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1983 – Hanover, NH – Dartmouth College DARTT"TOUfiICOLLEGE 13-15 MAY 1983 Ihe lnfernofionolAssocisfion for fheSfudy o{ PopulorMusic L,Arsociofionfnframotonsle pour I'ft'ude de lo Muvquedes Moss Medio Frld-ay. 13 May 11am 1pm Regis t ra t lon . Lower l^lashburF Lobby, noifcins Cent'er, Dartmouth::Cbllege r{' 1 3pm Sess lon I,. POPULARl'llJs IC IN THEORYAND PRACTICE, Faulkner Recltal Hal1 , Hopklns Center :1. a: 8. Openlng Remarks 81'11 Cole b. ttAmerlcan and Brltish Pop and Rock' Present and Futurett Paul Gambacclnl t'The tt C. l"lass lledta ln Smal1 Count rles Roger Wallls : d. ttsignlflcance in Popular Muslc : American fnt sl: Rock Roll and Engltsh Subcultural Life" i\rt,.::.: ..:.. John Shepherd chalr: Charles Hamm 3: 30 5: 30 pm Sesslon II. THE ASSIMILATION OF AI"IERICAI| POPULARMUSIC ABROAD. Faulkner Recltal Ha1I ttAmerlcan' 3. Jazz $ tereo types ln I tlllan Popular Llusic between the T\^roWorld Warstt Marcello Sorce-Keller b. ttDeflning Pop ln Indones ia" ldar t ln Ha t:ch ttqu6bec C. Chansons Vb Amerl-can Modelsft Jos6e Destrempes and Anne Marle Messler chair: Rlchard Jackson ! i: * F. '''i;tt"i| " t' $ , " ?t ', ;,. 1,:;,.' ,,. ltav it Iriaay t: E ,,1.:: t; and {;, 7Ptn 11 pm ROCKCONCERT, Hopkins Cenrer Dave Edmunds f;'Yi ',t" ' $ Bpm ORGANIZATIONAL },IEETING OF. ?i AI"IERICAN BMNCH t#i OF IASPM. Faulkner Recital Hall {) '. $. $- Sir.tuqday 14. May i ',' €" iJ', 9-1-1 am SESS1ONIII. AI"IERICAIS ETTTNICMINORITIES li, ii AND 19Ih-CENTURYPOPUI.AR MUSIC. Faulkner Reeital Hall ttThe E. Roots of Blackface Minstrel Musictt Sam Dennison ttPerforning b. Minstrel Music Today: Sourc€s, Techniques, Ethiesrt James Kirnball and ELLzabeth Gamble trJewish Cr lutinstrelsy orl the Bowery: American Yiddish Theater Music, 1882-1900tt Irene Heskes chair: Joseph Byrd 11:30 am { I pm Session IV. POPULARPIANO MUSIC, Faulkner Recital Hall ttAmerican 8'. Piano-Novelty Musie of the 1920stt Ron R:lddle ttMus b. ical Characteris tics o f Piano Salon Music in Qudbec, 1880-1915" Diane Geoffrion ttlndianapolis C. and the Rise of Ragtimetl John EdlnrardHasse chair: Edward Berlin i:,:: , i: Sgtur9aY 14- I"laY ':: -, :.-r:'. 2'.30 5:30 pm Session V" TTIEBUSINESS OF MUSIC Ankeny Clas sroom, l"lurdough Cent€r r The Amos Tuck School of Business Adminis tration ttMusie 8. in Advertisingtt Joseph Byrd and John Pike ttThe b" Int ernat ional Music Bus ines s , Pre s ent, and Futurett Jack Weidenmann Will iam Walsh Roger Wallis Gerard Kempers Charles Blancq chair: Richard Broderick 8 pn CONCORDSTFJNG QUARTET. Spaulding Audltorium 8:30 pn MUSIC-MAKINGAND SOCIALIZING. The Inn at Norwich Informal piano and <lance music by conference participants S_unday 15J{ay. 9: 30 am 12:30 pm Session VI . AMERICAI{JLZZ AT IIOI'IE AND ABROAD. Faulkner Recital tlall ttt t &. Le Hot : the AssimilaCion of Jazz in France, 1917-1940" William Howland KenneY III b" ttDuke Ellington: the Danee Band Leader as I4ajor Composerrt l"lartin Williams ItFred. rPuttinr Co Astai-rets Use of ltrsic in on tl the Rlt zr John Mueller chair: Andr6 Barbera -ff '1,'s ttt"_ Participants Andr6 Barbera teaches courses U.rfin*iniah inrerrela- tionships between popular music and jaiz at the universltv of Notre Dame, where he is an assistant professor in the music department. Edward Berlin i-s the author of, the recent Ragtime: A Musj-cal an3 Cultural llisEory. IIe teaehes cornpuie-pro- grarnrning as an adjunct assistant professor in the busi.- ness department of Queensborough Comrunity College. Charles Blancq, a long:-time performer i_n night club shows in New Orleans, has recently completed Sonny._Rol,lins: Thg Journey of a Jazzuran. He is an assistanC-professor of music and director of tt,.e jazz band at the university of New Orleans. Richard Broderick, a veteran of more than 25 years in the music indus try r now direc ts the lulusic Business and Tech- nology Program at New York University. Joseph Byrd studied with John Cager performed with and wrote musie for the rock group The United States of Amer- ica, and is lulusic Director for the Yankee Doodle Society, which brought out the three-disc Popular &Lie_ -in JaqL<- s_o-niaq AJne.rjJ:g for the I'Iusical tt also t arranged and conduc ted Ry Cooder s Jazz LP alburr. His music for television connerc ials is-ffiduced through Joseph Byrd lulusic of Los Angeles. Bill Cole r suthor of Mlles Davi-s: A Musi-cal Biographv and JottL Co_IFJ.anq,i" at Dartmouth College. He and Hafiz Shabazz perform as Wind and Thund€r. Sam Dennison i-s curator of the Edwin A. F1e is cher Col- lec tion of Orchest, ral Music at the Free Library of Philadelphia. His ScandaLize My Name: i.rl $neliqjrq Popular J'{usriq was publ ished last year. Jos6e Destrempes hL" dLtried out a musicological study of the social, po1ji.:bt.ba1and muslcal aspects of Qu6bec chanson. Secretary of thdi{anadian branch of IASPl"l, she recently participated in li:,Ootiference organized by the Swedish branch. ' ,, .irt, Paul Gambaccini graduated from Dartmouth in 1970, then continued his studies aL University College, Oxford. One of Britaints most popular disc jockeys, he has been respon- sible for the BBC radio projects tThe Bee Gees Storyr and tTtre Elton John Storyr. He is author of Paul Mccartney in His o$rntr{ords; critic's choice: Top 2b-dlfl6iilI-Ed The Guinness Boo!