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The Cars That Ate Paris
Bruce Beresford's Breaker Morant Re-Viewed
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
The Spiral Dynamics of Cinema Studies Provisionally Drafted by Alex Burns (
[email protected]
)
October 25, 2011 (XXIII:9) Peter Weir, the LAST WAVE (1977, 106 Min.)
The Films of Peter Weir by Jonathan Rayner, New York
This File Was Downloaded From
The Branagh Film
Country Towns in Australian Films: Trap and Comfort Zone
Adapting Australian Film: Ray Lawrence from Bliss to Jindabyne
Directory of World Cinema: Australia and New Zealand 2
Jane Campion Presents a Film by Julia Leigh
Hogarth to Monster Wheels : a Grotesque Connection
The Films of Peter Weir
The Soundtracks of Australian Transcultural Cinema: Re-Sounding the Past
Craig William Proudley Exegesis (PDF 985Kb)
Whither Culture? Australian Horror Films and the Limitations of Cultural Policy
Information to Users
Top View
The Lost Cult of Wake in Fright by Julian Savage
Australian Cinema, Genre and the Everyday
Jindabyne, and Report Finding the Body, All Hell Breaks Loose
The Cars That Ate Paris
Contemporary Australian Cinema
This May Be the Author's Version of a Work That Was Submitted/Accepted
Madman Cinema
2016 Acp Bulletin
ASAL 2008 Paper
You Look Normal to Me: the Social Construction of Disability in Australian National Cinema in the 1990S
Blokes and Cars: the Construction Of
Australian Humanities Review : Simpson