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Template EUROVISION 2021
Write the names of the players in the boxes 1 to 4 (if there are more, print several times) - Cross out the countries that have not reached the final - Vote with values from 1 to 12, or any others that you agree - Make the sum of votes in the "TOTAL" column - The player who has given the highest score to the winning country will win, and in case of a tie, to the following - Check if summing your votes you’ve given the highest score to the winning country. GOOD LUCK! 1 2 3 4 TOTAL Anxhela Peristeri “Karma” Albania Montaigne “ Technicolour” Australia Vincent Bueno “Amen” Austria Efendi “Mata Hari” Azerbaijan Hooverphonic “ The Wrong Place” Belgium Victoria “Growing Up is Getting Old” Bulgaria Albina “Tick Tock” Croatia Elena Tsagkrinou “El diablo” Cyprus Benny Christo “ Omaga “ Czech Fyr & Flamme “Øve os på hinanden” Denmark Uku Suviste “The lucky one” Estonia Blind Channel “Dark Side” Finland Barbara Pravi “Voilà” France Tornike Kipiani “You” Georgia Jendrick “I Don’t Feel Hate” Germany Stefania “Last Dance” Greece Daði og Gagnamagnið “10 Years” Island Leslie Roy “ Maps ” Irland Eden Alene “Set Me Free” Israel 1 2 3 4 TOTAL Maneskin “Zitti e buoni” Italy Samantha Tina “The Moon Is Rising” Latvia The Roop “Discoteque” Lithuania Destiny “Je me casse” Malta Natalia Gordienko “ Sugar ” Moldova Vasil “Here I Stand” Macedonia Tix “Fallen Angel” Norwey RAFAL “The Ride” Poland The Black Mamba “Love is on my side” Portugal Roxen “ Amnesia “ Romania Manizha “Russian Woman” Russia Senhit “ Adrenalina “ San Marino Hurricane “LOCO LOCO” Serbia Ana Soklic “Amen” Slovenia Blas Cantó “Voy a quedarme” Spain Tusse “ Voices “ Sweden Gjon’s Tears “Tout L’Univers” Switzerland Jeangu Macrooy “ Birth of a new age” The Netherlands Go_A ‘Shum’ Ukraine James Newman “ Embers “ United Kingdom. -
Philosophy and Critical Theory
STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org. -
Nota Bene-- <C:\Nbwin\USERS\DEFAULT
ANTONIO ZIRIÓN QUIJANO PUBLICACIONES COMPLETAS Originales: [1] “Dos celosos cartesianos (Fábula filosófica)”, en Thesis, No. 9, abril de 1981, pp. 17-28. [2] La muerte en el pensamiento de Albert Camus, Facultad de Filosofía y Letras, UNAM (Colección Seminarios), 1981. (Coautora: Ana Rosa Pérez Ransanz.) [3] Fragmentos del poema, Coordinación de Humanidades, UNAM (Colección Cuadernos de Poesía), 1982. [4] “Pilares de oro y plata”, en El Faro (Revista literaria), Núm. 1, agosto 1983, pp. 4-14. [5] “Presentación de la mesa Kant y la metafísica”. En Teoría, Anuario de Filosofía, 1982-1987, Año 3, Núm. 3; Fac. de Filosofía y Letras (Colegio de Filosofía), UNAM, 1985, pp. 247-248. [6] “Una lectura de Ramón Xirau”, en Presencia de Ramón Xirau, Presentación de Juliana González, Coordinación de Difusión Cultural. Dirección de Literatura (Colección Textos de Humanidades), UNAM, 1986; pp. 167-172. [7] “Una observación a Fromm. (Sobre las repercusiones éticas de los descubrimientos de Freud.)”, Crítica, Revista Hispanoamericana de Filosofía, Vol. XX, Núm. 58, abril de 1988, México; pp. 107-117. [8] “Equívocos y precisiones sobre los conceptos de fenómeno y fenomenología”, en Diánoia. Anuario de Filosofía, Vol. XXXIII, No. 33 (1987), IIF, UNAM-FCE, México, 1988; pp. 283-298. [9] “Presentación”, en [120] (1988), pp. v-xi. [10] “Prefacio”, en [90] (1989), pp. 9-14. [11] “La palabra de las cosas. Reflexiones sobre el lema ‘A las cosas mismas’”. En [90] (1989), pp. 99-123. [12] “El sentido de la fenomenología en Nicol”. En El ser y la expresión, compilación de Juliana González y Lizbeth Sagols, Facultad de Filosofía y Letras, UNAM, 1989; pp. -
Publications HANS ULRICH GUMBRECHT Stanford University
