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Judgment for Copyright Infringement and Permanent Injunction with the 16 Consent and on the Advice of Such Independent Legal Counsel
UMG Recordings, Inc. v. BCD Music Group, Inc. et al Doc. 199 1 JEFFREY D. GOLDMAN (SBN 155589) [email protected] 2 ROBERT J. CATALANO (SBN 240654) [email protected] 3 LOEB & LOEB LLP 10100 Santa Monica Boulevard, Suite 2200 4 Los Angeles, California 90067-4120 Tel: 310-282-2000/Fax: 310-282-2200 5 Attorneys for Plaintiff JS-6 6 7 8 UNITED STATES DISTRICT 9 CENTRAL DISTRICT OF CALIFORNIA 10 UMG RECORDINGS, INC., a Case No. CV 07-05808 SJO (FFMx) 11 Delaware corporation Assigned to the Hon. S. James Otero 12 Plaintiff, JUDGMENT FOR COPYRIGHT 13 v. INFRINGEMENT AND PERMANENT INJUNCTION 14 BCD MUSIC GROUP, INC., a Texas corporation; and DOES 1-10, inclusive 15 Defendants. 16 17 18 19 20 21 22 23 24 25 26 27 28 LA1837611.1 JUDGMENT AND PERMANENT INJUNCTION 212374-10008 Dockets.Justia.com Based on the stipulation by and between plaintiff UMG Recordings, Inc., a 1 Delaware corporation (“UMG”), and BCD Music Group, Inc., a Texas corporation 2 (“BCD”), and for good cause appearing, 3 4 IT IS ORDERED, ADJUDGED, AND DECREED THAT: 5 6 1. BCD infringed UMG’s copyrights in the following forty-three (43) 7 sound recordings (the “43 Sound Recordings”): 8 9 1. “War with God” (Ludacris) from the album Release Therapy. 10 2. “My House” (Lloyd Banks). 3. “Over and Over” (Nelly) from the album Suit. 11 4. “3 Kings” (Slim Thug). 12 5. “Say I” (Christina Milian). 6. “Bang Bang” (Young Buck), from the album Straight Outta 13 Cashville. 14 7. “Diamonds” (Fabolous). 8. -
Health and Wellbeing Champions' Conference MARKETPLACE INFORMATION ADHD Solutions Cic Apple P.I.E (Performance in Education)
Health and Wellbeing Champions’ Conference MARKETPLACE INFORMATION ADHD Solutions cic ADHD Solutions CIC is an independent initiative set up to support children young people and adults who have ADHD, their families, and the professionals who are working with them. We offer a holistic service based on the needs of the individual. For some this will be empowering parents to restore the equilibrium in their home by implementing our behaviour management programme. For others it may be that we work with a child's school to prevent exclusion and enable them to reach their full potential. Adolescents often need help and support with understanding their ADHD, life skills, social and study skills, anger management, and preparation for the transition to the adult world. Our adult clients have often found themselves struggling with organisation, time management and their finances, which can have disastrous consequences both at home and in the work place. By concentrating on individual strengths and identifying areas of concern, we can help our clients overcome these challenges and develop strategies and solutions to become successful partners and parents, hold down a job, become solvent financially, and become successful in all areas of their life. We aim to provide professionals with factual, well researched, up to date information about ADHD to enable them to have a clearer understanding of the difficulties faced by someone with the condition and a range of strategies to use. Website: http://cmsms.adhdsolutions.org/ Phone: 0116 261 0711 Apple P.I.E (Performance in Education) Apple Pie (Performance in Education) uses an interactive drama approach to teaching children and young people. -
The Lantern, 2019-2020
