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Duke Ellington Kyle Etges Signature Recordings Cottontail
Recorded Jazz in the 20Th Century
6. Count Basie's Cleveland Connections
Count Basie and His Bands
2014 Posters
Oran Thaddeus Page “Hot Lips”
Screamin' Jay Hawkins
Kansas City: the Crossroads of Jazz
COUNT BASIE Vol.2
Main Artist (Group) Album Title Other Artists Date Cannonball Adderley
Red Bank Boogie Full Score
Deep Deuce and the Cultivation of Jazz in Oklahoma
To Count Basie
Music Meanings in Movies: the Case of the Crime‐Plus‐Jazz Genre
The Improvised Counterpoint of Freddie Green In
Kansas City Jazz: from Ragtime to Bebop—A History
COUNT BASIE ORCHESTRA in the History of Jazz Music, There Is Only
WIND BASS: a GUIDE to PLAYING BASS LINES on the TUBA By
Top View
JELLY ROLL MORTON's
Freddie Green
Oral History Transcript T-0034, Interview with Singleton Palmer
MUSC287 Instructor: Noah Baerman Survey of Jazz Styles – Winter 2021
[email protected]
Big Bands”- a Maravilhosa Era Do Swing 4ª Parte
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master Interview Was Provided by the National Endowment for the Arts
Jazz Review, That They Believed They Eddie Durham, of San Marcos, Texas, Who Would Write and Necessarily Could Escape Racism by Playing in Northern Venues
MILT HINTON NEA Jazz Master (1993)
Download the TRUMPET of LESTER COLLINS
In Modern Jazz: Texan Gene Ramey in Kansas City & New York
A Musical Analysis of the Guitar in the Count Basie Rhythm Section
Nice ‘N’ Easy Presents Arranged by Billy Byers
Discography Compiled by Bob Weir
WEB ONLY 47 Discography This Listing Includes Recordings of the First Recorded Performances of Dameron Compositions As Well As A
“One O'clock Jump”—Count Basie and His Orchestra (1937)
<Product> <Article-Title>Last of the Blue Devils</Article-Title> <Contrib
December 2008 Issue 311 Jazz