Publications HANS ULRICH GUMBRECHT Stanford University [March 2015]* 1. Books 1.1 Funktionswandel und Rezeption. Studien zur Hyperbolik in literarischen Texten des romanischen Mittelalters. München 1972. 1.2 Literaturkritik. BSV-Studienmaterial. München 1973. 1.3 Emile Zola im historischen Kontext. Für eine neue Lektüre des Rougon-Macquart- Zyklus. München 1978. 1.4 Funktionen parlamentarischer Rhetorik in der Französischen Revolution. Vorstudien zur Entwicklung einer historischen Textpragmatik. München 1978 [Portuguese translation under the title: As funçoes da retórica parlamentar na Revoluçao francesa. Belo Horizonte [Editora UFMG] 2003]. 1.5 Sozialgeschichte ästhetischer Erfahrung. Hagen [Fernuniversität] 1984. 1.6 Eine Geschichte der spanischen Literatur. Frankfurt 1990 [available as CD Rom at Directmedia [2004]]. 1.7 Making Sense in Life and Literature [English translation of publications [5.11], [5.22], [5.39], [5.43], [5.44], [5.45], [5.53], [5.69], [5.81], [5.84] and [5.88] by Glen Burns, and first publication of [5.112]]. Preface by Wlad Godzich. Minneapolis 1992. 1.8 In 1926. Living at the Edge of Time. Cambridge [Harvard University Press] 1997 [Portuguese translation under the title: Em 1926. Vivendo no Limite do Tempo. Rio de Janeiro [Editora Record] 1999 / German translation under the title: 1926. Ein Jahr am Rand der Zeit. Frankfurt [Suhrkamp Verlag] 2001; second edition / softcover, 2003 / Spanish translation under the title: 1926 – viviendo al borde del tiempo [Editorial Iberoamericana], Mexico City 2004 / Spanish translation forthcoming at RBA Libros /Russian translation at NLO [Moscow] [2005] / Hungarian translation at Kijarat Kiado [Budapest] 2014]. 1.9 Modernizaçao dos Sentidos. Sao Paulo 1998 [Portuguese translation of publications [5.49], [5.67], [5.93], [5.97], [5.104], [5.105], [5.110], [5.117], [5.131], [5.137], [5.143], [5.147], [5.150]]. -
The Term Stimmung Developed in German Aesthetics and Was Closely Connected with the Con- Cept of Harmony, Understood As an Epistemological Category
70 winter 2016 – (Stimmung) – an aesthetic quality not yet defined within the context of poetics, emerging in the pro- cess of a cultural text’s reception, formed as a result Mood of objective and subjective factors in that process. The term Stimmung developed in German aesthetics and was closely connected with the con- cept of harmony, understood as an epistemological category. The first phase of the concept’s development came in the period of Sturm und Drang, when a way of overcoming the ratio- nalist paradigm then dominant in the study of cognition was sought. Even in the work of Immanuel Kant, however, we find a mention of the need to create proportional agreement between imagination and intellect (and thus emotional and rational perception) in order to achieve full cognition.1 Friedrich Schiller would later speak of mood in a similar spirit. Dawid Wellbery, in his Historical Dictionary of Basic Concepts of Aesthetics, quotes the words of Johann Wolfgang von Goethe referring to a sculpture by Falconet: “he likes to go inside a cobbler’s workshop or a stable, he likes to look at the face of his love, or at his boots, or at some antique ruins, because everywhere he feels sacred vibrations and hears the quiet tones through which nature connects everything with everything.”2 Accessible to artists, as indi- viduals of above-average sensitivity, mood thus constitutes an aesthetic quality that reveals itself as a harmonic unity shaped by a system of seemingly unrelated elements. The concept was developed by Friedrich Hölderlin, and several decades later by Friedrich Ni- etzsche, but in their considerations we see a significant narrowing of the scope of categories that can be called moods. -
INTENTIONALITY Past and Future VIBS
