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Serge Nigg
The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000
View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927
FRENCH SYMPHONIES from the Nineteenth Century to the Present
Transforming Messiaen : the Application of Elements of the Musical Language of Olivier Messiaen to the Contemporary Jazz Orchestra
Discours De M. Gilbert Amy Lors De Son Installation À L'académie Des Beaux-Arts Le
Nicolas Bacri
WAYNE BARLOW COLLECTION Eastman School of Music Archives 2001/9/7 and 2018/1/8
Still SELF-UPDATING
Boston Symphony Orchestra Concert Programs, Season 82, 1962-1963
FRENCH CONCERTOS from the 19Th Century to the Present
Musiciennes:Women Musicians in France During the Interwar Years
LES PERCUSSIONS DE STRASBOURG Burning Bright, Hugues Dufourt © Keuj HALF A
Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950
Direction De La Musique Et De La Danse ; Département Création, Musiques D'aujourd'hui (1957-1991)
Ivan Wyschnegradsky (1893-1979)
Ghosts in the Machine the Making of European Serialism, 1945–1955
Antal Doráti Live Live Concerts
Durham E-Theses
Top View
Francis Poulenc and the Post-War Context Christopher Moore
Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950, Subscription
Catalogue Auteur De Serge Nigg
Rebuilding the Repertoire for the 21St Century
Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity
FRENCH CONCERTOS from the 19Th Century to the Present A
557541Bk Kelemen
Tracing Messiaen in Naji Hakim's Le Tombeau D'olivier Messiaen
Journal of the American Viola Society Volume 6 No. 2, Summer 1990
Igor Levit Plays Messiaen and Shostakovich