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Supertonic
Day 17 AP Music Handout, Scale Degress.Mus
Discover Seventh Chords
When the Leading Tone Doesn't Lead: Musical Qualia in Context
Triads
Secondary Dominant Chords.Mus
Extending Chord Selection in Diatonic Major / Minor Keys
MUSI 2216 Advanced Sight Singing & Ear Training I
The Death and Resurrection of Function
Supertonic-Tonic Endings – P.28
Grade 5 Theory
Secondary Chords
Extensions on Diatonic Chords the Dominant Ninth (V9)
Chord Functions
Chromatic Harmony
Each Offering of This Course Must Include the Following Topics (Be Sure to Include Information Regarding Lab, Practicum, Clinical Or Other Non Lecture Instruction)
Music Theory Placement Test Student Name ______Student ID # ______
Œœœ Œœœ Œœœ Œœœ Œœœ Œœœ Œœœ
Lesson 4 Cadences & Pre-Dominants.Key
Top View
Vi Or VI) the Submediant Chord Functions As a Weak Pre-Dominant
1 Lesson GGG – Seventh Chords Introduction
Roman Numerals in the Roman Numeral System, I (Or I) Means One, and V (Or V) Means Five
A Comparison of the Hindemith and Schenker Concepts of Tonality
Music Theory III COURS
The Whole Chord Thing
1 Major and Minor Scales Half And
Cadence Fingerprints Cadential Patterns One (Variants of I-V-I)
Cadence Notes
Appendix 5 Other Seventh Chords (Major, Minor, Half Diminished, Diminished)
ONLINE CHAPTER 1 EXTENDED CHORDS: the NINTH, ELEVENTH, and THIRTEENTH Artists in Residence: Barbara Hendricks and Walter Gieseking