INTENTIONALITY Past and Future VIBS Volume 173 Robert Ginsberg Founding Editor Peter A. Redpath Executive Editor Associate Editors G. John M. Abbarno Matti Häyry Mary-Rose Barral Steven V. Hicks Gerhold K. Becker Richard T. Hull Raymond Angelo Belliotti Mark Letteri Kenneth A. Bryson Vincent L. Luizzi C. Stephen Byrum Alan Milchman H. G. Callaway George David Miller Robert A. Delfino Alan Rosenberg Rem B. Edwards Arleen L. F. Salles Andrew Fitz-Gibbon John R. Shook Francesc Forn i Argimon Eddy Souffrant William Gay Tuija Takala Dane R. Gordon Anne Waters J. Everet Green John R. Welch Heta Aleksandra Gylling Thomas F. Woods a volume in Cognitive Science CS Francesc Forn i Argimon, Editor INTENTIONALITY Past and Future Edited by Gábor Forrai and George Kampis Amsterdam - New York, NY 2005 Cover Design: Studio Pollmann The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN: 90-420-1817-8 ©Editions Rodopi B.V., Amsterdam - New York, NY 2005 Printed in the Netherlands CONTENTS Preface vii List of Abbreviations ix ONE The Necessity and Nature of Mental Content 1 LAIRD ADDIS TWO Reading Brentano on the Intentionality of the Mental 15 PHILIP J. BARTOK THREE Emotions, Moods, and Intentionality 25 WILLIAM FISH FOUR Lockean Ideas as Intentional Contents 37 GÁBOR FORRAI FIVE Normativity and Mental Content 51 JUSSI HAUKIOJA SIX The Ontological and Intentional Status of Fregean Senses: An Early Account of External Content 63 GREG JESSON -
Montaigne's Unknown God and Melville's Confidence-Man -In Memoriam]Ohn Spencer Hill (1943-1998)
CAMILLE R. LA Bossr:ERE The World Revolves Upon an I: Montaigne's Unknown God and Melville's Confidence-Man -in memoriam]ohn Spencer Hill (1943-1998) Les mestis qui ont ... le cul entre deux selles, desquels je suis ... I The mongrel! sorte, of which I am one ... sit betweene two stooles -Michel de Montaigne, "Des vaines subtilitez" I "Of Vaine Subtilties" Deus est anima brutorum. -Oliver Goldsmith, "The Logicians Refuted" YEA AND NAY EACH HATH HIS SAY: BUT GOD HE KEEPS THF MTDDT.F WAY -Herman Melville, "The Conflict of Convictions" T ATE-MODERN SCHOLARLY accounts of Montaigne and his L oeuvre attest to the still elusive, beguilingly ironic character of his humanism. On the one hand, the author of the Essais has in vited recognition as "a critic of humanism, as part of a 'Counter Renaissance'."' The wry upending of such vanity as Protagoras served to model for Montaigne-"Truely Protagoras told us prettie tales, when he makes man the measure of all things, who never knew so much as his owne," according to the famous sentence 1 Peter Burke, Montaigne (Oxford: Oxford UP, 1981) 11. 340 • THE DALHOUSIE REvlEW from the "Apologie of Raimond Sebond"2-naturally comes to mind when he is thought of in this way (Burke 12). On the other hand, Montaigne has been no less justifiably recognized by a long line of twentieth-century commentators3 as a major contributor to the progress of an enduring philosophy "qui fait de l'homme, selon la tradition antique, la valeur premiere et vise a son plein epa nouissement. -
P E Ti Is Tv Á N O Rs I L Á S Z Ló L E V I a Ttila B E Tti P . R O B I
n e i s l b ó l e m n l i i o i i z u a f o z i i á i t s l b s t i t R ESC HUNGARY RAJONGÓI TALÁLKOZÓ c b s v ó s i v z t t t r s o e t e . r i s a á e s m 2021-08-28 HELYSZÍNI SZAVAZÁS P I O L L A B P E Z R T I P Ö Albánia – Anxhela Peristeri – Karma 3 2 1 3 9 Ausztrália – Montaigne – Technicolour 5 5 Ausztria – Vincent Bueno – Amen 10 2 2 14 Azerbajdzsán – Efendi – Mata Hari 1 1 5 8 7 10 6 38 Belgium – Hooverphonic – The Wrong Place 6 4 3 6 19 Bulgária – VICTORIA – Growing Up Is Getting Old 7 10 7 7 6 4 41 Ciprus – Elena Tsagrinou – El Diablo 3 4 3 3 4 3 2 22 Csehország – Benny Cristo – omaga 0 Dánia – Fyr & Flamme – Øve os på hinanden 1 1 Egyesült Királyság – James Newman – Embers 5 6 1 12 Észak-Macedónia – Vasil – Here I Stand 0 Észtország – Uku Suviste – The Lucky One 7 4 11 Finnország – Blind Channel – Dark Side 2 2 8 12 Franciaország – Barbara Pravi – Voilà 10 12 12 12 12 12 4 3 2 79 Görögország – Stefania – Last Dance 12 4 5 2 6 10 39 Grúzia – Tornike Kipiani – You 0 Hollandia – Jeangu Macrooy – Birth of a New Age 8 7 4 19 Horvátország – Albina – Tick-Tock 7 2 8 17 Írország – Lesley Roy – Maps 2 5 12 8 27 Izland – Daði og Gagnamagnið – 10 Years 7 6 3 5 1 22 Izrael – Eden Alene – Set Me Free 1 3 2 6 Lengyelország – RAFAŁ – The Ride 8 7 15 Lettország – Samanta Tīna – The Moon Is Rising 1 1 Litvánia – The Roop – Discoteque 4 5 8 10 10 10 4 51 Málta – Destiny – Je me casse 8 10 12 4 6 10 50 Moldova – Natalia Gordienko – Sugar 5 10 8 23 Németország – Jendrik – I Don’t Feel Hate 0 Norvégia – TIX – Fallen Angel 0 Olaszország – Måneskin -
