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Schoenberg hexachord
View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927
Moses Und Aron and Viennese Jewish Modernism
ARNOLD SCHOENBERG's RELIGIOUS ODYSSEY Submitted
SCHOENBERG Violin Concerto a Survivor from Warsaw Rolf Schulte, Violin • David Wilson-Johnson, Narrator Simon Joly Chorale • Philharmonia Orchestra Robert Craft
Tradition As Muse Schoenberg's Musical Morphology and Nascent
Theory of Music-Expressionism
Sets and Nonsets in Schoenberg's Atonal Music Author(S): Allen Forte Reviewed Work(S): Source: Perspectives of New Music, Vol
TONE ROW PARTITIONS in SCHOENBERG's MOSES UND ARON the Volk Partition and the Zwischenspiel Partition
An Analytical Study of Selected Chamber Works by A.Schoenberg
Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg
Analyzing Schoenberg's War Compositions As Satire and Sincerity
Konturen V (2014) 31 Interval Symmetries As
The "Musical Idea" and Global Coherence in Schoenberg's Atonal and Serial Music*
City Research Online
Schoenberg's Moses Und Aron and the Nineteenth-Century Tradition of Operatic Innovation
Musical Exchange and Interaction Between Eisler and Schoenberg, Evidenced by Their Serial Music1
Chapter 30: Neoclassicism and Twelve-Tone Music
The Correspondence Between Roberto Gerhard and Arnold Schoenberg
Top View
Serial Techniques in Works for Unaccompanied Trumpet William Anonie University of South Carolina
MTO 21.3: Boss, Motivic Processes in Schoenberg
A PRACTICAL GLOSSARY for Twentieth-Century Music
Musical Invention and Poetry in the Late Vocal Works of Anton Webern. Melanie S
Text and Structure in Schoenberg's Op. 50, and an Original Composition, Symphony #1 Thomas, Jr
Neoclassic and Anachronistic Impulses in Twentieth-Century Music Author(S): Martha M
Reconsideringpitch-Classsetsin Schoenberg'satonalmusic
The Gould/Schoenberg Dialogues
Performance Practice Considerations in Schönberg's Fünf Klavierstücke
A Practical Approach to Donald Martino's Twelve-Tone Song Cycles
Sound and Semantics: Topics in the Music of Arnold Schoenberg
Smooth Voice-Leading Systems for Atonal Music
Inversion As Rotation in Ordered Pitch-Class Sets
MTO 15.1: Boss, Review of Cherlin
University of Cincinnati
11 Schoenberg, Satire, and the Zeitoper
AN INNOVATIVE APPROACH to SERIALISM: GEORGE ROCHBERG’S TWELVE BAGATELLES for PIANO and SYMPHONY NO
Bryan R. Simms. the Atonal Music of Arnold Schoenberg, 1908-1923