Privilege and Marginalization in Drag Communities in the United States
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Lesbian and Gay Music
Revista Eletrônica de Musicologia Volume VII – Dezembro de 2002 Lesbian and Gay Music by Philip Brett and Elizabeth Wood the unexpurgated full-length original of the New Grove II article, edited by Carlos Palombini A record, in both historical documentation and biographical reclamation, of the struggles and sensi- bilities of homosexual people of the West that came out in their music, and of the [undoubted but unacknowledged] contribution of homosexual men and women to the music profession. In broader terms, a special perspective from which Western music of all kinds can be heard and critiqued. I. INTRODUCTION TO THE ORIGINAL VERSION 1 II. (HOMO)SEXUALIT Y AND MUSICALIT Y 2 III. MUSIC AND THE LESBIAN AND GAY MOVEMENT 7 IV. MUSICAL THEATRE, JAZZ AND POPULAR MUSIC 10 V. MUSIC AND THE AIDS/HIV CRISIS 13 VI. DEVELOPMENTS IN THE 1990S 14 VII. DIVAS AND DISCOS 16 VIII. ANTHROPOLOGY AND HISTORY 19 IX. ACKNOWLEDGEMENTS 24 X. EDITOR’S NOTES 24 XI. DISCOGRAPHY 25 XII. BIBLIOGRAPHY 25 I. INTRODUCTION TO THE ORIGINAL VERSION 1 What Grove printed under ‘Gay and Lesbian Music’ was not entirely what we intended, from the title on. Since we were allotted only two 2500 words and wrote almost five times as much, we inevitably expected cuts. These came not as we feared in the more theoretical sections, but in certain other tar- geted areas: names, popular music, and the role of women. Though some living musicians were allowed in, all those thought to be uncomfortable about their sexual orientation’s being known were excised, beginning with Boulez. -
The Stonewall Riots
Marsha P Johnson, and the influence of the Stonewall Riots By Sol and Zivia What were the Stonewall Riots? The Stonewall riots were a reaction to opretion by the police. LGBTQ+ spaces were being invaded and criminalised by the police, and on June 28th 1969 they decided they had had enough. Who was Marsha P Johnson? Marsha P Johnson was a drag queen, gay liberation activist, and one of the most prominent leaders of the Stonewall Riots. She was also popular in New York City’s gay and art scene- modeling for Andy Warhol and performing onstage with Hot Peaches are only some of the achievements she has under her belt. When did the Stonewall Riots take place? The Stonewall Riots took place in 1969, during a time when very few establishments welcomed gay people. Bars like the Stonewall Inn were one of the few gay bars, and unfortunately were one of the few bars that were raided regularly by police. What caused the riots? Police were regularly raiding bars such as the Stonewall Inn, and this eventually was the tipping point for many members of the bar and the LGBTQ community. Many residents of the town started to riot, protesting that there should be places where anyone is comfortable about being open about their sexual orientation without being arrested for it. What was Marsha P Johnson’s involvement? It is hard to say what role Johnson had in the riots as accounts differ. What is certain is she was there, and went on to help found The Gay Liberation Front, one of the first organizations created as part of the modern fight for LGBTQ+ rights. -
Transgender-Identiti
Transgender Identities Overview Transgender is an umbrella term for a wide variety of identities describing an individual’s embodiment or gender presentation challenging the cultural or societal norm of their assigned sex at birth. An individual can identify as one or many of these identities. “Trans” is shorthand for “transgender.” Terminology has changed over time so we need to be sensitive to usage within particular communities. Gender Identity: An individual’s internal sense of Bi-Gendered: One who has a significant gender being male, female, or something beyond the binary. identity encompassing both male and female Gender identity is internal; ones gender identity is genders. Some may feel one side is stronger, but not necessarily visible to others. both sides are engaged. Gender Expression: How a person represents or Two-Spirit: Contemporary term referring to the expresses their gender identity to others, often historical and current First Nations people whose through behavior, clothing, hairstyles, voice or body individuals spirits were a blend of male and female characteristics. spirits. This term has been reclaimed by some Native American LGBT communities to honor their Intersex: Term used for people who are born with heritage and provide an alternative to the Western reproductive or sexual anatomy and/or chromosome labels of gay, lesbian, bisexual or transgender. patter that dos not align with typical definitions of male or female. Cross-Dresser: A term used for an individual who dress in clothing traditionally or stereotypically worn Transsexual: An older term for people whose by the other sex, but generally do not have an intent gender identity is different from their assigned sex at to live full-time as the other gender. -
