The Semiosis of Imperialism: Boadicea Or the 17Th-Century Iconography of a Barbarous Queen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Front.Chp:Corel VENTURA
Book Reviews 145 circumstances, as in his dealings with Polonius, and Rosencrantz and Guild- enstern. Did he not think he was killing the King when he killed Polonius? That too was a chance opportunity. Perhaps Hirsh becomes rather too confined by a rigorous logical analysis, and a literal reading of the texts he deals with. He tends to brush aside all alternatives with an appeal to a logical certainty that does not really exist. A dramatist like Shakespeare is always interested in the dramatic potential of the moment, and may not always be thinking in terms of plot. (But as I suggest above, the textual evidence from plot is ambiguous in the scene.) Perhaps the sentimentalisation of Hamlet’s character (which the author rightly dwells on) is the cause for so many unlikely post-renaissance interpretations of this celebrated soliloquy. But logical rigour can only take us so far, and Hamlet, unlike Brutus, for example, does not think in logical, but emotional terms. ‘How all occasions do inform against me / And spur my dull revenge’ he remarks. Anthony J. Gilbert Claire Jowitt. Voyage Drama and Gender Politics 1589–1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003. Pp 256. For Claire Jowitt, Lecturer in Renaissance literature at University of Wales Aberystwyth, travel drama depicts the exotic and the foreign, but also reveals anxieties about the local and the domestic. In this her first book, Jowitt, using largely new historicist methodology, approaches early modern travel plays as allegories engaged with a discourse of colonialism, and looks in particular for ways in which they depict English concerns about gender, leadership, and national identity. -
The Cultural and Ideological Significance of Representations of Boudica During the Reigns of Elizabeth I and James I
EXETER UNIVERSITY AND UNIVERSITÉ D’ORLÉANS The Cultural and Ideological Significance Of Representations of Boudica During the reigns of Elizabeth I and James I. Submitted by Samantha FRENEE-HUTCHINS to the universities of Exeter and Orléans as a thesis for the degree of Doctor of Philosophy in English, June 2009. This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ..................................... (signature) 2 Abstract in English: This study follows the trail of Boudica from her rediscovery in Classical texts by the humanist scholars of the fifteenth century to her didactic and nationalist representations by Italian, English, Welsh and Scottish historians such as Polydore Virgil, Hector Boece, Humphrey Llwyd, Raphael Holinshed, John Stow, William Camden, John Speed and Edmund Bolton. In the literary domain her story was appropriated under Elizabeth I and James I by poets and playwrights who included James Aske, Edmund Spenser, Ben Jonson, William Shakespeare, A. Gent and John Fletcher. As a political, religious and military figure in the middle of the first century AD this Celtic and regional queen of Norfolk is placed at the beginning of British history. In a gesture of revenge and despair she had united a great number of British tribes and opposed the Roman Empire in a tragic effort to obtain liberty for her family and her people. -
Bibliography
206 Fletcherian Dramatic Achievement Bibliography Primary sources Apology for Actors Thomas Dekker, An Apology for Actors (1612), ed. Richard H. Per- kinson, New York 1941 Aristotle Poetics, tr. W. Hamilton Fyfe, The Loeb Classics Library, Cam- bridge, Mass., London 1927 St Augustine St Augustine, The Teacher, in Against the Academicians; and, The Teach- er, trans. Peter King, Indianapolis, Cambridge 1995 Bellenden The Chronicles of Scotland: Compiled by Hector Boece: Translated into Scots by John Bellenden, 1531, ed. R. W. Chambers and Edith C. Batho, vol. I, Edinburgh and London 1938 Bowers I-X The Dramatic Works in the Beaumont and Fletcher Canon, gen. ed. Fredson Bowers, 10 vols, Cambridge UP 1966–1996 [Cicero] Ad Herennium, tr. Harry Caplan; The Loeb Classical Library, Cambridge, Mass., London 1954 Demetrius and Enanthe MS John Fletcher, Demetrius and Enanthe, ed. Margaret McLaren Cook and F. P. Wilson, The Malone Society Reprints 1950 (1951) Dio Dio Cassius, Dio’s Roman History, tr. Earnest Cary, vol. vii, The Loeb Classical Library, Cambridge, Mass., London 1961 Faithful Friends The Faithful Friends, ed. G. R. Proudfoot and G. M. Pinciss, The Malone Society Reprints 1970 (1975) Henslowe’s Diary Henslowe’s Diary, ed. R. A. Foakes, 2nd edition, Cambridge UP 2002. Howard-Hill (1980) Sir John Van Olden Barnavelt: by John Fletcher and Philip Massinger, ed. T. H. Howard-Hill, The Malone Society Reprints 1979 (1980) Bonduca MS Bonduca: by John Fletcher, ed. W. W. Greg, The Malone Society Re- prints, 1951 Mann Thomas Mann, Doctor Faustus, tr. H. T. Lowe-Porter, Everyman’s Library, vol.80, 1992 Masque of Queens Ben Jonson, The Masque of Queens (1609), published in his Workes (1616): 945–964 Meres Francis Meres, Palladis Tamia (1598), Scholars’ Facsimiles & Re- prints, New York 1938 Metrical Boece (1858) The Buik of the Chroniclis of Scotland; or, A Metrical Version of the History of Hector Boece; By William Stewart (1535), ed. -