__ql_Er!!!qb HiL Singles. Elizabeth Garnble, a Senior Assistant Librarian at the State University of New York in Geneseo, specializes in the per- formance of l9th-century Amerj-can popular music. Diane C,eoffrion teaches on the Faeult6 de Musique, Uni- versit6 de l"trontrdal, where she is also completing her thesir in musi-cology, "La Musique de Sa.l-onau Qu6bec (1880-1915)" Charles Hammbegan his musical career as a trombonist in an obseure, small-town southern swing band" He is now Arthur R. Virgin Professor of Music at Dartmouth College; his Music in the New World was published in February. John Edward llasse is presently developing The Sounds oJ Indiana, a series of recordings and songbooks of the alusic of Hoagy Carrnichael and other Indiana comPosers. I{is two- disc Indiana Ragtime was selected for a Deeus Taylor ASCAP award; he has performed and recorded as a ragtime pianist, produeed the documentary film Gospel in Gary, and is editing Ragt_ime: Its History, Comgosers' and Music. He lives in Cincinnati. Martin Hatch, a professor in the departments of music and Asian studies at Cornell University, has done extensive I'Popular field work in Indonesia. His paper Musies in Indonesia: Thinklng about Definitionstt has been accepted for presentation at the international IASPM conference 1n Reggio Eroilia" He is also a singer of, popular American "^; Irene Heskes carries out her work ; music historian and writer from her home in Forest niffs, Founder and director of the Ameri-can Ylddish Theatei Music Restor- ation and Revival Project, she is now completing an d1- notated bibliography of Jewish music; and her Music of the Holocaust: Lqgacy gnd tnspiration will p rint. "offi Richard Jackson is head of the Americana Collection of the lulusj-c Division at the New York Public Library at Lincoln Center. Editorial consultant for The Collected Wo:\S_ of Sco tt Joplin and author of rhe States Music: Sources of Bibliographyn his" most reeent tts publ ication is alvaging a Treasure: Pop Songs in the New York Publ ic Librarytt in P-opuJa_rllusi_c PeJspe_ctives . Gerard Kempers, treasurer of IASPM and an organLzex of the Amsterdam conference in 1981, is a staff member of the Nederlandse Stichting voor Kunstzj-nnige and a jazz- rock drummero His home is in Lelystad, Ttre Netherlands " William Kenney is an associaEe professor of history and coordinator of the American Studies Program at Kent State University. A jazz clarinetist, he has published arti- cles on jazz recently in American Music and The New Grov_LPigt_i%rgry_. -r j-n James Kimball , lecturer muslc at SUNY at Genes€o , performs lgth-century Ameriean music at schools, col- leges, and museulns, Recent appearances have been at the Genesee County Museum and the New York State His- torical Society in Coopers tolin o Anne Marie Messier, a musicologist from lvlontr6al , is treas urer o f the Canadian b ranch o f rAsplf . John Mueller, author of the for thcomj-ng !he_ ltus i cal Film.s o_LFrgd AFlgile, is a professor of political science and film studies at the Univers ity o f Roches ter o John Pike is Vice PrEs'ident, Associate Creative Dlrector, and llead of Broadcast Pr'oduction of the DrArcy-l"Iac}4anusand Masius agency i"n Bloonfield Hills, Michi-gan. Ronald ktddle o author o f the recent {lY lng Dgag_ol\s,. Slowine Streams: Music in the Life of San Francisco ts Chines€r is an associate professor of music at the New College of the University of South Florida. Deane Root is curator of the Stephen Foster Memorial.in Pittsburgh, a member of the, music faculty at the Universlty of Pittsburgh, and author of A*eri."n Poprlar Stags Musfu, 1860-1880. John Shepherdrs Tin Pan Alley was published j-n London 1ast, year and his rfA Theoretical Model for the Sociomusicologi- eal Analysis of Popular Musicsrr came out in Popular Music 2". A Special Lecturer in the Cultural Studies Prograrnme at Trent Uni-versity, Pet.erborough, Ontario, he will deliver a paper entitled "Definition as Mystifi-cation: A Con- sideration of Labels as a llindrance to llnderstanding Sig- nificance in Musicrt at the IASPM conference in Reggio Emilia. MarcelLo Sorce-Keller was a pop music arranger and pi.anist for Radiotelevlsione ltaliana (MI) and has written nurF erous recent articles and reviews dealing with American and Italian jazz and popular music.
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