Restorative’: Ethical Relationships in Restorative Practice
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California Symphony Returns to Live Performances for 2021/22 Season
CALIFORNIA SYMPHONY RETURNS TO LIVE PERFORMANCES FOR 2021-22 SEASON FIVE CONCERTS SEPTEMBER 18, 2021 – MAY 15, 2022 TWO WORLD PREMIERES FROM CALIFORNIA SYMPHONY YOUNG AMERICAN COMPOSERS-IN-RESIDENCE, DEEPENING COMMITMENT TO COMMUNITY AND DIVERSITY Subscriptions available now. Single tickets go on sale August 13. WALNUT CREEK, CA (5 August 2021) – Following a strong virtual season that attracted new audiences from across the state and around the world, California Symphony, under the leadership of Music Director Donato Cabrera, returns to live concerts at the Lesher Center for the Arts in Walnut Creek for its 2021-22 season. California Symphony’s new season furthers its promise to present innovative programming, exciting guest artists, and music by living composers, women, and composers of color. Subscriptions for three, four, or five concerts start at $99 and are available now, while single tickets ($44-74) go on sale beginning August 13. For more information, the public may visit CaliforniaSymphony.org. Season highlights include: • In the 2021-22 season, California Symphony is excited to finally realize its expansion from eight to ten concerts as originally planned for the 2019-20 season, underscoring the organization’s ability to retain and grow its audience. • 35% of composers in the 2021-22 season are living, female, or composers of color, in continuation of California Symphony’s 2017 Commitment to Diversity outlining its dedication to presenting living and underrepresented composers. • Programming includes composers Jessie Montgomery, Marianna Martines, former Composer-in-Residence (2017-20) and recent Rome Prize winner Katherine Balch, George Walker, and current Composer-in-Residence Viet Cuong, featured alongside Beethoven, Haydn, Debussy, Tchaikovsky, Vaughan Williams, and more. -
Goldmark's Wild Amazons Drama and Exoticism in the Penthesilea Overture
Goldmark’s Wild Amazons Drama and Exoticism in the Penthesilea Overture Jane ROPER Royal College of Music, Prince Consort Road, London E-mail: [email protected] (Received: June 2016; accepted: March 2017) Abstract: Goldmark was the first of several composers to write a work based on Heinrich von Kleist’s controversial play, Penthesilea. Early critical opinion about the overture was divided. Hanslick found it distasteful, whereas others were thrilled by Goldmark’s powerful treatment of the subject. Composed in 1879, during the 1880s Penthesilea became established in orchestral repertoire throughout Europe and Amer- ica. The overture represents the conflict of violence and sexual attraction between the Queen of the Amazons and Achilles. Exoticism in the play is achieved by contrasting brutal violence, irrational behaviour and extreme sensual passion. This is recreated musically by drawing on topics established in opera. Of particular note is the use of dissonance and unexpected modulations, together with extreme rhythmic and dy- namic contrast. A key feature of the music is the interplay between military rhythms representing violence and conflict, and a legato, rocking theme which suggests desire and sensuality. Keywords: Goldmark, Exoticism, Penthesilea Overture The Penthesilea Overture, op. 31, is arguably Carl Goldmark’s most controversial work. Its content is provocative. Consider first of all the subject matter: Goldmark transports us to the battlefield of Troy in the twelfth century BC. Penthesilea, Queen of the Amazons, a terrifying, ferocious warrior tribe of women, gallops onto the scene with her retinue. The Amazons are bloodthirsty and hungry for sex, anticipating the men they will capture to enact their fertility ritual. -
Top 40 Singles Top 40 Albums
