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Un Chien Andalou

  • The Prologue to Un Chien Andalou As Precursor to the Contemporary Poetics of Antivisuality and Blindness

    The Prologue to Un Chien Andalou As Precursor to the Contemporary Poetics of Antivisuality and Blindness

  • The Case of Luis Buñuel's Un Chien Andalou

    The Case of Luis Buñuel's Un Chien Andalou

  • OCR AS and a Level Film Studies

    OCR AS and a Level Film Studies

  • 27833 - English Literature IV

    27833 - English Literature IV

  • Gender As Trauma in Buñuel's Un Chien Andalou

    Gender As Trauma in Buñuel's Un Chien Andalou

  • Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media

    Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media

  • Strategies of Digital Surrealism in Contemporary Western Cinema by à 2018 Andrei Kartashov Bakalavr, Saint Petersburg State University, 2012

    Strategies of Digital Surrealism in Contemporary Western Cinema by à 2018 Andrei Kartashov Bakalavr, Saint Petersburg State University, 2012

  • COL 20Th Sample Syllabus 1

    COL 20Th Sample Syllabus 1

  • GARCIA LORCA, DALI, and the METAPHOR, 1926-1929 by Christoper Maurer

    GARCIA LORCA, DALI, and the METAPHOR, 1926-1929 by Christoper Maurer

  • Two Surrealist Films

    Two Surrealist Films

  • And Un Chien Andalou (Buñuel/Dalí, 1929)

    And Un Chien Andalou (Buñuel/Dalí, 1929)

  • 59E59 Theatre

    59E59 Theatre

  • Film-3020 17SQ Syllabus

    Film-3020 17SQ Syllabus

  • Salvador Dali and Luis Bunuel's Un Chien Andalou

    Salvador Dali and Luis Bunuel's Un Chien Andalou

  • Luis Bunuel and the Cinema of the Surrealist Documentary Caroline Francis Rhode Island College, Cfrancispope@Msn.Com

    Luis Bunuel and the Cinema of the Surrealist Documentary Caroline Francis Rhode Island College, [email protected]

  • An Appropriation for the Stage of Luis Buñuel and Salvador Dalí's Un

    An Appropriation for the Stage of Luis Buñuel and Salvador Dalí's Un

  • Un Chien Andalou (1929), L’Âge D’Or (1930) and Las Hurdes: Tierra Sin Pan (1933)*

    Un Chien Andalou (1929), L’Âge D’Or (1930) and Las Hurdes: Tierra Sin Pan (1933)*

  • The Sound and the Fragment in Artistic Practices

    The Sound and the Fragment in Artistic Practices

Top View
  • Bun˜Uel, Bataille, and Buster, Or, the Surrealist Life of Things
  • 27833 - English Literature IV
  • Wood, Michael. "Modernism and Film."
  • Visions Through the Camera's
  • Beckett and Surrealism in Dalí: the Language and Ideology of the Absurd
  • Buñuel's Impure Modernism
  • Salvador Dalí: BIOGRAPHY
  • Abandonment of Logic: Surrealism and Un Chien Andalou (1929) Malcolm Montgomery
  • Edwards T Thesis 2016 Final
  • Memory and Madness in Buñuel™S Belle De Jour
  • Masculinity in the Shadow of the Slashed Eye: Surrealist Film Criticism at the Crossroads Screen 1998 39: 153-163; Doi:10.1093/Screen/39.2.153
  • The Evolution of Surrealist French Cinema by Christopher Adler
  • THEA 463: Modern Drama and Theatre
  • FILM 300.01: History of Film Tobin W
  • THE SYMBIOTIC RELATIONSHIP BETWEEN LITERARY MODERNISM and CINEMA Charles Bailey Clemson University, Russ Bailey [email protected]
  • Un Chien Andalou (An Andalusian Dog)
  • Dalí: Painting and Film Explores the Central Role of Cinema in the Work of the Surrealist Master
  • JUN & JUL 2014 at Bamcinématek


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