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Simon Reynolds

  • L'hantologie Résiduelle, L'hantologie Brute, L'hantologie Traumatique*

    L'hantologie Résiduelle, L'hantologie Brute, L'hantologie Traumatique*

  • 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)

    'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)

  • Phd Thesis the Anglo-American Reception of Georges Bataille

    Phd Thesis the Anglo-American Reception of Georges Bataille

  • Mediated Music Makers. Constructing Author Images in Popular Music

    Mediated Music Makers. Constructing Author Images in Popular Music

  • University of Birmingham from Microsound to Vaporwave

    University of Birmingham from Microsound to Vaporwave

  • Popular Music in Germany the History of Electronic Music in Germany

    Popular Music in Germany the History of Electronic Music in Germany

  • City, University of London Institutional Repository

    City, University of London Institutional Repository

  • Mark Fisher Goldsmiths, University of London / University of East London (UK)

    Mark Fisher Goldsmiths, University of London / University of East London (UK)

  • Lou Reed's Adaptations and the Pain They Cause

    Lou Reed's Adaptations and the Pain They Cause

  • Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music

    Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music

  • 394 GLOSSARY Acid Jazz Late 1980S and 1990S

    394 GLOSSARY Acid Jazz Late 1980S and 1990S

  • Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art

    Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art

  • HUMAN EXCESS Aesthetics of Post-Internet Electronic Music

    HUMAN EXCESS Aesthetics of Post-Internet Electronic Music

  • Philosophizing Post-Punk

    Philosophizing Post-Punk

  • This Is More of a Headline Than a Title

    This Is More of a Headline Than a Title

  • Simon Reynolds: Retromania. Pop Culture's Addiction to Its Own Past.1

    Simon Reynolds: Retromania. Pop Culture's Addiction to Its Own Past.1

  • Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996

    Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996

  • The Slow Death of Everett True: a Metacriticism

    The Slow Death of Everett True: a Metacriticism

Top View
  • What Is Post-Punk?
  • Energy Flash: a Journey Through Rave Music and Dance Culture Free
  • Technodeleuze and Mille Plateaux Achim Szepanski's
  • The Lost Generation How UK Post-Rock Fell in Love with the Moon, and a Bunch of Bands Nobody Listened to Defined the 1990S by Nitsuh Abebe
  • Listening for Delia Derbyshire in Histories of Electronic Dance Music
  • Björk Reaches Beyond the Binaries
  • Download Download
  • Bedroom Producers and the Future of DIY Music
  • THE WIRE 25 a Month Long Season of Music Celebrating the Wire Magazine’S 25Th Birthday
  • Rumble in the Jungle: the Invisible History of Drum'n'bass
  • Vaporwave Is a Microgenre of Electronic Music and an Internet Meme That Emerged in the Early 2010S
  • Mediated Music Makers. Constructing Author Images in Popular
  • Digital Sampling: a Cultural Perspective
  • Simon Reynolds' Retromania Thesis — We've Become Weighed Down by the Past and As a Result, the 2000S Lacks a Own Signature Sound — Seems Pretty Spot-On to Me
  • ©Copyright 2010 Bradley T. Osborn
  • The Alphabet of Hauntology
  • The Representation of the Feminine, Feminist and Musical Subject in Popular Music Culture
  • More Brilliant Than the Sun: Adventures in Sonic Fiction: Concept Engineered by Kodwo Eshun


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