Descriptions of Sections
Fall 2009 LEH300-LEH301 Descriptions LEH300 Anderson, Jazz and the Improvised Arts A history of jazz music from New Orleans to New York is coupled with an examination James of improvisation in the arts. The class will investigate form and free creativity as applied to jazz, music from around the world, the visual arts, drama, and literature. LEH300 Ansaldi, The Doctor-Patient Relationship: In this course, participants will explore the complexities of the doctor-patient Pamela Viewed through Art and Science relationship by examining selected works of literature, medicine, psychology and art. To the doctor, illness is an analysis of blood tests, radiological images and clinical observations. To the patient, illness is a disrupted life. To the doctor, the disease process must be measured and charted. To the patient, disease is unfamiliar terrain—he or she looks to the doctor to provide a compass. The doctor may give directions, but the patient for various reasons may not follow them. Or, the doctor may give the wrong directions, leaving the patient to wander in circles, feeling lost and alone. Sometimes two doctors can give identical protocols to the same patient, but only one doctor can provide a cure. The surgeon wants to cut out the injured part; the patient wants to retain it at any cost. The physician diagnoses with a linear understanding of illness; the patient may see the sequencing of events leading up to the illness in a different order, which might lead to a different diagnosis. The twists and turns of doctor-patient communication can be dizzying…and the patient goes from doctor to doctor seeking clarity and a possible cure. -
Hans Ulrich Gumbrecht Reader of Martin Heidegger: Conception of Presence Production
Revista Brasileira de Estudos da Presença ISSN: 2237-2660 Universidade Federal do Rio Grande do Sul Silva, Wellington Amâncio da Hans Ulrich Gumbrecht Leitor de Martin Heidegger: concepção de produção de presença Revista Brasileira de Estudos da Presença, vol. 7, no. 3, 2017, September-December, pp. 505-522 Universidade Federal do Rio Grande do Sul DOI: 10.1590/2237-266069414 Available in: http://www.redalyc.org/articulo.oa?id=463554520003 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative E‐ISSN 2237‐2660 Hans Ulrich Gumbrecht Reader of Martin Heidegger: conception of presence production Wellington Amâncio da Silva Universidade Federal de Alagoas – UFAL, Delmiro Gouveia/AL, Brazil ABSTRACT ‒ Hans Ulrich Gumbrecht Reader of Martin Heidegger: conception of presence production – In this paper present some points of Gumbrecht’s philosophical thinking about the presence, over the Heidegger’s Dasein senses, especially, regarding the possibilities and conditions of language in relation to this presentiment. From these logos, propose an introductory critique of the concepts of thing, of subject/object, of Cartesian worldview, showing, from the analyzed author, the possibilities of tangibility through language and what it represents in the face of existing of science paradigms. Keywords: Gumbrecht. Theory of Knowledge. Presence. Heidegger. RÉSUMÉ ‒ Hans Ulrich Gumbrecht Lecteur Martin Heidegger: la conception de la production de presence – Ce travail a l’intention de présenter certains points de la pensée philosophique de Gumbrecht de la présence, du Dasein de Heidegger, en particulier en ce qui concerne les possibilités et les conditions de la langue sur cette présentification. -
