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Sarabandes (Satie)
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Erik Satie's Vexations—An Exercise in Immobility Christopher Dawson
Nicolas Horvath Erik Satie (1866-1925) Intégrale De La Musique Pour Piano • 3 Nouvelle Édition Salabert
Open Boerner Thesis.Pdf
SUMMERGARDEN Program Is Dedicated to the Music of Erik Satie (1866-1925) in Celebration of the 125Th Anniversary of His Birth
The Influence of Parisian Popular Entertainment on the Piano Works of Erik Satie and Francis Poulenc
Le Cas Satie'
Boston Symphony Orchestra Concert Programs, Season 48,1928-1929, Trip
Erik Satie's Vexations—An Exercise in Immobility Christopher Dawson
Satie Intégrale De La Musique Pour Piano • 1 Nouvelle Édition Salabert
NORIKO OGAWA Plays ERIK SATIE on an 1890 ERARD Piano
Erik Satie's Trois Gnossiennes in the French Fin De Siècle
Erik Satie and His Influence on Music in France in the Twentieth Century Lindsey Peters
Erik-Satie.Pdf
La Diva De “L'empire”
The Uses and Aesthetics of Musical Borrowing in Erik Satie's Humoristic
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Boston Symphony Orchestra Concert Programs, Season 45,1925-1926
Top View
Roads to Solace
Boston Symphony Orchestra Concert Programs, Season 45,1925-1926
Erik Satie's Ballet Parade: an Arrangement for Woodwind Quintet and Percussion with Historical Summary Tracy A
An Investigation Into the Performance Interpretations of Erik Satie's Piano Music Through Historical and Contemporary Recorde
Nicolas Horvath
Volume 62, Number 11 (November 1944) James Francis Cooke
The Reception of Erik Satie's Gymnopédies