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STEIM
Live Performance
Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
2016-Program-Book-Corrected.Pdf
Composing Interactions
Body As Musical Instrument
Musical Harmony After Lacan's Panthéon Period
Published Research in the Field of Experimental Music, 1988 – 2007
The Gatorra: a Technologically Disobedient Instrument for Protest Music
Electronic Music Midwest 16Th Annual Festival Providing Access to New
I- Motor Controller Hardware
Artists' Statements
Download Current CV
Physical Interfaces in the Electronic Arts
Steim(9014).Pdf
STEIM-Geschichten
The Interface-Score Electronic Musical Interface Design As Embodiment of Performance and Composition
Rethinking Live Electronic Music: a DJ Perspective
How to Build a Cracklebox Red Wierenga Brooklyn College Center for Computer Music October 13, 2015 What’S a Cracklebox? What’S a Cracklebox?
Top View
Electro-Acoustic Music in Oxford Music Online
Round Table L Print This Article Electronic Controllers in Music Performance and Composition
Sound Diffusion Systems for the Live Performance of Electroacoustic Music
Cfaia-Phd-Rev-01 Revised Black
Winners of the Bourges 30Th International Competition Of
A Contemporary Approach to Expressiveness in the Design of Digital Musical Instruments
Timbre Networks: an Approach to Composition and Performance in Computer Music
Elements of Electroacoustic Music Improvisation and Performance a Pedagogical Toolkit
Immapp: an Immersive Database of Sound Art
Chapter 1: Introduction
DIY in Early Live Electroacoustic Music: John Cage, Gordon Mumma
The Art of Electroacoustic Music
UC San Diego UC San Diego Electronic Theses and Dissertations
Setting Limits and Overstepping Limits Concerning Moniek Toebosch's Work
Making the Abstract Real: Live Electronics, Embodiment and Physicality