VIBS the Value Inquiry Book Series Is Co-Sponsored By: Adler School Of
VIBS The Value Inquiry Book Series is co-sponsored by: Adler School of Professional Psychology American Indian Philosophy Association American Maritain Association American Society for Value Inquiry Association for Process Philosophy of Education Canadian Society for Philosophical Practice Center for Bioethics, University ofTurku Center for Professional and Applied Ethics, University of North Carolina at Charlotte Center for Research in Cognitive Science, Autonomous University of Barcelona Centre for Applied Ethics, Hong Kong Baptist University Centre for Cultural Research, Aarhus University Centre for Professional Ethics, University of Central Lancashire Centre for the Study of Philosophy and Religion, University College of Cape Breton College of Education and Allied Professions, Bowling Green State University College of Liberal Arts, Rochester Institute of Technology Concerned Philosophers for Peace Conference of Philosophical Societies Department of Moral and Social Philosophy, University of Helsinki Gannon University Gilson Society Ikeda University Institute of Philosophy of the High Council of Scientific Research, Spain International Academy of Philosophy of the Principality of Liechtenstein Robert S. Hartman - 9789004496101 Downloaded from Brill.com09/25/2021 06:55:46PM via free access International Center for the Arts, Humanities, and Value Inquiry International Society for Universal Dialogue Natural Law Society Personalist Discussion Group Philosophical Society of Finland Philosophy Born of Struggle Association Philosophy Seminar, University of Mainz Pragmatism Archive R.S. Hartman Institute for Formal and Applied Axiology Research Institute, Lakeridge Health Corporation Russian Philosophical Society Society for Iberian and Latin-American Thought Society for the Philosophic Study of Genocide and the Holocaust Society for the Philosophy of Sex and Love Yves R. Simon Institute Titles Published I. -
Curriculum Vitae
Curriculum Vitae SANTIAGO ZABALA ICREA Research Professor at the Pompeu Fabra University Director of UPF Center for Vattimo’s Archives and Philosophy Prof. Dr. Santiago Zabala ICREA Research Professor Pompeu Fabra University Department of Humanities Ramon Trias Fargas, 25-27 (office 20.238) 08005 Barcelona Catalonia (Spain) [Tel.] +34 93 542 1636 [Fax.] +34 93 542 16 20 Web Page: www.santiagozabala.com Email: [email protected] Date of Birth, 27th June 1975. Passport (Italian): YA0042314 ICREA Research Professor | ORCID-ID | ScopusID | ResearcherID (Web of Science) | Google Scholar Profile | UPF Scientific output AREA OF SPECIALIZATION Aesthetics, Continental Philosophy, Hermeneutics, Political Philosophy. Butler, Derrida, Gadamer, Heidegger, Rorty, Tugendhat, Vattimo. AREAS OF COMPETENCE Analytic Philosophy, Philosophy of Religion, Phenomenology, Pragmatism, Arendt, Marx, Latour, Lévinas, Ricoeur, Wittgenstein, Žižek. EDUCATION Pontifical Lateran University of Rome, Ph.D., Philosophy (summa cum laude), 2006 Dissertation: The Remains of Being: Hermeneutic Ontology after Metaphysics Dissertation Committee: Antonio Livi (Chair), Philip Larrey, Leonardo Messinese. University of Turin, Laurea, Philosophy, 2002 Dissertation: The Hermeneutic Nature of Analytic Philosophy. A study of Ernst Tugendhat Dissertation Committee: Gianni Vattimo (Chair), Giuseppe Riconda, Ugo Ugazio. International Schools of Vienna - Geneva, International Baccalaureate, 1995 Languages, English, German, Italian, Spanish, French, Catalan. AWARDS AND HONORS - Accreditation of Advanced Research – issued by AQU Catalunya, 2019. - Alexander von Humboldt Post-Doctoral Fellowship in Philosophy at the University of Potsdam, 2008-9. PUBLICATIONS A. Authored Books - Being at Large: Freedom in the Age of Alternative Facts, Montreal: McGill-Queen’s University Press, 2020. Santiago Zabala Vitae 2 - Spanish translation by Belen Nasini, El ser anda suelto.