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Yokoyama Taikan
上野
Uemura Shoen FINAL Aug 4
Eve LOH KAZUHARA Ruptures and Continuity in Pan-Asianism: New Insights Into India-Japan Artistic Exchanges in the First Half of the Twentieth Century
Chouhou by Yokoyama Taikan and “Expression”: Expressions of the Character’S Emotion in His Art
Visualizing National History in Meiji Japan: the Komaba Museum Collection, University of Tokyo
Curriculum Vitae Makoto Fujimura
Okakura Tenshin 2007.05 1
Three Figures of the Sino-Indian Artistic Exchange in Colonial Bengal Nicolas Nercam Université Bordeaux Montaigne,
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Yokoyama Taikan 69 Yuzu 柚子 유자 1930 Nikaido Museum of Art
The Role of Japan in Modern Chinese Art Edited by Joshua A
Ōmura Seigai's Conception of Oriental Art History and China
The Painting of Sadness? the Ends of Nihonga, Then and Now Chelsea Foxwell
Competing Painting Ideologies in the Meiji Period, 1868-1912
Katsuta Shōkin: a Japanese Painter at the Government School of Art, Calcutta, 1905–1907
Drawn Toward India: Okakura Kakuzō's Interpretation Of
Adachi Museum of Art International Tourist Information Desk
Modern Art Exchanges in Asia – an Unlikely Beginning?
The Western Painting, National Painting, and Global
Top View
Jakuchū's Happiness and Taikan's Auspiciousness