Ursinus College Digital Commons @ Ursinus College The Lantern Literary Magazines Ursinusiana Collection Spring 2020 The Lantern, 2019-2020 Colleen Murphy Ursinus College Jeremy Moyer Ursinus College Adam Mlodzinski Ursinus College Samuel Ernst Ursinus College Lauren Toscano Ursinus College Follow this and additional works at: https://digitalcommons.ursinus.edu/lantern See P nextart of page the forFiction additional Commons authors, Illustr ation Commons, Nonfiction Commons, and the Poetry Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Murphy, Colleen; Moyer, Jeremy; Mlodzinski, Adam; Ernst, Samuel; Toscano, Lauren; Tenaglia, Gabriel; Banks, Griffin; McColgan, Madison; Malones, Ria; Thornton, Rachel; DeMelfi, Gabby; Worcheck, Liam; Savage, Ryan; Worley, Vanessa; Schuh, Aviva; Bradigan, Emily; Addis, Kiley; Kushner, Shayna; Leon, Kevin; Armstrong, Tommy; Schmitz, Matthew; Drury, Millie; Lozzi, Jenna; Buck, Sarah; Ercole, Cyn; Mason, Morgan; Partee, Janice; Rodak, Madison; Walker, Daniel; Gagan, Jordan; Yanaga, Brooke; Foley, Kate I.; Li, Matthew; Brink, Zach; White, Jessica; Dziekan, Anastasia; Perez, Jadidsa; Abrahams, Ian; Reilly, Lindsey; Witkowska, Kalina; Cooney, Kristen; Paiano, Julia; Halko, Kylie; Eckenrod, Tiffini; and Gavin, Kelsey, "The Lantern, 2019-2020" (2020). The Lantern Literary Magazines. 186. https://digitalcommons.ursinus.edu/lantern/186 This Book is brought to you for free and open access by the Ursinusiana Collection at Digital Commons @ Ursinus College. It has been -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Karaoke Catalog Updated On: 08/09/2016 Sing Online on Entire Catalog
Karaoke catalog Updated on: 08/09/2016 Sing online on www.karafun.com Entire catalog TOP 50 Uptown Funk - Bruno Mars Crazy - Patsy Cline Summer Of '69 - Bryan Adams Don't Stop Believing - Journey Love Yourself - Justin Bieber Shake It Off - Taylor Swift Sweet Caroline - Neil Diamond My Girl - The Temptations Like I'm Gonna Lose You - Meghan Trainor Girl Crush - Little Big Town Wagon Wheel - Darius Rucker Ex's & Oh's - Elle King Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Black Velvet - Alannah Myles Let It Go - Idina Menzel Me Too - Meghan Trainor Baby Got Back - Sir Mix-a-Lot EXPLICIT Bohemian Rhapsody - Queen House Of The Rising Sun - The Animals H.O.L.Y. - Florida Georgia Line Hello - Adele Sweet Home Alabama - Lynyrd Skynyrd When We Were Young - Adele Ring Of Fire - Johnny Cash Jackson - Johnny Cash Take Me Home, Country Roads - John Denver Summer Nights - Grease Sweet Child O'Mine - Guns N' Roses Unchained Melody - The Righteous Brothers Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Livin' On A Prayer - Bon Jovi Can't Stop The Feeling - Justin Timberlake Piano Man - Billy Joel I Want It That Way - Backstreet Boys All Of Me - John Legend Turn The Page - Bob Seger These Boots Are Made For Walkin' - Nancy Sinatra Can't Help Falling In Love - Elvis Presley My Way - Frank Sinatra (Sittin' On) The Dock Of The Bay - Otis Redding Folsom Prison Blues - Johnny Cash Me And Bobby McGee - Janis Joplin Love Shack - The B-52's 7 Years - Lukas Graham Wannabe - Spice Girls A Whole New World - -
Charnwood Grants – Round One 2021/2022 Charnwood Community and Community Facilities Grant Applications