02 June 1996 CHART #1012 Top 40 Singles Top 40 Albums Killing Me Softly Give Me One Reason Down On The Upside Collective Soul 1 The Fugees 21 Tracy Chapman 1 Soundgarden 21 Collective Soul Last week - / 1 weeks Platinum / SONY Last week 16 / 16 weeks Gold / WARNER Last week - / 1 weeks Gold / A&M/POLYGRAM Last week 19 / 11 weeks Gold / WARNER Tonight Tonight Pretty Noose To The Faithful Departed Enigma I & Ii 2 Smashing Pumpkins 22 Soundgarden 2 The Cranberries 22 Enigma Last week - / 1 weeks VIRGIN Last week 18 / 2 weeks A&M/POLYGRAM Last week 2 / 4 weeks Platinum / ISLAND/POLYGRAM Last week 16 / 6 weeks Gold / VIRGIN 1,2,3,4 (Sumpin New) Who Can I Run To? Jagged Little Pill Tiny Music . Songs From . 3 Coolio 23 Xscape 3 Alanis Morissette 23 Stone Temple Pilots Last week 2 / 6 weeks Gold / FMR Last week 30 / 4 weeks SONY Last week 3 / 37 weeks Platinum / WARNER Last week 17 / 7 weeks Gold / WARNER California Love Fu-Gee-La Older Zebra Crossing 4 2Pac & Dr Dre 24 The Fugees 4 George Michael 24 Soweto String Quartet Last week 1 / 7 weeks Platinum / ISLAND/POLYGRAM Last week 24 / 11 weeks TRISTAR/SONY Last week 1 / 2 weeks Gold / VIRGIN Last week 23 / 4 weeks Gold / BMG Spaceman Lady Mellon Collie And The Infinite Sadne... No Need To Argue 5 Babylon Zoo 25 D'angelo 5 Smashing Pumpkins 25 The Cranberries Last week 14 / 13 weeks Gold / EMI Last week 20 / 7 weeks EMI Last week 14 / 29 weeks Platinum / VIRGIN Last week 32 / 77 weeks Platinum / POLYGRAM Ridin' Low Don't Stop Sixteen Stone Oyster 6 L.A.D 26 C.D.B. -
The Cure 1983 Album Download Zip the Cure 1983 Album Download Zip
the cure 1983 album download zip The cure 1983 album download zip. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67ac91da5a088ff7 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Greatest Hits. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £12.49. The Cure were never afraid of artistically defining themselves. They had their own sound, an eerie glamour surrounding a dark whimsicality, yet fans flocked to them throughout the '80s and '90s. Commercial or cult favorites, they're impressive as being one of the '80s' seminal bands who culled more than 30 critical singles. Compilations like 1986's Staring at the Sea: The Singles and 1997's Galore showcased the Cure's accessibility; therefore, having a solid greatest-hits collection might be a bit nonessential. Then again, releasing an album like this at the tip of the new millennium calls for a celebration, and that's what the Cure did. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
3500 ¥25000 ¥2000 ¥4000 ¥10000 ¥4000 ¥3500 ¥3000 ¥5000 ¥5000
ARTHUR RUSSELL ARTHUR RUSSELL BAUHAUS COCTEAU TWINS COCTEAU TWINS World Of Echo First Thought Best Thought In The Flat Field Four-Calendar café Milk & Kisses ◆画像 ◆画像 ◆画像 ◆画像 ◆画像 1986年 UPSIDE 【UP600091】 2006年 AUDIKA 【AU10051】 1980年 4AD 【CAD13】 1993年 FONTANA 【5182591】 1996年 FONTANA 【5145011】 US ORIGNAL LP US ORIGNAL 3LP UK ORIGINAL LP UK ORIGINAL LP UK ORIGINAL LP SHRINK STICKER INNER SLEEVE INNER SLEEVE INNER SLEEVE INNER SLEEVE 買取 買取 買取 買取 買取 価格 ¥5,000 価格 ¥6,000 価格 ¥1,500 価格 ¥6,000 価格 ¥8,000 CONTORTIONS CURE CURE CURE CURE BUY Kiss Me Kiss Me Kiss Me Disintegration Wish Show ◆画像 ◆画像 ◆画像 ◆画像 ◆画像 1979年 ZE 【ZE33002】 1987年 FICTION 【FIXH13】 1989年 FICTION 【FIXH14】 1992年 FICTION 【FIXH20】 1993年 FICTION 【FIXH25】 US ORIGNAL LP UK ORIGINAL 2LP UK ORIGINAL LP UK ORIGINAL 2LP UK ORIGINAL 2LP INNER SLEEVE / INSERT INNER SLEEVE INNER SLEEVE INNER SLEEVE 買取 買取 買取 買取 買取 価格 ¥2,000 価格 ¥2,000 価格 ¥2,000 価格 ¥6,000 価格 ¥3,500 CURE CURE CURE DAVID CUNNINGHAM DAVID SYLVIAN Paris Wild Mood Swings Bloodflowers Grey Scale Blemish ◆画像 ◆画像 ◆画像 ◆画像 ◆画像 1993年 FICTION 【FIXH26】 1996年 FICTION 【FIXLP28】 2000年 FICTION 【FIX31】 1977年 PIANO 【PIANO001】 2004年 SAMADHISOUND 【SOUNDLP001】 UK ORIGINAL 2LP UK ORIGINAL 2LP UK ORIGINAL 2LP UK ORIGINAL LP UK&US ORIGINAL LP INNER SLEEVE INNER SLEEVE INSERT INSERT 買取 買取 買取 買取 買取 価格 ¥12,000 価格 ¥6,500 価格 ¥10,000 価格 ¥2,000 価格 ¥6,000 DAVID SYLVIAN DEAD CAN DANCE DEPECHE MODE DEPECHE MODE DNA Manafon Into The Labyrinth Violator Playing The Angel A Taste Of DNA ◆画像 ◆画像 ◆画像 ◆画像 ◆画像 2010年 SAMADHISOUND 【SOUNDLP002】 1993年 4AD 【DAD3013】 1990年 MUTE -
What If Your Instrument Is Invisible? Dafna Naphtali Publishing As: Naphtali, Dafna
What if your instrument is invisible? Dafna Naphtali publishing as: Naphtali, Dafna. "What If Your Instrument Is Invisible?" Ed. Till Bovermann. Musical Instruments in the 21st Century: Identities, Configurations, Practices. Singapore: Springer, 2017. 