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Zombi (film series)

  • From the Classical Polis to the Neoliberal Camp: Mapping the Biopolitical Regimes of the Undead in Dawn of the Dead, Zombi 2 and 28 Days Later

    From the Classical Polis to the Neoliberal Camp: Mapping the Biopolitical Regimes of the Undead in Dawn of the Dead, Zombi 2 and 28 Days Later

  • ABSTRACT Title of Document: COMMUNICATING FEAR in FILM

    ABSTRACT Title of Document: COMMUNICATING FEAR in FILM

  • Barron, Lee (2020) Ultraviolent Gothic Visions : Lucio Fulci’S ‘Gates of Hell’ Trilogy As Derridean Cinematic Haunted Spaces

    Barron, Lee (2020) Ultraviolent Gothic Visions : Lucio Fulci’S ‘Gates of Hell’ Trilogy As Derridean Cinematic Haunted Spaces

  • From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture

    From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture

  • The Thousand and One Days of Aristide (2018) by Stephen Thrower

    The Thousand and One Days of Aristide (2018) by Stephen Thrower

  • Zombies—A Pop Culture Resource for Public Health Awareness

    Zombies—A Pop Culture Resource for Public Health Awareness

  • Chapter 4: History of Zombie on Film UNDEAD in WESTERN CINEMA

    Chapter 4: History of Zombie on Film UNDEAD in WESTERN CINEMA

  • Zombie Politics and Culture in the Age of Casino Capitalism</Em>

    Zombie Politics and Culture in the Age of Casino Capitalism</Em>

  • Dead Man Still Walking: a Critical Investigation Into the Rise and Fall

    Dead Man Still Walking: a Critical Investigation Into the Rise and Fall

  • Crawling Off the Screen: an Ethnography of Live Action Zombie Events in the United States

    Crawling Off the Screen: an Ethnography of Live Action Zombie Events in the United States

  • Video Nasties’: Economics, Marketing

  • Streaming Italian Horror Cinema in the United Kingdom: Lovefilm Instant1

  • The Zombie Media Monster and Its Evolution As a Sign and Historical

    The Zombie Media Monster and Its Evolution As a Sign and Historical

  • Aproximación a La Metáfora Zombi En El Cine: De Halperin a Romero

    Aproximación a La Metáfora Zombi En El Cine: De Halperin a Romero

  • La Narrativa Zombi Como Fenómeno Literario Contemporáneo: Un Análisis Del Post- Apocalipsis En El Mundo Hispano

    La Narrativa Zombi Como Fenómeno Literario Contemporáneo: Un Análisis Del Post- Apocalipsis En El Mundo Hispano

  • Zombi, Œil, Chair, « Le Memento Mori Selon George A. Romero »

    Zombi, Œil, Chair, « Le Memento Mori Selon George A. Romero »

  • A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph

    A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph

  • The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr

    The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr

Top View
  • PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente
  • 40-Adapting a Post-Apocalyptic World of Zombies: Pride and Prejudice + Zombies (2016)
  • Zombies and the Post-Colonial Italian Unconscious Simone Brioni [email protected]
  • Trailer De La Pelicula "Zombi Crisis"
  • Boletín De Sumarios
  • Spanish Zombie Films: the Cases of Amando De Ossorio and Jorge Grau
  • From Night to Dawn: the Cultural Criticism of George A. Romero
  • A Sociological Analysis of Japanese and American Zombie Media
  • Dawn of the Dead, Consumer Ideology, and the Loss of Productive Labor
  • A Short History of the Zombie in Literature and Film
  • The Demise of the Cinematic Zombie from the Golden Age of Hollywood to the 1940S Louise Fenton
  • The Trouble with Zombies: Bare Life, <Italic>Muselmänner</Italic> And
  • 'Beyond “Brutality”: Understanding the Italian
  • FANTITALY: Le Nuove Tendenze Di Marco Giusti
  • Contagion As Resistance in Con Z De Zombie and Juan De Los Muertos
  • TFM CULTURA ZOMBI.Docx
  • 8 the Transnational Zombie: Postcolonial Memory and Rage in Recent European Horror Film
  • The Zombification of Zombies – from Religious Reality on Haiti to Postmodern Pop Cliché Around the World


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