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Other Minds 19 Flyer “A Who’s Who of the avant-garde.” –Weekend Edition, National Public Radio Nonprofit Org. Nonprofit Paid Postage U.S. CA San Francisco, No. 925 Permit OTHER MINDS 19 OPENING Other Minds, in association with the Djerassi Resident Artists Program, presents its 19th NIGHTGALA festival event at the magnifi cent new SFJAZZ THURSDAY, FEBRUARY 27, 2014 Center with an entirely Northern California cast 7 PM / CELEBRATION WITH DONALD BUCHLA & CRAIG TABORN of composers and improvisers. HONORING JIM NEWMAN SFJAZZ Center A FESTIVAL OF UNEXPECTED NEW MUSIC 201 Franklin St (at Fell Street) Join the staff and board of Other Minds, along San Francisco, CA with our nine featured composers, in honoring (866) 920-5299 the lifetime achievements of Other Minds co- OTHER founder Jim Newman on his 80th birthday and Tickets available now at $25, $45 and $65 electronic music pioneer and composer Donald sfj azz.org. Buchla. The event takes place at chef Paul MINDS Canales’ award-winning nouvelle Basque restau- Featured Artists rant Duende in Oakland’s lively uptown district. Mark Applebaum Joseph Byrd Tickets are $200 and will feature a three-course Other Minds Street, Suite #303 333 Valencia 94103-3552 USA CA San Francisco, John Bischoff dinner accompanied by a world premiere Donald Buchla 12-channel sound installation by Buchla, followed Charles Celeste Hutchins by a solo set by the magnifi cently gifted jazz pianist Craig Taborn. John Scott CENTER 19SFJAZZ 2014 MARCH 1ST, 28 FEBRUARY Wendy Reid Myra Melford To attend: Roscoe Mitchell Please send a check payable to Other Minds at: Other Minds, attn. Blaine Todd 333 Valencia Street Suite #303 San Francisco, CA 94103 For questions: (Including how to pay via credit card) Please email [email protected] se traditions, genera- is dedicated to the encourage- the things that would otherwise fall between the cracks.” quite like Other Minds, quite like catching all Other Minds of contemporary music ment and propagation concerts, workshops through in all its forms that bring together artists and conferences and audiences of diver foster- By backgrounds. cultural and tions and creative exchange ing cross-cultural of exploration and by encouraging dialogue, in new music seldom touched upon by areas music institutions, Other Minds mainstream the and reshaping is committed to expanding music.” nition of what constitutes “serious defi Charles Amirkhanian, & Artistic Director Executive www.otherminds.org www.radiOM.org “No other city has an organization –Alex Ross of The New Yorker –Alex D E T C C E L A FRIDAY,FRIDAY, FEBRUARYFEBRUARY 28,28, 2014 SSATURDAY,ATURDAY, MARCH 1, 2014 XP V CONCECONCERTRT 1 7 PM PANEL DISCUSSION / 8 PM CONCERT CONCECONCERTRT 2 7 PM PANEL DISCUSSION / 8 PM CONCERT E TI Mark ApplebApplebaumaum (25 MINUTES) Mark Applebaum kickicksks off OM 19 by pairing Charles Celeste Hutchins (20 MINUTES) Charles CelesCelestete HuHutchinstchins begins our second N S Aphasia the alluallurere of the absuabsurdrd with the rigorsrigors of sci- Charles Celeste Hutchins, soloist night with an inventive,inventive, multimedia laptop U Mark Applebaum, soloist ence with a selection of worworksks ranging ffromrom Solo laptolaptop,p, with interactiveinteractive video performance.performance. HavingHaving been involvedinvolved in digital kinetic musical sign langualanguagege to daddada-esquea-esque technology forfor overover two decades, his highly FE MetapMetaphysicshysics of Notation F OOtherther Minds EnsemblEnsemble,e, sound sculptusculpture.re. Applebaum is ffollowedollowed by John Schott (20 MINUTES) chargedcharged work traces a range of concerns O NEW MUSI A FESTIVAL OF UNEXPECTED NEW MUSIC with pprojectedrojected graphic scoscorere undeundergroundrground minimalist legend Joseph ByrdByrd CaCarving,rving, Scraping, Changing fromfrom the humoroushumorous to the political. Hutchins’Hutchins’ who rreemergeseemerges with WWaterater Music and Ani- John Schott ((guitar)guitar) music will bebe accompaniedaccompanied by live-generatedlive-generated MousMousketierketier Praxis mals. BByrd’syrd’s careercareer as a composer,composer, arranger,arranger, DDanan Seamus (bass) digital projections.projections. Composer John Schott’sSchott’s Mark Applebaum, multi-instrumentalist and sound designer John Hanes (drums) Carving,Carving, Scraping,Scraping, Changing,Changing, forfor guitar trio,trio, OTHEROTHER sound sculptusculpturere with electronicselectronics has defidefi ed all attempts at categorization. is an auto-didactic practice that researchesresearches FFromrom his early yearsyears in New YorkYork under the thethe wayway improvisationimprovisation cancan generategenerate swingswing WendyWendy Reid (15 MINUTES) MINDSMINDS Joseph ByByrdrd (25 MINUTES) tutelage of new music lelegendsgends John CaCage,ge, and