Composing Interactions
Composing Interactions Giacomo Lepri Master Thesis Instruments & Interfaces STEIM - Institute of Sonology Royal Conservatoire in The Hague The Netherlands May 2016 “Any musical innovation is full of danger to the whole State, and ought to be prohibited. (...) When modes of music change, the State always change with them. (...) Little by little this spirit of licence, finding a home, imperceptibly penetrates into manners and customs; whence, issuing with greater force, it invades contracts between man and man, and from contracts goes on to laws and constitutions, in utter recklessness, ending at last, by an overthrow of all rights, private as well as public.” Plato, The Republic 1 Acknowledgements First of all, I would like to express my gratitude to my family. Their love, support and advice are the most precious gifts I ever received. Thanks to Joel Ryan & Kristina Andersen, for their ability to convey the magic, make visible the invisible and p(l)ay attention. Thanks to Richard Barrett, for his musical sensitivity, artistic vision and gathering creativity. Thanks to Peter Pabon, for his outstanding teachings, competences and support. Thanks to Johan van Kreij, for his important practical and conceptual advises, suggestions and reflections. Thanks to Alberto Boem & Dan Gibson, for the fruitful and worthwhile discussion that produced many of the concepts introduced in chapter 2. Thanks to Kees Tazelaar, for the passion, foresight and expertise that characterise his work. Thanks to all the people that contribute to the Institute of Sonology and STEIM. Thanks to their ability to valorise the past and project the future. Thanks to my fellow students Semay and Ivan, for the joy and sharing.
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