CABINET – 1ST JULY 2021 Report of the Head of Neighbourhood Services Lead Member: Councillor Leigh Harper-Davies Part A ITEM 6 CHARNWOOD GRANTS – ROUND ONE 2021/2022 CHARNWOOD COMMUNITY AND COMMUNITY FACILITIES GRANT APPLICATIONS Purpose of Report To enable Cabinet to consider applications received for funding in round one of the Community Facilities and Community Grants schemes for 2021/22. Recommendations 1. That the following Community Grants be awarded: • £500 to Sileby District Guiding towards play / sports equipment; • £750 to the Baldwin Trust towards recruitment and training of volunteers; • £1,400 to Rectory Wildlife Gardeners towards accessible seating; • £3,900 to New Life Community Church towards a family worker to support families who access the Loughborough Foodbank and CAP Debt Centre; • £1,200 to Peter Le Marchant Trust towards additional boat running and servicing costs associated with additional trips to support people with their mental health and well-being; • £1,200 to Albert Street Artists towards general running costs; • £2,500 to Leicestershire Youth Sailing Association towards volunteer training courses / qualifications; • £2,000 to PACE towards the provision of a summer holiday activity camp for children and young people; • £4,000 to PCM Loughborough (Polish Community Centre) towards a Healthy Body, Healthy Mind project; • £1,750 to Quetzal towards volunteer development and support for survivors of childhood sexual abuse; • £2,700 to FC Seagrave towards coaching qualifications and a set of football goals; • £5,000 to Go-Getta CIC towards the Loughborough Youth Motivators project; • £2,500 to Barkby United Cricket Club towards new furniture to enable wider community use of the clubhouse. -
Pacific Sociological Association
Pacific Sociological Association Shake It, Baby, Shake It: Consumption and the New Gender Relation in Hip-Hop Author(s): Margaret Hunter Source: Sociological Perspectives, Vol. 54, No. 1 (Spring 2011), pp. 15-36 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/sop.2011.54.1.15 . Accessed: 11/08/2011 02:26 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Pacific Sociological Association are collaborating with JSTOR to digitize, preserve and extend access to Sociological Perspectives. http://www.jstor.org SHAKE IT, BABY, SHAKE IT: CONSUMPTION AND THE NEW GENDER RELATION IN HIP-HOP MARGARET HUNTER Mills College ABSTRACT: Hip-hop is a popular music genre that has generated a multi-billion dollar industry. Although its gender and race relations have historically been problematic, they have recently transformed in particular ways. This study examines the forty-one best-selling rap videos of 2007– 2008. Through a qualitative content analysis of videos and lyrics several themes emerged. Hip-hop’s focus on conspicuous consumption, buttressed by the success of entrepreneurial rap moguls, has merged with strip club culture to create a new gender relation based on sexual transaction. -
Sexy Songs: a Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2012 Sexy Songs: A Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Feminist, Gender, and Sexuality Studies Commons, and the Musicology Commons Recommended Citation Tessitore, Lea, "Sexy Songs: A Study of Gender Construction in Contemporary Music Genres" (2012). Honors Theses. 910. https://digitalworks.union.edu/theses/910 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i “Sexy” Songs: A Study of Gender Construction in Contemporary Music Genres By Lea M. Tessitore * * * * * * * * * * Senior Thesis Submitted to the Political Science Department in Partial Fulfillment of the Requirements for Graduation UNION COLLEGE March 2012 ii Acknowledgements I would like to extend a heartfelt Thank You To my Mom Your complete support made everything possible To all of my Professors at Union For helping me to grow intellectually and as a person To my Friends For being wonderful colleagues and for being true friends iii Table of Contents Preface……………………………………………………………………………………v Introduction………………………………………………………………………………1 Chapter I………………………………………………………………………………….5 Rap/Hip-Hop Music Chapter II….