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Red Bull Theatre
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Repertory and Riot: the Relocation of Plays from the Red Bull to the Cockpit Stage
From Sidney to Heywood: the Social Status of Commercial Theatre in Early Modern London
The Dramaturgy of Thomas Heywood 1594-1613 Carson, R
An A2 Timeline of the London Stage Between 1660 and 1737
FRONT9 2.CHP:Corel VENTURA
The Queen's Servants at the Red Bull Theatre (C.1605–1619)
Repertory by Genre at Lisle's Tennis Court
Popular Theatre and the Red Bull
Elizabethan and Jacobean Theatres
CHAPTER 6 ‘False Runagates’ and ‘Superlunatical Hypocrites:’ Securing Religious Identity on the Stage
He Theatres of Inigo Jones and John Webb John Orrell Index More Information
Kirkman's the Wits Or Sport Upon Sport As
FRONT9 2.CHP:Corel VENTURA
Charles II and the Restoration Theatre of Consensus Christopher William Nelson Louisiana State University and Agricultural and Mechanical College
Thomas Middleton in Performance 1960-2013: a History of Reception Kate Lechler
Sir Christopher Abdy. Brother-In-Law to Humphrey Mildmay, Recorded As Accompanying Him to a Play
Textual and Narrative Space in Professional Dramas in Early Modern England
Top View
LISTENING to MUSIC: PEOPLE, PRACTICES and EXPERIENCES Editors: Helen Barlow and David Rowland - Copyright, Contacts and Acknowledgements
An Exploration in Dramaturgy
Wall-Randell, Sarah. "What Is a Staged Book? Books As 'Actors' in the Early Modern English Theatre." Rethinking Th
© in This Web Service Cambridge University
Staging Corpses, Ghosts, and Statues in Early Modern Drama