DOCSLIB.ORG
  • Sign Up
  • Log In
  • Upload
  • Sign Up
  • Log In
  • Upload
  • Home
  • »  Tags
  • »  The Blair Witch Project

The Blair Witch Project

  • The Blair Witch Project: Forming Strong Attitudes, Beliefs and Consumer Intentions from a Myth”

    The Blair Witch Project: Forming Strong Attitudes, Beliefs and Consumer Intentions from a Myth”

  • The Invisible Monstrous-Feminine

    The Invisible Monstrous-Feminine

  • Fandom, Intermediality, and the Blair Witch Project

    Fandom, Intermediality, and the Blair Witch Project

  • Found-Footage Horror and the Frame's Undoing

    Found-Footage Horror and the Frame's Undoing

  • Supernatural Folklore in the Blair Witch Films: New Project, New Proof

    Supernatural Folklore in the Blair Witch Films: New Project, New Proof

  • Why Found Footage Horror Films Matter : Introduction

    Why Found Footage Horror Films Matter : Introduction

  • An Investigation of Priming, Self-Consciousness, and Allegiance in the Diegetic Camera Horror Film

    An Investigation of Priming, Self-Consciousness, and Allegiance in the Diegetic Camera Horror Film

  • Horror Rhetoric in Fiction and Film

    Horror Rhetoric in Fiction and Film

  • The Blair Witch Project

    The Blair Witch Project

  • Perverse Pleasures: Spectatorship the Blair Witch Project

    Perverse Pleasures: Spectatorship the Blair Witch Project

  • Bewitched:: HOW “BLAIR WITCH” ENTRANCED the MEDIA

    Bewitched:: HOW “BLAIR WITCH” ENTRANCED the MEDIA

  • Film Websites: a Transmedia Archaeology

    Film Websites: a Transmedia Archaeology

  • Introduction

    Introduction

  • Found Footage Draft

    Found Footage Draft

  • For Immediate Release Richard Dreyfuss to Attend

    For Immediate Release Richard Dreyfuss to Attend

  • The Political Economy of the Indie Blockbuster: Fandom, Intermediality, and the Blair Witch Project

    The Political Economy of the Indie Blockbuster: Fandom, Intermediality, and the Blair Witch Project

  • Cultural Borrowings: Appropriation, Reworking, Transformation

    Cultural Borrowings: Appropriation, Reworking, Transformation

  • Buzz Bombs: the Room, Snakes on a Plane and Cult Audiences in the Internet Era

    Buzz Bombs: the Room, Snakes on a Plane and Cult Audiences in the Internet Era

Top View
  • The Last Exorcism
  • Articulating a Techno-Critical Pedagogy a Dissertation Presented
  • Experiencing the Digital Image in Popular Cinema: a Perspective on the Horror and Crime Genres By
  • Found Footage and the Gothic Conventions
  • HDCC208G Seminar in Digital Cultures and Creativity: Expanded Cinema
  • Blair Witch Project Game Release Date
  • Arts Barn Celebrates 20Th Anniversary of “The Blair Witch Project” with Special Screening Featuring Co-Director Eduardo Sánchez and Film Critic Arch Campbell
  • Cultural Borrowings Edited
  • Digital Cinema (FLM020X369A) | University of Roehampton
  • The Blair Witch Project Revisited
  • Curse of the Blair Pitch
  • Terror That You Don't See Coming Goddard, Peter
  • The Blair Witch Project: a Marketing Case Study
  • Three Horror Film Case Studies in the Exorcism Subgenre
  • Media Monsters: an Exploration of Fear and Enjoyment in Film” by Tara Shrier
  • Digital Cinema (FLM020X369A) | University of Roehampton
  • The Subversion of Factual Discourse in Found Footage Films a Subversão Do Discurso Factual Em Filmes Found Footage
  • Bamcinématek Presents Witches' Brew, Feb 16—29, 18 Tales Of


© 2024 Docslib.org    Feedback