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Sound of da Police
Ethnic Studies Review
Talking to Songwriters About Copyright and Creativity
ENG 350 Summer11
Hip Hop As Oral Literature Patrick M
Culture and Contempt: the Limitations of Expressive Criminal Law
A Socialist, Feminist, and Anti-Racist Journal on the Theory
ON the RECORD: a Conversation with Directors Kirby Dick and Amy Ziering
The Power of the Hip-Hop Narrative in Mainstream Rap Morgan Klatskin Brigham Young University, Provo,
[email protected]
Overstandin: Upscaling Reading Positions and Rescaling Texts/Signs
Journal of Hip Hop Studies
Beyond Bob Dylan: a Critical Discussion of American Protest Music and Its Redefinitions
Discovering the Relationship Between Rap Music and the Political Attitudes and Participation of Black Youth
Hip Hop from Cultural Expression to a Means of Criminal Enforcement
One Hundred Years of Race and Crime Paul Butler
RAP and RESISTANCE: VISIONS of SELF and SOCIETY in AMERICAN, AFRICAN, and FRENCH HIP HOP MUSIC Rosalind Hutchinson
What Follows Are Excerpts (Including One Full Chapter
Kultura & Lifestyle
De Minimis, Fair Use, Blockchain, and an Approach to an Affordable Music Sampling System for Independent Artists
Top View
Simone Parker Bio
The Vulgar Voice on the New Black Realist Soundtrack: Sounds of R JOURNAL of HIP HOP STUDIES
JSEL Volume 12, Issue 2
MUS 360 Exam 2 Review Guide: Materials from 10/17 Through 11/09
Hip Hop and Diaspora: the Significance of Afro-American Music in the Creation of Identity
From Reaganomics to Ebonics: the Urban