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Susan McClary
Recasting Gender
Musicology and Feminism in the 1990S Author(S): Susan Mcclary Source: Feminist Studies, Vol
MTO 4.2: Schmalfeldt, Keeping the Score
Beethoven Was a Lesbian a Radio Opera by Sophie Seita & Naomi Woo Tête-À-Tête Opera Festival 2020
Feminist Music Criticism Feminist Music Criticism
Lulu's Daughters
Opera's 'Wicked Women': the Presence of Female Type in the Bible and Its Translation to the Stage
Cracking the Linz Circle's Secret Codes: a Singer's Guide to Alternate Interpretations of Schubert Lieder
Towards a Feminist Criticism of Music Susan Mcclary
Doing Violence to 'Violence': Theodor W. Adorno and the Responsibilities
The Myth of Musicology: Part 2
Creative-Writing Projects in the Music History Classroom1
Addressing the Problem of Criticism in Feminist Musicology (1979–2015); Or, Why We Shouldn’T Raise the White Flag Yet
Twenty Years After: a Review Essay of Musicological Identities1
SUSAN Mcclary AUGUST 2013
Multicultural Musicology for Monolingual Academics?
Music Cognition and Cultural Meaning
POSTPONED: Join Thinkingdance for a Virtual Write Back Atcha by Miryam Coppersmith
Top View
Biography and the New Musicology
The Critical Reception of Beethoven's Compositions by His German
The Feminist Musicology Studies of Susan Mcclary and Marcia J. Citron
Women and Music
'Classical Music
Music and Women's Studies
A Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major, K
An Interview with Professor Susan Mcclary: the Development of Research on Gender and Music
Beethoven-And-Masculinity.Pdf
MTO 19.3: Clark, Review of Wollenberg, Schubert's Fingerprints
All Too Human? Reviewed Work(S): Music and Humanism: an Essay in the Aesthetics of Music by RA Sharpe; the Spheres of Music: a Gathering of Essays by Leonard B