GADARG - Essays 09/03/2009 10:47
GADARG - essays 09/03/2009 10:47 GLOUCESTER AND DISTRICT ARCHAEOLOGICAL RESEARCH GROUP Registered charity No.252290 Contact us: ~ GLEVUM ~ The Roman origins of Gloucester by Nigel Spry In 1997 Gloucester celebrated its founding as a Colonia - the highest status to which any Roman settlement could aspire. To learn about this, let's start at the beginning - and then we can follow on with some later history. Kingsholm Some time after AD 49 the Roman army - we cannot be certain but probably the 20th legion or elements of it, from Colchester - built a fortress at Kingsholm near an Iron-Age settlement beside the then course of the Severn. There appears to have been two major phases of construction, the later one bringing the site to full legionary size. The use of the fortress and its continuity of occupation is uncertain, but its probable role was as a strategic base and support headquarters for campaigns in Wales. Because of flooding the location was an unsatisfactory one; this no doubt was one reason that around AD 66 it was abandoned and the army established a new fortress one km to the south, on an area of raised ground that would in due course become known as Gloucester, where there had been earlier occupation. A New Fortress The new fortress, rectangular in shape and covering an area of 17 hectares (43 acres), had turf faced and 'timber strapped' clay ramparts, 3.5m high, surmounted by a timber palisade and walkway, and fronted by wide steeply cut V-shaped ditches. Substantial timber gate towers pierced the rampart on each side and between them along the ramparts were other timber towers at intervals and at the rampart corners. -
Sejanus, the King's Men Altar Scenes, and the Theatrical Production Of
2952 Early Theatre 20.2 (2017), 77–98 http://dx.doi.org/10.12745/et.20.2.2952 John Kuhn Sejanus, the King’s Men Altar Scenes, and the Theatrical Production of Paganism This article traces the lineage of the popular performance set-piece of the ‘oracular altar scene’ from its inception in Jonson’s Sejanus through its frequent reuse by the King’s Men and their imitators later in the century. By doing so, it demonstrates how material practices of reuse in the seventeenth-century theatre helped shape the produc- tion of popular knowledge about the nature of ‘pagan’ ritual and its practitioners in the Stuart era of intensified antiquarian discovery and colonial expansion. The fifth act of Ben Jonson’s Sejanus, a Jacobean tragedy set in decadent imper- ial Rome, contains a striking moment of intersection between antiquarianism and performance, as the play’s scheming, eponymous favourite agrees to propiti- ate a statue of the goddess Fortuna, grudgingly seeking divine advice about his political fortunes. Accompanied by the music of flutes and trumpets, a priest incants lines translated from Seneca while performing complex rituals of lustra- tion (washing his hands), libation (eating and administering honey and milk to the participants), and propitiation (placing milk, honey, and burning poppy on the altar bearing Fortuna’s statue), all as Sejanus looks on. Surprisingly, these distinctly alien, non-Christian religious rites produce true future knowledge: the hitherto sessile statue of the goddess (probably a company member in a statue costume) miraculously becomes animated and turns her face away. The predic- tion implied by this silent rejection — that Sejanus has lost her favour and his luck has run out — is quickly vindicated for the audience in the next scene, when the favourite’s downfall begins. -
Now the War Is Over
Pollard, T. and Banks, I. (2010) Now the wars are over: The past, present and future of Scottish battlefields. International Journal of Historical Archaeology,14 (3). pp. 414-441. ISSN 1092-7697. http://eprints.gla.ac.uk/45069/ Deposited on: 17 November 2010 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Now the Wars are Over: the past, present and future of Scottish battlefields Tony Pollard and Iain Banks1 Suggested running head: The past, present and future of Scottish battlefields Centre for Battlefield Archaeology University of Glasgow The Gregory Building Lilybank Gardens Glasgow G12 8QQ United Kingdom Tel: +44 (0)141 330 5541 Fax: +44 (0)141 330 3863 Email: [email protected] 1 Centre for Battlefield Archaeology, University of Glasgow, Glasgow, Scotland 1 Abstract Battlefield archaeology has provided a new way of appreciating historic battlefields. This paper provides a summary of the long history of warfare and conflict in Scotland which has given rise to a large number of battlefield sites. Recent moves to highlight the archaeological importance of these sites, in the form of Historic Scotland’s Battlefields Inventory are discussed, along with some of the problems associated with the preservation and management of these important cultural sites. 2 Keywords Battlefields; Conflict Archaeology; Management 3 Introduction Battlefield archaeology is a relatively recent development within the field of historical archaeology, which, in the UK at least, has itself not long been established within the archaeological mainstream. Within the present context it is noteworthy that Scotland has played an important role in this process, with the first international conference devoted to battlefield archaeology taking place at the University of Glasgow in 2000 (Freeman and Pollard, 2001). -
