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War film

  • Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan* Douglas Kellner (

    Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan* Douglas Kellner (

  • Of Grandeur and Valour: Bollywood and Indiaís Fighting Personnel 1960-2005

    Of Grandeur and Valour: Bollywood and Indiaís Fighting Personnel 1960-2005

  • Film from Both Sides of the Pacific Arw

    Film from Both Sides of the Pacific Arw

  • FLM201 Film Genre: Understanding Types of Film (Study Guide)

    FLM201 Film Genre: Understanding Types of Film (Study Guide)

  • Hollywood Abroad: Audiences and Cultural Exchange

    Hollywood Abroad: Audiences and Cultural Exchange

  • Introduction

    Introduction

  • WAR on FILM—An Annotated Overview Professor Christopher Hamner, George Mason University

    WAR on FILM—An Annotated Overview Professor Christopher Hamner, George Mason University

  • The British War Film, 1939-1980: Culture, History, and Genre

    The British War Film, 1939-1980: Culture, History, and Genre

  • Notes on Film Noir Author(S): Paul Schrader Source: Film Comment, Vol

    Notes on Film Noir Author(S): Paul Schrader Source: Film Comment, Vol

  • Animated War Film Festival

    Animated War Film Festival

  • FIRES on the PLAIN by Shinya Tsukamoto “Smell the Earth

    FIRES on the PLAIN by Shinya Tsukamoto “Smell the Earth

  • Peace Education Through the Animated Film “Grave of the Fireflies” Physical, Psychological, and Structural Violence of War

    Peace Education Through the Animated Film “Grave of the Fireflies” Physical, Psychological, and Structural Violence of War

  • THE HOLLYWOOD HISTORICAL FILM 9781405146029 1 Pre.Qxd 26/10/2007 10:38 AM Page Ii

    THE HOLLYWOOD HISTORICAL FILM 9781405146029 1 Pre.Qxd 26/10/2007 10:38 AM Page Ii

  • Steffen Hantke

    Steffen Hantke

  • Shadows Illuminated. Understanding German Expressionist Cinema

    Shadows Illuminated. Understanding German Expressionist Cinema

  • The Visual Brutality of Realism in the Combat Film Anthony Mccosker, University of Melbourne, Australia

    The Visual Brutality of Realism in the Combat Film Anthony Mccosker, University of Melbourne, Australia

  • The Relationship Between the American Government and the American Film Industry 1945-1954

    The Relationship Between the American Government and the American Film Industry 1945-1954

  • Iraq War Films: Defining a Subgenre

    Iraq War Films: Defining a Subgenre

Top View
  • REVISITING and RE-VISIONING WAR GENRE CONVENTIONS on FILM: the HURT LOCKER by JAN ELIZABETH MILLER a Thesis Submitted to the Fa
  • Isao Takahata (1935-2018) Tze-Yue Gigi Hu
  • (And Peculiarities) of the Hollywood World War II Propaganda Film
  • The Western and the War Film: Clint Eastwood's
  • Steampunk Vs. Dieselpunk
  • The Evolution of Realism in American World War Two Films
  • From Hitler to Hollywood: Transnational Cinema in World War Ii
  • War Memory, War Responsibility, and Anti-War Pacifism in Director Miyazaki's the Wind Rises (Kaze Tachinu)
  • In the Shadow of Anxiety the Detective Fiction of Akimitsu Takagi
  • Film Music and Film Genre
  • Screen Combat: Recreating World War Ii in American Film and Media
  • The Stuff That American Dreams Are Made Of: Why the Film Noir Genre Emerged in the Midst of Religious Fervor in Postwar America
  • SOUTHEAST ASIAN NOIR Twixt Night and Dark: Colonialism, Trauma
  • Antiwar Film? Focus Is Mi¡ Agnieszka Th Soltysik Monnet War L
  • 1805 and All That: Defining the Naval War Film
  • The Hollywood War Machine
  • Rubble Noir, a Postwar Vision of the Vanquished
  • General Education Course Catalog Students Beginning Fall Term 2018 (2191), Or After


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