The Reconstruction of Gender and Sexuality in a Drag Show*
DUCT TAPE, EYELINER, AND HIGH HEELS: THE RECONSTRUCTION OF GENDER AND SEXUALITY IN A DRAG SHOW* Rebecca Hanson University of Montevallo Montevallo, Alabama Abstract. “Gender blending” is found on every continent; the Hijras in India, the female husbands in Navajo society, and the travestis in Brazil exemplify so-called “third genders.” The American version of a third gender may be drag queen performers, who confound, confuse, and directly challenge commonly held notions about the stability and concrete nature of both gender and sexuality. Drag queens suggest that specific gender performances are illusions that require time and effort to produce. While it is easy to dismiss drag shows as farcical entertainment, what is conveyed through comedic expression is often political, may be used as social critique, and can be indicative of social values. Drag shows present a protest against commonly held beliefs about the natural, binary nature of gender and sexuality systems, and they challenge compulsive heterosexuality. This paper presents the results of my observational study of drag queens. In it, I describe a “routine” drag show performance and some of the interactions and scripts that occur between the performers and audience members. I propose that drag performers make dichotomous American conceptions of sexuality and gender problematical, and they redefine homosexuality and transgenderism for at least some audience members. * I would like to thank Dr. Stephen Parker for all of his support during the writing of this paper. Without his advice and mentoring I could never have started or finished this research. “Gender blending” is found on every continent. The Hijras in India, the female husbands in Navajo society, and the travestis in Brazil are just a few examples of peoples and practices that have been the subjects for “third gender” studies. -
CBC-Ombudsman-Annual-Report
OFFICE OF THE OMBUDSMAN ENGLISH SERVICES OMBUDSMAN ANNUAL REPORT 2020-2021 June 3, 2021 Michael Goldbloom, Chairman of the Board CBC/Radio-Canada Catherine Tait, President & CEO CBC/Radio-Canada Members of the Board of Directors CBC/Radio-Canada Mr. Goldbloom, Ms. Tait and Respected Board of Directors Members: Attached please find the Annual Report of the Office of the Ombudsman, English Services for the period April 1, 2020 to March 31, 2021. Sincerely, Jack Nagler CBC Ombudsman, English Services CBC OMBUDSMAN ENGLISH SERVICES ANNUAL REPORT | 2 TABLE OF CONTENTS Highlights .......................................................................................................................... 4 Trends ............................................................................................................................... 5 • The COVID-19 Pandemic ...................................................................................... 5 • Precision and Trust ............................................................................................... 6 • Accountability and Trust ........................................................................................ 7 • Inclusion and Trust ................................................................................................ 8 • Unpublishing and Trust ......................................................................................... 9 Other Issues ................................................................................................................... -
A Look at 'Fishy Drag' and Androgynous Fashion: Exploring the Border
This is a repository copy of A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121041/ Version: Accepted Version Article: Willson, JM orcid.org/0000-0002-1988-1683 and McCartney, N (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417 https://doi.org/10.1386/csfb.8.1.99_1 (c) 2017, Intellect Ltd. This is an author produced version of a paper published in Critical Studies in Fashion and Beauty. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 JACKI WILLSON University of Leeds NICOLA McCARTNEY University of the Arts, London and University of London A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman Abstract This article seeks to re-explore and critique the current trend of androgyny in fashion and popular culture and the potential it may hold for gender deviant dress and politics. -
