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Voice exchange
Conductus and Modal Rhythm
The Aquitanian Sacred Repertoire in Its Cultural Context
2-Voice Chorale Species Counterpoint Christopher Bailey
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
Modes, Scales, Functional Harmony, and Nonfunctional
Schenkerian Analysis for the Beginner Benjamin K
Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice&
K. Schiltz and B. J. Blackburn, Eds., Canons and Canonic Techniques, 14Th–16Th Centuries: Theory, Practice, and Reception History, Leuven Studies in Musicology
Prolongation in the Choral Music of Benjamin Britten
Analysis in Terms of Counterpoint: General Principles Prerequisite
University of Southampton Research Repository
Second Inversion Triads
The Tristan Chord in Historical Context: a Response to John Rothgeb
Why I Am Not a Schenkerian
Schenker's Leading Linear Progressions
Anti-Semitism and Musical Transcendence in Wagner's Parsifal
ANALYSIS of TONAL MUSIC: a Schenkerian Approach THIRD EDITION
Early Cistercian Polyphony: a Newly-Discovered Source *
Top View
A Schenkerian Approach to Text-Music Relations in Selected Lieder by Robert Schumann
Techniques of Melodic Prolongation Auskomponierung, Or “Composing Out” Auskomponierung Auskomponierung
Sound and Space in Twelfth-Century Notre-Dame of Paris
University of Cincinnati
The Structure of First-Species Canon in Modal, Tonal and Atonal Musics
(1) Western Culture Has Roots in Ancient and ___
Appendix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies
A New Vision for the Genre: the Five Cello Sonatas of Ludwig Van Beethoven and the Striving Towards Instrumental Equality
MTO 18.4: Goldenberg, the Interruption-Fill and Corollary
Schenker's Versus Schenkerian Attitudes Towards Sequences
Contrapuntal Ingenuity in the Motets of Machaut Justin Lavacek
5~79 //£/ Applications of Reductive Analytical
How to Build a Development Section: a Schenkerian Perspective
Medieval Music]
Why Topology?
The Fundamental Unity in Brahm's Horn Trio, Op. 40
Voice-Leading Patterns in the Fugal Expositions of JS Bach's
Counterpoint of Lines Or Voices Mart Humal
Download File
Sources of Thirteenth-Century English Polyphony: Catalogue with Descriptions
Schenker's Leading Linear Progressions
Domenico Scarlatti and the Hidden Voice Exchange
Song and Dance in the Early Middle Ages