…………………………………………………………………………….33 Country Music Chapter III…………….…………………………………………………………………67 Punk Rock Music Conclusion……………………………………………………………………………...99 Bibliography…………………………………………………………………………..113 iv “One is not born, but rather becomes, a woman.” - Simone de Beauvoir “Music expresses that which cannot be said and on which it is impossible to be silent.” - Victor Hugo v Preface This study focuses on gender construction in contemporary music genres, including Rap/Hip-hop, Country, and Punk Rock. -
Casterton Working Dog Auction 2019
CCAASSTTEERRTTOONN WWOORRKKIINNGG DDOOGG AAUUCCTTIIOONN SSuunnddaayy,, JJuunnee 99th,, 22001199 IIssllaanndd PPaarrkk,, CCaasstteerrttoonn Demonstrations Sale 9.30am – 2.30pm Catalogue Auction 3.00pm Quality Working Dogs to be Auctioned Event Program 8.00am Office opens for dog registration and tagging Breakfast available Buyer registrations taken until 2.30 pm 9.00 All vendors to be present for briefing at Public Address Point. 9.30 – 2.30 Paddock, yard, race, draft and sheep loading demonstrations. Each dog only demonstrated once so prospective buyers are urged to be at Island Park by 9.30am so as not to miss any dogs being demonstrated. 10.30 & Pups and younger dogs demonstrated in Pup 12 noon demonstration arena. 12-12.30pm Lunch Break and pup and younger dog demonstrations 2.30 Last opportunity for prospective buyers to register at Office. 3.00 AUCTION commences 4.00 Office open to receive payments for dogs purchased. The Casterton Kelpie Association thanks • Glenelg Shire Council • MJ (Jacky) Smith Transport (sheep transportation) • Harvey Family (Sheep) • OG Roberts Truck Sales • Casterton P & A Society • Nicola Pattison (Vet) Assistance with Catering provided by: • Casterton Football Club • Casterton Foodworks • Herbert’s Bakery (Casterton) • Richardsons Butchery (Casterton) • J.O.Berkefeld Pty Ltd The many individuals and clubs whose invaluable contribution to the Australian Working Dog Kelpie Muster continues to make the event such a success. Without their assistance and enthusiasm, this event would not be possible. Casterton Kelpie Association Incorporated Working Dog Auction: President: John Matthews T: 0437 171 778 Secretary: Nicky Holmberg T: 0438 052 394 Each dog will only be demonstrated once, so prospective buyers are urged to be at Island Park by 9.30am so that they can view all dog demonstrations. -
13 Biibd: Music HOTR&Bfrfipap , YTM
DECEMBER 13 BiIbd: Music HOTR&BfrFIPAP , YTM u w W w + TITLE = TITLE S _ TITLE Temptations, the Whispers and r g ARTIST (IMPRINT/PROMOTION LABEL) F , ARTIST (IMPRINT/PROMOTION LABEL) 1- g ARTIST (IMPRINT /PROMOTION LABEL) Y- NUMBER 1 Lakeside will be among the hon- 1 y2 1 Step In The Name Of Love wuallo.I 26 21 Clap Back ® 55 Quick To Back Down Rhythm R. KELLY IJIVEI ", JA RULE (MURDER INCJDEFJAM/IOJMG) orees at the second annual Black BRAVEHEARTS(ILL WIWCOLUMBINSUMI Q 5 You Don't Know My Name ® 41 Not Today 53 The Set Up Music Awards. The Dec. 14 ALICIA KEYS (JA1MG) MARY J. BLIGE FEAT. EVE ¡GEFFEN) OBIE TRICE FEAT. NATE DOGG ISHADY /INTERSCOPB soirée -presented by the Los 3 3 Walked Outta Heaven m 30 Gigolo 53 Touched A Dream & Blues JAGGED EDGE ICOLUMBINSUMI NICK CANNON FEAT. R. KELLY (NICK/JIVE) R. KELLY IJIVEI Angeles Black Music Assn. -will 4 4 The Way You Move 29 25 Thoia Thoing 66 Pop That Booty Conti'ued from page 32 be held at Los Angeles' Wilshire OUTKAST FEAT. SLEEPY BROWN IARISTAI R. KELLY (JIVE) MARQUES HOUSTON ITU.GJELEKTRNEEGI 5 2 Stand Up Q 39 Salt Shaker 52 Suga Suga Ebell Theater. For more details, LUDACRIS (DISTURBING THA PEACE/DEF JAM SOUTMOJMGI HING YANG TWINS ICOWPARK/IVTI BABY BASH FEAT. FRANKIE J IUNIVERSAL/UMRGI visit lablackmusicawards.com. 6 6 Damn! @ 36 Through The Wire 60 Rubber Band Man VOUNGBL000Z FEAT. UL JON (SO SO DEF/ ARISTA) KANYE WEST )ROC- A- FELLADEFJAM/IDJMGI T I. IGRAND HUSTLE/ATLANTICI (Dec. -
