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Vladimir Sofronitsky
Gestural Patterns in Kujaw Folk Performing Traditions: Implications for the Performer of Chopin's Mazurkas by Monika Zaborowsk
ANATOLY ALEXANDROV Piano Music, Volume One
The Performing Style of Alexander Scriabin
Mozart Complete Fortepiano Concertos Author: Jed Distler
Alexander Scriabin (1871-1915): Piano Miniature As Chronicle of His
Dmitry Shostakovich's <I>Twenty-Four Preludes and Fugues</I> Op. 87
156. FOURTH MOVEMENT Classical Music and Total War: a New
Toccata Classics TOCC0186 Notes
PROGRAM NOTES Cup, a Slower Dance, Adagio, Which in by SUSAN HALPERN Its Second Part Becomes More Spirited, Animato
Transcendent Sounds: the Early Piano Music of Alexander Scriabin
Maria Judina
Vladimir Sofronitsky Plays Schubert Mp3, Flac, Wma
Toccata Classics TOCC 0034 Notes
Vladimir Sofronitsky
DEFINING NATIONAL PIANO SCHOOLS Perceptions And
Dmitry Shostakovich: Second Piano Sonata by Karina
Vladimir Tropp, Piano Department of Music, University of Richmond
Symphony Orchestra
Top View
Op. 57) – Documentation of the Database
An Interview Wih Vladimir Sofronitsky. Conducted by A. Vitsinsky on October 28, 1945
Piano Performance in a Semiotic Key Acta Semiotica Fennica Approaches to Musical Semiotics
1999-2000 Discovering Great Music-" the Century's Piano Giants" Part 1, Abram Kreeger
INTERMEZZO] the University of Ottawa School of Music’S Undergraduate Journal
The Changing Style of Playing Rachmaninoff's Piano Music Yuan