–Weekend Edition, NationalPublicRadio “A Who’s Whooftheavant-garde.” Tickets available nowat$25, $45and$65 John Scott John Bischoff Joseph Byrd OTHER MINDS19 Center withanentirely California Northern cast Minds,inassociationwiththeDjerassi Other 201 Franklin St(at Fell Street) (866) 920-5299 Charles CelesteHutchins of composers andimprovisers. San Francisco, CA SFJAZZ Center Wendy Reid Featured Artists Resident Artists Program,Resident Artists presents its19th sfj festival event atthemagnificent newSFJAZZ Roscoe Mitchell Myra Melford Donald Buchla Mark Applebaum azz.org.

Join thestaff Tickets are $200andwillfeature athree-course To attend HONORING JIMNEWMAN 7 PM/CELEBRATION WITHDONALDBUCHLA&CRAIGTABORN THURSDAY, FEBRUARY 27, 2014 NIGHT GALA OPENING Other Minds,attn.BlaineToddOther Mindsat: Other Canales’ award-winning nouvelle Basquerestau- 12-channel soundinstallationbyBuchla,followed (Including howto pay viacredit card) pioneer and composer Donald 333 Valencia Street Suite#303 San Francisco, CA 94103 dinner accompanied byaworldpremiere with ourninefeatured composers, inhonoring Please sendacheckpayable to Buchla. Theevent takes placeatchefPaul Please [email protected] the lifetime achievementsMindsco- ofOther rant DuendeinOakland’s lively uptowndistrict. pianist Craig Taborn. by asolosetthemagnifi cently gifted founder JimNewmanonhis80thbirthday and For questions: : andboard Minds,along ofOther

“No other city has an organization quite like Other Minds, catching all the things that would otherwise fall between the cracks.” –Alex Ross of The New Yorker

Other Minds is dedicated to the encourage- ment and propagation of contemporary music in all its forms through concerts, workshops Nonprofit Org. Other Minds U.S. Postage Paid and conferences that bring together artists 333 Valencia Street, Suite #303 San Francisco, CA and audiences of diverse traditions, genera- San Francisco, CA 94103-3552 USA Permit No. 925 tions and cultural backgrounds. By foster- ing cross-cultural exchange and creative dialogue, and by encouraging exploration of areas in new music seldom touched upon by mainstream music institutions, Other Minds is committed to expanding and reshaping the defi nition of what constitutes “serious music.”

Charles Amirkhanian, Executive & Artistic Director

www.otherminds.org

www.radiOM.org

SFJAZZ CENTER SFJAZZ MINDS OTHER 19

MARCH 1ST, 2014 1ST, MARCH A FESTIVAL FEBRUARY 28 FEBRUARY OF UNEXPECTED NEW MUSIC

R E T EN C AZZ J F S

SFJAZZ CENTER SFJAZZ MINDS MINDS OTHERO 19 19

THE 4 201 , T S 1 MARCH

MARCH 1ST, 2014 1ST, MARCH A FESTIVAL FESTIVAL

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NEW MUSIC MUSIC “I standby mylong-held convictionthat, “I standb John Adamsandsomany others.This year John Adamsandsomanyothers.Thisy America’s healthiestplacefor unconven- America Charles Amirkhanian, Charles Amirkhanian, variety ofstyles.You’ll behearingsome veros, Morton Subotnick, LaMonteYoung,veros, Subotnick, Morton great figures Cowell,JohnCage, asHenry and thrive. Ourproud includessuch history gr and thriv ,, Donald Buchla, v v Stev dedicated creativity.” serve greaterserve recognition for theirlifelong, dedicated cr uncompromising heroes ofminewhode- we’re presenting someoftheirprogeny ina ser tional andinventive composers to emerge Northern CaliforniaNorthern roundup that includes Lou Partch, Harrison,Harry Pauline Oli- uncompr tional andin we L Nor both composers and improvisers in a per capita,theSanFrancisco Bay Area is per capita,theSanF both composer Executive Director & Artistic Ex ariety ofstyles.Y er ou Harrison,Harr eat fi ’re pr ecutiv o v thern Calif e gr s, Mor e Reich,T

