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Ezra Pound His Metric and Poetry Books by Ezra Pound
EZRA POUND HIS METRIC AND POETRY BOOKS BY EZRA POUND PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care. -
[Jargon Society]
OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-10803-5 - Modernism and Homer: The Odysseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound Leah Culligan Flack Index More information Index “A Slap in the Face of Public Taste” Classics (1912), 3 and pedantry, 132, 193 Abyssinia crisis, 140–1 decline in the study of, 13, 133 Acmeism, 15, 59, 70 Coburn, Alvin Langdon, 157 Adams, John, 2, 128, 130–1, 142–3, 153 Crisis in the humanities, 19, 206 Aeneid. See Virgil Aeschylus, 165–6, 173 d’Este, Niccolo, 53 Akhmatova, Anna, 15, 59, 63, 78, 82, 88 Dante, 37, 50, 69, 93, 157 Anderson, Margaret, 100 Dickinson, Emily, 190 Apollinaire, Guillaume, 197 Divus, Andreas (Justinopolitanus), 14, 25, 36–43, Arnold, Matthew, 10, 136, 166 50, 154 Atwood, Margaret, 203 Dörpfeld, Wilhelm, 11 Austin, Norman, 177 Downes, Jeremy, 180 DuPlessis, Rachel Blau, 9, 162 Balfour, Arthur James, 140 Barnhisel, Gregory, 8, 128, 158–9 Ehrenburg, Ilya, 78 Barthes, Roland, 79–80 Eliot, T. S., 4, 6, 28, 95, 151, 159, 162, 165–6, 181 Bate, W. Jackson, 21 mythic method, 8 Beecroft, Alexander, 180 The Waste Land, 16, 42, 47, 165, 195, 199 Benjamin, Walter, 196 Ellison, Ralph Bérard, Victor, 15, 99, 103 Invisible Man, 201–2 Bethea, David, 13, 60 Ellmann, Richard, 96, 107, 114, 197 Bishop, Elizabeth, 160–1 Emerson, Ralph Waldo, 29, 190 Brodsky, Joseph, 200 Emmet, Robert, 108, 115 Brooke, Rupert, 1 epic, 164, 180, 186, See also Pound, Ezra and epic; Brown, Clarence, 93 Mandelstam, Osip and epic; and H.D. Brown, Richard, 95 and epic Budgen, Frank, 104 epic vs. -
Ezra Pound's Condensation of the Henry James Novel
Georgia Southern University Digital Commons@Georgia Southern Legacy ETDs Spring 1988 Hugh Selwyn Mauberley: Ezra Pound's Condensation of the Henry James Novel Delores Lamb Belew Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd_legacy Part of the English Language and Literature Commons Recommended Citation Belew, Delores Lamb, "Hugh Selwyn Mauberley: Ezra Pound's Condensation of the Henry James Novel" (1988). Legacy ETDs. 164. https://digitalcommons.georgiasouthern.edu/etd_legacy/164 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in Legacy ETDs by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Georgia Southern College Zach S. Henderson Library H-., ^ Hu oh 5e 1 ujyn May be r 1 e y : Ezra Pound's Condensation ot the Henry James Nowel Submitted by Del ores Lamb Be lew A Thesis Submitted to the Graduate Faculty of Georgia Southern College in Partial Fu 1 -f i 1 1 men t of the Requirements for the Degree MASTER OF ARTS Statesboro, Georgia 1988 Hugh Selwyn Mauberley: Ezra Pound's Condensation o+ the Henry James Novel by Del ores Lamb Be lew Table of Contents I n troduc t i on 1 Pound's Criticism o-f James. 13 The "Germ" -for Mauberley 34 Cone 1 us i on . 69 Introduc t ion Ezra Pound be 1 ieved avidly that experimentation and imitation were the most important act i ui ties -for the serious artist. Only through experimentation could the serious artist hope to create a style that was uniquely his own; only through the imitation o-f and improvement on the works- of great artists- could he create art that was new and alive. -
The Thought of What America": Ezra Pound’S Strange Optimism
University of New Orleans ScholarWorks@UNO English Faculty Publications Department of English and Foreign Languages 2010 "The Thought of What America": Ezra Pound’s Strange Optimism John Gery University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/engl_facpubs Part of the Literature in English, North America Commons Recommended Citation Gery, John “‘The Thought of What America’: Ezra Pound’s Strange Optimism,” Belgrade English Language and Literature Studies, Vol. II (2010): 187-206. This Article is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UDC 821.111(73).09-1 Pand E. John R O Gery University of New Orleans, USA “THE THOUGHT OF What AMerica”: EZRA POUND’S STRANGE OPTIMISM Abstract Through a reconsideration of Ezra Pound’s early poem “Cantico del Sole” (1918), an apparently satiric look at American culture in the early twentieth century, this essay argues how the poem, in fact, expresses some of the tenets of Pound’s more radical hopes for American culture, both in his unorthodox critiques of the 1930s in ABC of Reading, Jefferson and/or Mussolini, and Guide to Kulchur and, more significantly, in his epic poem, The Cantos. The essay contends that, despite Pound’s controversial economic and political views in his prose (positions which contributed to his arrest for treason in 1945), he is characteristically optimistic about the potential for American culture. -