LGBTQ+ Glossary of Terms
LGBTQ+ Glossary of Terms This glossary is offered as a starting point for discussion. Language is dynamic, continually growing and changing. This is particularly true with the language we use to identify ourselves. We should strive to ensure that our language does not demean, exclude or offend, by respectfully allowing others to self-identify and by mirroring those terms and identities. Ally: A person who does not identify with a group, but still advocates for that group's rights. Aromantic: In its broadest meaning, this umbrella term encompasses anyone who has a low or absent romantic attraction or interest in romantic activity. Sexual relationships may be desired. Asexual: In its broadest meaning, this umbrella term encompasses anyone who has a low or absent sexual attraction or interest in sexual activity. Intimate romantic/affectional relationships may be desired. Biphobia: Negative feelings, attitudes, actions, or behaviors against people who are, or are perceived to be, bisexual or pansexual. It may also be a fear of one's own bisexual or pansexual attractions. Bisexual: A person who is sexually and/or romantically attracted to men and women. Cisgender: Someone who is comfortable with the gender they were assigned at birth. The state of not being transgender. Cissexism: The systems of advantages bestowed on people who are cisgender. It can also be the assumption that all people are, or should be, cisgender. Crossdresser: A cisgender person who dresses in clothing deemed inappropriate by society for the gender assigned them at birth. The purpose is usually emotional comfort or erotic fulfillment. Drag King & Drag Queen: A person who cross-dresses as a means of performance or entertainment. -
Media Reference Guide
media reference guide NINTH EDITION | AUGUST 2014 GLAAD MEDIA REFERENCE GUIDE / 1 GLAAD MEDIA CONTACTS National & Local News Media Sports Media [email protected] [email protected] Entertainment Media Religious Media [email protected] [email protected] Spanish-Language Media GLAAD Spokesperson Inquiries [email protected] [email protected] Transgender Media [email protected] glaad.org/mrg 2 / GLAAD MEDIA REFERENCE GUIDE TABLE OF CONTENTS INTRODUCTION FAIR, ACCURATE & INCLUSIVE 4 GLOSSARY OF TERMS / LANGUAGE LESBIAN / GAY / BISEXUAL 5 TERMS TO AVOID 9 TRANSGENDER 12 AP & NEW YORK TIMES STYLE 21 IN FOCUS COVERING THE BISEXUAL COMMUNITY 25 COVERING THE TRANSGENDER COMMUNITY 27 MARRIAGE 32 LGBT PARENTING 36 RELIGION & FAITH 40 HATE CRIMES 42 COVERING CRIMES WHEN THE ACCUSED IS LGBT 45 HIV, AIDS & THE LGBT COMMUNITY 47 “EX-GAYS” & “CONVERSION THERAPY” 46 LGBT PEOPLE IN SPORTS 51 DIRECTORY OF COMMUNITY RESOURCES 54 GLAAD MEDIA REFERENCE GUIDE / 3 INTRODUCTION Fair, Accurate & Inclusive Fair, accurate and inclusive news media coverage has played an important role in expanding public awareness and understanding of lesbian, gay, bisexual and transgender (LGBT) lives. However, many reporters, editors and producers continue to face challenges covering these issues in a complex, often rhetorically charged, climate. Media coverage of LGBT people has become increasingly multi-dimensional, reflecting both the diversity of our community and the growing visibility of our families and our relationships. As a result, reporting that remains mired in simplistic, predictable “pro-gay”/”anti-gay” dualisms does a disservice to readers seeking information on the diversity of opinion and experience within our community. Misinformation and misconceptions about our lives can be corrected when journalists diligently research the facts and expose the myths (such as pernicious claims that gay people are more likely to sexually abuse children) that often are used against us. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Memoria Y Representación Audiovisual De Las Prácticas Travestis