MONS GRAUPIUS Alternative Names: None Late 83 Or 84 CE Date Published: July 2016 Date of Last Update to Report: N/A
Inventory of Historic Battlefields Research report This battle was researched and assessed against the criteria for inclusion on the Inventory of Historic Battlefields set out in Historic Environment Scotland Policy Statement June 2016 https://www.historicenvironment.scot/advice-and- support/planning-and-guidance/legislation-and-guidance/historic-environment- scotland-policy-statement/. The results of this research are presented in this report. The site does not meet the criteria at the current time as outlined below (see reason for exclusion). MONS GRAUPIUS Alternative Names: None Late 83 or 84 CE Date published: July 2016 Date of last update to report: N/a Overview The Battle of Mons Graupius is the best documented engagement between the Roman forces, stationed in southern Britannia, and the Caledonian tribes of the northern part of the island. It marked the culmination of multiple years of campaigning by the Roman governor of the province, Gnaeus Julius Agricola, against the “barbarian” tribes and he inflicted a resounding defeat on the confederacy of Caledonians arrayed against him. Much of what is known about the battle is contained within the Agricola, written in 97-98 CE by Agricola’s son in law, the Roman historian Tacitus. This is a heavily biased and only partially surviving account which amounts to a veneration of Agricola. There are no indigenous accounts of the battle and no archaeological evidence has been confirmed as connected to the conflict. Although the site has drawn attention from academics since antiquarian times, the precise date, location and the vast majority of details of the engagement remain unconfirmed. Reason for exclusion There is no certainty about the location of the battle, and there are also significant questions about the accuracy of the accounts describing it. -
Durham E-Theses
Durham E-Theses A study of the client kings in the early Roman period Everatt, J. D. How to cite: Everatt, J. D. (1972) A study of the client kings in the early Roman period, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10140/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk .UNIVERSITY OF DURHAM Department of Classics .A STUDY OF THE CLIENT KINSS IN THE EARLY ROMAN EMPIRE J_. D. EVERATT M.A. Thesis, 1972. M.A. Thesis Abstract. J. D. Everatt, B.A. Hatfield College. A Study of the Client Kings in the early Roman Empire When the city-state of Rome began to exert her influence throughout the Mediterranean, the ruling classes developed friendships and alliances with the rulers of the various kingdoms with whom contact was made. -
CN May 37-44.Indd
In focus CHRIS RUDD Same king in two places? Or two kings with the same name? ID the same Celtic king rule in East Anglia and the West Midlands? If so, when did he go west and why? Or were there two kings with the same name, ruling at roughly the same time? If so, why did they inscribe their names in the same way? Who copied whom? And who was Arviragus? Was he the same person as Antedrigus? Was he the second Dson of Cunobelinus? Or was the chronicler Geoff rey of Monmouth fi bbing? I can’t answer all these questions. But I can tell you a bit about the controversial coin which is causing them to be asked again. In 1994/95 Terry Howard, a professional musician, went On the obverse there is a branched symbol sprouting from metal detecting and found an exceedingly rare gold coin near a ringed pellet, which I interpret as a druidic “Tree of Life” South Cerney, Gloucestershire, not far from where he also symbol growing out of the sun. Turn it upside down and it found an enamelled “horse brass” of regal quality. He reported looks like a stylised skull and rib cage—a symbol of mortality. his fi nds to the Corinium Museum in Cirencester. Terry’s coin, On the reverse we see a stylised and somewhat disjointed which is coming up for auction in May this year, is a gold stater horse with three tails, not unlike the Uffi ngton White Horse that was struck in the late Iron Age by Anted, a king of the carved out of a chalk hillside over 2,500 years ago (only around Dobunni tribe in the West Midlands, some time around AD 18 miles from where this coin was found). -