In Pound We Trust: the Economy of Poetry/The Poetry of Economics Author(S): Richard Sieburth Source: Critical Inquiry, Vol
In Pound We Trust: The Economy of Poetry/The Poetry of Economics Author(s): Richard Sieburth Source: Critical Inquiry, Vol. 14, No. 1 (Autumn, 1987), pp. 142-172 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1343576 . Accessed: 19/02/2011 15:39 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org In Pound We Trust: The Economy of Poetry/ The Poetry of Economics Richard Sieburth My name but mocksthe guineastamp And Pound's dead broke for a' that. -
A Poem Containing History": Pound As a Poet of Deep Time Newell Scott Orp Ter Brigham Young University
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2017-03-01 "A poem containing history": Pound as a Poet of Deep Time Newell Scott orP ter Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Porter, Newell Scott, ""A poem containing history": Pound as a Poet of Deep Time" (2017). All Theses and Dissertations. 6326. https://scholarsarchive.byu.edu/etd/6326 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. “A poem containing history”: Pound as a Poet of Deep Time Newell Scott Porter A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Edward Cutler, Chair Jarica Watts John Talbot Department of English Brigham Young University Copyright © 2017 Newell Scott Porter All Rights Reserved ABSTRACT “A poem containing history”: Pound as a Poet of Deep Time Newell Scott Porter Department of English, BYU Master of Arts There has been an emergent trend in literary studies that challenges the tendency to categorize our approach to literature. This new investment in the idea of “world literature,” while exciting, is also both theoretically and pragmatically problematic. While theorists can usually articulate a defense of a wider approach to literature, they struggle to develop a tangible approach to such an ideal. -
Walter Pater — Imagism — Objectivist Verse
22 WALTER PATER — IMAGISM — OBJECTIVIST VERSE Richard Parker (The University of Sussex) Abstract In this paper I make a two-fold argument; first that the Objectivist inheritance from modernism is, in a specific sense, Paterian, and secondly, that this Paterian influence (manifested principally in the form of the Paterian aesthetic moment) is not, as might be assumed, in conflict with the political tendencies exhibited by my central examples—Ezra Pound and Louis Zukofsky—but that the arguably apolitical aesthetic moment is in fact key to their political understandings. I will begin analysing how the Paterian moment lingers in Pound's poetry, especially his Imagist and Vorticist work, and is still at the core of his poetics when he begins The Cantos . I will then go on to argue that this same Paterian aesthetic moment continues in the early work of second-generation Modernists the Objectivists, and will look at the works of Louis as a representative example. I will then argue that this group of poets' Communism is not a break with their engagement with Paterian aestheticism, but that the Paterian moment is in fact alloyed with their understanding of Marxist-Leninism. The engagement with the far left that is generally supposed to mark these writers' defining divide with their modernist forebears will therefore be shown to be more closely linked to the older generation's practices than it might be thought and I will, finally, question the apparently aesthetic basis of Pound's alignment with the far-right. A consensus has developed regarding Walter Pater's influence upon the early stages of literary modernism. -
The Luminous Detail: the Evolution of Ezra Pound's Linguistic and Aesthetic Theories from 1910-1915
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2014 12:00 AM The Luminous Detail: The Evolution of Ezra Pound's Linguistic and Aesthetic Theories from 1910-1915 John J. Allaster The University of Western Ontario Supervisor Stephen J. Adams The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © John J. Allaster 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, North America Commons Recommended Citation Allaster, John J., "The Luminous Detail: The Evolution of Ezra Pound's Linguistic and Aesthetic Theories from 1910-1915" (2014). Electronic Thesis and Dissertation Repository. 2301. https://ir.lib.uwo.ca/etd/2301 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE LUMINOUS DETAIL: THE EVOLUTION OF EZRA POUND’S LINGUISTIC AND AESTHETIC THEORIES FROM 1910-1915 by John Allaster Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © John Allaster 2014 Abstract In this study John Allaster traces the evolution of Ezra Pound’s linguistic theories from the method of the Luminous Detail during 1910-12, to the theory of the Image in Imagism during 1912-13, to that of the Vortex in Vorticism during 1914-1915. -