momentum. MyraMyra MelfordMelford followsfollows with TTreeree Piece ##5555 “lulu variations”variations” fforor WWaterater Music (1963) forfor solo percussionpercussion MoMortonrton FFeldman,eldman, and VirgilVirgil Thomson to the AAfricanfrican greygrey parrot,parrot, blue parrotlet,parrotlet, her critically acclaimedacclaimed solo piano improvisa-improvisa- and electelectronicronic tape deep pspsychedeliaychedelia of rrockock bands The United mutedmuted violin, trumpet,trumpet, stone/bowlstone/bowl of water,water, tions. FromFrom swirling and clamorousclamorous to stilling Alan Zimmerman (pe(percussion)rcussion) States of America, and The Field Hippies, Buchla LightinLighting,g, and digital rrecordingecording and meditative,meditative, Melford’sMelford’s virtuosicvirtuosic playingplaying ByByrdrd to continues to astonish as one of the Animals (196(1961)1) fforor string quaquartet,rtet, WendyWendy Reid (violin) and arrangingarranging runs an all-encompassing arcarc most singular and pprolifirolifi c music personalities pepercussionrcussion and preparedprepared piano TomTom DamblyDambly (trumpet) of techniques. WendyWendy Reid’sReid’s TreeTree Piece #55 Del Sol String QuaQuartet:rtet: Kate StenbeStenbergrg of the 20th centucentury.ry. “lulu variations”variations” fromfrom her TreeTree Pieces series, “I stand byby my long-heldlong-held conviction that,that, (violin), Rick ShinShinozakiozaki (violin), Charlton Composer John Bischoff translates elec- is an on-going set of musical processesprocesses SFJAZZ CENTER 19SFJAZZ S 2014 MARCH 1ST, MARCH 28 FEBRUARY F Intermission 19 LLeeee (viola), KathrynKathryn Bates Williams (cello) which attempt to reflrefl ect nature’snature’s manner of per capita, the San FranciscoFrancisco BayBay AreaArea is ttronicronic music into the livelive medium using pro-pro- EB F Sarah Cahill (piano),(piano) Robert Lopez & operations. Reid’sReid’s work points to the inter- America’sAmerica’s healthiest place forfor unconven-unconven- cessed acoustic sound sousourcesrces to createcreate a MyraMyra MelfordMelford (25 MINUTES) J tional and inventiveinventive composerscomposers toto emergeemerge Alan Zimmerman (pe(percussion)rcussion) rrealeal time audio-collage in which the elements connection of all things (including ourselves)ourselves) AZZ C Solo ImprImprovisationsovisations R and thrive.thrive. Our proudproud historyhistory includes such of pacing and ttexture,exture, and the intrinsic fea-fea- Myra MelMelford,ford, piano in nature.nature. UA greatgreat fi guresgures as HenryHenry Cowell, John Cage,Cage, Intermission tuturesres of the electronicelectronic medium areare explored.explored. OtherOther Minds concludes its 19th eventevent with a LouLou Harrison, HarryHarry Partch,Partch, PaulinePauline Oli- Bischoff dedeftlyftly navigatesnavigates the crestcrest betweenbetween Roscoe Mitchell (30 MINUTES) world premierepremiere performanceperformance of composer veros,veros, MortonMorton Subotnick,Subotnick, LaMonte Young,Young, John Bischoff (16 MINUTES) oorderrder and chaos to articulatearticulate his texturaltextural Nonaah (world ppremiere)remiere) forfor bass Roscoe Mitchell’sMitchell’s Nonaah forfor fourfour bass R AAudioudio CombineCombine fforor laptop,laptop, toy chime,chime, 1 SteveSteve Reich, TerryTerry Riley,Riley, Donald Buchla, sound ininvestigations.vestigations. OOtherther Minds 19 is pproudroud sasaxophonexophone quaquartetrtet saxophones.saxophones. HavingHaving begun as an exerciseexercise forfor EN music bbox,ox, uukulele,kulele, and hand drum Y S John Adams and so many others. This yearyear to conclude the fi rst night with the UU.S..S. pre-pre- Roscoe MiMitchelltchell (bass saxophone)saxophone) solo saxophonesaxophone meant to exploreexplore the instru- we’re presenting some of their progeny in a John Bischoff , soloist T we’re presenting some of their progeny in a miemierere of DropDrop by DropDrop by live-electroniclive-electronic mu- JJ.D..D. ParranParran (bass saxophone)saxophone) ment’sment’s threethree registers,registers, Mitchell has rear-rear- 2 NorthernNorthern CaliforniaCalifornia rounduproundup thatthat includes sic ffoundingounding ffatherather Donald Buchla. Designing , SuSurfacerface EEffff ecectt fforor laptop and analog cicircuitrcuit Vinny Golia (bass sasaxophone)xophone) ranged his heralded piece forfor a quartetquartet (!) of T 8 both composerscomposers and impimprovisersrovisers in a and building electelectronicronic musical instruments 201 John Bischoff , soloist Scott Robinson (bass sasaxophone)xophone) bass saxophones,saxophones, a unique instrument with a E varietyvariety of styles. You’llYou’ll be hearing some in the San FFranciscorancisco BBayay AreaArea since the early low and sonoroussonorous timbretimbre that is rarerare enough R uncompromisinguncompromising heroesheroes
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