natural Resources Doug Noyes – Literacy Link Eastern Ontario Kathy Neill – John Howard Society of Peterborough Sheila Cowan – LOCS Board of Directors Walter Johnstone – Youth Emergency Shelter LOCS would like to extend a heartfelt thanks to David Haw, the Project Coordinator without whom this project would not have been successful. The vision that David brought to this project was the driver that made everything happen. LOCS would like to thank the blacksmith artists Tracy Greene and Daryl Sanders who worked with us to create course material. Not only did they work with the writer but they delivered a pilot course of the material created. © 2010 Literacy Ontario Central South Literacy and Essential Skills in Industrial Arts – Blacksmith The following participants took part in the piloting of the material: Ruby Albert Tyerne Clark Jamie Sanderson Melanie Stephen Steven Sykes This was extremely successful with these students and they deserve a big thank you for the time and effort for assisting us with this. LOCS would like to acknowledge Carrie Wakeford for the tremendous job of writing this material. -
The Anvil's Chorus
The Anvil’s Chorus November 2001 Page 2 The Anvil’s Chorus Executive Committee ( Board of Directors): President: Bill Banker – 607-276-6956, PO Box 174 Almond, NY 14804, e-mail: [email protected] Vice President: Verner Hornquist – 716–433-7570, 6062 Shaffer Rd. Lockport, NY 14094 Treasurer: Dick Rightmyer – 585-293-3299, 251 Leibeck Rd. Churchville, NY 14428, e-mail: [email protected] Secretary: Harold Hopkinson – 315-682-6314, 4590 South Brookhill Dr. Malius, NY 13104, email: [email protected] Forgemasters: Adirondack: John Scarlett – 315-324-5635 Niagara: Bob Corneck – 716-741-4311, e-mail: [email protected] Genesee: Dick Rightmyer – 585-293-3299, e-mail: [email protected] Mohawk: Dale Barrows – 607-849-3198, e-mail: [email protected] Southern Tier: John Fee – 607-523-6677, e-mail: [email protected] Newsletter editor: Al Butlak – 716-894-7185, 1351 Walden Ave. Buffalo, NY 14211, e-mail: [email protected] Scholarship Chairperson: Jim Robarr – 716-433-8564, e-mail: [email protected] Nominations Chairperson- Your name could be here, volunteer! The Cover: A group of NYSDB members who were present at the all state meeting at Jeff Jubenville's shop in Kent, NY that was a two-day event for the entire membership. A write up on the meeting will appear elsewhere in this issue. The Anvil’s Chorus is composed and written by the editor except as indicated. Material may be reprinted except as noted as long as proper credit is given to NYSDB. It’s officers, demonstrator's writers, editor, and members specifically dis- claim any responsibility or liability for any damages or injuries as a result of the use of any information published in the Anvil’s Chorus. -
Knights at the Museum Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in Fulfillment of the Requirements for Graduation
Knights! At the Museum Knights at the Museum Interactive Qualifying Project Submitted to the faculty of the Worcester Polytechnic Institute in fulfillment of the requirements for graduation. By: Jonathan Blythe, Thomas Cieslewski, Derek Johnson, Erich Weltsek Faculty Advisor: Jeffrey Forgeng JLS IQP 0073 March 6, 2015 1 Knights! At the Museum Contents Knights at the Museum .............................................................................................................................. 1 Authorship: .................................................................................................................................................. 5 Abstract: ...................................................................................................................................................... 6 Introduction ................................................................................................................................................. 7 Introduction to Metallurgy ...................................................................................................................... 12 “Bloomeries” ......................................................................................................................................... 13 The Blast Furnace ................................................................................................................................. 14 Techniques: Pattern-welding, Piling, and Quenching ...................................................................... -
Standard Penetration Test (Spt) Correction
Parris N. Glendening Maryland Department of Transportation Governor John D. Porcari State Highway Administration Secretary Parker F. Williams Administrator RESEARCH REPORT STANDARD PENETRATION TEST (SPT) CORRECTION BY M. SHERIF AGGOUR AND W. ROSE RADDING THE BRIDGE ENGINEERING SOFTWARE AND TECHNOLOGY (BEST) CENTER DEPARTMENT OF CIVIL AND ENVIRONMENTAL ENGINEERING UNIVERSITY OF MARYLAND COLLEGE PARK, MD 20742 SP007B48 FINAL REPORT SEPTEMBER 2001 The contents of this report reflect the views of the author who is responsible for the facts and the accuracy of the data presented herein. The contents do not necessarily reflect the official views or policies of the Maryland State Highway Administration. This report does not constitute a standard, specification, or regulation. STANDARD PENETRATION TEST (SPT) CORRECTION Report Submitted to Maryland State Highway Administration Office of Policy and Research Contract No: SP007B48 by M. Sherif Aggour and W. Rose Radding Civil and Environmental Engineering Department University of Maryland College Park, Maryland 20742 September 2001 Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. MD02-007B48 4. Title and Subtitle 5. Report Date September 30, 2001 STANDARD PENETRATION TEST (SPT) CORRECTION 6. Performing Organization Code 7. Author/s 8. Performing Organization Report No. M.Sherif Aggour and W. Rose Radding 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) 11. Contract or Grant No. University of Maryland Department of Civil and Environmental Engineering College Park, MD 20742-3021 12. Sponsoring Organization Name and Address 13. Type of Report and Period Covered Maryland State Highway Administration 14. Sponsoring Agency Code Office of Policy & Research 707 N. -