Ezra Pound and the Rhetoric of Science, 1901–1922
EZRA POUND AND THE RHETORIC OF SCIENCE, 1901–1922 Kimberly Kyle Howey University College London Thesis submitted in partial fulfillment of the requirements for the degree of doctor of philosophy in European Studies, University College London, January 2009. 1 I, Kimberly Kyle Howey, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT This thesis identifies science as Ezra Pound’s first extended extra-poetic interest. This reference to science in Pound’s poetic theory and poetry is portrayed as rhetoric, with its emphasis on the linguistic signifier or word rather than the actual concepts and data of science. The material covers over two decades between 1901, when Pound entered university, and 1922, after he left London. Beginning with Pound’s exposure to philology, the thesis establishes a correlation between his educational background and his use of scientific rhetoric in his prose. As he attempted to establish a professional status for the poet, he used metaphors linking literature to the natural sciences and comparisons between the poet and the scientist. Additionally, Pound attempted to organize poetic movements that resembled the professional scientific organizations that were beginning to form in America. In his writings promoting these movements, Pound developed a hygienic theory of poetry— itself an extensive rhetorical project—which produced a clean, bare poem and further linked Pound’s poetic output with the sciences. Beyond his rhetorical use of science, Pound attempted to study the sciences and even adopted a doctor persona for his friends with illnesses—both diagnosing and prescribing cures. -
Ezra Pound and English Romanticism
.EZRA POUND AND ENGLISH ROMANTICISM A STUDY IN THE CONCEPT OF TRADITION A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by J.R.W. Farnsworth University of Canterbury 1976 1 ABSTRACT The thesis sets out to examine Ezra Pound's attitudes to the English Romantic tradition £rom its inception to his own time, with a view to discovering whether or not he looks upon it as a healthy or deere- pit tradition. His attitudes are contrasted with those of his contemporaries in a study o£ three pairs o£ writers; two Romantics, Keats and Byron; two Victo- rians, Tennyson and Browning; and two Moderns, Eliot and Lawrence. By charting the changes in his outlook over his lifetime, a clear split becomes noticeable between the early apprentice poet and the later mature poet-critic interested in disseminating the knowledge and insights he has collected. The considerable de- viance·d£'his bpiniofi fro~ the acc~pted ~ttitudes of the day demonstrates the consistency and independence o£ his own concepts. The conclusion o£ the thesis is that, in finding the English tradition to be decrepit, Pound does not find the cause to lie in Romanticism. Rather, it is caused by a desertion, or ignorance, o£ poetic necessities simi- lar to those emphasised by Pound. In other words, his interpretation o£ literary history is closely tied to, and often stems £rom, his own poetic requirements. 2 CHAPTER I The sheer volume of Pound's writings, and the considerable span of time over which they were produced (more than hal£ a century) makes it impracticable to examine them all in detail. -
"Ego, Scriptor Cantilenae": the Cantos and Ezra Pound
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 1991 "Ego, scriptor cantilenae": The Cantos and Ezra Pound Steven R. Gulick University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1991 Steven R. Gulick Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, North America Commons Recommended Citation Gulick, Steven R., ""Ego, scriptor cantilenae": The Cantos and Ezra Pound" (1991). Dissertations and Theses @ UNI. 753. https://scholarworks.uni.edu/etd/753 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "EGO, SCRIPTOR CANTILENAE": THE CANTOS AND EZRA POUND An Abstract of a Thesis Submitted in Fulfillment of the Requirements for the Degree Master of Philosophy Steven R. Gulick University of Northern Iowa August 1991 ABSTRACT Can poetry "make new" the world? Ezra Pound thought so. In "Cantico del Sole" he said: "The thought of what America would be like/ If the Classics had a wide circulation/ Troubles me in my sleep" (Personae 183). He came to write an 815 page poem called The Cantos in which he presents "fragments" drawn from the literature and documents of the past in an attempt to build a new world, "a paradiso terreste" (The Cantos 802). This may be seen as either a noble gesture or sheer egotism. Pound once called The Cantos the "tale of the tribe" (Guide to Kulchur 194), and I believe this is so, particularly if one associates this statement with Allen Ginsberg's concerning The Cantos as a model of a mind, "like all our minds" (Ginsberg 14-16).