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Xiao Wu
Mountains May Depart
MOUNTAINS MAY DEPART (SHAN HE GU REN) a Film by Jia Zhangke
The Individual and the Crowd in Jia Zhangke's Films Jung Koo Kim A
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Four Asian Filmmakers Visualize the Transnational Imaginary Stephen Edward Spence University of New Mexico
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Philippa Lovatt, 'Sound, Music And
Popular Music in Jia Zhangke's Unknown Pleasures
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SURFACE, WORK and the PRODUCTION of SPACE: a TEXUAL ANALYSIS of THREE JIA ZHANGKE DOCUMENTARIES Will Linhares Stacey Woelfel
China Perspectives, 60 | July - August 2005 the World of Jia Zhangke 2
Biography of JIA Zhangke
Jia Zhangke, a Guy from Fenyang
To Live Or to Die - the Struggle of Chinese Film Productions Going Global
JIA ZHANGKE, a GUY from FENYANG a Film by Walter Salles
Chinese Poetry and Translation Chinese Poetry and Translation
Review of the World
Top View
Ideological Polarization Over a China-As-Superpower Mind-Set: an Exploratory Charting of Belief Systems Among Chinese Internet Users, 2008–2011
Truth After Cinema
Artistic Vision and Gaze in Jia Zhangke's 24 City
Realisms Within Conundrum the Personal and Authentic Appeal in Jia Zhangke’S Accented Films
Jia Zhangke – Dialects in His Films
Press Contact: Clemence Taillandier Adam Walker, Film Forum Tel: 201-736-0261 Tel: 212-627-2035, X 306
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Mise En Page 1
The Mundane and the Political
From Slowness to Stillness in the Cinema of Jia Zhangke
Hong Kong Cinema from Colonial Rule to Chinese-Style Socialist Hegemony