397-412. Print. more info: http://www.springer.com/gp/book/9789811029509) Motivation As an electronic musician and vocalist, I am largely occupied with the capture and manipulation of sound in real time-- the sounds of my voice and of instruments being played by other musicians. Often, both of these instruments are “invisible” to the audience. Over 20 years I have used terms like “real-time live sound-processing”, “audio machinations”, or “{kaleid-o-phone}” to describe what I do. I grappled with explaining to other musicians, my audience and audio engineers what it is, exactly, that I am doing on stage. I found the technical explanation to be difficult enough, but explaining myself aesthetically and musically has been as interesting and challenging a task. With each new project or collaboration, new issues of musical and acoustic aesthetics arose, which I studied, played with, and sometimes held onto, as part of my growing library and palette for performance and communication. In this text, I will explain why my audio setup feels so consistently to be an instrument rather than a pile of audio effects. Guidelines In the mid-1990s, I wanted to experiment and find ways to play sound manipulations in musically reactive ways, as an “instrument”, and especially in improvised contexts. I first started, by dragging a Macintosh Plus computer with MIDI-controllable effect units to clubs and venues– and gigging meant carrying a whole lot of equipment. -
ذا Ùƒùšùˆø± ألبوù… (الألبوù
ذا كيور ألبوم قائمة (الألبومات & الجدول الزم ني) Seventeen Seconds https://ar.listvote.com/lists/music/albums/seventeen-seconds-853423/songs https://ar.listvote.com/lists/music/albums/torn-down-%E2%80%93-mixed-up-extras- Torn Down – Mixed Up Extras 2018 2018-51848646/songs 4Play https://ar.listvote.com/lists/music/albums/4play-2816936/songs Integration https://ar.listvote.com/lists/music/albums/integration-3799292/songs https://ar.listvote.com/lists/music/albums/40-live%3A-cur%C3%A6tion-25-+- 40 Live: Curætion-25 + Anniversary anniversary-85852557/songs https://ar.listvote.com/lists/music/albums/kiss-me%2C-kiss-me%2C-kiss-me- Kiss Me, Kiss Me, Kiss Me 1931096/songs The Cure - Greatest Hits https://ar.listvote.com/lists/music/albums/the-cure---greatest-hits-1931030/songs Boys Don't Cry https://ar.listvote.com/lists/music/albums/boys-don%27t-cry-1931163/songs Show https://ar.listvote.com/lists/music/albums/show-1931144/songs Paris https://ar.listvote.com/lists/music/albums/paris-1931701/songs Bloodflowers https://ar.listvote.com/lists/music/albums/bloodflowers-885210/songs Disintegration https://ar.listvote.com/lists/music/albums/disintegration-939505/songs Pornography https://ar.listvote.com/lists/music/albums/pornography-904080/songs Entreat https://ar.listvote.com/lists/music/albums/entreat-966211/songs Wild Mood Swings https://ar.listvote.com/lists/music/albums/wild-mood-swings-1457443/songs Three Imaginary Boys https://ar.listvote.com/lists/music/albums/three-imaginary-boys-1415138/songs Faith -
Dark German Romanticism and the Postpunk Ethos of Joy Division, the Cure and Smashing Pumpkins
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins Logan Jansen Hunter Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the German Language and Literature Commons Recommended Citation Hunter, L. J.(2020). Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/6182 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DARK GERMAN ROMANTICISM AND THE POSTPUNK ETHOS OF JOY DIVISION, THE CURE AND SMASHING PUMPKINS by Logan Jansen Hunter Bachelors in Arts University of South Carolina, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Masters in German College of Arts and Sciences University of South Carolina 2020 Accepted by: Nicholas Vazsonyi, Director of Thesis Yvonne Ivory, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Logan Jansen Hunter, 2020 All Rights Reserved. ii DEDICATION To my Opa, who helped me to appreciate the complexities of music, understand the significance of history and inspire to learn the German language. Without him, this thesis would not have been possible. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Dr. Nicholas Vazsonyi for his willingness to direct my thesis. I would also like to thank Will Whisenant, Ross and James Haynes, Max Gindorf, and C.J. -
Malwida Von Meysenbug's Memoirs of an Idealist. Translation of Memoiren Einer Idealistin Monte Gardiner