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lm) AR Y 28 F has defi multi-instrumentalist andsounddesigner mals. B sound sculptur kinetic musicalsignlanguag ence withaselectionofwork the allur Mark Applebaumkick Composer JohnBischoff most singularandpr Byr States ofAmerica,andTheFieldHippies, deep psy Mor tutelage ofnewmusicleg who r under tr of the20thcentur of pacingandt r cessed acousticsoundsour Bischoff tur their impr ing theper r in theSanF and buildingelectr sic f mier to concludethefi sound inv or Ba video cr and machine 60 their improvised responses. totrigger ing theperformers withsuggestions Bay Area SilviaMatheusprovid- videoartist video created byBuchla incollaborationwith and machine. Thescore for Drop byDrop isa refinement ofcommunicationbetweenman 60’s, muchofhisworkhascentered onthe in theSanFrancisco Bay Area sincetheearly and buildingelectronic musicalinstruments sic founding father DonaldBuchla.Designing miere ofDrop byDrop bylive-electronic mu- to concludethefirst nightwiththeU.S. pre- Minds19isproudsound investigations. Other order histextural andchaostoarticulate Bischoff tures oftheelectronic mediumare explored. of pacingandtexture, andtheintrinsicfea- real timeaudio-collageinwhichtheelements cessed acousticsoundsources tocreate a tronic musicintothelive mediumusingpro- Composer JohnBischoff of the20thcentury. most singularandprolific musicpersonalities Byrd tocontinuesastonishasoneofthe States ofAmerica,andTheFieldHippies, deep psychedelia ofrock bandsTheUnited Feldman,Morton andVirgil Thomson tothe tutelage ofnewmusiclegends JohnCage, From hisearlyyears inNewYork underthe has defied allattemptsatcategorization. multi-instrumentalist andsounddesigner mals. Byrd’s career asacomposer, arranger, who reemerges withWater MusicandAni- underground minimalistlegendJosephByrd sound sculpture. Applebaumisfollowed by kinetic musicalsignlanguage todada-esque ence withaselectionofworks rangingfrom the allure oftheabsurd withtherigors ofsci- Mark Applebaumkicks off eal timeaudio-collageinwhichtheelements efi r onic musicintotheliv om hisearlyy der andchaostoar

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(30 MINUTES) ophone) T 2 ophone) , stone e) f ophone) or bass ophone) e video /b ecor otlet ” owl ofwater for f or (20 MINUTES) ding 7 PMPANEL /8PMCONCERT DISCUSSION SATURDAY, MARCH1,2014 S , A al ontheW TURD A , Y , MARCH1,2014 est Coast “lulu variations” from herTree Piecesseries, “lulu v Other Mindsconcludesits19theventOther witha Carving, Scraping, Changing, for Changing, guitartrio, Scraping, Carving, Charles Celeste Hutchins begins our second Charles Celest Car O operations. Reid’s workpointstothe inter- of techniques.Wendy Reid’s Tree Piece#55 of alivinglegend. of techniques.W of alivingleg operations. Reid’ and momentum.Myra Melford follows with and arranging runsanall-encompassingarc and meditative, Melford’s playing virtuosic and momentum.Myr and arr and meditativ connection ofallthings(includingourselves) digital projections. ComposerJohnSchott’s charged worktracesarangeofconcerns solo saxophone meanttoexplore theinstru- saxophones. Having begunasanexercise for digital pr char connection ofallthings(includingourselv world premiere performance of composer which attempttoreflect nature’s mannerof solo sax sax the way improvisation cangenerateswing technology for over twodecades,hishighly tions. From swirlingandclamorous tostilling Roscoe Mitchell’s Nonaahfor four bass to beheard, letaloneinthe hands technology f which attempttor world pr the tions. F to behear Roscoe Mit bass saxophones, auniqueinstrument witha ranged hisheraldedpiecefor(!)of aquartet ment’s three registers, Mitchellhas rear- performance. Having beeninvolved indigital night withaninventive, multimedialaptop her criticallyacclaimed solopianoimprovisa- by live-generated accompanied music will be night withanin per in nature. is anon-goingsetofmusicalprocesses music is anauto-didacticpracticethatresearches her criticallya bass sax ranged hisheraldedpiecef ment’ is anauto-didacticpracticethatr is anon-goingsetofmusicalpr in natur from thehumorous tothepolitical.Hutchins’ fr low andsonorous timbre thatisrare enough low andsonor om thehumor ther Mindsconcludesits19thev wa f ophones. Ha ving ormance ged worktracesarangeofconcerns ariations s thr will y r anging runsanall-encompassingar e impr om swirlingandclamor , Scraping ophone meanttoe emier ojections. ComposerJohnSchott’ . ophones, auniqueinstrumentwith a ee r b . d, letaloneinthehands ” e chell’ – Times –Los – or overtwodecades,hishighly end. ovisa a . Ha L ” fr e egisters, Mitchellhasr e per c ous timbr ccompanie os AngelesTimes v e Hut , Melf claimed solopianoimpr ous tothepolitical.Hutchins entiv ving begunasane om herT s Nonaahf endy Reid’ s workpointstotheinter- ving beeninv , Changing ti efl f on ormance ofcomposer

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