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Sally Hardesty
Finn Ballard: No Trespassing: the Post-Millennial
This Installation Explores the Final Girl Trope. Final Girls Are Used in Horror Movies, Most Commonly Within the Slasher Subgenre
Products Catalog
A Cinema of Confrontation
Horror, Sexo E Explora~Ao No Cinema I Lucio De Franciscis Dos Reis Piedade
What Does It Mean to Be a Woman in Horror?
The Contemporary American Horror Film Remake, 2003-2013
Clanking, Rattling, and Screaming in the Texas Chain Saw Massacre (Tobe Hooper, 1974)
Remaking Horror According to the Feminists Or How to Have Your Cake and Eat It, Too David Roche
Jordan Peele and Ira Levin Go to the Movies: the Black/Jewish Genealogy of Modern Horror’S Minority Vocabulary ADAM LOWENSTEIN 101
"Switchblade Comb" by Mobius Vanchocstraw. a Jaunty, Jazzy Tune Reminiscent of the Opening Theme of a Movie
The Texas Chainsaw Massacre: Our Collective Nightmare
Chain Saw Confidential
Aesthetic Sensibility in the Texas Chain Saw Massacre
The Ambivalent Stances of the Hollywood Blockbuster Horror Remakes of the 2000S David Roche
The Quint V13.3
Bearing Witness to a Whole Bunch of Murders the Aesthetics of Perspective in the Friday the 13Th Films
B L O O D S P E a K Or How the Girl Grew up with Horror
Top View
La Matanza De Texas (The Texas Chain Saw Massacre) Tobe Hooper (1974)
The Stereotypic Portrayal of Women in Slasher Films: Then Versus Now
Access & Excess in the Texas Chain Saw Massacre
Queer Tension : Le Teuer Inside Me
Transatlantica, 2
Edwards-Behi N N
Dissertation Title Page