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Togusa
Motoko Kusanagi: the Japanese Superwoman a Comparative Film Analysis of Rupert Sanders’ and Mamoru Oshii’S Ghost in the Shell
CINEMA E DISTOPIA – Exploração De Conceitos E Mundos Paralelos –
Strategy and Style in English and French Translations of Japanese Comic Books
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
Gendered Cyborgs and Human Boundaries in Mamoru Oshii's
Perils of Hollywood Whitewashing?: a Review of 'Ghost in the Shell' Movie
Le Vivant Dans L'art
“It Is Time to Become a Part of All Things”: Understanding Identity Outside of Humanist Ontology
DISSERTATION O Attribution
Refiguring the Radical Cyborg in Mamoru Oshii's "Ghost in the Shell" Author(S): Carl Silvio Reviewed Work(S): Source: Science Fiction Studies, Vol
Using the Series Ghost in the Shell: Stand Alone Complex As a Critical Text
Theorizing the Gynoid Double-Bind in Mamoru Oshii's Ghost in the Shell II
The Case of OSHII Mamoru
{FREE} the Ghost in the Shell: V. 1 Ebook
Linguistic Emotivity: Centrality of Place, the Topic–Comment Dynamic, and an Ideology of Pathos in Japanese Discourse
Ghost in the Shell
Anatomy of Permutational Desire, Part III: the Artificial Woman and the Perverse Structure of Modernity
Ghost in the Shell: Stand Alone Complex 5 Free
Top View
Dis/Corporatization: the Biopolitics of Prosthetic Lives and Posthuman Trauma in Ghost in the Shell Films Donna T
Questioning Identity, Humanity and Culture Through Japanese Anime
Ghost Whispers
Read Book the Ghost in the Shell: V. 2 Kindle