Romans and Barbarians in Tacitus' Battle Narratives
ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER (Under the direction of Dr. Susan Mattern-Parkes) ABSTRACT The purpose of the study is to examine how Tacitus constructs ethnic stereotypes, namely those of the Romans and of the barbarians, in his battle narratives. The first section of the study explores his descriptions of technical aspects of the battle narrative, such as topography, use of weaponry, battle formations, and sieges. The second section examines the value judgments that Tacitus makes about the combatants and their actions, discussing the themes of discipline and virtus, as well as the leaders’ ability to lead by example and stifle dissent. In his descriptions of both the technical and the “moral” aspects of battle, Tacitus shapes his Romans quite differently from his barbarians. Tacitus constructs identities in his battle narratives possibly to satisfy his audience’s expectations or to make the scenes more understandable. Such constructions indicate that ethnocentrism plays an important role in Latin historiography, revealing racial prejudice in Roman society. INDEX WORDS: Tacitus, battle narratives, Roman army, barbarians, ethnicity. ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER B. A., Appalachian State University, 1998 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 © 2002 Ryan Michael Seeger All Rights Reserved ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER Approved: Major Professor: Susan Mattern-Parkes Committee: James Anderson Erika Thorgerson-Hermanowicz Electronic Version Approved: Gordhan L. Patel Dean of the Graduate School The University of Georgia August 2002 iv ACKNOWLEDGMENTS Several people were instrumental in the completion of this thesis. -
Coberley Villa, Gloucestershire
Wessex Archaeology Coberley Villa Coberley, Gloucestershire Archaeological Evaluation and Assessment of Results Ref:Ref: 6531165311 DecemberDecember 20082008 Coberley Villa, Gloucestershire Archaeological Evaluation and Assessment of Results Prepared on behalf of: Videotext Communications Ltd 49 Goldhawk Road LONDON SW1 8QP By: Wessex Archaeology Portway House Old Sarum Park SALISBURY SP4 6EB Report reference: 65311.01 December 2008 Wessex Archaeology Limited 2008 Wessex Archaeology Limited is a Registered Charity No.287786 Coberley Villa, Gloucestershire Archaeological Evaluation and Assessment of Results Contents 1 INTRODUCTION ...............................................................................................1 1.1 Project Background ...................................................................................1 1.2 Site Description ..........................................................................................1 1.3 Archaeological and Historical Background.............................................1 2 AIMS AND OBJECTIVES.................................................................................2 3 METHODOLOGY..............................................................................................2 3.1 Topographical Survey................................................................................2 3.2 Geophysical Survey....................................................................................3 3.3 Excavation and Recording ........................................................................3 -
Cirencester-RTD-I-34.Pdf
~ CA lo4-4- o~L, . q)c; ·'-ct \ CIREN~ESTER THE ROMAN TOWN DEFENCES, PUBLIC BUILDINGS AND SHOPS E£k> L2-l- CJA lOlk~ q3b'24f COTSWOLD ARCHAEOLOGICAL TRUST LTD. CIRENCESTEREXCAVATIONS V CIREN CESTER THE ROMAN TOWN DEFENCES, PUBLIC BUILDINGS AND SHOPS edited by N eil Holbrook WITH CONTRIBUTIONS FROM A. Barber, J. Bayley, A. Boarder, N. Cooper, T. Darvill, B. Dickinson, N. Faulkner, F. Green, P. Guest, G. Hargreaves, N. Holbrook, B. Langton, A. McWhirr, M. Maltby, J. Miles Paddock, J. Pamment Salvatore, C. Parry, R. Reece, V. Rigby, A. Thomas, J. Timby, L. Viner, J. Wacher, G. Walker, L. Wheeler and K. Wilkinson PRINCIPAL ILLUSTRATOR P. Moore Cotswold Archaeological Trust Cirencester 1998 '· © Authors and Cotswold Archaeological Trust, 1998 Headquarters Building, Unit 9, Kemble Busines~ Park, Cirencester, Gloucestershire, GL 7 6BQ, England ©Original site archive, Cotswold District Council, 1998 ISBN 0 9523196 3 2 The publication of this volume has been generously supported by English Heritage All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Cotswold Archaeological Trust Ltd Cover illustration: Conjectural reconstruction of the forum of Corinium showing the Jupiter Column. Copyright: Corinium Museum Produced by Past Historic, Kings Stanley, Gloucestershire Printed in Great Britain by J.W. Arrowsmith Ltd., Bristol CONTENTS List of Figures ix List of Tables xiii The Site Codes XV Note on the Presentation of the Dating Evidence xvii INTRODUCTORY SECTIONS PREFACE: THE DEVELOPMENT OF URBAN ARCHAEOLOGY IN CIRENCESTER AND FURTHER AFIELD by A.D.