Cutting Edge Veterinary Medicine
24 25 JULY/AUGUST 2017 | VOL 20 ISSUE 6 SUFFOLK FORGE Feature Cutting edge Kieran Meeke visits a Suffolk forge to witness one of mankind’s oldest manufacturing processes – the hand- forging of steel into blades. Although the techniques are millennia away from the Fourth Industrial Revolution, the personalisation and matching of each blade to each customer is right at the front line of where modern high- value manufacturers need to go. My train from London pulls into Ipswich “Then I got distracted by horse’s feet and 15 minutes late and I have missed my became a farrier. I came to the UK because connection. “Points failure” – steel rails this is the only country that offers a very warped by the heat of an English summer. serious examination in farriery.” The next train is an hour away. His eventual mentor here, who he met in a At Elmswell, I am the only passenger getting pub, was Simon Curtis, whose family have off, or on, and from there it is four miles been farriers and blacksmiths in Newmarket along a road that meanders across the flat for 150 years. Sergio flew back and forth Suffolk landscape. Its many turns seem between Spain and England until he passed dictated by ancient field boundaries rather his farrier exams, then moved to England than geography. permanently. He married a Suffolk woman and they now live on the family farm. I have come to Upper Town Farm to meet Sergio Muelle, who appears in the searing His interest in knife-making began when his sunlight with an even warmer smile, knees started to give out. -
Folded Steel Nixon, Van Schijndel Waldrip, Saito
Folded Steel Nixon, van Schijndel Waldrip, Saito Folded Steel: The Art of Sword Making and the Enduring Image of the Samurai Authors: Megan Saito Jonathon Waldrip Amelia Nixon Corri van Schijndel 1 Folded Steel Nixon, van Schijndel Waldrip, Saito Table of Contents Introduction ................................................................................................................................................. 3 Historical Origins: The Tokugawa Rise to Power ..................................................................................... 3 Ritual: Honor and Virtue . .......................................................................................................................... 4 Contemporary Icon: The Enduring Image of the Samurai ........................................................................ 5 Conclusion ................................................................................................................................................... 6 Works Cited ................................................................................................................................................. 7 Appendix of Images ................................................................................................................................... 13 2 Folded Steel Nixon, van Schijndel Waldrip, Saito Introduction The samurai culture is one of ancient origin and has developed a deep and intricate society throughout its existence. The samurai seemed to be at the height of their potential near -
Journeyman Skill List
These Blacksmithing Skill standards were developed by the Appalachian Blacksmiths Association, an ABANA chapter and registered with the Bureau of Apprenticeship and Training, United States Department of Labor. Before someone is accepted as a journeyman blacksmith, they need to be able to perform the following productively, quickly and accurately. It is a good self check list on the skills you need to develop in your craft. Text in dark red , in parentheses and with letter designations are the additions of Jock Dempsey, anvilfire guru, for his students. a. Apprentice will keep sketchbook(s) and notes detailing their work, ideas, and progress toward becoming a Journeyman. b. Show proficiency in shop math, mensuration and layout. Measure a sample block of metal and calculate its weight to within 1% or less. Create a layout with bluing using scriber, punch and dividers with exterior outline and an odd number bolt circle. c. Learn to drive a straight shift. This may serve well in an emergency and also applies to operating trucks and heavy machinery. 1. Drawing Out: Draw a bar to a point or dress an edge or point a tool. Produce short, medium and long tapers and points by hand. 2. Upsetting: Upset to at least 1½ times the diameter or width of a bar on the end and in the middle. 3. Bending: Make a ring out of bar stock or flat stock; forge a square corner right angle bend in square stock. 4. Punching, slitting and decorative punch work: Show an example of decorative punch work; punch a hole in a bar the same size as the width of the bar. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Salisbury Village Blacksmith Shop Other names/site number: Petersen Family Blacksmith Shop Name of related multiple property N/A (Enter "N/A" if property is not part of a multiple property listing) ____________________________________________________________________________ 2. Location Street & number: 925 Maple Street City or town: Salisbury State: Vermont County: Addison Not For Publication: N/A Vicinity: N/A ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: __national __statewide _X_local Applicable National Register Criteria: _ _A ___B _X_C ___D Signature of certifying official/Title: Date ______________________________________________ State or Federal agency/bureau or Tribal Government In my opinion, the property meets does not meet the National Register criteria. -
Reinventing the Sword
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.