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN TESIS DOCTORAL Memoria y representación audiovisual de las prácticas travestis, transformistas y drag queens, de los carnavales de Barranquilla, Baranoa, Puerto Colombia y Santo Tomás en el Caribe colombiano MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Danny Armando González Cueto Director Francisco A. Zurian Madrid Ed. electrónica 2019 © Danny Armando González Cueto, 2019 DOCTORADO EN COMUNICACIÓN AUDIOVISUAL, PUBLICIDAD Y RELACIONES PÚBLICAS FACULTAD DE CC. DE LA INFORMACIÓN TESIS DOCTORAL Memoria y representación audiovisual de las prácticas travestis, transformistas y drag queens, de los carnavales de Barranquilla, Baranoa, Puerto Colombia y Santo Tomás en el Caribe colombiano Autor: Danny Armando González Cueto Director: Prof. Dr. Francisco A. Zurian Fecha: Madrid, 2019. AGRADECIMIENTOS Durante cuatro años se desarrolló esta investigación, que desafió mi manera de ver el mundo, debido también a que esta experiencia llena de novedades, tuvo como epicentro la ciudad de Madrid, en España, un fuerte contraste con el mundo del trópico del que provengo, por lo cual el proceso de adaptación fue fundamental para profundizar en el proyecto. Por eso, quiero agradecer en especial a Madrid, por su acogida, sus librerías, su Feria del Libro, sus parques, sus cines, sus espacios para el ocio, su particular forma de ser cómplice cuando el tiempo de una conversación se hizo interminable, y a las amigas y a los amigos que aquí me abrazaron y me permitieron crear en la tertulia nocturna. Expreso mi agradecimiento a mi director, el profesor Francisco A. Zurian, por tener la dedicación, la paciencia y la sabiduría para orientar este proceso de investigación, llevándolo más allá del mero hecho de lograrlo, alentándome en publicar artículos, apoyarle en proyectos editoriales, en la organización de eventos y muy importante, ser capaz de que el discurso y el enunciado devenido de mi visión sobre las cosas, se hiciera fuerte y decidido. -
Terminology Packet
This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. Terminology Packet This is a packet full of LGBTQIA+ terminology. This packet was composed from multiple sources and can be found at the end of the packet. *Please note: This is not an exhaustive list of terms. This is a living terminology packet, as it will continue to grow as language expands. This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. A/Ace: The abbreviation for asexual. Aesthetic Attraction: Attraction to someone’s appearance without it being romantic or sexual. AFAB/AMAB: Abbreviation for “Assigned Female at Birth/Assigned Male at Birth” Affectionional Orientation: Refers to variations in object of emotional and sexual attraction. The term is preferred by some over "sexual orientation" because it indicates that the feelings and commitments involved are not solely (or even primarily, for some people) sexual. The term stresses the affective emotional component of attractions and relationships, including heterosexual as well as LGBT orientation. Can also be referred to as romantic orientation. AG/Aggressive: See “Stud” Agender: Some agender people would define their identity as not being a man or a woman and other agender people may define their identity as having no gender. Ally: A person who supports and honors sexual diversity, acts accordingly to challenge homophobic, transphobic, heteronormative, and heterosexist remarks and behaviors, and is willing to explore and understand these forms of bias within themself. -
Felicia Elizondo TRANSGENDER B
FELICIA ELIZOndO TRANSGENDER b. July 23, 1946 ACTIVIST “I am your history. You can never change that no matter what you do to me.” Her activism has been Felicia Elizondo is a self-described “Mexican spitfire, screaming queen, pioneer, crucial in raising legend, icon, diva, 29-year survivor of AIDS and Vietnam veteran.” Her activism has public awareness of been crucial in raising public awareness of transgender rights and history. transgender history. Elizondo was born in San Angelo, Texas. Assigned male at birth, she knew she was “feminine” from the age of 5. Due to the lack of awareness of transgender people, Elizondo grew up believing she was gay. She was sexually assaulted by an older man and suffered bullying and name calling from her peers. At age 14, Elizondo moved with her family to San Jose, California. Around the age of 16, she found refuge at Gene Compton’s Cafeteria in San Francisco’s Tenderloin neighborhood, where she became a regular. It was one of the few places in the city where drag queens and transgender women could congregate publicly. In 1966, three years before Stonewall, it became the site of one of the first LGBT riots in U.S. history. The Compton’s Cafeteria riot was led by a group of transgender women against police harassment. Elizondo joined the Navy at age 18 and volunteered to serve in Vietnam. She decided, “If the military couldn’t make me a man, nothing would.” While serving, she realized she would always be attracted to men and told her commanding officer that she was gay.