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Vivian Fine
Focus 2020 Pioneering Women Composers of the 20Th Century
National Endowment for the Arts (4)” of the John Marsh Files at the Gerald R
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
Boston Symphony Orchestra Concert Programs, Season 107, 1987-1988
Boston Symphony Orchestra Concert Programs, Summer, 1990
Boston Symphony Orchestra Concert Programs, Summer, 1989
Vivian Fine's Work with Doris Humphrey and Martha Graham Dana Renée Terres
Class of 1967 50Th Reunion
Records Crystal
From Piano to Percussion: Vivian Fine, Zita Carno, and Gitta Steiner
Program Schedule and Abstracts
THE SOLO VIOLIN WORKS of SAMUEL ADLER, CHEN YI, and SHULAMIT RAN: a PERFORMER’S PERSPECTIVE Title Page
The Bulletin O F T H E S O C I E T Y F O R a M E R I C a N M U S I C F O U N D E D I N H O N O R O F O S C a R G
University of Oklahoma Graduate College
Copyright by Holly Ann Schwartz 2008
The Composer/Performer 40Th Anniversary
April 8, April 15, April 22, April 29, May 6, May 13
Katherine Wolfe, Violin and Ketty Nez, Piano
Top View
Renowned Beethoven Scholar and Pianist Joins Faculty the Christmas
Vivian Fine Arnold Schoenberg Monday, March
New Orleans, Louisiana
Sounds of the American Century LEON BOTSTEIN, Conductor
Analysis and Historical Context of Vivian Fine's Last Work for Solo Piano
What Do You Mean I Have to Stay Home?: Considering the Chamber Music of Three Female Composers at the Turn of the 20Th Century
Proquest Dissertations
Memoirs of Uliana Rooney Department of Music, University of Richmond
Jacobo Ficher Collection
October 1956) Guy Mccoy
Dissonant Counterpoint, Henry Cowell, and the Network of Ultra-Modern Composers John D
Eighth Blackbird: Scintillating Centenarians Department of Music, University of Richmond
ABSTRACT the Music of Women Composers Often Comprises Only A
“The City's Pioneering Professional Ensemble Dedicated to New Music.”