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Statues Also Die
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WILD Grasscert 12A (LES HERBES FOLLES)
Social Documentary in France from the Silent Era to the New Wave
Chris Marker Birth Name: Christian François Bouche-Villeneuve Director, Screenwriter, Cinematographer, Editor
Bamcinématek Presents Chris Marker, a Retrospective of the Master Cine-Essayist, Aug 15—28
Chris Marker a Grin Without a Cat
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The Spectre of Algeria in Alain Resnais's Night and Fog Virginia Bonner, Clayton State University, USA
Alain Resnais’: the Most Complete Retrospective of the Director’S Films Ever Presented in New York
La Jetᅢᄅe in Historical Time: Torture, Visuality, Displacement
Reorienting Objects in Resnais and Marker's Les Statues Meurent Aussi / Statues Also
July 2011 at BFI Southbank Alain Resnais, Jeff Bridges, KOSMOS
Montage in the Films of Nicole Vedrès, Alain Resnais and Chris Marker, 1947-1957
Alain Resnais 1922-2014 Hiroshima Mon Amour
1 Chris Marker: a Grin Without a Cat Whitechapel Gallery, London, 16
How the Essay Film Thinks Ii Iii
CHRIS MARKER: a VIDEO SELECTION January 7 - 17, 1994
Chris Marker (II)
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Version Anglaise
Concentrationary Cinema
NEWSREEL SHREDS Newsreel Tribute – Prime Time in Camps and Slon Tango
Journal of French and Francophone Philosophy, 24 (1)
TESIS DOCTORAL from Waste to Worth. Recycling Moving Images As a Means for Historical Inquiry
This Item Is the Archived Peer-Reviewed Author-Version Of
WILD GRASS (LES HERBES FOLLES) © F C O Mm E Il M - Hris T Ophe J Ea U Ffro Y Ra N Ci D Ero Dille T HIERR
Cinematic Thought: the Representation of Subjective Processes in the Films of Bergman, Resnais and Kubrick