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Titian

  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort Olson25@Marshall.Edu

    Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]

  • Rethinking Savoldo's Magdalenes

    Rethinking Savoldo's Magdalenes

  • Body, Identity, and Narrative in Titian's Paintings

    Body, Identity, and Narrative in Titian's Paintings

  • Salome: the Image of a Woman Who Never Was

    Salome: the Image of a Woman Who Never Was

  • Rape of Lucretia) Tears Harden Lust, Though Marble Wear with Raining./...Herpity-Pleading Eyes Are Sadly Fix’D/In the Remorseless Wrinkles of His Face

    Rape of Lucretia) Tears Harden Lust, Though Marble Wear with Raining./...Herpity-Pleading Eyes Are Sadly Fix’D/In the Remorseless Wrinkles of His Face

  • Best of ITALY

    Best of ITALY

  • Bacchus and Ariadne by Titian

    Bacchus and Ariadne by Titian

  • Titian (Tiziano Vecellio)

    Titian (Tiziano Vecellio)

  • Painting Lucretia

    Painting Lucretia

  • Danaëandvenus and Adonis

    Danaëandvenus and Adonis

  • INNOVATION and EXPERIMENTATION: VENETIAN RENAISSANCE and MANNERISM (Titian and Pontormo) VENETIAN RENAISSANCE

    INNOVATION and EXPERIMENTATION: VENETIAN RENAISSANCE and MANNERISM (Titian and Pontormo) VENETIAN RENAISSANCE

  • Pietà Rovaiweber Design, Firenze

    Pietà Rovaiweber Design, Firenze

  • Titian's Later Mythologies Author(S): W

    Titian's Later Mythologies Author(S): W

  • Boucher: Three Pastoral Scenes

    Boucher: Three Pastoral Scenes

  • Caragh Thuring's 'Assembly'; Muntean/Rosenblum at Team Gallery

    Caragh Thuring's 'Assembly'; Muntean/Rosenblum at Team Gallery

  • Titian, the Rape of Europa, Isabella Stewart Gardner Museum, Boston

    Titian, the Rape of Europa, Isabella Stewart Gardner Museum, Boston

  • Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting at the National Gallery of Art Washington June 18–September 17, 2006

    Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting at the National Gallery of Art Washington June 18–September 17, 2006

  • Titian Titian (C.488/1490 – 1576) Is Considered the Most Important Member of the 16Th-Century Venetian School. He Was One of T

    Titian Titian (C.488/1490 – 1576) Is Considered the Most Important Member of the 16Th-Century Venetian School. He Was One of T

Top View
  • Review of Titian and the Golden Age of Venetian Painting Annemarie Sawkins Marquette University, [email protected]
  • Technical Bulletin Has Been Supported National Gallery Technical Bulletin by Mrs Charles Wrightsman Volume 36 Titian’S Painting Technique from 1540
  • The Art of Venice
  • Download Article
  • Giorgione's Sleeping Venus
  • Titian's Danaë
  • Giulio Romano's Louers: a Reflection on Its Visual Sources and Literary Associations Michiaki KOSHIKAWA in the Life of Giulio Romeno, Giorgio Vasari Described
  • Jacopo Tintoretto's Female Concert
  • Portrayal of Lucretia and Achilles by Giuseppe Cades
  • Art Analysis
  • Shared Ideas Between Visual and Musical Arts 1450-‐1750
  • Giovanni Morelli and His Friend Giorgione: Connoisseurship, Science and Irony
  • Titian Also Known As Vecellio, Tiziano Venetian, 1488/1490 - 1576
  • Poetry in Paint: Titian's Late Mythologies Online Conference
  • Christopher J. Nygren
  • The Self-Portrait ‘En Décapité’ Interpreting Artistic Self-Insertion
  • W 19 Self Portrait
  • Venus with a Mirror C


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