Page 1 February 2016 Edition by Song Title #Icanteven (I Can't Even)
PAGE 1 FEBRUARY 2016 EDITION BY SONG TITLE #ICANTEVEN (I 31837 THE NEIGHBOURHOOD 187 VS FELIX (V) 30961 BOOTLEG CAN'T EVEN) (V) FT FRENCH MONTANA 19 YOU + ME (V) 27215 DAN & SHAY #SELFIE (V) 27946 THE CHAINSMOKERS 1901 (V) 23066 BIRDY $100 BILL (EXPLICIT) (V) 26811 JAY-Z 19-2000 (V) 24095 GORILLAZ (DON'T FEAR) THE REAPER BLUE OYSTER CULT (7 INCH EDIT) (V) 30394 1959 (V) 16532 LEE KERNAGHAN 1973 12579 JAMES BLUNT (I'D BE) A LEGEND RONNIE MILSAP IN MY TIME (V) 31396 1979 (V) 19860 SMASHING PUMPKINS (IF PARADISE IS) AMEN CORNER 1982 (V) 28398 RANDY TRAVIS HALF AS NICE (V) 32025 1983 (NINETEEN 21305 NEON TREES (WIN, PLACE OR SHOW) INTRUDERS EIGHTY THREE) (V) SHE'S A WINNER (V) 32232 1984 (V) 29718 DAVID BOWIE (YOU DRIVE ME) CRAZY BRITNEY SPEARS (ALBUM VERSION) (V) 31784 1985 (V) 2222 BOWLING FOR SOUP 1994 (V) 25845 JASON ALDEAN (YOU MAKE ME FEEL LIKE) 31218 ARETHA FRANKLIN A NATURAL WOMAN (V) 1999 8496 PRINCE MARTIN SOLVEIG 1999 (EXTENDED VERSION) PRINCE +1 (V) 32224 FT SAM WHITE 4347 19TH NERVOUS 0 TO 100 - THE CATCH DRAKE 9087 THE ROLLING STONES UP (EXPLICIT) (V) 30044 BREAKDOWN DESMOND DEKKER 1-LUV 6733 E-40 007 12105 & THE ACES 1ST MAN IN SPACE 23233 ALL SEEING I 1 - 2 - 3 (V) 20677 LEN BARRY (FIRST) (V) BONE THUGS N 1 2 3 O'LEARY (V) 17028 DES O'CONNOR 1ST OF THA MONTH 6874 HARMONY 1 TRAIN (V) 30741 A$AP ROCKY 2 BAD 6696 MICHAEL JACKSON 1, 2 STEP (V) 2181 CIARA FT MISSY ELLIOTT 2 BECOME 1 7451 SPICE GIRLS 1, 2, 3, 4 (SUMPIN' NEW) 7051 COOLIO 2 DOORS DOWN 13629 MYSTERY JETS 1, 2, 3, 4 (V) 3778 PLAIN WHITE T'S 2 HEARTS 12951 KYLIE MINOGUE -
Young Jeezy FAN TV
Presents YOUNG JEEZY Jay Jenkins (born September 28, 1977), better known by his stage name Young Jeezy, is an American rapper and member of the hip hop group United Streets Dopeboyz of America (USDA) and a former member of Boyz n da Hood. He began his career in 2001 under an independent label and joined Boyz N Da Hood in 2005, the same year his solo major label debut Let's Get The Inspiration followed in 2006, and The Recession It: Thug Motivation 101 was followed in 2008; both albums yielded chart-topping singles. released. Its single "Soul Jeezy has also appeared on numerous other rap and R&B Survivor", which featured singles such as "Say I" by Christina Millian, "I'm So Paid" by Akon, became a top-ten hit Akon, and "Love In This Club" by Usher, the latter being a in the U.S. number one single on the Billboard Hot 100 in 2008. Young Jeezy released his first independent album, Thuggin' Under the Influence (T.U.I.), in 2001 under the name Lil J. It featured artists such as Kinky B, Fidank, and Lil Jon, who also produced some of the tracks. In 2003, Jeezy released (also independently) Come Shop Wit' Me, a two CD set featuring completely new tracks along with some songs from T.U.I. Come Shop Wit' Me sold 50000 copies world wide. In 2004, he signed with Bad Boy Records and joined the Boyz N Da Hood group. Boyz N Da Hood's self-titled album was released on June 21, 2005 and peaked at #5 on the Billboard 200 albums chart.