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Vincenzo Foppa
The Symbolism of Blood in Two Masterpieces of the Early Italian Baroque Art
Brescia. the Renaissance in Northern Italy Moretto – Savoldo – Moroni. Raphael – Titian – Lotto 2 June – 28 August 2016
L'arte Del Quattrocento E Del Cinquecento
Analyses of Paint Media: New Studies of Italian Paintings of the Fifteenth and Sixteenth Centuries
Vincenzo Foppa (Bagnolo Mella, Brescia, Tra Il 1427 E Il 1430; Pavia
Summary for Deaccession by National Gallery of Art, October 15
The Artist ITALIAN (BRESCIAN/VENETIAN SCHOOLS), C
Understanding Bodies, Pain, and Torture in Renaissance Art Helena Guzik FCRH '12 Fordham University,
[email protected]
Constance Jocelyn Ffoulkes and the Modernization of Scientific Connoisseurship
Curriculum Vitae Di MARIA CLELIA GALASSI
Goiters in the Renaissance, Vesalius, III, 1, 23 - 32,1997
Dynamic Doorways: Overdoor Sculpture in Renaissance Genoa
Pigello Portinari Nella Vita Economica (E Politica) Milanese Quattrocentesca » 27 Giovanni Farese, La Continuità Dell’Amministrazione Finanziaria
Alessandro Moretto and the Decomposition of the Painter's Art in Renaissance Brescia Kirk Nickel University of Pennsylvania,
[email protected]
Studying and Conserving Paintings Occasional Papers on the Samuel H
1.489 Cm (58 5/8") W: 57.0 Cm (22 1/4") T: 1.27 Cm (44"); T Including Cradle: 3.96 Cm (1 9/16")
Hangings, Curtains, and Shutters of Sixteenth-Century Lombard Altarpieces
THE SALA DELLE ASSE in the SFORZA CASTLE in MILAN By
Top View
Italian Renaissance Panels Reunited After Centuries Apart
Note Sulla Vetrata Raffigurante Santa Caterina D’Alessandria, Su Cartone Di Vincenzo Foppa E Sul Presepe Della Certosa Di Pavia Letizia Lodi
FOPPA, ZENALE and LUINI Lombard Painters Before and After Leonardo 20 June – 17 August 2012