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 1999-03-25 Malwida von Meysenbug's Memoirs of an Idealist. Translation of Memoiren einer Idealistin Monte Gardiner Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the German Literature Commons BYU ScholarsArchive Citation Gardiner, Monte, "Malwida von Meysenbug's Memoirs of an Idealist. Translation of Memoiren einer Idealistin" (1999). All Theses and Dissertations. 6662. https://scholarsarchive.byu.edu/etd/6662 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. This thesis is copyrighted material, and is used by written permission of the author. Fair usage laws apply. The text was edited and prepared by Taylor Profita and Kurt Buhanan, Brigham Young University MALWIDA VON MEYSENBUG'S MEMOIRS OF AN IDEALIST TRANSLATION OF MEMOIREN EINER IDEALISTIN by Monte Gardiner A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of Germanic and Slavic Languages Brigham Young University April 1999 Sophie Journal Gardiner Copyright © 1999 Monte B. Gardiner All Rights Reserved Sophie Journal Gardiner ABSTRACT MALWIDA VON MEYSENBUG'S MEMOIRS OF AN IDEALIST TRANSLATION OF MEMOIREN EINER IDEALISTIN Monte B. Gardiner Germanic and Slavic Department Master of Arts The following translation is the first full-length rendering of Malwida von Meysenbug's two-volume autobiography Memoiren einer Idealistin/Eine Reise nach Ostende into English. -
SCHEDA TECNICA Luca Licandro
SCHEDA TECNICA Luca Licandro: Voce e Chitarre Francesco Riccioli: Basso Nicola Bella: Chitarre Francesco Coschino: Tastiere chitarra e Campionamenti Lorenzo Gambacorta: Batteria e Pad • Batteria (batterista mancino) : 9 Microfoni ( Rullante, Timpano, 2 Tom, 2 Charleston, Piatti, Cassa) Pad : uscita Jack per Roland SPD20 • Chitarra elettrica solista: 1 Mic x Ampli Marshall100W • Chitarra elettrica (tastierista): 1 Mic x Ampli Fender 200W • Chitarra elettrica (cantante): 1 Mic x Ampli Fender • Chitarra acustica (cantante): (Di) per Takamine 12 corde • Basso : uscita cannon per Ampli Trace Elliot 280W • Tastiere+basi : Di uscita mono • Vox : 1 Microfono (Shure Beta o SM 58/57) o EFX voce: Delay/Reverbero x Voce, Riverbero, compressore Multigate, per batteria • Monitors : almeno 4 (su almeno 3 linee indipendenti) • Impianto Luci • Mixer : minimo 16 canali • Di Box, Cavi cannon, etc. • Altro : 1 camerino con bagno e specchio, consumazioni, servizio catering o cena gruppo, accrediti, etc., secondo accordi Info line: Luca 339 6485746 http://www.easycure.it Grazie EASY CURE REPERTORY - Updated 01/01/2010 Find more informations at www.easycure.it BLOODFLOWERS out of this world watching me fall maybe someday the last day of summer the loudest sound bloodflowers BOYS DON'T CRY jumping someone else's train boys don't cry 10:15 saturday night killing an arab fire in cairo grinding halt three imaginary boys CONCERT - THE CURE LIVE shake dog shake primary charlotte sometimes the hanging garden the walk one hundred years a forest 10:15 saturday night -
ABSTRACT Title of Dissertation: “THE NIGHTMARE of the NATION
ABSTRACT Title of Dissertation: “THE NIGHTMARE OF THE NATION”: SAM SHEPARD AND THE PARADOX OF AMERICAN IDENTITY Paul Seamus Madachy, Doctor of Philosophy, 2003 Dissertation directed by: Dr. Jackson Bryer Depar tment of English Sam Shepard’s plays depict a world in which his characters struggle with a paradox of life in America. Incapable of ever attaining any semblance of their perception of American identity, they also cannot ever define themselves outside of a national character. This paradox occurs, Shepard argues, because America —through its literature, culture, and very history —has promoted and perpetuated a sanitized version of historical events, one that celebrates a self -sufficient, pioneering spirit while de-emphasizing the violent and exclusionary reality of America’s past. The unreality of this image instills in Shepard’s characters an incessant escapist impulse that emerges as a distinctly American characteristic. Shepard’s plays and writings ex pose this American identity —represented by the strong, hardy figure of the farmer/pioneer/cowboy—as an illusion and suggests that any successful notion of identity must acknowledge the character -shaping influence of the past as well as admit to the reality of an American identity that is inherently violent and inaccessible to most Americans. As Shepard continues to write, his characters have evolved as they attempt to find new forms of American identity. Chapter One provides a detailed discussion of Shepard’s perception of American identity, identifying the source of the fundamental elements of that national character. Chapter Two elaborates on the escapist impulse that pervades Shepard’s work, examining the distinct patterns of escapism that Shepard’s ch aracters display.